Hi all,
Pd version 0.43-3 is available on http://crca.ucsd.edu/~msp/software.htm
or via git from sourceforge:
git clone git://pure-data.git.sourceforge.net/gitroot/pure-data/pure-data
Main change from 0.43-2 is that MIDI input is improved on Mac and Windows.
Also, I added a stub to future-proof Pd against a possible extension of the
file format so that in the future there could be a way to set widths of
boxes and stuff like that (and 0.43-3 would read those files and only complain
once instead of complaining for pages.)
I'm ready to start hacking on 0.44. The most urgent thing seems to be for
me to go back and work on the audio system (and perhaps tweak MIDI a bit
more too).
The thing I'm actually looking forward to doing is to extend textfiles and
message boxes and data structures to be able to spit lists of atoms around
much more flexibly than now.
Also pd vanilla needs tilde objects to do interpolating signal snapshots,
phase-syncable oscillators, and other stuff on that level, also likely
to be a lot of fun.
cheers
Miller
Hello,
tomorrow tuesday, 3th July 20:00, will be the next meeting of Pure Data
users in Berlin, this time at Weisestr 7, Berlin Neukoelln. From 20:00.
Bring weisbeer, headphones, and X-->jack cable/s if you wanna plug in
the audio mixer and/or cable/connector if you want to show some video.
For general information, look up
http://puredata.info/community/groups/pd-berlin/pd-berlin-users-group/
We also encourage you to take an active part, and put up suggestions for
topics you want to talk about / topics you want to be talked about.
Pd-Berlin Google group: You can join the open group
http://groups.google.com/group/pd_berlin, and make questions to the users
there.
Cheers,
Malte
Hi everyone,
we gonna start the new apodio gnu/linux distro next week and of course
PD is an absolute requirement!
Therefore I would ask here what is the best version of PD-extended
0.43 at the moment to be included in it. Knowing that it will be a
stable version to stay for a couple of years ;-) so is a stable
PD-extended 0.43 version available or when it will be available?
Only the beta-version is available right now :
http://puredata.info/downloads/pd-extended/releases/0.43.1
thank you for your help.
cheers
Julien / APO33
///
From 9th to 20th of July
APODIO 9 - SUMMER OPEN SESSION
Beyond workshop, build collectively your own libre tools!
Come and participate to the next Gnu/Linux APODIO FreeLibre operating system
http://www.apodio.org/
based on Xubuntu 12.04 LTS (for a stable version we hope)
APODIO NEEDS YOU!!!
-programmers
-king/queen of compilation
-beta-tester
-documentation and manual
-graphics
-promotion
::::::::::::::::::::::::::
minimal requirement :
-bring a computer or tell us in advance, we could find something then.
-a minimum of knowledge of Gnu/Linux operating system
-housing in Nantes, we should be able to find you something if needed
contact: orga(a)apo33.org
APO33 RESEARCH LAB /// 17 rue Paul Bellamy 44/Nantes-FR
////////////////////////////////////////////////////////////////////////////////
APO33
APO33, as an interdisciplinary laboratory drawing on the artistic and
technological fields, fosters various collective projects associating
research, experimentation and social intervention.
In the continuity of the dynamics that has been opened by the free
software movement, apo33 is structured as a modular space, initiating
collaborative projects and creative processes, as well as exploring
new artistic and creative modes of production and diffusion.
http://www.apo33.org/
info(a)apo33.org
17 rue Paul Bellamy 44000 Nantes France
+33 02 51 89 47 16
APO33/ Plateforme intermédia
La Fabrique - plateforme Intermédia
Boulevard Léon Bureau 44000 Nantes
mail : plateforme(a)apo33.org
/////////////////////////////////////////////////////////////////////////////
--
APO33
space of research and experimentation
http://www.apo33.org
info(a)apo33.org
Dear all,
introducing an upcoming durational performance in London, part of the
Moving Forest aka The Castle.
Hope to see some of you there, even though the early time.
best wishes,
M
~~~~~~~~~~~~~~~~~
ACT 1 - REMORSE
DATE: Wed 4th July 2012
HOUR: 11:00 - 13:00
LOCATION: Triangle gallery, Chelsea College of Art and Design (CCAD)
Francesca de Rimini - text and reading
Linda Dement - text and blood machines
Marco Donnarumma - Xth Sense body suit, burned amplifiers, human flesh
sonic feedback
Laura Oldfield Ford - video
"Moving Forest expands the last 12 minute of Kurosawa’s adaptation of
Shakespeare’s Macbeth, ‘Throne of Blood’ (1957), into a sonic performance
saga with a prelude of 12 days, a durational performance of 6 acts in 12
hours and a closing Coda for the sake of argument.
First presented at Transmediale.08. Berlin 2008, Moving Forest London maps
an imaginary castle and a camouflaged forest revolt onto the
hyper-playground of the London metropolis on the eve of Olympics 2012."
Other 4 performances will follow at CCAD until 21.00.
With Valentina Vuksic, Olsen Wolf, Kaffe Matthews, xname, Ewa Justka, Bioni
Samp, Vasco Alves, Atau Tanaka, Graham Harwood, AUDiNT (Toby Heys, Steve
Goodman).
Concept and Scenario: Shu Lea Cheang and Martin Howse, 2007
Organized by: TAKE2030 (Ilze Black and Shu Lea Cheang)
Matthew Fuller (Center for Cultural studies, Goldsmiths College)
Graham Harwood (MA Interactive Media, Goldsmiths College)
Rachel Baker {irational.org}
--
Marco Donnarumma
New Media + Sonic Arts Practitioner, Performer, Teacher, Director.
ACE, Sound Design MSc by Research (ongoing)
The University of Edinburgh, UK
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Portfolio: http://marcodonnarumma.com
Research: http://res.marcodonnarumma.com | http://www.thesaddj.com |
http://www.flxer.net
Director: http://www.liveperformersmeeting.net
Hi list,
I'm happy to present my first external named [m2f_vst].
It calculates midi note to frequency (Hz), just like [mtof], but with a
variable semitone to whole tone ratio. That means it makes it possible to
play in temperaments 31 (ratio 3:5) and 19 (ratio: 2:3) equal division, as
well as 12 (1:2), 5 (0:1), 7 (1:1) and everything in between.
To be able to use it as intended it's, except for ratio "0.5" that makes it
work similar to [mtof], necessary to set a modulation index, where 0 is
default (C-C#-D-Eb-E-F-F#-G-G#-A-Bb-B). Changing the value for "mod"
replaces one note for another (for example G# for Ab) for every "+1" or
"-1" in the circle of fifths up by increasing and down by decreasing.
Documentation is provided in the manual/ folder. An example patch that
plays a part of J.S. Bach's prelude of the 5th English Suite is provided in
the examples/ folder.
You can find it here:
http://student-kmt.hku.nl/~funs/puredata/externals/m2f_vst.tar.gz
Feel free to send a mail with questions or comments to
funsseelen(a)gmail.comor as a reply to this message.
--Funs
======================
CALL FOR PARTICIPATION
======================
((( MUME 2012 )))
1st International Workshop on Musical Metacreation
http://www.metacreation.net/mume2012/
Held at the Eighth AAAI Conference on Artificial Intelligence and
Interactive Digital Entertainment (AIIDE'12)
Stanford, Palo Alto, California, USA
October 9, 2012
----------------------
Deadline for Paper and Demo Submissions:
*** July 6, 2012 ***
======================
We are delighted to announce the 1st International Workshop on Musical
Metacreation (MUME2012) to be held October 9, 2012, in conjunction
with the Eighth AAAI Conference on Artificial Intelligence and
Interactive Digital Entertainment (AIIDE'12).
Thanks to continued progress in artistic and scientific research, a
new possibility is emerging in our musical relationship with
technology: Generative Music or Musical Metacreation, the design and
use of computer music systems which are "creative on their own".
Metacreation involves using tools and techniques from artificial
intelligence, artificial life, and machine learning, themselves often
inspired by cognitive and life sciences. Musical Metacreation suggests
exciting new opportunities to enter creative music making: discovery
and exploration of novel musical styles and content, collaboration
between human performers and creative software "partners", and design
of systems in gaming and entertainment that dynamically generate or
modify music.
The workshop will bring together artists, practitioners and
researchers interested in developing software and systems that
autonomously (or interactively) recognize, learn, represent, complete,
accompany, compose or interpret music. In particular, emphasis will be
put on systems with real-time aspects, since these are relevant to
both art and entertainment communities.
Topics
======
We encourage paper and demo submissions on topics including the
following:
* Novel representations of musical information
* Systems for autonomous or interactive music composition
* Systems for automatic generation of expressive musical
interpretation
* Systems for learning or modelling music style and structure
* Systems for intelligently remixing or recombining musical material
* Advances or applications of AI, machine learning, and
statistical techniques for musical purposes
* Advances or applications of evolutionary computing or agent and
multiagent-based systems for musical purposes
* Computational models of human musical creativity
* Techniques and systems for supporting human musical creativity
* Online musical systems (i.e. systems with a real-time element)
* Adaptive music in video games
* Methodologies for, and studies reporting on, evaluation of
musical metacreations
* Emerging musical styles and approaches to music production and
performance involving the use of AI systems
* Applications of Musical Metacreation for digital entertainment:
sound design, soundtracks, video games, etc.
Format and Submissions
======================
The workshop will be a one day event including:
* Presentations of TECHNICAL PAPERS
* Presentations of POSITION PAPERS relevant to Musical
Metacreation and its future
* Presentations of DEMONSTRATIONS
* One or more PANEL SESSIONS (potential topics include
international collaborations, evaluation methodologies, industry
engagement, generative music in art vs. games)
For complete details on attendance, submissions and formatting, please
visit the workshop website:
*** http://www.metacreation.net/mume2012/ ***
Important Dates
===============
Submission deadline: July 6, 2012
Notification date: August 3, 2012
Accepted author CRC due to AAAI Press: August 15, 2012
Workshop date: October 9, 2012
Workshop Organizers
===================
Dr. Philippe Pasquier (Workshop Chair)
School of Interactive Arts and Technology (SIAT)
Simon Fraser University
Dr. Arne Eigenfeldt
School for the Contemporary Arts
Simon Fraser University
Dr. Oliver Bown
Design Lab, Faculty of Architecture, Design and Planning
The University of Sydney
----------------------
http://www.metacreation.net/mume2012/
======================
Hi all,
Pd version 0.43-3 test1 is available on http://crca.ucsd.edu/~msp/software.htm
or via git from sourceforge:
git clone git://pure-data.git.sourceforge.net/gitroot/pure-data/pure-data
There are small bug fixes (tabread4~ from very small tables; UTF-8 string
overflow fix; array deletion while used in DSP).
Also tried to fix the problems with MIDI input (actually USB "virtual MIDI"
inputs) overflowing queues.
Also adapted a GUI optimization by Hans-Cristophe that might make large
graphical tables work somewhat better.
cheers
Miller
XTH SENSE Workshop @ Beam Festival, London
with Marco Donnarumma.
Create your own low cost, biophysical, wearable sensor for muscle sounds.
We have only very few places left. Visit the link below to register.
Registration:
http://www.beamfestival.com/tickets-2/
~~WHAT
The Xth Sense is a biophysical musical instrument. With it you can produce
music with the sound of your muscles.
It is free and open source, and it was named the “world’s most innovative
new musical instrument” by the Georgia Tech Center for Music Technology
(US, 2012).
Its name is spelled ecsth sense (not tenth sense!). But it’s way easier to
call it XS.
Students will build their own XS sensor.
Theoretical and practical training in gestural control of music and bodily
audiovisual performance with the Xth Sense will be provided.
Reclaim your body and let it sound!
Complete info:
http://marcodonnarumma.com/teaching/xth-sense-biophysical-music/
~~WHEN
The workshop costs £50 and takes place over 3 sessions:
6 – 7.30pm Friday 22 June
11am – 6pm Saturday 23 June
10am – 12pm Sunday 24 June
~~WHERE
Brunel University, Uxbridge, London.
feel free to distribute to your networks,
thanks,
best wishes,
--
Marco Donnarumma
New Media + Sonic Arts Practitioner, Performer, Teacher, Director.
ACE, Sound Design MSc by Research (ongoing)
The University of Edinburgh, UK
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Portfolio: http://marcodonnarumma.com
Research: http://res.marcodonnarumma.com | http://www.thesaddj.com |
http://www.flxer.net
Director: http://www.liveperformersmeeting.net
International Artist Residencies 2012
AIR/HMC, Budapest
NOW ACCEPTING APPLICATIONS for December 2012-January 2013
http://www.hungarian-multicultural-center.com/id69.html
"Artist residencies allow the time for dialogue and create connections that contribute to the future.."
E-mail address: bszechy(a)yahoo.com
Discipline: visual artists, writers, performers
Offered program: residency, seminar, artist talk, exhibition.
Eligibility: International emerging artists
The HMC is a not-for-profit arts organization founded in 1990 and based in Dallas/Budapest.
Please visit our website for more information and application form.
http://www.hungarian-multicultural-center.com/id69.html
Dear PD-Forum members,
I would be very grateful to you if you could circulate the following announcement to people who might be interested.
Please visit the following website for further information:
http://www.keams.org/emille/
Sincerely yours,
prko
---------------------------------------------------------------------------------------------------------------------------------------------------------
The Korean Electro-Acoustic Music Society's 2012 Annual Conference & its Computer Music Journal, Emille, present:
Call for Proposals
The Korean Electro-Acoustic Music Society (KEAMS) is pleased to announce a call for proposals for the 2012 KEAMS annual Conference and its journal Emille. KEAMS was formed to promote active research and discussion on electro-acoustic and computer music, and will hold the next year's conference during the Seoul International Computer Music Festival (SICMF 2012: http://www.computermusic.or.kr/main_en/) from October 23rd to 27th, 2012. Selected papers from the conference will be published in Emille Vol. 10(December, 2012). If you want your paper or workshop idea to be considered for the 2012 KEAMS Conference, please send an abstract or proposal (maximum of 2,000-characters including spaces) and curriculum vitae as PDF documents to <emille(a)keams.org>.
Category of Topics
For the KEAMS conference, the following topics are encouraged:
a) Creative Encounters between Music and Science
b) Multidisciplinary or Interdisciplinary Research (co-authors acceptable)
c) Systematic Musicology (Computational Musicology, Computational Music Theory)
d) Analysis of Electronic and Computer-based Music
e) Sound Synthesis
f) Music Psychology
g) Instrumentation
h) Development of electronically-extended Musical Instruments
i) Music Software Engineering
j) Artificial Musical Intelligence
k) Computer-aided Composition/Analysis
l) Automatic Composition
etc.
Important Dates
- Deadline for Proposal Submission: June 25, 2012
- Notification of Acceptance of the Proposal: July 10, 2012
- Deadline for Paper Submission before Conference: September 30, 2012
- Deadline for Final Paper Submission: November 15, 2012
SESSION FORMATS
Each session will consist of up to four presentations. Each paper will be presented in person for about 25 minutes followed by ca. 5 minutes of discussion. If you want to give a keynote presentation, you will begiven about 50 minutes to present, followed by ca. 10 minutes of discussion. Please include the wordkeynote in your submission if you are planning on applying for a keynote presentation. The length of eachworkshop will be about 90 minutes. Video conferencing over the Internet is also available.
Your ideas are critical in making the conference and Emille enriching, important and substantial. We look forward to reviewing everyone's entry.
As demonstrated by the following examples, participants may submit more than two proposals, making a whole presentation session or an additional workshop session:
Example 1: Presentation Session Plan *
Session
Sample topic: Spatialization
(4 x 30 min. = 25 min. presentation + 5 min. Q&A)
Presentation 1
Spatialization methods using less than 8 channels
Presentation 2
An overview of the design of a Loudspeaker Orchestra
Presentation 3
Applications of Ambisonics and Spherical Acoustics
Presentation 4
A proposal of multi-3D audio reproduction system for the multi-functional concert hall
* You may submit several proposals without a session plan.
Example 2: Workshop Session Plan **
Session
Sample topic: Using controllers for composition and acoustic installations
(3 X 90 min.)
Workshop 1
Controllers using various sensors and Arduino
Workshop 2
Use of Smartphones and Tablet PCs as controllers
Workshop 3
Inter-application uses of Controllers
(Using Processing to Control Csound, MaxMSP, PD and SuperCollider)
** You may submit a single proposal for a workshop. You also may submit multiple proposals for individual workshops without a session plan.
Fees
Thanks to funding from the Korean Arts Council, the registration fee and publication fee will be waived.
It is also possible for students and non-experts in the fields mentioned above to submit proposals for the conference and the journal, Emille. All proposals will be screened by the program committee and selected solely based on the quality of the research and topic.
Your ideas are critical in making the conference and Emille enriching, important and substantial. We look forward to reviewing everyone's entry.
Emille, the Journal of the Korean Electro-Acoustic Music Society
http://www.keams.org/emille/
Editorial Information
Editor in Chief
Lymn, Young-Mee
Lecturer of Electro-Acoustic Music (EAM) & Music Theory (MTh) at Hanyang University etc.
Editor
Ko, PyoungRyang
Lecturer of MTh & EAM at Seoul National University, Sookmyung Women's University etc.
Editorial Board
Breitenfeld, Roland
Professor of Composition and Electronic Music at Seoul National University
Chang, Jaeho
Professor of Music Technology at Korea National University of Arts
Cho, Jinok
Lecturer of MTh at Seoul National University, Chung-Ang University etc.
Cho, Youngmi
Lecturer of EAM & MTh at Pyeongtaek University etc.
Dudas, Richard
Professor of Composition and Computer Music at Hanyang University
Kim, Han Shin
Lecturer of EAM at Sookmyung Women's University etc.
Lee, Byung-moo
Lecturer of Composition, MTh & EAM Music at Chugye University for the Arts etc.
Lee, Kyogu
Professor of Music Information Retrieval, Music DSP at Seoul National University
Moon, Seong-Joon
Professor of Composition at Chugye University for the Arts
Nam, Unjung
Professor of Computer Music at Baekseok Arts University
Parks, Kevin
Professor of Composition and Computer Music at the Catholic University of Daegu
Yeo, Woon Seung
Professor of Audio visual art, New Musical Interface, Mobile Orchestra and Music DSP at Korea Advanced Institute of Science and Technology (KAIST)
Yim, Jongwoo
Professor of Composition at Hanyang University
Editorial Advisory Board
Ahn, Doo-jin
Professor of Composition at Hanseo University
HWANG, Sung Ho
Professor of Composition at Korea National University of Arts
Lee, Donoung
Professor of Composition at Seoul National University
Cho, Wonhyong
Researcher at the National Institute of the Korean Language