updated my "audiolab" abstraction library
there are two more objects, "pp.twisted-delays2~" and "pp.spacer~"
sorry for the stupid names.
all best,
Philipp
Dear List
I would usually post this message on the facebook group because I don't
think this is worthy, but I have been off social media for a while and
enjoying it, so I hope not to annoy anyone with this email. I have
redesigned my preset patching system so it works completely "out of the
box" with pd vanilla. I am building more documentation and little "GIff"
step tutorials so the github is still in the making. However, decided to
share it and get some feedback or maybe someone interested in using it.
basically it is a little "lib" of abstractions that wrap around pd
vanilla's GUIs and a "msc" one to use it with not vanilla GUI's.
https://github.com/JRSV/RSVP.V3.full-vanilla/blob/master/README.md
best
--
José Rafael Subía Valdez
www.jrsv.net
Hello,
I am happy to announce the release of PuREST JSON 1.4.3, code name:
Y U no stable API.
This release is a minor update and contains changes to the build scripts
and bugfixes. It will be the last in the 1.x.x branch, the next release
will introduce breaking changes.
PuREST JSON is a library for working with RESTful HTTP webservices, and
JSON data.
Authentication and authorization for webservices are available with
basic HTTP auth, cookie authentication, and OAuth. As an example for
OAuth authenticated webservices, a Twitter client is included.
This release is available from deken for Windows 32 and 64 bit, Linux
i386, x86_64 and arm, as well as OS X with the name "purest_json".
Changes since 1.4.2:
- Update of build scripts and documentation
- Usage of CI for build
See the full changelog at
https://github.com/residuum/PuRestJson/blob/1.4.3/Changelog.txt
Github repository:
https://github.com/residuum/PuRestJson
Source code packages:
https://github.com/residuum/PuRestJson/releases
Full documentation:
https://github.com/residuum/PuRestJson/wiki
Build instructions for all platforms:
https://github.com/residuum/PuRestJson/wiki/Compilation
Have fun,
Thomas
--
"We left all that stuff out. If there's an error, we have this
routine called panic, and when it is called, the machine crashes,
and you holler down the hall, 'Hey, reboot it.'" (Dennis Ritchie)
http://www.residuum.org/
Call for Participation: New Interfaces for Musical Expression 2020, Royal Birmingham Conservatoire, UK
We would like to invite you to be part of NIME 2020 – The International Conference on New Interfaces for Musical Expression. We welcome submissions of original research, both scientific and artistic. A non-exhaustive list of NIME-related topics is found below.
Topics
Original contributions are encouraged in, but not limited to, the following topics:
Musical interfaces designed by/with disabled/neurodiverse musicians
Musical interfaces in/as education
Increasing musical choices for disabled musicians through new accessible interfaces
Easier/cheaper approaches to the design of bespoke accessible instruments (that can be adapted to a user’s requirements), in a world dominated by mass production
Strategies that improve the reach and replicability of one-off accessible instrument projects, particularly those that are unlikely to have full commercial potential
Musical interfaces tailored to formally trained musicians
Novel controllers, interfaces or instruments for musical expression
Augmented, embedded and hyper instruments
Technologies or systems for collaborative music-making
Mobile music-making
Music-related human-computer interaction and mapping strategies
Sensor and actuator technologies, including haptics and force feedback devices
Explorations of relationships between motion, gesture and music
Evaluation and user studies of new interfaces for musical expression or commercially available “off the shelf” interfaces
Musical robotics
Interactive sound art and installations
Performance rendering and generative algorithms
Machine learning in musical performance
Artificial intelligence and new interfaces for musical expression
Web-based and/or telematic music performance
Software frameworks, interface protocols, and data formats, for supporting musical interaction
Historical, theoretical or philosophical discussions about designing or performing with new interfaces
Supporting cultural diversity through musical interfaces
Discussions about the artistic, cultural, and social impact of new interfaces
Pedagogical perspectives or reports on student projects in the framework of NIME-related courses
Practice-based research approaches/methodologies/criticism relating to the use of musical interfaces
Important Dates
24 January 2020: Paper, Poster, Music, Installation and Workshops submission deadline
31 January 2020: Final submission upload deadline (no extension)
15-22 March 2020: Notification of acceptances/rejections
22 March 2020: Early Bird Registration Opens
10 April 2020: Non-Paper Demo submission deadline
15 April 2020: Camera-ready submission and presenter registration deadline
30 April 2020: Early-bird registration deadline
21 July 2020: Pre-conference workshops
22-24 July 2020: The conference
25 July 2020: The unconference
More information about the conference can be found at nime202.bcu.ac.uk <http://nime202.bcu.ac.uk/>
NIME 2020 Royal Birmingham Conservatoire Organising Committee