Hello,
For those who want to participate to translate Floss manual pd ->
english to french... I forward this message...
Thanks.
Cheers
p.
---------- Message transféré ----------
De : INFOS Centre de Ressources Art Sensitif
Date : 16 juillet 2010 20:02
Objet : [Fwd: Re: Floss Manual et Pure data]
Bonsoir,
La chargée des flossmanuals france, Elisa Godoy de Castro Guerra, a
créé une liste de diffusion pour commencer à constituer un groupe de
personnes interessées et lancer les discussions.
Pour s'y abonner envoyez un courriel à
floss-manual-francophone+subconfirm (arobse)) googlegroups.com
<http://groups.google.fr/group/floss-manual-francophone>
Pour écrire à Elisa : elisa.dcg (arobse)) gmail.com
Je vous laisse diffuser l'info + largement.
à+
Agnès
--
Yi Sang à Paris, du 23 juin au 4 juillet 2010.
http://www.yisang.fr/http://tinyurl.com/2fjt6jqhttp://www.pascsaq.org
-r-W-x-R-W-X-R- x
autobuild/wheel
---------------[18608128 - s-ile-nses]
@@@@@@@ ;-)
Hey all,
NYC Resistor has regular 'study groups' where people come to work on
the same topic, this Wednesday (tomorrow) the topic is Android. Its
an open environment to come work on Android projects with others who
are doing the same time. A few of us will be focusing on the Pd port
to Android.
This Study Group is part of a regular series of such events at NYC
Resistor, other topics have been Android, Pure Data, Blender, and
Python. Check the website for the upcoming schedule, or subscribe to
the calendar:
http://nycresistor.com
Wednesday, July 14th
6-9pm
87 3rd Ave, 4th Floor, Brooklyn
I worked on the Magnum Photos exhibit, that's where I've been for the
past week or two. The opening is tomorrow, in conjunction with some
interesting stuff on the floor below. Come join in if you are
nearby. The whole thing was realized using Pd-extended/Gem on 10
Ubuntu/Lucid Dell computers and one Mac mini.
> The FLAG Art Foundation
> invites you to the opening of
> SUMMER @ FLAG
> Thursday, July 8
> 6-8 PM
> The FLAG Art Foundation, 545 West 25th Street, 9th Floor
>
> 9th FLOOR
> Noriko Ambe
> - ARTISTS BOOKS, Linear-Actions Cutting Project
> - pronounced KIRU means cut in Japanese. This solo exhibition of New
> York based artist Noriko Ambe is comprised of a specific selection
> of artist books that were the result of an ongoing exploration by
> the artist. Utilizing twenty art monographs from artists such as
> Damien Hirst, Andy Warhol, and Tom Friedman, Ambe has meticulously
> cut hundreds of varying shapes and lines into each page of each
> book, creating intricately controlled biomorphic and sculptural
> fissures. Immersing herself in the body of work encompassed by each
> monograph, Ambe evaluated the nature of her connection with each
> artist and specific works - this aided in her decision of what to
> subtract and what to reveal.
>
> Jennifer Dalton
> MAKING SENSE
> Like an archaeologist of the present-day, Jennifer Dalton collects
> and examines cultural information, organizes and evaluates this
> information according to her own personal criteria, and then
> displays her findings. These displays take the form of drawings,
> photographs or sculptural installations consisting of assembled or
> handmade objects. In Making Sense, she analyzes the cultural
> institutions Facebook, the New Yorker, and Artforum, testing her own
> biases and hypotheses and applying taxonomies where they might not
> be expected. Her process is quasi-scientific, at the intersection
> where apparently objective data encounters low-tech and personal
> methods and conclusions.
>
> Robert Lazzarini
> guns, knives, brass knuckles
> guns, knives, brass knuckles, is an installation and exhibition of
> sculpture by New York based artist Robert Lazzarini. All of Robert
> Lazzarini's sculptures of the past decade begin with what the artist
> calls a 'normative object'. The works in the exhibition start with a
> set of common kitchen knives (chefs, paring, pruning, cleaver,
> etc.), a .38 Smith & Wesson Model 10 revolver, and a unembellished
> pair of brass knuckles. These objects are then subjected to
> mathematical distortions and fabricated out of the materials that
> are original to the objects themselves: blued carbon steel and
> walnut for guns, stainless steel, wood and plastic for knives; and
> yellow brass for brass knuckles. The combination of these
> distortions with the lack of any conventionally artistic 'material
> translation' (e.g. a car out of cardboard; flesh out of marble)
> renders these objects familiar yet strange and difficult, quite
> literally, to grasp. In canting the gallery's walls, Lazzarini
> extends the dislocation exercised on his objects to the space of
> their display. This altered environment not only further subjects
> one's perceptions to a kind of visual slippage, but also connects
> Lazzarini to a lineage of artists, from Richard Serra to Alberto
> Giacometti, distinctly concerned with processes of perception and
> visual abstraction.
>
> 10th FLOOR
> The Magnum Mark
> SELECTIONS FROM THE MAGNUM PHOTOS ARCHIVE
> The signature styles of Magnum's photographers and their commitment
> to documenting the world have brought each of them individual
> acclaim. But it is their collective and it's archive, with its
> wealth of iconic images, that have guaranteed their influence on
> Twentieth and early Twenty-First Century visual culture. As digital
> technology usurps analogue, in both the taking and distribution of
> photographic work, the physical print archive, once at the heart of
> Magnum's business, has taken on a new role as a resource for
> scholarship and exhibition. This exhibition sets out to celebrate
> the legacy of Magnum's print archive, uncovering the processes
> behind traditional, manual, image dissemination, interpreting the
> mysterious marks on the back of press prints and demonstrating the
> craft of printing Magnum's famous photographs. It also looks to our
> digital future, in which technological innovation and the world wide
> web have created exciting new models to deliver, and re-interpret
> Magnum's photography.
>
> Featured within the exhibition will be previously unseen press
> prints, darkroom "print maps", original contact sheets and
> additional ephemera from Magnum's New York archive alongside a new
> media component.
>
>
> 545 West 25th Street, 9th Floor
> New York, New York 10001
> www.flagartfoundation.org
>
>
>
>
> Forward email
*MEDIALAB-PRADO*
Plaza de las Letras
C/ Alameda, 15
28014 Madrid (Spain)
+34 913 692 303
www.medialab-prado.es
*
*_
_
Interactivos?'10: Neighborhood Science
*Art and new techologies showcase through July 31, 2010 @ Medialab-Prado
(c/ Alameda, 15, Plaza de las Letras in Madrid)
*_
Madrid, July 2010_
Medialab-Prado presents "Interactivos?'10: Neighborhood Science" digital
art exhibition, where ten prototypes developed by nearly 70 artists,
scientifics, teachers, designers and a variety of professionals,
students and fun of DIY and DIWO (Do It With Others) will be on showcase.
This exhibition aims to offer a new and experimental point of view about
what you can do with low cost tools applied ot the work with the local
environment, urban ecology, citizen collaboration networks, etc.
Visitors will be able to "listen" to satellites surrounding us (Birds
Within); research urban water analisys methods (Lilipod); easily create
solar powered electronic devices (Open Solar Circuits) and participate
in a discarded objects project (re:tag), among others.
Free admission.
More information:
http://medialab-prado.es/article/interactivos10_muestra_de_proyectos
Tue - Fri: 10 am - 8 pm
Sat: 11am - 8 pm
Sun: 11 am - 3 pm
--
Nerea García Garmendia
Comunicación / Press
Medialab-Prado
Área de Las Artes, Ayuntamiento de Madrid
Plaza de las Letras
Alameda, 15 28014 Madrid
Tfno. +34 914 202 754
difusion(a)medialab-prado.es
www.medialab-prado.es
__PURE DATA WORKSHOP__
Thursday 15th and Friday 16th July 2010, 3pm-7pm
Electron Club
CCA – Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow G2 3JD
Electron Club presents an introduction to Pure Data, a real-time graphical
programming environment for audio, video, and graphical processing.
Pure Data is the third major branch of the family of patcher programming
languages known as Max originally developed by Miller Puckette and company
at IRCAM. Pd is free multi-platform software.
This two day workshop will bring participants through the basic idioms of
dataflow, real-time audio and visual processing and networking. It is lead
by Edinburgh based new media artists Marco Donnarumma and Ioann Maria.
What:
Participants will learn how to communicate with Pd and surf through the
audio and visual processing objects libraries. Together we'll build basic
processing audio and video structures and discover tricks and tips to create
our own performance tool.
No previous programming experience is needed.
A sample of the workshop program can be viewed online at:
http://marcodonnarumma.com/teaching/pd-aka-pure-data-intro/
Who for:
Musicians, producers, live visualists, film-makers, programmers, sound
designers or passionates of digital arts or electronic music and
experimentation who wants to enhance and extend their skills and tools will
find this workshop inspirational for the further development of their works
and creative ideas, free from the limitations of user-friendly and
proprietary software.
When & Where:
Thursday 15th and Friday 16th July 2010, 3pm-7pm
Electron Club
CCA – Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow G2 3JD
How:
The workshops are free, but participation is limited to 20 people. To
register a place, please send an email giving some info on your interests
and current knowledge of Pure Data to:
pd(a)electronclub.org
Participants should bring their laptops with Pure Data installed.
The most recent Pure Data stable release can be found online at:
http://puredata.info/downloads
We also encourage people to bring sensors, USB game controllers, cameras,
photo cameras, webcams, microphones, sensors, MIDI Devices.
We'll learn by experimenting!
Instructors:
Marco Donnarumma is an independent new media artist, teacher, composer and
performer. The understanding and the deconstruction of the semantic relation
models among nature, man and technology is the main focus in his artistic
research. The aim of his work is to highlight the communicativeness of human
action through the use of self-designed responsive systems and physical
computing technologies. His audiovisual real-time performances, interactive
participative installations and electroacoustic compositions have been
exhibited and performed in 19 countries across South America, Europe and
Asia. He is a MA Professor of Sound Design for Sensitive Environment with
FLOSS at LABA – Brescia Academy of Fine Arts, Italy. He is a researcher at
FLxER.net and member of the board of directors of Live Performers Meeting,
an international gathering of new media artists.
http://marcodonnarumma.com
Ioann Maria - new media artist, instructor, filmmaker, live video performer.
An active member of FLxER team and Dorkbot Alba -people doing strange things
of electricity-, an organizer of LPM Live Performers Meeting - the world's
biggest annual meeting dedicated to live video performance. With her wide
background in multimedia arts, she now works with new media technologies and
interactive arts, exploring new possibilities in creative
artistic-scientific demonstration. In her recent solo and collaborative
projects she investigates the issues of physical computing and
human-computer interaction. Being passionate about numbers, she’s
particularly interested in linking the pure mathematical understanding with
the beautiful sensation of experiencing sound and image in the new coherent
audio-visual artistic expression.
http://ioannmaria.com
__ELECTRON CLUB__
The Electron Club is a voluntary run space where people interested in things
like free open source software, circuit bending, hardware hacking, computer
recycling, streaming, audio and video editing, green technologies, and
amateur radio can meet, use equipment, and share and disseminate their
skills and ideas.
All are welcome.
http://www.electronclub.org
--
Marco Donnarumma aka TheSAD
Independent New Media Arts Professional, Performer, Teacher - Edinburgh, UK
PORTFOLIO: http://marcodonnarumma.com
LAB: http://www.thesaddj.com | http://cntrl.sourceforge.net |
http://www.flxer.net
EVENT: http://www.liveperformersmeeting.net
Hello,
Date:
Sunday, 27 June, 2010 - 14:00
We'll focus on video and 3D :
Jack from the RYBN collective (http://rybn.org) will come over to
introduce us to GEM, one of the graphical libraries in PD, focussing on
video and 3D generative synthesis. The goal is to create a thorough
understanding of these techniques over a few sessions.
Sessions from 14h till 18h, at OKNO.
As usual, these are free events, come with your laptop, headphones and
motivations/projects.
Please send a short e-mail to ol(a)okno.be to confirm your participation,
so we can prepare properly.
++
Jack
Call for participation at the performance audio Blank Pages #13
Lieu/Place : ZINC Friche la Belle de Mai, Marseille, France
Date : 10-07-2010
Heure/Time : 9pm - 10pm
We search for sound artists or musicians who work with the graphical
programming environnements Pure Data or Max/MSP to interpretate the
Blank Pages score. This score requires participants to play together and
improvise without prior preparation. The Blank Pages score, describes
the situation in 4 points : (http://blankpages.fr/score.html) :
60'00''
Pure Data
Blank Page
No load/No Save
Participants are asked to bring a laptop with the software Pure Data or
Max / MSP installed.
If you are interesting send me an e-mail with your name surname or nickname.
Cheers Thomas Thiery
VisualTracker is collaborative open source project which aims to
create graphical and program environment within pd for sequencing
various types of events on timeline (aka multitrack audio/midi
sequencer).
It provides (or hopefully will provide soon ;-) ) GUI (each event is
represented by canvas movable across tracks/timeline), built-in
sequencer, multiple audio and data outputs, time stretch, save&load
function and more features known from software such as Ableton Live!,
Vegas or ACID.
It also provides system (called “VisualTracker connector”) for forcing
any time based pd abstraction to cooperate with VisualTracker and use
its features and GUI (see
http://code.google.com/p/visualtracker/wiki/ManualModuleConcept
).
Please visit http://code.google.com/p/visualtracker for more info in
progress, screenshots and download current version.
We are looking forward to your comments and opinions and hope to
attract more “pders” to collaborate on this project (please check
http://code.google.com/p/visualtracker/wiki/HowToContribute
)
ales (caucasian)