The 2nd Web Audio Conference (WAC) will be held April 4-6, 2016 at Georgia Tech in Atlanta. The keynote speakers <http://webaudio.gatech.edu/node/25> for WAC 2016 are Helen Thorington and Frank Melchior. Submissions for papers, talks, posters, demos, performances, and artworks are due October 15, 2015 at 11:59 PM Pacific Time. To submit your work, visit http://webaudio.gatech.edu/node/22 <http://webaudio.gatech.edu/node/22>.
WAC is an international conference dedicated to web audio technologies and applications. The conference welcomes web developers, music technologists, computer musicians, application designers, researchers, and people involved in web standards. The conference addresses research, development, design, and standards concerned with emerging audio-related web technologies such as Web Audio API, Web RTC, WebSockets and Javascript. It is open to industry engineers, R&D scientists, academic researchers, artists, and students. The first Web Audio Conference <http://wac.ircam.fr/> was held in January 2015 at IRCAM <http://ircam.fr/> and Mozilla <http://www.mozilla.org/> in Paris, France.
The Internet has become much more than a simple storage and delivery network for audio files, as modern web browsers on desktop and mobile devices bring new user experiences and interaction opportunities. New and emerging web technologies and standards now allow applications to create and manipulate sound in real-time at near-native speeds, enabling the creation of a new generation of web-based applications that mimic the capabilities of desktop software while leveraging unique opportunities afforded by the web in areas such as social collaboration, user experience, cloud computing, and portability. The Web Audio Conference focuses on innovative work by artists, researchers, and engineers in industry and academia, highlighting new standards, tools, APIs, and practices as well as innovative web audio applications for musical performance, education, research, collaboration, and production.
Contributions to the second edition of the Web Audio Conference are encouraged in the following areas:
Web Audio API, Web MIDI, Web RTC, and other existing or emerging web standards for audio and music
Development tools, practices, and strategies of web audio applications
Innovative audio and music based web applications
Client-side audio processing (real-time or non real-time)
Audio data and metadata formats and network delivery
Server-side audio processing and client access
Client-side audio engine and audio rendering
Frameworks for audio synthesis, processing, and transformation
Web-based audio visualization and/or sonification
Multimedia integration
Web-based live coding environments for music
Web standards and use of standards within audio based web projects
Hardware and tangible interfaces in web applications
Codecs and standards for remote audio transmission
Any other innovative work related to web audio that does not fall into the above categories
We welcome submissions in the following tracks: paper, poster, demo, performance, and artwork. All submissions will be single-blind peer reviewed. The conference proceedings, which will include both papers (for papers and posters) and abstracts (for demos, performances, and artworks), will be published online in SmartTech, Georgia Tech’s archival open-access repository.
Papers: Submit a 4-6 page paper to be given as an oral presentation.
Talks: Submit an abstract to be given as an oral presentation.
Posters: Submit a 2-4 page paper to be presented at a poster session.
Demos: Submit an abstract to be presented at a hands-on demo session. Demo submissions should include a title, a one-paragraph abstract and a complete list of technical requirements (including anything expected to be provided by the conference organizers).
Performances: Submit a performance making creative use of web-based audio applications. Performances can include elements such as audience device participation, web-based interfaces, WebMIDI, WebSockets, and/or other imaginative approaches to web technology. Submissions must include a title, a one-paragraph abstract of the performance, a link to video documentation of the work, a complete list of technical requirements (including anything expected to be provided by conference organizers), and names and one-paragraph biographies of all musicians involved in the performance.
Artworks: Submit a sonic web artwork or interactive application which makes significant use of web audio standards such as Web Audio API or WebMIDI in conjunction with other technologies such as HTML5 graphics, WebGL, and/or interactivity. Works must be suitable for presentation on a computer kiosk with headphones. They will be featured at the conference venue throughout the conference and on the conference web site. Submissions must include a title, one-paragraph abstract of the work, a link to access the work, and names and one-paragraph biographies of the author(s).
Tutorials: If you are interested in running a tutorial session at the conference, please contact the organizers directly (webaudio at gatech dot edu).
Important Dates
October 15, 2015 at 11:59 PM Pacific Time: submission deadline
December 1, 2015: author notification
March 1, 2016: camera-ready papers and abstracts due
April 4-6, 2016: conference
At least one author of each accepted submission must register for and attend the conference in order to present their work.
Submission Templates and Submission System
Submission templates are available on the conference web site at http://webaudio.gatech.edu/node/22 <http://webaudio.gatech.edu/node/22>
The submission system is open at https://cmt.research.microsoft.com/WAC2016/ <https://cmt.research.microsoft.com/WAC2016/>
PD Berlin meetings are from now at c-base (Rungestrasse 20 Berlin)
every first and third thursday in the month beginning 20:00, the next
one is thursday, the 1.October. This time we want to explore midi and OSC
programming with PD and jam a bit.
Looking forward to it and thanks c-base for hosting us.
What we do:
The meetings don't replace workshops (which are offered extra ;) ),
scope of these meetings can be any (or none) of the following:
patch/project showcase
programming
work on general Pd documentation
help for beginners (installation, programming tips, ...)
or something else you want to do ...
Just come along, bring your laptop and sit down with
us. The bar is open during the meetings. Necessary prerequisites are
only a computer and good mood. If Pd isn't on it, we'll download and
install it.
http://puredata.info/community/groups/pd-berlin/pd-berlin-users-group/
We thank c-base for providing the space and network for the
meetings.
the next dates:
THURSDAY, 1. October 2015, 20h00
THURSDAY, 15. October 2015, 20h00
THURSDAY, 5. November 2015, 20h00
THURSDAY, 19. November 2015, 20h00
Apologies for x-posting,
Following over dozen minor releases, yesterday pd-l2ork team has
unveiled our latest major release, version 20150917. Release highlights
include:
Release highlights:
*Expanded K12 module
*Pd-L2Ork can now coexist with other releases without any package conflicts
*Drawing optimizations
*New convenience functions, like comments with endlines and labels with
spaces
*Comprehensive Raspberry PI GPIO with PWM and I2S/MCP3008 (for analog
ins) support
*New version of L2Ork-centric libcwiid library fork offering support for
all versions of Nintendo-branded wiimotes, including the new MotionPlus
Inside, as well as the support for interleaved passthrough mode (e.g.
MotionPlus + Nunchuk)
*Code refactoring
*Bunch of minor and aesthetic fixes
*Last release (barring any major bugs) prior to the next major release
featuring node-webkit GUI (node-webkit version is currently in alpha
stage of development)
For a changelog and a more detailed overview, please visit:
http://puredata.info/downloads/Pd-L2Ork/releases/20150917
To download pd-l2ork:
http://l2ork.music.vt.edu/main/?page_id=56
NB: Currently only Ubuntu 14.04 64bit build is available, with 32bit and
Raspberry Pi builds forthcoming.
About Pd-L2Ork
Pd-L2Ork is a fork of the ubiquitous Pure-Data focusing on improved user
interface, expanded collection of externals, and an advanced SVG-enabled
graphical front-end. Originally it was introduced as the core
infrastructure for the Linux Laptop Orchestra (L2Ork
http://l2ork.icat.vt.edu), and has since expanded to include K-12
learning module with a unique learning environment offering adaptable
granularity that has been utilized in over dozen maker workshops and
initiatives, including the Raspberry Pi Orchestra program for middle
school children introduced in the summer 2014. Today, pd-l2ork is being
developed by a growing number of international collaborators and
contributors.
For additional info L2Ork and pd-l2ork:
http://l2ork.icat.vt.edu
More about the founding author:
http://ico.bukvic.net
Best,
--
Ivica Ico Bukvic, D.M.A.
Associate Professor
Computer Music
ICAT Senior Fellow
Director -- DISIS, L2Ork
Virginia Tech
School of Performing Arts – 0141
Blacksburg, VA 24061
(540) 231-6139
ico(a)vt.edu
www.performingarts.vt.edudisis.icat.vt.edul2ork.icat.vt.edu
PD Berlin meetings are from now at c-base (Rungestrasse 20 Berlin)
every first and third thursday in the month beginning 20:00, the next
one is this weeks thursday, the 17.September. This time we want to explore
midi and OSC programming with PD and jam a bit.
Looking forward to it and thanks c-base for hosting us.
What we do:
The meetings don't replace workshops (which are offered extra ;) ),
scope of these meetings can be any (or none) of the following:
patch/project showcase
programming
work on general Pd documentation
help for beginners (installation, programming tips, ...)
or something else you want to do ...
Just come along, bring your laptop and sit down with
us. The bar is open during the meetings. Necessary prerequisites are
only a computer and good mood. If Pd isn't on it, we'll download and
install it.
http://puredata.info/community/groups/pd-berlin/pd-berlin-users-group/
We thank c-base for providing the space and network for the
meetings.
The Guthman Musical Instrument Competition Call for Submissions is Now Open!
Click Here <http://guthman.gatech.edu/submit> for 2016 Submissions!
What's your Guthman Instrument?
Georgia Tech's 2016 Margaret Guthman Musical Instrument Competition is an annual event aimed at identifying the world's next generation of musical instruments and unveiling the best new ideas in musicality, design, and engineering.
Wired magazine called the competition an "X-Prize for music," and contestants liken it to a TED Conference for new musical instrument designers. Some of our previous finalists include the OP-1, Roli Seaboard, Guitarbot, among many other groundbreaking musical instruments which have since become commercially and artistically successful. Previous judges include artists such as Laurie Anderson, Richard Devine, and Young Guru, academic leaders such as Joe Paradiso, David Wessel and Tod Machover, and Music Technology industry leaders such as David Zicarelli, Eran Egozi and Tom Oberheim. The competition has received wide publicity from media outlets such as The New York Times <http://artsbeat.blogs.nytimes.com/2014/02/12/making-instruments-not-just-mu…>, Fast Company <http://www.fastcodesign.com/3041135/5-futuristic-instruments-changing-how-w…>, The TODAY Show <http://www.today.com/video/savannah-tries-out-futuristic-musical-instrument…> among others.
The Guthman Competition will take place March 2- 3, 2016, at Georgia Tech's Ferst Center for the Arts, in Atlanta, Georgia. Judges for this year's Guthman Competition will be:
Pat Metheny <http://www.patmetheny.com/> – An American jazz guitarist and composer, winner of 20 Grammy Awards and three gold albums.
Alan Kozinn <https://en.wikipedia.org/wiki/Allan_Kozinn> – An American journalist, music critic, and teacher, former music feature writer for the New York Times.
Marcelo Wanderley <http://www.idmil.org/people/marcelo_m._wanderley> – Professor of Music Technology at McGill University focusing on new instruments for musical expression.
The deadline for submissions is October 15, 2015. Approximately twenty semi-finalists will be invited to demonstrate, discuss, and perform with their instruments as they compete for $10,000 in cash prizes.
Click Here <http://guthman.gatech.edu/submit> for 2016 Guthman Submissions!
The Moog Challenge (Hackathon)
And this year, for the first time - What's your Moog <http://www.moogmusic.com/> instrument?
The Moog Challenge is a 48-hour Hackathon conducted at the Georgia Tech School of Music starting Friday evening, February 26 and ending Sunday evening, February 28. Moog Challenge participants will design and build novel musical instruments using Moog platforms and other software and hardware prototyping tools provided by Georgia Tech.
The Moog Hackathon panel of judges will be led by Moog CEO, Mike Adams <http://wncmagazine.com/blog/qa_with_mike_adams>. Participants will compete for $5,000 in prizes and the top winner will be automatically admitted as an entrant to the Guthman Competition three days later.
Click Here <http://guthman.gatech.edu/submit> to Register for the 2016 Moog Challenge (Hackathon)!
PD Berlin meetings are from now at c-base (Rungestrasse 20 Berlin)
every first and third thursday in the month beginning 20:00, the next
one is this weeks thursday, the 3.September. This time we want to explore
midi and OSC programming with PD and jam a bit.
Looking forward to it and thanks c-base for hosting us.
What we do:
The meetings don't replace workshops (which are offered extra ;) ),
scope of these meetings can be any (or none) of the following:
patch/project showcase
programming
work on general Pd documentation
help for beginners (installation, programming tips, ...)
or something else you want to do ...
Just come along, bring your laptop and sit down with
us. The bar is open during the meetings. Necessary prerequisites are
only a computer and good mood. If Pd isn't on it, we'll download and
install it.
http://puredata.info/community/groups/pd-berlin/pd-berlin-users-group/
We thank c-base for providing the space and network for the
meetings.