Pd-announce April 2019

pd-announce@lists.iem.at

4 participants
6 discussions

ELSE 1.0 beta 19and Live Electronics Tutorial 1.0 beta 9
by Alexandre Torres Porres 29 Apr '19

29 Apr '19

Only a week after my last update, I had to release a fix because I had badly screwed up the [function] object, that was bad... I enjoyed the opportunity to enhance the object as well. I just still need to figure out how to create a properties window. more about the updates here: https://github.com/porres/pd-else/releases/tag/v1.0-beta19 and here https://github.com/porres/Live-Electronic-Music-Tutorial/releases/tag/v1.0-… binaries are still coming up and showing up in deken cheers

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ELSE and Live Electronics Tutorial updated
by Alexandre Torres Porres 22 Apr '19

22 Apr '19

Howdy, I have big updates to the ELSE library and my Live Electronics Tutorial! Raspberry Pi binaries for ELSE are still missing, but it'll be up soon. Find available releases on github while they don't show up in deken.: https://github.com/porres/pd-else/releases/tag/v1.0-beta18 <https://l.facebook.com/l.php?u=https%3A%2F%2Fgithub.com%2Fporres%2Fpd-else%…> There are 30 new objects in ELSE. This is the first release over 300 objects and there's already 324 of them! I'm shocked on how much it's growing... I realize now how this library is unique in the number of objects towards DSP and audio processing. There are 219 tilde objects, that's more objects than Pd itself has, or all of cyclone... So, what's the most exciting new stuff? - There's a bunch of reverb objects here - [mono.rev~], [stereo.rev~], [echo.rev~], [giga.rev~], [free.rev~] (check also [fdn.rev~] which wasn't really ready). - There are a few dynamic processors as well: [compress~], [duck~] and [expand~]. - A couple of FX like [chorus~] and [phaser~]. - A [spectrograph~] object. - Some objects that deal with lists ([regroup], [pick], [sort], [scramble], [merge], [unmerge] & [rand.seq]). - A [trigger2] object that behaves like [trigegr] in Purr Data and Max, that people from time to time request to be in Pd as well (if Pd's trigger includes such functionalities, I'll delete this object). Check complete changelog here: https://github.com/porres/pd-else/releases/tag/v1.0-beta18 <https://l.facebook.com/l.php?u=https%3A%2F%2Fgithub.com%2Fporres%2Fpd-else%…> . As usual, I have breaking changes while we're at the beta stage. As for my Live Electronics tutorial, which is based on this library, most of the changes reflect the new objects from the ELSE library. So then, most importantly, the reverb section just got a major upgrade. I'm also now including an appendix with s quick start on Data Structures! Check it out at https://github.com/porres/Live-Electronic-Music-Tutorial/releases/tag/v1.0-… <https://l.facebook.com/l.php?u=https%3A%2F%2Fgithub.com%2Fporres%2FLive-Ele…> cheers

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CfP: ICAD 2019 Algorave!
by Paul Vickers 12 Apr '19

12 Apr '19

ICAD 2019 — Call for Submissions to the ICAD 2019 Algorave. 25th International Conference on Auditory Display Northumbria University, Newcastle-upon-Tyne, UK 23–27 June, 2019 https://icad2019.icad.org https://twitter.com/ICAD2019 Theme/Special Focus of ICAD 2019 is "Digital Living: Sonification for Everyday Life". Digital technology and artificial intelligence are becoming embedded in the objects all around us, from consumer products to the built environment. Everyday life happens where People, Technology, and Place intersect. Our activities and movements are increasingly sensed, digitised and tracked. Of course, the data generated by modern life is a hugely important resource not just for companies who use it for commercial purposes, but it can also be harnessed for the benefit of the individuals it concerns. Sonification research that has hit the news headlines in recent times has often been related to big science done at large publicly funded labs with little impact on the day-to-day lives of people. At ICAD 2019 we want to explore how auditory display technologies and techniques may be used to enhance our everyday lives. From giving people access to what’s going on inside their own bodies, to the human concerns of living in a modern networked and technological city, the range of opportunities for auditory display is wide. ALGORAVE For the first time at an ICAD meeting the conference programme includes an Algorave event. "Algoraves focus on humans making and dancing to music. Algorave musicians don’t pretend their software is being creative, they take responsibility for the music they make, shaping it using whatever means they have. More importantly the focus is not on what the musician is doing, but on the music, and people dancing to it. Algoraves embrace the alien sounds of raves from the past, and introduce alien, futuristic rhythms and beats made through strange, algorithm-aided processes. It’s up to the good people on the dancefloor to help the musicians make sense of this and do the real creative work in making a great party.” (https://algorave.com/about). The ICAD 2019 committee seeks submissions to this event which will provide an exciting complement to the other conference categories. For details on proposal format, submission instructions, and additional conference information please visit https://icad2019.icad.org/call-for-participation. IMPORTANT DATES: Thursday 12th May 2019 — Deadline for submissions to the Algorave tracks. Algorave Chair: Shelly Knotts icad2019algorave(a)icad.org Conference Chairs: Paul Vickers and Matti Gröhn icad2019chairs(a)icad.org ABOUT ICAD First held in 1992, ICAD is a highly interdisciplinary conference with relevance to researchers, practitioners, artists, and graduate students working with sound to convey and explore information. The conference is unique in its specific focus on auditory displays and the range of interdisciplinary issues related to their use. Like its predecessors, ICAD 2019 will be a single-track conference, open to all, with no membership or affiliation requirements. -- Dr Paul Vickers BSc PhD CEng MIEE FHEA Co-chair of ICAD 2019: https://icad2019.icad.org This message is intended solely for the addressee and may contain confidential and/or legally privileged information. Any use, disclosure or reproduction without the sender’s explicit consent is unauthorised and may be unlawful. If you have received this message in error, please notify Northumbria University immediately and permanently delete it. Any views or opinions expressed in this message are solely those of the author and do not necessarily represent those of the University. Northumbria University email is provided by Microsoft Office365 and is hosted within the EEA, although some information may be replicated globally for backup purposes. The University cannot guarantee that this message or any attachment is virus free or has not been intercepted and/or amended.

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Fwd: [cec-c] Marie curie
by Julian Brooks 05 Apr '19

05 Apr '19

---------- Forwarded message --------- From: 'Monty Adkins' via CEC-Conference <cec-conference(a)googlegroups.com> Date: Wed, 3 Apr 2019 at 10:42 Subject: [cec-c] Marie curie To: cec-conference(a)googlegroups.com <cec-conference(a)googlegroups.com> The School of Music, Humanities and Media invites expressions of interest for the Marie Curie Post-Doctoral Fellowship at the University of Huddersfield. We have world-leading resources for Music and Music Technology focused around the Centre for Research in New Music. We are interested in receiving applications in all areas of Music and Music Technology. Please make sure to read the weblinks to ensure your eligibility to the two schemes. Many thanks Prof. Monty Adkins University of Huddersfield UK University of Huddersfield inspiring tomorrow's professionals. [http://marketing.hud.ac.uk/_HOSTED/EmailSig2014/EmailSigFooterMarch2019.jpg ] This transmission is confidential and may be legally privileged. If you receive it in error, please notify us immediately by e-mail and remove it from your system. If the content of this e-mail does not relate to the business of the University of Huddersfield, then we do not endorse it and will accept no liability. -- You received this message because you are subscribed to the Google Groups "CEC-Conference" group. To unsubscribe from this group and stop receiving emails from it, send an email to cec-conference+unsubscribe(a)googlegroups.com. To post to this group, send email to cec-conference(a)googlegroups.com. Visit this group at https://groups.google.com/group/cec-conference. For more options, visit https://groups.google.com/d/optout.

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Survey on Programming Languages and Musical Instruments
by Koray Tahiroğlu 04 Apr '19

04 Apr '19

Dear all, Andrew McPherson and I are writing a paper on the relationships between music programming languages and the digital instruments, compositions and performances they support. As part of that, we'd like to invite your participation in an online survey about your digital tools and musical practices. The survey contains 27 questions, and we expect it will take around 20 minutes of your time. https://sopi.aalto.fi/dmiip/idiomaticity/survey/ <https://sopi.aalto.fi/dmiip/idiomaticity/survey/> Thanks for your participation, apologies for cross-posting, and please feel free to share the link with any other designers and musicians you think might be interested. best, Koray ------------------------------------- M.Koray Tahiroğlu Department of Media, Aalto University School of Arts, Design and Architecture http://sopi.aalto.fi/ http://mlab.taik.fi/~korayt tel. +358 50 4088441

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CfP: ICAD 2019 Concert, Installations, and Demos
by Paul Vickers 02 Apr '19

02 Apr '19

ICAD 2019 — Call for Submission of Concert pieces and Installations/Demos 25th International Conference on Auditory Display Northumbria University, Newcastle-upon-Tyne, UK 23–27 June, 2019 https://icad2019.icad.org https://twitter.com/ICAD2019 Theme/Special Focus of ICAD 2019 is "Digital Living: Sonification for Everyday Life". Digital technology and artificial intelligence are becoming embedded in the objects all around us, from consumer products to the built environment. Everyday life happens where People, Technology, and Place intersect. Our activities and movements are increasingly sensed, digitised and tracked. Of course, the data generated by modern life is a hugely important resource not just for companies who use it for commercial purposes, but it can also be harnessed for the benefit of the individuals it concerns. Sonification research that has hit the news headlines in recent times has often been related to big science done at large publicly funded labs with little impact on the day-to-day lives of people. At ICAD 2019 we want to explore how auditory display technologies and techniques may be used to enhance our everyday lives. From giving people access to what’s going on inside their own bodies, to the human concerns of living in a modern networked and technological city, the range of opportunities for auditory display is wide. CONCERT AND INSTALLATIONS The ICAD 2019 committee is seeking submissions to the ICAD 2019 Sonification Concert and proposals for Sonification Installations/Demos that will contribute to knowledge of how sonification can support everyday life. For details on topics of interest, proposal format, submission instructions, and additional conference information please visit https://icad2019.icad.org/call-for-participation IMPORTANT DATES: Thursday 18th April 2019 — Deadline for submissions to the Concert and Installations/Demos tracks. Concert Chairs: Bennett Hogg with John Bowers, Tim Shaw, and David Worrall icad2019concert(a)icad.org Conference Chairs and Installation Chairs: Paul Vickers and Matti Gröhn icad2019chairs(a)icad.org icad2019installations(a)icad.org ABOUT ICAD First held in 1992, ICAD is a highly interdisciplinary conference with relevance to researchers, practitioners, artists, and graduate students working with sound to convey and explore information. The conference is unique in its specific focus on auditory displays and the range of interdisciplinary issues related to their use. Like its predecessors, ICAD 2019 will be a single-track conference, open to all, with no membership or affiliation requirements. -- Dr Paul Vickers BSc PhD CEng MIEE FHEA Co-chair of ICAD 2019: https://icad2019.icad.org This message is intended solely for the addressee and may contain confidential and/or legally privileged information. Any use, disclosure or reproduction without the sender’s explicit consent is unauthorised and may be unlawful. If you have received this message in error, please notify Northumbria University immediately and permanently delete it. Any views or opinions expressed in this message are solely those of the author and do not necessarily represent those of the University. Northumbria University email is provided by Microsoft Office365 and is hosted within the EEA, although some information may be replicated globally for backup purposes. The University cannot guarantee that this message or any attachment is virus free or has not been intercepted and/or amended.

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Pd-announce April 2019