Dear all,
I'm writing to inform you about this call for papers for an upcoming issue
of eContact, an on-line journal of electroacoustic music launched in 1998
by the Canadian Electroacoustic Community as the successor to the printed
issue.
I've been invited to curate the 14.3 issue, which focuses on
biotechnological performance practice.
As guest editor I'm collecting articles and I would be grateful if you
could forward the call to your students, peers, and anybody who might be
interested.
We launched the call about one month ago, and there's still time to
submit until the 31st January.
Please, find below the original call.
Thanks,
best wishes and happy new year,
Marco
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
[CALL] eContact! 14.3 -- Biotechnological Performance Practice
eContact! extends an open call for contributions to an issue focussing on
the use of the body in electroacoustic performance practice, coordinated by
Guest Editor Marco Donnarumma. Performers, composers and others are
encouraged to contribute their perspectives on the role or position of the
body in experimental practices of musical performance.
Submission deadline: 31 January 2012
Publication: 29 February 2012
Submission Guidelines can be found here (
http://cec.sonus.ca/econtact/submissionguidelines.html).
Suggestions for contributions include, but are not limited to the following
ideas:
-Use of Mechanical Myography (MMG), Electromyography (EMG) and other
similar biological signal measurements in performance
-Scoring / notation of body-related performance
-Sound Art dealing with the body and biological aspects of performance
-Development of DIY, biological-based, Interactive Musical Systems (IMS)
-The definition / augmentation of Self on stage by means of biotechnologies
-Cognitive aspects of embodied interaction between the biological body and
computer
-Composer—Technology—Performer: definition of roles?
-Live electronics vs. fixed media in biotechnological performance practice
-Historical overviews and reflections
-Critical perspectives on gesture-based “human-computer interaction”
-The sound of flesh…
We also welcome other contributions that engage in a discourse on the
relation between biophysics and music. Feel free to propose other ideas!
To state your interest in contributing or for further information, contact
Guest Editor Marco Donnarumma at m(a)marcodonnarumma.com.
http://marcodonnarumma.com
View the call on-line: http://cec.sonus.ca/econtact/14_3/call.html
[!!] eContact! 14.1 -- JTTP 2011 http://cec.sonus.ca/econtact
Communauté électroacoustique canadienne (CEC) Canadian Electroacoustic
Community
http://cec.sonus.ca | cec(a)sonus.ca
http://facebook.com/cec.sonus | http://twitter.com/CEC_ca
--
Marco Donnarumma
Independent New Media and Sonic Arts Practitioner, Performer, Teacher
ACE, Sound Design MSc by Research (ongoing)
The University of Edinburgh, UK
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Portfolio: http://marcodonnarumma.com
Research: http://res.marcodonnarumma.com | http://www.thesaddj.com |
http://www.flxer.net
Director: http://www.liveperformersmeeting.net
(Sorry for cross-posting)
Dear colleagues and friends,
We are currently running an online survey in order to gain insights for the development of musical interactions and systems for smartphones. The survey includes 28 online questions, which will take less than 15 min of your time. We would like to kindly invite you to take part in this survey on Mobile Music Interfaces at the following link and also ask you to spread this link to the survey around your networks.
here it is the link:
http://sopi.media.taik.fi/mobilemusic/mmi/
Thank you for your time and for your participation!!
best,
Koray
-------------------------------------
M.Koray Tahiroğlu
Department of Media,
Aalto University, School of Art and Design
http://sopi.media.taik.fi/http://mlab.taik.fi/~korayt
tel: +358 45 233 6272
Hi all,
Just a friendly reminder that JANUARY 11 is the deadline for all
submissions to the Linux Audio Conference (LAC 2012), which will take
place at CCRMA (Stanford, California) in April
2012!http://lac.linuxaudio.org/2012/
Santa LACus wishes a great paper-and-music-submitting holiday to all!
Ho, ho.
Bruno
- - - - - - - - -
LAC 2012: the Linux Audio Conference - Call for Participation
April 12-15, 2012 @ CCRMA, Stanford University
http://lac.linuxaudio.org/2012/
[Apologies for cross-postings] [Please distribute]
Online submission of papers, music, installations and workshops is now
open! On the website you will find up-to-date instructions, as well as
important information about deadlines, travel, lodging, and so on. Read
on for more details!
We invite submissions of papers addressing all areas of audio processing
based on Linux and open source software. Papers can focus on technical,
artistic or scientific issues and can target developers or users. We are
also looking for music that has been produced or composed entirely or
mostly using Linux and other Open Source music software.
The Deadline for all submissions is January 11th, 2012
The Linux Audio Conference (LAC) is an international conference that
brings together musicians, sound artists, software developers and
researchers, working with Linux as an open, stable, professional
platform for audio and media research and music production. LAC includes
paper sessions, workshops, and a diverse program of electronic music.
The upcoming 2012 conference will be hosted at CCRMA, Stanford
University, on April 12-15. The Center for Computer Research in Music
and Acoustics (CCRMA) at Stanford University is a multi-disciplinary
facility where composers and researchers work together using
computer-based technology both as an artistic medium and as a research
tool. CCRMA has been using and developing Linux as an audio platform
since 1997.
http://ccrma.stanford.edu
Stanford University is located in the heart of Silicon Valley, about one
hour south of San Francisco, California. This is the first time LAC will
take place in the United States.
http://www.stanford.edu
We look forward to seeing you at Stanford in April!
Sincerely,
The LAC 2012 Organizing Team
Sofy is hosting us again at the new space, 319 Scholes, in East Williamsburgh, right around the corner from 3rd Ward. Patch up some gifts for the holidays!
http://319scholes.org/dec-20-patching-circle/
We spend enough time alone staring at our computers; we are proposing
to work together. So often issues that arise when working can be
solved with a quick two minute discussion that would take hours to
solve alone. We have Dorkbot to see people's work, we have Share where
anyone can play, we have workshops and universities to learn from.
This is a meeting where we all can come to work.
This is an informal gathering of patching and patchers (Pd, Max/MSP/
Jitter, and even vvvv, Eyesweb, Labview, etc.). Beginners and
Experienced welcome. Open to everyone, students, the public, etc. Work
on personal projects, professional projects, school projects, ask for
help, help others, or just patch quietly to yourself, in a room full of
other people patching patches and helping other people patch.
Tomorrow, Tuesday 12/20, 6-10pm
Free!
Directions
----------
Patching Circle, http://puredata.info/community/NYCPatchingCircle
319 Scholes, http://319scholes.org/
319 Scholes St (near 3rd Ward)
Brooklyn, NY 11206
917 755 0390 (Sofy)
Mailing List
------------
We also now have a mailing list for announcing the meeting each month, its very low traffic, only the monthly announcements. Sign up here:
http://mailman.at.or.at/cgi-bin/mailman/listinfo/nyc-patching-circle
(sorry for x-post)
Dear all,
this is to cordially invite you to the premiere of my latest work titled
"Hypo Chrysos".
It is a new biomedia performance for enhanced body, interactive
multi-channel sound and video (purely Pure Data-based).
WHEN & WHERE:
Friday 16th December
h 20.00
Auditorium, CaixaForum, Madrid.
Following, Herman Kolgen will perform his work "Inject".
~~~~~~~~~~~
Hypo Chrysos is the second piece of a series of bio-interactive works based
on the Xth Sense (XS), an open, biophysical and wearable technology I've
recently developed.
The work was composed ad hoc for the Matadac festival in Madrid, which this
year explores the theme of Machines and Flesh.
In conjunction with this premiere, I'm teaching a workshop on biophysical
generation and control of music and video using the Xth Sense tech.
Hypo Chrysos: http://marcodonnarumma.com/works/hypo-chrysos/
Xth Sense: http://marcodonnarumma.com/works/xth-sense/
XS Workshop:
http://marcodonnarumma.com/teaching/xth-sense-biophysical-music/
Matadac Festival: http://www.madatac.es/
Hope to see some of you there,
best wishes,
--
Marco Donnarumma
Independent New Media and Sonic Arts Practitioner, Performer, Teacher
ACE, Sound Design MSc by Research (ongoing)
The University of Edinburgh, UK
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Portfolio: http://marcodonnarumma.com
Research: http://res.marcodonnarumma.com | http://www.thesaddj.com |
http://www.flxer.net
Director: http://www.liveperformersmeeting.net
.----------.
| pdmtl#45 |
`-=--------´
|
.-=-----------------------------------------------------------,
| La quarante-cinquième rencontre du club d'utilisateurs de /
| PureData de Montréal aura lieu le samedi 10 décembre 2011 (
| de 13h00 à 17h00 au FouLab. \
`-=-----------------------------------------------------------`
|
.-=-----------------------------------------------------------,
| Le FouLab est situé au local 33B du /
| 999, rue du Collège, dans l'arrondissement Sud-Ouest, (
| à 5 minutes du métro Place-Saint-Henri (ligne orange). \
`-=-----------------------------------------------------------`
|
.-=------------------,
| Entrée gratuite ! (
`-=------------------`
|
|
.-=-------------.
| à l'horaire : |
`-=-------------´
|
.-=---------------.
| 1. Packet Party |
| par MaxD |
`-=---------------´
/
/
Packet Party est une patch développée pour intervention publique. Packet Party
sonifie le trafic de réseaux informatiques, pour sensibiliser le public à
propos des réseaux qu'ils utilisent régulièrement.
|
.-=-------------------------=-.
| 2. démos de patchs diverses |
| par Mathieu BOUCHARD |
`-=------------=------------=-´
/ `-------[#remap_image]
/
Je présenterai :
a) polar.pd : pixélisation en coordonnées polaires
b) zède1.pd : inversion complexe des coordonnées de l'image
c) koch_polygon*.pd : construction récursive de polygones
d) gl-poly-demo-with-blend.pd : troupeau de triangles
e) joyeux_noël.pd : joyeux noël !
(il s'agit d'une patch des exemples de GridFlow, une patch variante d'une patch
d'aide, et trois patchs inédites)
|
.-=----------------------------------------------------.
| 3. (Œuvre sans titre) |
| par le collectif //termostat\\ : |
| Stéphanie CASTONGUAY, Jenny ABOUAV, Romain BERGER |
`-=----------------------------------------------------´
/
/
L'œuvre consiste à capter les ondes présentes dans un espace et de
« matérialiser » sous la forme d'image en mouvement l'aspect invisible de ces
flux permanents qui transitent dans les espaces publics. À savoir, capter le
chemin et l'action que les gens parcourent/actionnent sur internet à travers
leurs téléphones portables, leurs ordinateurs et de le matérialiser dans
l'espace où ces informations transitent, ne font que passer. À travers ce
projet, la question de la proximité entre l'espace public et l'espace privé est
primordiale.
|
.-=-----------=------------=-----------=-.
| 4. Cercle de patcheux et de patcheuses |
`-=------------------------------------=-´
/ `--[s $0-allô]
/
Pour que tout le monde réponde aux questions de tout le monde, au sujet du
tricotage de patchs, du gossage d'abstractions, du macramé de DSP, de la
broderie linéaire récursive, et cætera et cætera...
______________________________________________________________________
| Mathieu BOUCHARD ----- téléphone : +1.514.383.3801 ----- Montréal, QC
_______________________________________________
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