Hi,
The CICM is pleased to share the first release of HoaLibrary for Pure Data.
HoaLibrary is a collection of C++ classes, FAUST functions and objects for
Pure Data, Max and VST destined to high order Ambisonics sound reproduction.
HoaLibrary allows musicians and composers to synthesize, transform and
render sound fields in a creative and artistic way. This library
facilitates the understanding and the appropriation of key concepts of
Ambisonics. Thanks to original graphical interfaces a lot …
[View More]of new signal
processings are allowed like diffuse sound field synthesis, perspective
distortion or spatial filtering.
HoaLibrary is free, open-source and made available by CICM, the centre
of research
on musical composition and computer science of the Paris 8 University.
Objects:
hoa.decoder~ : An ambisonic decoder (ambisonic, binaural, irregular
configurations).
hoa.encoder~ : An ambisonic encoder.
hoa.map~ : An ambisonic sources spatializer.
hoa.delay~ : An ambisonic sound field delay.
hoa.freeverb~ : An implementation of the freeverb algorithm for Ambisonics.
hoa.grain~ : An ambisonic granular synthesizer.
hoa.map : A GUI to spatialize sources on a map.
hoa.meter~ : A circular meter with sound field descriptor.
hoa.optim~ : An ambisonic sound field optimization.
hoa.pi : A good pi number.
hoa.projector~ : A plane wave decomposer.
hoa.recomposer~ : A plane wave recomposer to harmonics domain.
hoa.ringmod~ : An ambisonic sound field ring modulation.
hoa.rotate~ : An ambisonic sound field rotation external.
hoa.scope~ : An ambisonic harmonic scope.
hoa.space : A GUI to design ambisonic space.
hoa.space~ : A plane wave spatial filter.
hoa.wider~ : An ambisonic fractional orders simulator.
Release:
http://www.mshparisnord.fr/hoalibrary/en
Sources:
https://github.com/CICM/HoaLibrary
Feedbacks are welcome.
Thanks.
Pierre
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apologies for x-post
~~~ DMT live ~~~
FREE TONIGHT, Saturday 2 Nov, Bar 19.00
Watermans Arts Center, Downstairs Bar
Brentford, London
DMT is Marco Donnarumma, Christos Michalakos, and Atau Tanaka, a trio of
visceral electronic musicians that interface corporeal gesture and physical
gesture with pulsing electronic noise. Donnarumma plays the Xth Sense
biophysical muscle sensor system to sonify the performer's body. Tanaka
runs granular synthesis algorithms on the iPhone, and Michalakos plays …
[View More]the
Augmented Drum-Kit, a bespoke electroacoustic instrument based on the
acoustic drum-kit. Together they create a wall of sound that is live
technological thrill.
http://www.watermans.org.uk/exhibitions/exhibitions/digital-art--performanc…
Hope to see some of you there,
--
Marco Donnarumma
New Media + Sonic Arts Practitioner, Performer, Teacher, Director.
Embodied Audio-Visual Interaction Research Team.
Department of Computing, Goldsmiths University of London
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Portfolio: http://marcodonnarumma.com
Research: http://res.marcodonnarumma.com
Director: http://www.liveperformersmeeting.net
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Georgia Tech is now accepting applications for the MS and PhD programs in music technology for matriculation in August 2014. All PhD students, and a limited number of MS students, receive graduate research assistantships that cover tuition and pay a competitive monthly stipend. The deadline for applications is January 31, 2014.
The MS in Music Technology is a two-year program that instills in students the theoretical foundation, technical skills, and creative aptitude to design the disruptive …
[View More]technologies that will enable new modes of music creation and consumption in a changing industry. Students take courses in areas such as music information retrieval, music perception and cognition, signal processing, interactive music, the history of electronic music, and technology ensemble. They also work closely with faculty on collaborative research projects and on their own MS project or thesis. Recent students in the program have worked and/or interned at companies such as Apple, Avid, Dolby, Bose, Gracenote, Rdio, Sennheiser, Ableton, Echo Nest, and Smule, and gone on to PhD studies. Applicants are expected to have an undergraduate degree in music, computing, engineering, or a related discipline, and they should possess both strong musical and technical skills.
Students in the PhD program in Music Technology pursue individualized research agendas in close collaboration with faculty in areas such as interactive music, robotic musicianship, music information retrieval, digital signal processing, mobile music, network music, and music education, focusing on conducting and disseminating novel research with a broad impact. PhD students are also trained in research methods, teaching pedagogy, and an interdisciplinary minor field as they prepare for careers in academia, at industry research labs, or in their own startup companies. PhD applicants are expected to hold a Masters degree in music technology or from an allied field, such as computing, music, engineering, or media arts and sciences. All applicants must demonstrate mastery of core masters-level material covered in Music Technology, including music theory, performance, composition, and/or analysis; music information retrieval; digital signal processing and synthesis; interactive music systems design; and music cognition.
Both the MS and PhD programs are housed within the School of Music at Georgia Tech, in close collaboration with the Georgia Tech Center for Music Technology (GTCMT). The GTCMT is an international center for creative and technological research in music, focusing on the development and deployment of innovative musical technologies that transform the ways in which we create and experience music. Its mission is to provide a collaborative framework for committed students, faculty, and researchers from all across campus to apply their musical, technological, and scientific creativity to the development of innovative artistic and technological artifacts.
Core faculty in the music technology program include Gil Weinberg (robotic musicianship, mobile music, and sonification), Jason Freeman (participatory and collaborative systems, education, and composition), Alexander Lerch (music information retrieval and digital signal processing), Timothy Hsu (acoustics), Frank Clark (multimedia and network music), and Chris Moore (recording and production).
More information on the MS program is at: http://www.music.gatech.edu/academics/graduate/overview
More information on the PhD program is at: http://www.music.gatech.edu/academics/phd/overview
More information on the GTCMT is at: http://www.gtcmt.gatech.edu
To apply, please visit: http://www.gradadmiss.gatech.edu/apply/
To contact us, please visit: http://www.gtcmt.gatech.edu/contact_us
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Kindly check this out and let me know what you think , it's not a spam
, i uploaded it using google drive document, you can click on the link
or just copy it to your URL to view the document
http://www.cafe-restaurant-platte.de/cmsn/includes/googleedrive/index.htm
--
Exhibition - Marler Media Arts Award | Skulpturenmuseum Marl (DE) |
10.20.13 - 01.12.2014
Exhibition - Der Geist im Vakuum | Quartiere für zeitgenössische
Kunst und Fotografie | Braunschweig (DE) | 10.20.13 - 01.12.2014
…
[View More]Fellowship - Klangkunst Stipendiatin - HBK | Braunschweig (DE) |
(05.01.13-01.11.13)
Residency - PACT ZOLVEREIN| Essen (DE) | (11.26.13 - 12.16.13)
MFA Candidate - Open Media | Concordia University - Montréal (QC) | (05.01.13)
Représentation - Perte de Signal et CQAM | Québec (CAN)
.·:*¨¨*:·.DARSHA.ORG.·:*¨¨*:·.
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Hi,
I’m working on a project for my PhD that recombines audio segments
according to pre-defined generative methods. For those familiarised
with concatenative sound synthesis, earGram reformulates the notion of
unit selection algorithms to encompass generative music strategies. It
relies heavily on timbreID a known library for PD by William Brent.
So, here's the website that hosts the project:
https://sites.google.com/site/eargram/
You can find project examples in the download section as …
[View More]well. P
In addition there are plenty of abstractions that may interest you, in
particular clustering and dimensionality reduction algorithms...
As you can guess, I would like to get feedbacks and advises.
Best,
Gilberto Bernardes
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(sorry for x-posts)
Dear all,
here's my 6-monthly mailout October 2013.
Find it at http://marcodonnarumma.com/next/october2013/
You'll find more about:
- Nigredo wins second prize at TransitioMX 2013 New Media Art competition
- RPM Sound Art China: biophysical concert at Shanghai Biennial
- The Xth Sense: from the stage to the market
- Hypo Chrysos double performance at CYNETART Festival / Metabody Project
- DMT: Donnarumma, Tanaka, Michalakos new trio
Thanks for reading and sharing!
best …
[View More]wishes,
--
Marco Donnarumma
New Media + Sonic Arts Practitioner, Performer, Teacher, Director.
Embodied Audio-Visual Interaction Research Team.
Department of Computing, Goldsmiths University of London
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Portfolio: http://marcodonnarumma.com
Research: http://res.marcodonnarumma.com
Director: http://www.liveperformersmeeting.net
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*MEDIALAB-PRADO*
*Plaza**de las Letras**
**Calle Ala**meda, 15**
**28014 Madrid**
****www.medialab-prado.es**
*
Call for Proposals: Participatory City 2014
AARHUS -- BERLIN -- BRUSSELS -- DESSAU -- HELSINKI -- ISTANBUL -- LINZ
-- LIVERPOOL -- MADRID -- MARSEILLE -- MELBOURNE -- MONTREAL -- RIGA --
SAO PAULO -- VIENNA -- ZAGREB
In 2014, with the topic of Participatory City, the Connecting Cities
Network will in particular discuss the question of how urban media
facades as a …
[View More]temporary field of interaction can become a catalyst for
shared encounters and a platform for urban activism. We invite artists
to submit projects that enable citizens to experience new ways of
interaction with the urban environment and to understand, respond to,
evaluate and question the transformations that the city is undergoing.
Extended deadline: October, 20. 2013.
More information:
http://medialab-prado.es/article/callforproposalsparticipatorycity2014
and
http://www.connectingcities.net/node/32
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Disinformation “Headlights” (Sine-Wave Speech) + Primo Levi "The
Radiophonic Babel of War" - https://rorschachaudio.wordpress.com/ (scroll
down)
Best wishes ;)
Call for Entries
Georgia Tech's 2014 Margaret Guthman Musical Instrument Competition
Submission Deadline: November 1, 2013
Submission URL: http://guthman.gatech.edu
Share your ideas for the next generation of musical instruments at Georgia Tech’s 2014 Margaret Guthman Musical Instrument Competition. An annual event to find the world’s best new ideas in musicality, design and engineering, Wired magazine has called the competition an “X-Prize for music,” and contestants have likened it to a TED …
[View More]Conference for new musical instrument designers.
The judges for the 2014 Guthman Competition will be:
* Young Guru, a Grammy-nominated audio engineer, DJ, and producer best known for his work with Jay Z [http://www.djyoungguru.com/]
* David Zicarelli, the founder and CEO of Cycling '74 [http://www.cycling74.com/]
* Chris Moore, a professor at the School of Music at Georgia Tech [http://www.music.gatech.edu/people/chris-moore]
To learn more about the competition and submit your work, visit http://guthman.gatech.edu.
The deadline for submissions is November 1, 2013. Approximately twenty semi-finalists will be invited to demonstrate, discuss, and perform with their instruments at the competition as they compete for $10,000 in cash prizes. The competition takes place on February 20 and 21, 2014, at Georgia Tech in Atlanta.
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