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due to hardware-failures, puredata.info must be taken into maintenance
mode.
this basically means:
- - the website puredata.info (and related) will be unavailable
- - auto-build/apt archives will be unavailable
- - all mailinglists will be unavailable (this is the last email that
goes through)
we've been busy migrating the hardware to a new host in the last few
days, so we hope to restore the services in no time.
famsdr
IOhannes
- --
IEM - network operation center
mailto:noc@iem.at
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Hello list, please see the attached posting for a full-time (non
tenure-track) Audio Technology position at American University in
Washington DC.
--
William Brent
www.williambrent.com
“Great minds flock together”
Conflations: conversational idiom for the 21st century
www.conflations.com
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hi fellow patchers!
as some of you might have already noticed, the mailserver of the
pd-related mailinglists has changed from *iem.at* to *lists.iem.at*
this has two implications:
- - emails *to* the pd-lists should use *(a)lists.iem.at* from now on.
e.g. please use <mailto:pd-list@lists.iem.at> in the future.
- - emails *from* the pd-lists will use @lists.iem.at in their various
headers, including the List-ID header.
those of you who use mail-header to sort pd-related emails into
various folders, will have to adjust their filters.
the following lists are affected:
- - gem-dev(a)lists.iem.at
- - pd-announce(a)lists.iem.at
- - pd-cvs(a)lists.iem.at
- - pd-dev(a)lists.iem.at
- - pd-list(a)lists.iem.at
- - pd-ot(a)lists.iem.at
- - pdweb(a)lists.iem.at
the change has become necessary due to upstream decisions of the
university's IT department, and is not to be questioned by yours
sincerely.
we don't have a time-frame yet when the old @iem.at adresses will stop
working, but we don't expect it to happen soon. otoh, it is rather
certain that the change /will/ happen at some point in the future, so
let's be prepared.
before the old email-adresses will cease to exist, you will be warned
again (most likely with an automated reply for each email directed at
the old adress over a prolonged period).
in any case: please update your adressbooks to use the @lists.iem.at
adresses from now on.
fmadsr
IOhannes
PS: until recently it was possible to use e.g. pd-list(a)iem.kug.ac.at;
the entire @iem.kug.ac.at domain has been disabled a few weeks ago,
and can no longer been used.
PPS: many years ago there used to pd-list(a)iem.mhsg.ac.at which has not
been usable for longer than many can remember.
- --
IEM - network operation center
mailto:noc@iem.at
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Hello all,
For those who would like to try my new tuning library before it is
released: the first test release of Muditulib is now available on
sourceforge. Algorithms to translate less into more dimensions are not
included yet. However, the tuning and pitch systems should be working. A
reference manual is also not available yet, but relevant information can be
extracted from the articles on my website, LAC2014 proceedings, and slides
on the LAC2014 website, as well as from the Pd help files.
https://sourceforge.net/projects/muditulib/http://muditulib.eu/http://lac.linuxaudio.org/2014/files
Muditulib, a multi-dimensional tuning library, is a library to be
implemented (wholly or partly) in music production software. It consists of
a core of C functions. Additionally a Pure Data implementation is provided.
This implementation consist of several classes to be used as a modular
system. The library makes use of a multi-dimensional numerical pitch
representation system, a variant of the very well-known one-dimensional
MIDI note system. Ambitions for other implementations are very welcome.
Muditulib offers new ways of approaching tuning within the scope of
diatonic (roughly the majority of) tonal music within the digital domain.
For more information please have a look at http://muditulib.eu, read the
README.txt or the Muditulib Reference Manual.
Kind regards,
Funs Seelen
Submissions was extended to 02 May 2014
Appel à contribution / Call for participation
Désolé en cas d’envois multiples / Sorry for possible crossposting
LoMus 2014
À la recherche des logiciels libres pour la création sonore et intermédias
Pour sa cinquième édition, LoMus 2014 s’adresse à tous ceux qui développent des logiciels libres musicaux ou qui peuvent contribuer au processus de la création musicale.
Un prix sera remis aux logiciels qui font preuve non seulement d’innovation, mais notamment d’inventivité face aux enjeux actuels de la création musicale.
Calendrier
31 mars 2014 - Appel à soumissions
02 mai 2014 - Date limite de soumission des logiciels
16 mai 2014 - Notification d'acceptation
23 mai 2014 - Remise du prix lors des JIM 2014
Info : http://concours.afim-asso.org/
JIM 2014 : http://www.musinfo.fr/index.php/presentation-des-jim-2014/
LoMus 2014
In search of open-source software for musical and intermedia creation
For its fifth edition, LoMus 2014 invites music and audio open-source software creators to submit original projects that either directly or indirectly contribute to musical creation.
A prize will be awarded to open-source sofware that proves to be not only innovatory but also inventive in the present context of music and audio creation.
Calendar
Mars 31, 2014 - Call for submissions
May 02, 2014 - Submission deadline
May 16, 2014 - Admission notification
May 23, 2014 - JIM Awards Ceremony 2014
Info: http://concours.afim-asso.org/
JIM 2014 : http://www.musinfo.fr/index.php/presentation-des-jim-2014/
*Network Music Festival // 26-28th September 2014 // Birmingham (UK)*
http://networkmusicfestival.org/about/
The third *Network Music Festival* will take place *26-28th September
2014 *in *Birmingham (UK)*. Exploring innovative digital music, art and
research which investigates the impact of networking technology on
musical creation and performance practice, Network Music Festival will
host a weekend of musical performances, installations, workshops, talks
and other activities.
*Open Calls*
http://networkmusicfestival.org/open-call/
<http://networkmusicfestival.org/open-call/%22%20%5ct%20%22_blank>
*DEADLINE FOR ALL SUBMISSIONS: 16th May 2014*
The Network Music Festival 2013 is now inviting submissions in the
categories of:
- *Performances (Concert, Club, Multi-channel, Telematic, Algorave)*
*- Collaborative Live Coding Environments*
*- Installations*
*- Talks*
*- Workshops*
We also include an ‘Other
<http://networkmusicfestival.org/open-call/#other>’ category where you
are free to submit proposals that fall outside of the previous
categories but that you feel would be an appropriate addition to the
festival programme.
Although we aim to showcase a broad spectrum of approaches to network
music, we particularly encourage submissions that fall under the year’s
theme of *collaboration through online environments and networked live
coding*.
For more information on submission categories and for submission forms
please go to: http://networkmusicfestival.org/open-call/
<http://networkmusicfestival.org/open-call/%22%20%5ct%20%22_blank>
Any questions email networkmusicfestival(a)gmail.com
<mailto:networkmusicfestival@gmail.com> with ‘OPEN CALL’ in the subject
line.
*DEADLINE FOR ALL SUBMISSIONS: 16th May 2014*
networkmusicfestival.org
<http://networkmusicfestival.org/> // @netmusicfest
<https://twitter.com/NetMusicFest> // facebook.com/networkmusicfestival
<http://www.facebook.com/networkmusicfestival>
Hello everyone,
the jmmmp library of abstractions has been updated. Besides minor changes,
the new objects have been added:
bezier~ - Transfer function GUI with one cubic bézier curve at audio rate
matrixctrl - GUI for [iemmatrix/mtx_mul~]
swatch-gui - Pick a color for your GUI using the hue-saturation chart
(including color numbers for data structures)
Feel free to download it and try it out. Hopefully the new version of
Pd-Extended will have this library with it.
For more informations and a tarball file, go to
https://puredata.info/downloads/jmmmp/releases/0.3
Best,
jmmmp
Interactivos? Birmingham: Responsive and immersive future technologies
<http://medialab-prado.es/article/interactivosbirmingham>
Open Call for Projects
<http://medialab-prado.es/article/interactivosbirmingham>
Birmingham City University (UK), Medialab-Prado (Madrid), Sampad (UK),
mac birmingham (UK), and BBC Birmingham (UK) and are issuing an Open
Call for projects to be collaboratively developed and presented during
*Interactivos? Birmingham* (*June 16 -- 28, 2014*), with the
participation of advisors and technical assistants.
*Venue: mac birmingham <http://www.macarts.co.uk/>*
Deadline: April 30, 2014
Interactivos? Birmingham is a UK based, two week international seminar
and open innovation prototyping workshop. The Interactivos? model,
conceived by Medialab-Prado as a hybrid between an innovation production
workshop, seminar and exhibition showcase. It is a space for reflection,
research, collaboration and creation, in which proposals selected by an
international open call are developed, completed and displayed.
The process will be open to the public from beginning to end.
Interactivos? is widely regarded as a model of best practice, and in
bringing the project to Birmingham, this will be the first time the
Interactivos? project will have been hosted in the UK. In doing so,
regional and national based individuals will connect to an international
network of creative and digital professionals for collaboration and
technological production.
http://medialab-prado.es/article/interactivosbirmingham
--
Nerea García Garmendia
Comunicación y contenidos Web en Medialab-Prado
Plaza de las Letras
Calle Alameda, 15. 28014 Madrid
T. 912 191 157
nerea(a)medialab-prado.es
http://www.facebook.com/MedialabPradoMadrid
Twitter: @medialabprado <https://twitter.com/medialabprado>
//
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BioFluent Technologies <http://biofluent.com/> is a Santa Cruz, CA based
early stage startup developing a consumer technology centered around the
sonification of brain waves (EEG data). We are creating a soundtrack for
the mind that needs to be appealing to a mainstream audience. We're
looking for someone with a background in Pure Data who can work with
electronic musicians (or independently) to create badass, totally immersive
generative musical experiences. Signal processing / math skills are a
plus. We are initially looking for short term contract work, but this may
eventually lead to a part-time or full-time position.
Please contact Mikey Siegel [mikey(a)biofluent.com] for more info.
Also check out:
http://www.biofluent.com/hearnow/http://www.artistsonart.net/mikey-siegel-beau-silver/
English follows
Le département de musique de Concordia University présente une soirée d'expérimentation sonore pour célébrer l'arrivée du printemps. Entre la lumière et l'obscurité, les sons électroniques de Concordia Laptop Orchestra s'amalgameront aux musiciens de l'orchestre. Les membres de l'audience auront l'occasion de voir leur portrait se concrétiser à travers les sons de ces collaborations.
Eldad Tsabary et Liselyn Adams animeront cette expérimentation pédagogique à travers l'improvisation, les compositions collaboratives, et la technologie innovatrice afin de construire des pièces combinant l'instrumental, les voix et les sons électroniques ainsi que leurs procédés. Ces expériences sonores nous mèneront vers une nouvelle direction en cette nouvelle saison.
ENTRÉE LIBRE
Portes: 19h / Spectacle: 20h (90 min)
http://phi-centre.com/fr/evenements/id/equinoxeprintemps
Facebook: https://www.facebook.com/events/641765782526675/
407, rue Saint-Pierre
Montréal, Qc, Canada
H2Y 2M3
Le spectacle comprendra:
La pièce "Sparks" par Pouya Hamidi: http://youtu.be/qOM9g-2pH00
Pièces pour un ensemble mixte (instruments acoustiques et électroacoustiques): https://soundcloud.com/clork-1/improv-w-bradyworks-doug-van-1
"Kick-ass beats": https://soundcloud.com/clork-1/ass-kicking-1-with-occasional
et de plus
Le bar sera ouvert tout au long de la performance.
Venir tôt pour avoir une bonne place
----------
Concordia University’s department of music presents an evening of sound experiments to celebrate the arrival of Spring. In the equilibrium between dark and light, the electronic sounds of the Concordia Laptop Orchestra will join players from the contemporary music ensembles in play. Audience members will be able to have their portraits painted in sound and enjoy the spontaneous results of a fresh collaboration.
Eldad Tsabary and Liselyn Adams will animate this pedagogical experiment using improvisation, collaborative composition, and innovative technology to build pieces that combine instrumental, vocal and electronic sounds and processes, taking us in new directions for a new season.
FREE ADMISSION
Doors: 7 PM / Show: 8 PM (90 min)
http://phi-centre.com/en/events/id/springequinox
Facebook: https://www.facebook.com/events/641765782526675/
407, rue Saint-Pierre
Montréal, Qc, Canada
H2Y 2M3
The program will include:
Pouya Hamidi's "Sparks": http://youtu.be/qOM9g-2pH00
Mixed ensemble pieces with CCE and CLOrk: https://soundcloud.com/clork-1/improv-w-bradyworks-doug-van-1
Kick-ass beats: https://soundcloud.com/clork-1/ass-kicking-1-with-occasional
And more
There will be table-seating and a bar throughout the show. Come early!
------------