Flussi Festival presents:
Live Media and FLOSS* Workshop with Marco Donnarumma
Theoretical and practical audiovisual live performance seminary using FLOSS.
Pure Data audiovisual real-time processing, tricks and tips to create your
own performance tool.
*Free/Libre Open Source Software
Wednesday 25th - Saturday 28th August - 14 hours
@ Teatro comunale Carlo Gesualdo, Avellino, Italy
Cost: 50 euro
The workshop is limited to 20 participants.
Accommodation available for participants.
Please register or ask for further info by sending an email to luca [at]
flussi [dot] eu
Full information at
http://www.flussi.eu/text/workshop/puredata/FLUSSI2010_WORKSHOP_PUREDATA.pdf
Info in the document above are only in Italian, please write us to request
comprehensive info in english.
Aim
The seminary seeks to give the participants who don't have previous
experience in programming and Live Media practice the needed theoretical and
practical knowledge and skills to feel comfortable
within the FLOSS creation environment. The classes' aim is to make the
participants able to understand and assimilate the diverse passages of the
creation process of software ad-hoc in order to be independent during the
planning and development of a FLOSS project (musical, audiovisual,
multi-media or theatre pieces) using the audiovisual language.
The workshop will be preparatory to the implementation of Live Media
performances realized by participants and presented in November 2010 at the
"80 seconds" International Contest.
--
Marco Donnarumma aka TheSAD
Independent New Media Arts Professional, Performer, Teacher - Edinburgh, UK
PORTFOLIO: http://marcodonnarumma.com
LAB: http://www.thesaddj.com | http://cntrl.sourceforge.net |
http://www.flxer.net
EVENT: http://www.liveperformersmeeting.net
sorry for xxx, please <<->>
_
_ _ ____ _ _ _______|_|
| |_ _| | _|____|_ | | _|_| | _____|
| _|__|_ | | |____| | | |___|_| | |_____
| | |__| | | | ____ | | ___|_ | _____|
| | | | | |_ | | | | |_|_ | |_______
|_|_ |_| |___| |_| |_| |_| |_________|
|_|_ ____ _______ _________
|_| _|____|_ | _____|_ |___ ___|_ _
| |____| | | |_____|_| | | |_| |_|
from | __ | | _ _| | |
4 to 7 | | |_ | | | |_|___ _|_|
NOVEMBER 2010 |_| |_| |_| |___| |_|
CALL FOR PROJECTS: extended deadline, *August 2nd*
The sixth edition of make art – in-between design: rediscovering
collaboration in digital art – will take place in Poitiers (FR), from
the 4th to the 7th of November 2010.
make art is an international festival dedicated to the integration
of Free/Libre/Open Source Software (FLOSS) in digital art.
make art offers performances, presentations, workshops and an
exhibition, focusing on the encounter between digital art and free
software.
*in-between design: rediscovering collaboration in digital art*
Today's market production accelerates the spread of non-critical and
standardized aesthetics, by means of locked top-down distribution
mechanisms and a series of tools that enforce it. At the same time
new forms of methodologies inspired or powered by free software,
participatory practices and peer-to-peer networks are fueling many
Internet subcultures. Some of these emerging practices will lead to
competitive social productions, while other will remain as pure
artistic experiments.
For example, a common hypothesis is that by adopting production and
distribution methods based on free software and open standards and by
sharing the sources of one's work with others, the collective knowledge
base and aesthetic sensibilities can freely interact to explore
uncharted, hybrid directions which no longer reflect the supremacy of a
single idea. Such an assumption raises several questions:
- Does the sharing of artworks "recipes" and tools help debunk
the myth of the isolated design genius?
- By leaving the possibility of ongoing development and refinement,
is it possible to ever produce a "final" design?
- Can these methods and technologies inspire new forms of creation or
tools, beyond self-referential productions?
- Is it wishful thinking to approach collaborative graphical design
in the same way as an open source software project?
- Is Free and Open Source licensing a catalyst for creation or does
it add an extra level of complexity?
- Can the limitation of one license trigger new forms of constrained
creativity?
We're currently seeking new, innovative media art and design works and
projects focusing on the above theme and questions:
- graphical artworks and installations
- lectures
- project presentations
- software and hardware demos
We're also seeking audiovisual performances that will take place
during the festival evenings.
The submitted projects must fit this focus and be made in a free/libre
and open source environment, this includes both its optional
dependencies or production tools and the operating system. We are
asking you to publish the sources of your project under a free culture
license of your choice or release it into the public domain.
Projects that do not meet these criteria will not be considered.
How to apply
Submission form and a list of additional requirements are available at:
http://makeart.goto10.org/call/
Extended deadline: *Monday 2nd August 2010*
Incomplete or late applications will not be processed.
Timeline
2nd of August 2010 – Deadline call for proposals
Beginning of September – Selected projects notifications
4th-7th of November 10 – make art 2010 - Poitiers (FR)
For examples of previous editions, please visit the archives :
http://makeart.goto10.org/
make art is powered by GOTO10
(Apologies for cross-postings)
(Do not hesitate to forward to interested colleagues and students)
(French version below)
Call for Projects 2011-2012: Musical Research Residency Program
Submission Deadline: September 30, 2010
Details and submission procedure: http://www.ircam.fr/875.html?L=1
The second edition of Ircam's Musical Research Residency program is
now open for online submissions for the 2011-2012 school calendar.
Ircam (Institute for Research and Coordination in Acoustics and Music)
offers experimental environments where composers/artists strive to
expand their artistic experience at one end, and scientists aims at
extending research and technological paradigms for new artistic
expressions. Such interactive process is called Musical Research.
For its second edition, Ircam is inviting composers and artists to
submit projects for the 2011-2012 Musical Research Residency program.
The program is open to international artists, regardless of age or
nationality, who wish to carry experimental research using Ircam's
facilities and extensive research environment. Submission is online
only and each project will be evaluated by an international panel of
experts including researchers, composers, computer musicians and
artists. Upon nomination, each candidate will be granted a residency
at Ircam during a specific period (three or six months) and in
association with a team/project at Ircam. In addition, laureates
receive an equivalent of 1200 Euros per month to cover expenses in
France.
Information on past edition & musical research at Ircam:
http://articles.ircam.fr/textes/Cont10a/index.pdf
------------
Appel à projet 2010: Résidence de Recherche Musicale
Date limite de candidature: 30 Septembre 2010
Plus d'information et procédure de candidature:
http://www.ircam.fr/875.html
L’Ircam (Institut de recherche et coordination acoustique/musique)
offre un environnement unique pour l’expérimentation, permettant aux
compositeurs d’étendre leur expérience musicale et de repenser leur
pratique à travers les concepts et idées liés aux développements des
nouvelles technologies les plus récentes. Ces technologies sont le
résultat des défis posés aussi bien par les impulsions artistiques que
par les nouveaux domaines de recherche explorés par les équipes
scientifiques. À l’Ircam, ce processus interactif est appelé
“Recherche musicale”.
La deuxième édition du programme de résidences de recherche musicale
est ouverte aux artistes internationaux, sans condition d’âge ou de
nationalité, qui souhaitent conduire un projet de recherche musicale
en bénéficiant des facilités matérielles proposées à l’Ircam et de la
richesse de son environnement de recherche. Les candidats seront
choisis selon un processus de sélection faisant appel à l’expertise de
chercheurs et artistes internationaux. Les lauréats vont bénéficier
d'une résidence à l’Ircam pour une durée de trois ou six mois en lien
étroit avec les équipes de recherche de l’Ircam. Le candidat recevra
une indemnité forfaitaire de l'ordre 1200 euros par mois pour couvrir
ses frais pendant sa résidence en France.
Information sur la 1er édition et la recherche musicale:
http://articles.ircam.fr/textes/Cont10a/index.pdf
Arshia Cont
Musical Research Coordinator,
Ircam - Centre Pompidou.
http://mrc.ircam.fr/
Dear friends,
We are writing you just to remind that our call for entries for the next Rencontres Internationales
Paris/Berlin/Madrid is still running, and that its deadline is approaching (July 30). Any individual or
organization can submit film, video and multimedia works. The next Rencontres Internationales will take
place in Paris from November 25 to December 4 at the Centre Pompidou. It will propose during 10 days a
film, video and multimedia programme, and a forum for artists, filmmakers, audiences and professionals.
PLEASE FORWARD and spread out this information through your networks, to reach art and film
organizations, art communities, production organizations, artists and filmmakers.
Best wishes
Jean-François
#PRESS RELEASE
[IN ENGLISH] http://art-action.org/site/_news/10/call/de.htm#retour
[EN FRANÇAIS] http://art-action.org/site/_news/10/call/fr.htm#retour
[AUF DEUTSCH] http://art-action.org/site/_news/10/call/de.htm#retour
[EN ESPAÑOL] http://art-action.org/site/_news/10/call/es.htm#retour
C A L L F O R E N T R I E S
||||||| CALL FOR ENTRIES
||||||| EXTENDED DEADLINE
||||||| LAST DEADLINE: JULY 30, 2010
||||||| http://art-action.org
||||||| RENCONTRES INTERNATIONALES PARIS/BERLIN/MADRID
||||||| FILM / VIDEO / MULTIMEDIA
The call for entries is open until July 30, 2010, for the 'Rencontres Internationales' that will take
place in Paris at the Centre Pompidou from Nov. 25 to Dec. 4, 2010, and in Madrid and Berlin in 2011.
Those three events will feature an international programming focusing on film, video and multimedia,
gathering works of artists and filmmakers recognized on the international scene along with young artists
and filmmakers.
ANY INDIVIDUAL OR ORGANIZATION CAN SUBMIT ONE OR SEVERAL WORKS. THE CALL FOR ENTRIES IS OPEN TO FILM,
VIDEO AND MULTIMEDIA WORKS, without any restrictions for length or genre. All submissions are free,
regardless of geographical origin. Click here >>> http://art-action.org/call
FILMS AND VIDEOS - any film and video format
* Video / Experimental video
* Fiction, exp. fiction / Short, middle and full length
* Documentary, exp. documentary
* Experimental film
* Animation
MULTIMEDIA
* Video installation, multimedia installation * Net art * Multimedia concert, multimedia performance
TO ENTER A WORK, CLICK HERE >>> http://art-action.org/call
You may choose between two types of registration:
Until July 30, 2010: Entry form to use with regular mail
Until July 30, 2010: 100% online entry form with video upload
PLEASE FORWARD this information to art and film organizations, art networks, production organizations,
artists and filmmakers you are in contact with.
The 'Rencontres Internationales' offers more than a simple presentation of the works. It introduces an
intercultural forum gathering various guests from all over the world - artists and filmmakers,
institutions and emerging organizations - to testify of their reflections and their experiences, but also
of artistic and cultural contexts that are often undergoing deep changes.
The 'Rencontres Internationales' reflects specificities and convergences of artistic practices between
new cinema and contemporary art, explores emerging media art practices and their critical purposes, and
makes possible a necessary time when points of view meet and are exchanged.
The event aims at presenting works to a broad audience, at creating circulations between different art
practices and between different audiences, as well as creating new exchanges between artists, filmmakers
and professionals.
It seeks to contribute to a reflection on our contemporary culture of image via a compelling program
opened to everyone..
PARIS/BERLIN/MADRID
In 2007, the Rencontres Internationales, which initially took place in Paris and Berlin, opened up to a
third city: Madrid. The event constitutes a unique artistic and cultural platform in Europe for artists,
professional networks and various audiences. The venues in the three cities are in particular the Centre
Pompidou in Paris, the Haus der Kulturen der Welt in Berlin, the Reina Sofia National Museum and the
Spanish Cinematheque in Madrid.
N E W S L E T T E R , F A C E B O O K , T W I T T E R
Follow us on Twitter! MicroBlogging, RSS feed, invitations... http://art-action.org/-twitter.htm
Join us on Facebook! Information invitations, reports... http://art-action.org/-facebook.htm
Subscribe to our newsletter http://art-action.org/-newsletter.htm
Hello list,
As last year, there are two pd workshops in July and August at Imal
(Brussels/Belgium).
1st workshop (4 days) :
"PureData, une introduction"
from july 27th till july 30st, 2010
With Jack/RYBN
2nd workshop (4 days) :
"PureData, 3D Temps Réel et modèles physiques"
from august 3rd till august 6th, 2010
With Nicolas Montgermont
there are also some other related workshop (arduino, processing, ...)
Registrations and information :
http://www.imal.org/AteliersArtNum
come in Brussels!
++
Jack
Dear colleagues,
Please find enclosed informations about the „Sound in immersive
digital performance environments“ workshop within steirischer herbst
festival in Graz (Austria).
Best regards,
Gerda Strobl
-----------------------------------------------------------------------------------------------
Apologies for multiple posting!
------------------------------------------------------------------------------------------------
Sound in immersive digital performance environments
12/10 – 14/10, IEM Graz
By CREW (B): Eric Joris and Vincent Jacobs, Gerhard Eckel (IEM, AT)
and Martin Rumori (DE)
CREW is a Belgian based performance company working on the cross-road
of performance art and new technologies. The CREW workshop in Graz
will be organized in close collaboration with IEM and will focus on
the use of sound and music as a performative tool for immersive
digital environments. The workshop is limited to 4 participants with a
good knowledge of technologies for recording and spatialization of
(ambisonic) sound and a creative interest in multi-disciplinary
environments.
Research question of the workshop:
The technology used by CREW to create its immersive environments
implies a Head Mounted Display (HMD) that offers visitors omni-
directional video-based images. The device enables the visitor to
physically move around and walk inside visual and auditory
environments (virtual and live) and it enables him to interact with
this environment. The visual and auditory material can be organized
and edited.
The immersive nature of this implies a high and continuous feeling of
'presence'. Sound and music strongly relate to this notion of
presence. In the workshop we will explore strategies for the
production of meaningful sound (or music) for this immersive
environment and address aspects related to the conceptualizing, the
making, the recording, the editing and the postproduction of a sound
field. Participants will work on editing and montage examples that
integrate auditory, visual and tactile experiences.
steirischer herbst festival:
The workshop is part of the EU-subsidised research project on “New
Media, Performing Arts and Spectatorship”, and within this context the
major performance project ”Immercity” will be developed and shown next
year at steirischer herbst.
Please find detailed information and the application modalities directly
on
http://www.steirischerherbst.at/2010/english/calendar/calendar.php?eid=103
(Deadline for applications is 31/07/2010).
Best whishes,
Gerda Strobl
Gerda Strobl
steirischer herbst
24/09 – 17/10/2010
Sackstraße 17 / 8010 Graz / Austria
t +43 316 823 007 82 / f +43 316 823 007 77
http://www.steirischerherbst.at
sorry for xyz, please >> <<
_
_ _ ____ _ _ _______|_|
| |_ _| | _|____|_ | | _|_| | _____|
| _|__|_ | | |____| | | |___|_| | |_____
| | |__| | | | ____ | | ___|_ | _____|
| | | | | |_ | | | | |_|_ | |_______
|_|_ |_| |___| |_| |_| |_| |_________|
|_|_ ____ _______ _________
|_| _|____|_ | _____|_ |___ ___|_ _
| |____| | | |_____|_| | | |_| |_|
from | __ | | _ _| | |
4 to 7 | | |_ | | | |_|___ _|_|
NOVEMBER 2010 |_| |_| |_| |___| |_|
*CALL FOR PROJECTS*
The sixth edition of make art – in-between design: rediscovering
collaboration in digital art – will take place in Poitiers (FR), from
the 4th to the 7th of November 2010.
make art is an international festival dedicated to the integration
of Free/Libre/Open Source Software (FLOSS) in digital art.
make art offers performances, presentations, workshops and an
exhibition, focusing on the encounter between digital art and free
software.
*in-between design: rediscovering collaboration in digital art*
Today's market production accelerates the spread of non-critical and
standardized aesthetics, by means of locked top-down distribution
mechanisms and a series of tools that enforce it. At the same time
new forms of methodologies inspired or powered by free software,
participatory practices and peer-to-peer networks are fueling many
Internet subcultures. Some of these emerging practices will lead to
competitive social productions, while other will remain as pure
artistic experiments.
By adopting production and distribution methods based on free software
and open standards and by sharing the sources of one's work with
others, the collective knowledge base and aesthetic sensibilities can
freely interact to explore uncharted, hybrid directions which no
longer reflect the supremacy of a single idea.
- Does the sharing of artworks "recipes" and tools help debunk
the myth of the isolated design genius?
- By leaving the possibility of ongoing development and refinement,
is it possible to ever produce a "final" design?
- Can these methods and technologies inspire new forms of creation or
tools, beyond self-referential productions?
- Is it wishful thinking to approach collaborative graphical design
in the same way as an open source software project?
- Is Free and Open Source licensing a catalyst for creation or does
it add an extra level of complexity?
- Can the limitation of one license trigger new forms of constrained
creativity?
We're currently seeking new, innovative media art and design works and
projects focusing on the above theme and questions:
- graphical artworks and installations
- lectures
- project presentations
- software and hardware demos
We're also seeking audiovisual performances that will take place
during the festival evenings.
The submitted projects must fit this focus and be made in a free/libre
and open source environment, this includes both its optional
dependencies or production tools and the operating system. We are
asking you to publish the sources of your project under a free culture
license of your choice or release it into the public domain.
Projects that do not meet these criteria will not be considered.
*How to apply*
Submission form and a list of additional requirements are available at:
http://makeart.goto10.org/call/
Deadline: *Saturday 31 July 2010*
Incomplete or late applications will not be processed.
*Timeline*
31st of July 2010 – Deadline call for proposals
Beginning of September – Selected projects notifications
4th-7th of November 10 – make art 2010 - Poitiers (FR)
For examples of previous editions, please visit the archives :
http://makeart.goto10.org/
make art is powered by GOTO10
http://puredata.info/community/NYCPatchingCircle
We are reviving the New York City Patching Circle and making it a
monthly thing! Every third Sunday of the month, we'll be meeting at
NYC Resistor. Last month we worked on Gem and laid plans for an
object based on Mac OS X's IOSurface to allow different programs like
Pd/Gem, Quartz Composer, etc. to share textures in the GPU.
We spend enough time alone staring at our computers; we are proposing
to work together. So often issues that arise when working can be
solved with a quick two minute discussion that would take hours to
solve alone. We have Dorkbot to see people's work, we have Share where
anyone can play, we have workshops and universities to learn from.
This is a meeting where we all can come to work.
This is an informal gathering of patching and patchers (Pd, Max/MSP/
Jitter, and even vvvv, Eyesweb, Labview, etc.). Beginners and
Experienced welcome. Open to everyone, students, the public, etc. Work
on school projects, personal projects, ask for help, help others, or
just patch quietly to yourself, in a room full of other people
patching patches and helping other people patch.
Every third Sunday of the month, so this Sunday, July 18th!
noon-6pm
Directions
NYC Resistor, http://www.nycresistor.com/
87 3rd Avenue, (between Bergen and Dean), 4th Floor
Brooklyn, NY 11217
Tel. +1.347.850.4872 or +1.347.586.9270
2/3/4/5/B/D/Q/N/R to Atlantic/Pacific
LIRR to Atlantic Terminal
F/G to Bergen
Hello,
For those who want to participate to translate Floss manual pd ->
english to french... I forward this message...
Thanks.
Cheers
p.
---------- Message transféré ----------
De : INFOS Centre de Ressources Art Sensitif
Date : 16 juillet 2010 20:02
Objet : [Fwd: Re: Floss Manual et Pure data]
Bonsoir,
La chargée des flossmanuals france, Elisa Godoy de Castro Guerra, a
créé une liste de diffusion pour commencer à constituer un groupe de
personnes interessées et lancer les discussions.
Pour s'y abonner envoyez un courriel à
floss-manual-francophone+subconfirm (arobse)) googlegroups.com
<http://groups.google.fr/group/floss-manual-francophone>
Pour écrire à Elisa : elisa.dcg (arobse)) gmail.com
Je vous laisse diffuser l'info + largement.
à+
Agnès
--
Yi Sang à Paris, du 23 juin au 4 juillet 2010.
http://www.yisang.fr/http://tinyurl.com/2fjt6jqhttp://www.pascsaq.org
-r-W-x-R-W-X-R- x
autobuild/wheel
---------------[18608128 - s-ile-nses]
@@@@@@@ ;-)