To: pd-announce(a)iem.at
UK, Newcastle, Culture, Lab Monday 11th June 2012,
A hastily organised but hopefully fun and informative
Pd workshop. Suitable for brave beginners but also hope to
touch some advanced stuff along the way. Bring laptop,
charged battery, headphones, with extended for max enjoyment
http://tinyurl.com/NCL-PD-workshop
By the way this is just prior to the ACM DIS in case
anyone is going to that
http://www.dis2012.org/
best 2 all
Andy
Title:N E W S L E T T E R _ 0 6 8
Your newsfeed for the D-Fuse latest audio-visual performances, projects and screenings.
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22 MAY - 3 JUNE ¬ RE-CONSTRUCT CINECHAMBER. MUTEK FESTIVAL. MONTREAL. CANADA.
The new D-Fuse installation Re-Construct [Particle 3.0], which has been created specifically for Recombinant Media Labs' CineChamber, a 10-screen installation lab for panoramic performance, will premier in the installation at Cinema Excentris at Mutek Festival in Montreal, Canada. Re-construct [Particle 3.0] is a reworking of one of the main strands of D-Fuse's output from the last few years. Taking its cue from the live cinema performance pieces Particle and Latitude, Re-construct follows a trajectory from abstraction to reconstruction, creating a narrative that plays out as much through immersive spatial experience as it does over time. Investigating an urban space that is at the same moment real-and-imagined, the piece merges layers of experience that range from the existential to the reflexive, from singular concrete observations to abstract patterns and textures.
Other artists include Signal (Carsten Nicolai,Olaf Bender, Frank Bretschneider), Ryoichi Kurokawa, Telcosystems, Biosphere & Egbert Mittelstadt, Fennesz & Lillevan plus many more.
Recombinant Media Labs was founded to research the qualities and artistic potential of spatial media synthesis. It does so by means of experiential engineering, or exploring processes that expand the aesthetic and technological boundaries of simulative installation, surround cinema, and multi-channel AV environments. RML acts as producer and presenter of hybrid cross-genre artworks, residencies, and concerts in the mobile exhibition theatre. D-Fuse's reconstructive landing into this vacillating vortex brings in several distinctive contextual characteristics never before presented in Recombinant's experiential archives and by planting this projectile seed into the phono-optic fabric some further architectural extensions are anticipated.
http://www.rml-cinechamber.org/ http://cinemaexcentris.com/MUTEK-presente-CINECHAMBER http://www.mutek.org/tv/326-cinechamber-teaser
18 MAY¬ WALK IN ILLUSION. DESIGN MUSEUM. LONDON SE1. UK
D-Fuse are performing for Walk Into Illusion, an evening of visual spectacle celebrating the most highly anticipated Design Museum's exhibition of the year - Christian Louboutin, the iconic French shoe designer, celebrating a career which has pushed the boundaries of high fashion shoe. Curated by Double Decker, the evening is taking place in association with Museums at Night. D-Fuse will present two audio-visual performances inspired by Christian Louboutin's work, projected on the outside of the building and in an immersive space overlooking the River Thames. The event takes place between 8pm - 11 pm, Tickets are priced £11.
designmuseum.org/design-overtime www.double-decker.org.uk/news/2012/05/design-museum-walk-into-illusion/#mor…
www.culture24.org.uk/places+to+go/museums+at+night
3 JULY ¬ FOOD AND SOCIETY. BRITISH LIBRARY CONFERENCE CENTRE. LONDON. UK.
Michael Faulkner has been accepted to present his IE MRes paper Global Food Superhighways - How Food Shapes Cities at the British Sociological Association (BSA) Food and Society Conference. Following the success of last year's event, the aim of this third conference is to further examine the role of food in contemporary society, examining both empirical questions raised by the relation of food to social and intergenerational inequalities, and exploring theoretical issues of food as an item of consumption, cultural symbol and commodity.
Global Food Superhighways investigates the relationship between food and cities by interrogating film, using observational methods and visual ethnography. Using food as his 'lens' and selecting from a database of video clips filmed over the past three years for D-Fuse's 'Endless Cities' project, Faulkner has edited 14 films for analysis, based on the inclusion criteria that they must have evidence of food, food culture, food products or food byproducts. The methodology used to analyse the films involved creating a series of categories or 'meta tags' relating to food and cities. The films were then put online, and a select audience of academics and practitioners was invited to view and comment, reflecting on the films and the themes coming out of them. Faulkner then combined these with my own analysis in a multimodal meta-narrative around the 14 films.The films and comments can be viewed viewed here.
http://vimeo.com/album/1704327
www.britsoc.co.uk/events/food
www.britsoc.co.uk/specialisms/Food.aspx
17 JULY ¬ O/E COLLAB OUTEREDIT T-SHIRT COLLABORATION
Launching in July, OuterEdit is an online T-shirt company founded in Singapore that takes a radically different approach to the global graphic apparel retail scene. It celebrates and showcases creative talents and processes behind graphic design via a near real-time and collaborative game format known as the O/E Collab. The invited artists work in a set of groups working on different themes. D-Fuse have been selected to collaborate with Motomichi (ECU), Shobo Shobo (PAR), Lu Liling (TOK) and Cesar Pesquera (BAR). working with the theme of P.P.P.P.P.Powerrr.
www.outeredit.com www.facebook.com/OuterEdit
OUT NOW ¬ ATLAS BOOK + ONLINE.
Atlas: Geography, Architecture and Change in an Interdependent World combines recent thinking on human geography and architecture on global environmental change issues, setting out to develop a reinterpretation of cartography and a reframing of sustainability. The Atlas makes space for us to consider the practical and ethical challenges presented by globalisation and global environmental change. This website and linked publication: Atlas: Geography, Architecture and Change in an Interdependent World (Black Dog Publishing 2012), offers a range of contributions that navigate the novel ethical and political questions of our current state of global interdependence between people, places and things, near and far, in both space and time. This publication includes work from people and organisations who have participated in events arising out of the Interdependence Day (ID) project.
D-Fuse's work Small Global was exhibited at the Interdependence Day(ID) project and is featured in the Atlas publication. Small Global is an ongoing installation project - an immersive space filled with data visualisations that highlight the interconnectedness between global consumption and various environmental and social issues.
Themes addressed in Small Global include the destruction of the world's rainforest to make way for the cattle needed for fast food production, as well as ongoing wars in the Congo related to the mining of Coltan, a rare mineral crucial for mobile phone production, which has caused profound human suffering as well as the near extinction of gorillas in the Congo. The publication was produced in collaboration with the Open Space Research Centre at The Open University and is a collaboration between academics from the Geography discipline OU, the School of Architecture, University of Sheffield and researchers at the New Economics Foundation.
http://www.atlas-id.org/8 http://blackdogonline.com/all-books/atlas.html http://www.open.ac.uk/socialsciences/interdependencedayhttps://vimeo.com/album/248508
3 JUNE ¬ TEDxUCL: PERSPECTIVES. UNIVERSITY COLLEGE LONDON. UK.
TEDxUCL, a TEDx event, will present "Perspectives", as series of talks accompanied by labs, on 3 June 2012. Featuring speakers from the science, technology and the arts, the event seeks to address the issue of "perception", its role in social construction and how this affects society and the sciences. It will be held at UCL Bloomsbury. A showcase of digital artworks including a selection of D-Fuse films and performances will be screened in the labs between 2pm-9pm. http://tedxucl.org
OUT NOW ¬ STORUNG: SOUND + VISUAL ART DVD.
Störung: Sound & Visual Art is the ninth release of Störung, a Barcelona based festival and DVD label. This DVD and Book package contains 11 exclusive audiovisual works made by more than twenty artists from different parts of the world. The book contains synopses written by the artists, their biographies and selected photographs taken during the past six years of the Störung Festival. The DVD includes works by Dextro (AUT), Kim Cascone (US/IT), and Francisco López (ES). D-Fuse's audio-visual piece Gradualism is an experimental reworking of the D-Fuse Particle live cinema performancee. www.storung.com/
www.facebook.com/StorungSoundVisualArt
www.moviesdistribucion.com/todo/ficha/?St%F6rung+%3A+Sound+%26+Visual+Art&n…
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(sorry for x-post)
Dear all,
this weekend, a concert of biophysical and mobile music in New York.
Both me and Atau&Adam use Pd. (they use iPhones with custom RjDj patches)
19th May
h. 8pm
Harvestworks
FREE** entry
596 Broadway, #602 | New York, NY 10012
Subway: F/M/D/B Broadway/Lafayette, R Prince, 6 Bleeker
Info at: http://bit.ly/K1PA9m
~~~~~~~~~~~~~~~~
In a double bill on May 19th, Marco Donnarumma starts with a performance
utilizing the award-winning biophysical instrument Xth sense, that he
teaches this weekend in a class at Harvestworks. This is followed by Adam
Parkinson's and Atau Tanaka's exploitation of a common consumer electronics
device, the iPhone.
~~~~~~~~~~~~~~~~
Marco Donnarumma's Music for Flesh II is a seamless mediation between human
biosonic potential and algorithmic composition. By enabling a computer to
amplify and augment the muscle sounds of human tissues, the work approaches
the biological body as a means for computational artistry.
Adam Parkinson & Atau Tanaka reappropriate the iPhone and its advanced
technical capabilities to transform the consumer object into an expressive
musical instrument for concert performance. In a duo, with one in each
hand, they create a chamber music, 4-hands iPhone.
hope to see some of you there,
best wishes,
--
Marco Donnarumma
New Media + Sonic Arts Practitioner, Performer, Teacher, Director.
ACE, Sound Design MSc by Research (ongoing)
The University of Edinburgh, UK
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Portfolio: http://marcodonnarumma.com
Research: http://res.marcodonnarumma.com | http://www.thesaddj.com |
http://www.flxer.net
Director: http://www.liveperformersmeeting.net
*
Hi list!
It is a placer to share here my last audio work and some code..
The patch is a ensemble using boids lib. I made a gui to control
2 groups of boids wich are conected to 2 sound generator..
The release inagurates HUM.REC
<http://goog_2030192185>Hum.rec<http://www.humrec.org/>label which
will support experimental sounds made from the open source philosophy. (Free
/ Libre and Open Source
Software<http://fr.wikipedia.org/wiki/Free/Libre_Open_Source_Software>)
and in which “releases” also include the source code. Each release will be
available for free download – high-quality FLAC and also in physical
format, in this case in cassette 40 minutes.*
*
Download FULL ZIP AUDIO (FLAC) + CODE +
INFO<http://www.archive.org/download/Noish_-_Black_Nature_hum.rec_2012/Noish_-_b…>
feedback and comments are wellcom!!
enjoy it
oscar
_ _ _ _ ____ _ _ _ _
_
| \ | | ___ (_)___| |__ | __ )| | __ _ ___| | __ | \ | | __ _|
|_ _ _ _ __ ___
| \| |/ _ \| / __| '_ \ _____ | _ \| |/ _` |/ __| |/ / | \| |/ _` |
__| | | | '__/ _ \
| |\ | (_) | \__ \ | | | |_____| | |_) | | (_| | (__| < | |\ | (_| |
|_| |_| | | | __/
|_| \_|\___/|_|___/_| |_| |____/|_|\__,_|\___|_|\_\ |_|
\_|\__,_|\__|\__,_|_| \___|
*
Noish - Black Nature [hum.rec, 2012] Available in cassette [C20]
http://humrec.org/
Release title : black nature by Oscar Martin [noish]
http://noconventions.mobi/noish
Coded, edited and master @ txukrut studio BCN 2 nov 2011
Software : Pure Data, SuperCollider and Ardour under Ubuntu "lucid"
artwork: lcpino http://lcpino.com/
licensed under GPLv3
*Side A : track 001 boids_01
track 002 boids_02
extra 003 eetz_zzz
Side B : track 004 karplus
track 005 noish vs antom mobin *
* Side A* : *track 001* come from a exploration of the sound
posibilities of the "boids algorithm"
I used the boids lib from Pure Data and some [phasor~]
audio generators.
(c) 1995-98 Eric L, Singer float/2d/3d adaptation by a. sier / jash
Based on Simon Fraser's implementation of Craig Reynolds'
Boids algorith.
Boids is free for non-commercial use.
Boids is a bird flight and animal flock simulator. It is
based on the same algorithm
which was used in Jurassic Park for the herding dinosaurs.
For more information about the boids algorithm, see Craig
Reynolds' Web site at
http://reality.sgi.com/employess/craig/boids.html
*track 002* is a hybrid between boids sound material and
sounds generated by "eetz" my
previus work still under development.
+info about "eetz" audio&code
http://www.apo33.org/records/doku.php?id=virtual_records
* Side B : 004 Karplus* For this track i used code i found in a
supercollider's tutorial
random melodies with the Karplus-Strong clasic sound
algoritm.. the code could be by
Paul Berg, Nick Collins, Alo Allik, Jan Trutzschler,
Zlatko Baracskai, Sergio Luque,
Jorrit Tamminga, David Cottle, Julio d'Escriván.. not too
much especifications in the
tutorial,,
*005 noish vs anton mobin* (extract) live @ A Maïzing
Session #24 (KKWNE radio) very
specials thanks to Zorei anton mobin: impro with tape,
scratch cassette, delay
noish: impro with a Pd patch anton mobin web:
http://antonmobin.blogspot.com
--
oscar martin && [noish]
:::::::::::::::::::::::::::::::::::::::::::::
http://noconventions.mobi/noishhttp://metaminafnr.hotglue.me/http://www.minipimer.tv/http://ursonatefanzine.tk/
---------------------------------------------
Recently, I gave an "Introduction to Pd" workshop at the Puerto Rico Music
Conservatory. As far as I know, it's the first one ever given in Puerto
Rico!
We covered:
-Basic synthesis [osc~]
-Sample playback [soundfiler]
-Basic Arduino interface
Workshop materials are *HERE
<http://www.mediafire.com/?bgds4uykxpnlb3d>* (comments
are in spanish)
Check out some pics http://www.epicjefferson.com/2012/05/pure-data-workshop/
-----
*Recientemente realice un taller introductorio de Pure Data en el
Conservatorio de Música de Puerto Rico. Que yo sepa, es el primero
realizado en Puerto Rico!*
*
*
*Se cubrió:*
*
*
*-síntesis básica [osc~]*
*
*
*-reproducción de archivos de audio [soundfiler]*
*
*
*-interfaces básicos con Arduino*
*
*
*Los materiales del taller están AQUI<http://www.mediafire.com/?bgds4uykxpnlb3d>
.*
*
*
*Fotos http://www.epicjefferson.com/2012/05/pure-data-workshop/*
--
www.epicjefferson.comwww.avmachinists.org Puerto Rico based Art Collective/ Non-Profit Org
Twitter: @epicjefferson
G+ & Facebook: Epic Jefferson
Vox Novus is inviting composers/sound artists to submit (fixed) works 60 seconds or less in length to be included in its tenth annual 60x60 project. 60 compositions will be selected to be played continuously in a one-hour concert.
Act fast! The deadline is in less than a month!
Your works can be considered for multiple mixes, including the International and local mixes (Canada, Europe, NOrth-East, UK) and a variety of other thematic mixes. Please check the appropriate boxes when you submit your work:
International mix
Canada mix
Un-Twelve mix - for microtonal works
The Athena mix - for female composers
Voice mix - works incorporating the human voice
John Mix - for works that are based on recorded natural or urban sounds
North American Soundscapes - focusing on urban soundscapes in North America
Presenters mix - from composers who presented 60x60
Latin-American mix
Europe Mix
UK mix
North-East mix
More information about the call and submit your works here:
http://www.60x60.com/calls/
Best,
Eldad Tsabary
FRENCH BELOW
================
RICARDO MBARKHO
<< FINE PIXELS >>
OPENING: TUESDAY MAY 15, 2012 @ 6 pm
Artist Talk starts @ 7 pm
www.ricardombarkho.com
at Galerie Mark Hachem - Beirut
Monday - Saturday, 10 am - 7 pm
Galerie Mark Hachem (Beirut) is proud to present “FINE PIXELS” by Lebanese artist RICARDO MBARKHO. The exhibition opens on Tuesday, 15 of May 2012 and will run until Tuesday, 29 of May 2012.
The exhibition will showcase Ricardo Mbarkho’s images: The artist manipulates different layers of significations by investigating multiple questions related to language, communication, cultural industries, history of art as well as the visual representation within the sociopolitical sphere. Mbarkho’s images are made from texts. The artist uses the computer as a tool to transcend texts into images; the text's binary codes, those simple digits that computers use to stock information, are transposed into a unique corresponding visual. By this creative process, the shapes and colors of Ricardo Mbarkho’s art are constantly unveiling new facets of the initial texts.
Ricardo Mbarkho’s work stems from the vibrant scene of today’s global digital art practices. Mbarkho divulges alternative readings to issues pertaining to his local cultural and sociopolitical environments, where the latter’s significance and information are embodied and channeled through the artist’s own flux.
Galerie Mark Hachem invites the public to share the artist’s doubts and findings through Ricardo Mbarkho’s solo show, “Fine Pixels”.
mark hachem I contemporary art gallery
Capital Gardens Bldg. | Salloum St. | Mina el Hosn | Beirut Central District | Lebanon
T +961 1 999313 | E beirut(a)markhachem.com | W www.markhachem.com | SKYPE beirut.markhachem
FRANCAIS
===========
RICARDO MBARKHO
<< FINE PIXELS >>
VERNISSAGE LE 15 MAI 2012 A 18h
Artist Talk à 19h
www.ricardombarkho.com
à la Galerie Mark Hachem - Beyrouth
Lundi - Samedi, 10h - 19h
La Galerie Mark Hachem (Beyrouth) a le plaisir de vous inviter au vernissage de “FINE PIXELS”, l’exposition de l’artiste libanais RICARDO MBARKHO, le mardi 15 mai 2012. L’exposition se poursuit jusqu’au mardi 29 mai 2012.
Au programme, les images numériques de Ricardo Mbarkho: Le langage, la communication, les industries culturelles, l’histoire de l’art ou encore la représentation visuelle de l’espace sociopolitique, autant d’aspects que l’artiste met en exergue en manipulant moult strates de sens relatives à l’objet de son questionnement.
A l’origine, il y’a un texte. L’artiste le prend tel quel, ou le compose dans l’optique particulière de l’œuvre finale. Puis il y’a l’ordinateur, outil de choix de Mbarkho, cet outil de mutation des textes initiaux en visuels. Des images uniques vont ainsi se révéler à chaque fois, images générées par les codes binaires de ces textes, codes qui ne sont autre que la simple unité de base dont l’ordinateur use pour stocker l’information.
En phase avec les pratiques contemporaines de l’art numérique, l’œuvre de Ricardo Mbarkho propose une lecture renouvelée de l’environnement culturel et sociopolitique de l’artiste. Un momentum très particulier que nous livre Ricardo Mbarkho ; une transcendance, une sorte de mise à nu de textes, de leurs mots, de leurs sens. De ces textes, l’artiste ne retient que l’essentiel, la moelle substantifique.
mark hachem I contemporary art gallery
Imm. Capital Gardens | Rue Salloum | Mina el Hosn | Beirut Central District | Liban
T +961 1 999313 | E beirut(a)markhachem.com | W www.markhachem.com | SKYPE beirut.markhachem
CALL FOR PARTICIPATION
======================
((( MUME 2012 )))
1st International Workshop on Musical Metacreation
http://www.metacreation.net/mume2012/
Held at the Eighth AAAI Conference on Artificial Intelligence and
Interactive Digital Entertainment (AIIDE'12)
Stanford University, Palo Alto, California, USA
October 9, 2012
----------------------
Deadline for Paper and Demo Submissions:
*** July 6, 2012 ***
======================
We are delighted to announce the 1st International Workshop on Musical
Metacreation (MUME2012) to be held October 9, 2012, in conjunction
with the Eighth AAAI Conference on Artificial Intelligence and
Interactive Digital Entertainment (AIIDE'12).
Thanks to continued progress in artistic and scientific research, a
new possibility is emerging in our musical relationship with
technology: Generative Music or Musical Metacreation, the design and
use of computer music systems which are "creative on their own".
Metacreation involves using tools and techniques from artificial
intelligence, artificial life, and machine learning, themselves often
inspired by cognitive and life sciences. Musical Metacreation suggests
exciting new opportunities to enter creative music making: discovery
and exploration of novel musical styles and content, collaboration
between human performers and creative software "partners", and design
of systems in gaming and entertainment that dynamically generate or
modify music.
The workshop will bring together artists, practitioners and
researchers interested in developing software and systems that
autonomously (or interactively) recognize, learn, represent, complete,
accompany, compose or interpret music. In particular, emphasis will be
put on systems with real-time aspects, since these are relevant to
both art and entertainment communities.
Topics
======
We encourage paper and demo submissions on topics including the
following:
* Novel representations of musical information
* Systems for autonomous or interactive music composition
* Systems for automatic generation of expressive musical
interpretation
* Systems for learning or modelling music style and structure
* Systems for intelligently remixing or recombining musical material
* Advances or applications of AI, machine learning, and
statistical techniques for musical purposes
* Advances or applications of evolutionary computing or agent and
multiagent-based systems for musical purposes
* Computational models of human musical creativity
* Techniques and systems for supporting human musical creativity
* Online musical systems (i.e. systems with a real-time element)
* Adaptive music in video games
* Methodologies for, and studies reporting on, evaluation of
musical metacreations
* Emerging musical styles and approaches to music production and
performance involving the use of AI systems
Format and Submissions
======================
The workshop will be a one day event including:
* Presentations of TECHNICAL PAPERS
* Presentations of POSITION PAPERS relevant to Musical
Metacreation and its future
* Presentations of DEMONSTRATIONS
* One or more PANEL SESSIONS (potential topics include
international collaborations, evaluation methodologies, industry
engagement, generative music in art vs. games)
For complete details on attendance, submissions and formatting, please
visit the workshop website:
*** http://www.metacreation.net/mume2012/ ***
Important Dates
===============
Submission deadline: July 6, 2012
Notification date: August 3, 2012
Accepted Author CRC due to AAAI Press: August 17, 2012
Workshop date: October 9, 2012
Workshop Organizers
===================
Dr. Philippe Pasquier (Workshop Chair)
School of Interactive Arts + Technology (SIAT)
Simon Fraser University
Dr. Arne Eigenfeldt
The School for the Contemporary Arts
Simon Fraser University
Dr. Oliver Bown
Design Lab, Faculty of Architecture, Design and Planning
The University of Sydney
----------------------
http://www.metacreation.net/mume2012/
======================
Hello,
next tuesday, 8th May 20:00, will be the next meeting of Pure Data users
in Berlin at NK (http://www.nkprojekt.de/) - Elsenstr. 52, 2HH 2Etage.
For more information, look up
http://puredata.info/community/groups/pd-berlin/pd-berlin-users-group/
We also encourage you to take an active part, and put up suggestions for
topics you want to talk about / topics you want to be talked about.
Pd-Berlin Google group: You can join the open group
http://groups.google.com/group/pd_berlin, and make questions to the users
there.
Doors are open from 20h-20h15. After that they'll be closed, and you will
have to call someone from the Pd-meeting to get in. To get a telephone
number to call or confirm assistance you can write to
steiner AT block4 DOT com.
Please, don´t call to the staff of NK to open the doors. They let us use
the space but we have to take care about having the meeting without
producing any disturbance to them, and to clean the space after the
meeting.
We would apreciate if you would send us a small mail to
steiner AT block4 DOT com with your name, Pd experience and interests, so
that we know how many people might be coming. Or put your name in the
pd-berlin wiki page.
We would like to thank the support and willingness of NK in the
organization of these events.
INCARNATED SOUND - USA TOUR 2012
Biophysical music, sonic flesh theory and body hacking courses.
~~~~~~~~
Dear all,
hoping it might be of your interest,
I'm sharing with you the schedule of the upcoming USA Tour.
I'll be performing, teaching and speaking with and about the Xth Sense in 5
cities on the East Coast.
See the planned events below, and feel free to get in touch if you happen
to be in the area.
http://marcodonnarumma.com/works/xth-sense/http://marcodonnarumma.com/works/music-for-flesh-ii
For detailed information you're welcome to visit:
http://marcodonnarumma.com/calendar
You can still book a place for the Xth Sense workshop in New York at:
http://bit.ly/JEwto0
||| ACM - CHI 2012 Liveness
||| 5-10 May
||| Austin Conference Center, Texas
- Presentation “Xth Sense: recoding visceral embodiment”
Other presenters include Toby Harris, Maria Lantin and Leila Sujir, among
the others.
~~~~~~~~
||| They, Who Sound
||| 7 May
||| Avant Garden, 411 Westheimer, Houston, Texas.
- Performing “Music for Flesh II”, interactive music piece for enhanced
body.
- Performing “Nascent”, incarnated sound sculpture, US Premiere;
~~~~~~~~
||| Washington DC
||| 15 May
||| American University, Washington DC.
A night of Biophysical music with Marco Donnarumma.
- Performing “Music for Flesh II”;
- Performing “Nascent”;
- Open Workshop “Performing incarnated sound: the Xth Sense”.
~~~~~~~~
||| Tanaka/Donnarumma, Mobile and biophysical music
||| 18 May
||| Spectrum, 115 West 23rd Street #22, Manhattan, New York.
- Performing “Music for Flesh II”.
Also on stage Atau Tanaka with his mobile musical instruments.
~~~~~~~~
||| Xth Sense Workshop New York
||| 19-20 May
||| Harvestworks, Manhattan, New York.
- Workshop “Xth Sense, Biophysical Music”.
Hands-on training in augmentation of the body for musical performance.
Build your own low cost biosensing wearable device for muscle sounds.
Book a place at: http://bit.ly/JEwto0
~~~~~~~~
||| NIME Conference
||| 21-23 May
||| University of Michigan, Ann Arbor, Michigan.
- Performing “Music for Flesh II”;
- Poster “Music for Flesh II: informing interactive music performance with
the viscerality of the body system”
--
Marco Donnarumma
New Media + Sonic Arts Practitioner, Performer, Teacher, Director.
ACE, Sound Design MSc by Research (ongoing)
The University of Edinburgh, UK
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Portfolio: http://marcodonnarumma.com
Research: http://res.marcodonnarumma.com | http://www.thesaddj.com |
http://www.flxer.net
Director: http://www.liveperformersmeeting.net