Apologies for x-posting, I would greatly appreciate it if you would
please disseminate the following among prospective graduate students.
I am pleased to announce availability of a competitive ICAT graduate
research assistantship starting with the academic year 2016-7. We are
specifically looking for students who are interested in studying in the
newfound Human-Centered Design (HCD) transdisciplinary individualized
PhD and/or Computer Science's Human-Computer Interaction (HCI). We are
…
[View More]also willing to consider Masters level applicants to the CS program with
focus on HCI.
HCD Option
Virginia Tech's new individualized Human-Centered Design (HCD) iPhD
transdisciplinary degree is closely aligned with the newfound Institute
for Creativity, Arts, and Technology (ICAT). iPhD is a degree designed
primarily to support individually tailored PhD experiences, allowing
students to actively participate in shaping their plan of study.
CS HCI Option
The graduate program in the Department of Computer Science at Virginia
Tech is on its way to becoming one of the top programs in the country.
The resources and facilities for research areas such as human-computer
interaction, bioinformatics, and high-end computing are state of the
art, and the growing list of specialized masters and doctoral degrees in
a variety of areas provides opportunities for students to concentrate
their research and study on the specific aspects of computer science in
which they are most interested. At Virginia Tech, students receive
firsthand instruction by award-winning faculty. In the computer science
department, that means that graduate students have the opportunity to
learn from the professors who have helped to define today's computer
industry. The Center for Human-Computer Interaction is a part of ICAT,
offering a diverse infrastructure and human expertise for cutting-edge
research.
The GAship in question seeks candidates with a solid research
background, and a strong sense of independence and self-sufficiency. We
are particularly seeking students interested in sonification, sound
spatialization, and interactive technologies (e.g. mind-body
technologies, laptop/mobile ensembles, hyperinstruments, installations,
mobile/wearable computing, etc.). Candidates must possess a strong
knowledge of Max and Pd/Pd-L2Ork programming environments. C/C++
programming (or equivalent) is also preferred, as well as skills in
other domains (e.g. interactive multimedia, K-12 education, 3D
animation, etc.).
This is a renewable assistantship with a full tuition waiver and
a stipend. To be eligible candidates need to apply, be accepted, and
enroll in the new HCD iPhD or the Human-Computer Interaction Computer
Science program with primary focus in the computer music domain focusing
on one or more of the aforesaid areas of interest.
The successful candidate will be given an opportunity to participate in
conducting reserarch using the cutting edge 148 speaker system and
consequently its innovative spatialization, sonification, and immersion
approaches in the new $100M Moss Arts Center and more specifically
Institute for Creativity, Arts, and Technology's three-story Cube space
and its smaller counterpart, the immersive Perform Studio, as well as
the new DISIS facilities, a part of a $600,000 renovation that opened in
January 2015. They will also work closely with ICAT faculty and
students on a number of collaborative projects, including Tech or Treat,
Maker camps, and other ICAT initiatives.
For questions and application information please contact Dr. Ivica Ico
Bukvic <ico(a)vt.edu>
For more information:
ICAT http://www.icat.vt.edu
DISIS http://disis.icat.vt.edu
L2Ork http://l2ork.icat.vt.edu
HCD http://www.vthcd.com/
Best,
--
Ivica Ico Bukvic, D.M.A.
Associate Professor
Computer Music
ICAT Senior Fellow
DISIS, L2Ork
Virginia Tech
School of Performing Arts – 0141
Blacksburg, VA 24061
(540) 231-6139
ico(a)vt.edu
www.performingarts.vt.edudisis.music.vt.edul2ork.music.vt.edu
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PD Berlin meetings are from now at c-base (Rungestrasse 20 Berlin)
every first and third thursday in the month beginning 20:00, the next
one is thursday, the 5.November. This time we want to explore midi and OSC
programming with PD and jam a bit.
Looking forward to it and thanks c-base for hosting us.
What we do:
The meetings don't replace workshops (which are offered extra ;) ),
scope of these meetings can be any (or none) of the following:
patch/project showcase
programming
work on …
[View More]general Pd documentation
help for beginners (installation, programming tips, ...)
or something else you want to do ...
Just come along, bring your laptop and sit down with
us. The bar is open during the meetings. Necessary prerequisites are
only a computer and good mood. If Pd isn't on it, we'll download and
install it.
http://puredata.info/community/groups/pd-berlin/pd-berlin-users-group/
We thank c-base for providing the space and network for the
meetings.
the next date:
THURSDAY, 19. November 2015, 20h00
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Apologies for x-posting,
Despite original intentions of not having any more major releases before
the next GUI-rewrite version is out, I am about to eat my own words and
announce pd-l2ork 20151018.
Release highlights:
*rtcmix~ external
*native lyonpotpourri library
*native fftease library
*new autotune~ external based on the latest version autotalent ladspa
plugin and aututuned~ external
*merged latest developments in the cyclone library with pd-l2ork's
improvements, including pd-l2ork's …
[View More]threaded coll object that allows
loading of large files without xruns
*minor bug fixes and cosmetic improvements
For a raw (unedited) changelog and a more detailed overview, please visit:
https://puredata.info/downloads/Pd-L2Ork/releases/20151018
To download pd-l2ork:
http://l2ork.music.vt.edu/main/?page_id=56
NB: Currently only Ubuntu 14.04 64bit build is available, with 32bit and
Raspberry Pi builds forthcoming.
About Pd-L2Ork
Pd-L2Ork is a fork of the ubiquitous Pure-Data focusing on improved user
interface, expanded collection of externals, and an advanced SVG-enabled
graphical front-end. Originally it was introduced as the core
infrastructure for the Linux Laptop Orchestra (L2Ork
http://l2ork.icat.vt.edu), and has since expanded to include K-12
learning module with a unique learning environment offering adaptable
granularity that has been utilized in over dozen maker workshops and
initiatives, including the Raspberry Pi Orchestra program for middle
school children introduced in the summer 2014. Today, pd-l2ork is being
developed by a growing number of international collaborators and
contributors.
For additional info L2Ork and pd-l2ork:
http://l2ork.music.vt.edu
Best,
--
Ivica Ico Bukvic, D.M.A.
Associate Professor
Computer Music
ICAT Senior Fellow
Director -- DISIS, L2Ork
Virginia Tech
School of Performing Arts – 0141
Blacksburg, VA 24061
(540) 231-6139
ico(a)vt.edu
www.performingarts.vt.edudisis.icat.vt.edul2ork.icat.vt.eduico.bukvic.net
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Hi Pd-list. Please see this job opportunity below. Application review will
begin Oct 19.
The Department of Performing Arts in the College of Arts and Sciences at
American University invites applications for a full-time, tenure-track
position in Audio Technology at the rank of Assistant Professor beginning
August 1, 2016. Applicants should hold a terminal degree in an
audio-related field or anticipate completion by August 2016. Candidates
should be effective teachers and must be strongly …
[View More]committed to excellence
in scholarly research. We welcome applications from candidates engaged in
high-quality scholarship in the broad field of audio technology and are
particularly interested in candidates with any of the following areas of
specialization: acoustics, cognition/perception, electronics, game audio,
spatialized audio, and audio software/hardware design. Teaching
specialization in any of the above areas as well as live sound or broadcast
audio is preferred, though all instructional areas will be considered. In
addition to scholarship and teaching, responsibilities will include
participation in department, school and university activities. Salary and
benefits are competitive. Review of applications will begin on October 19,
2015 and will continue until the position is filled. Please submit
applications via: apply.interfolio.com/31531. Include a letter of
application, curriculum vitae, and three letters of recommendation.
Additional materials will be requested at a later date. Please contact
Richard Streeks, Faculty Coordinator, streeks(a)american.edu if you have any
questions. American University is an equal opportunity, affirmative action
institution that operates in compliance with applicable laws and
regulations. The university does not discriminate on the basis of race,
color, national origin, religion, sex (including pregnancy), age, sexual
orientation, disability, marital status, personal appearance, gender
identity and expression, family responsibilities, political affiliation,
source of income, veteran status, an individuals genetic information or any
other bases under federal or local laws (collectively Protected Bases) in
its programs and activities. American University is a tobacco and smoke
free campus.
--
William Brent
www.williambrent.com
“Great minds flock together”
Conflations: conversational idiom for the 21st century
www.conflations.com
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We Have Extended the Submission Deadline for The Guthman Musical Instrument Competition to November 1st!
Latest News:
Also, we are happy to announce that John Biggs <http://techcrunch.com/author/john-biggs/> - the East Coast Editor of TechCrunch - will be hosting the competition final concert March 3, 7:00pm.
Click Here <http://guthman.gatech.edu/submit> for 2016 Submissions!
What's your Guthman Instrument?
Georgia Tech's 2016 Margaret Guthman Musical Instrument Competition …
[View More]is an annual event aimed at identifying the world's next generation of musical instruments and unveiling the best new ideas in musicality, design, and engineering.
Wired magazine called the competition an "X-Prize for music," and contestants liken it to a TED Conference for new musical instrument designers. Some of our previous finalists include the OP-1, Roli Seaboard, Guitarbot, among the many other groundbreaking musical instruments which have since become commercially and artistically successful. Previous judges include artists such as Laurie Anderson, Richard Devine, and Young Guru, academic leaders such as Joe Paradiso, David Wessel and Tod Machover, and Music Technology industry leaders such as David Zicarelli, Eran Egozi and Tom Oberheim. The competition has received wide publicity from media outlets such as The New York Times <http://artsbeat.blogs.nytimes.com/2014/02/12/making-instruments-not-just-mu…>, Fast Company <http://www.fastcodesign.com/3041135/5-futuristic-instruments-changing-how-w…>, The TODAY Show <http://www.today.com/video/savannah-tries-out-futuristic-musical-instrument…> among others.
The Guthman Competition will take place March 2- 3, 2016, at Georgia Tech's Ferst Center for the Arts, in Atlanta, Georgia. Judges for this year's Guthman Competition will be:
Pat Metheny <http://www.patmetheny.com/> – An American jazz guitarist and composer, winner of 20 Grammy Awards and three gold albums.
Alan Kozinn <https://en.wikipedia.org/wiki/Allan_Kozinn> – An American journalist, music critic, and teacher, former music feature writer for the New York Times.
Marcelo Wanderley <http://www.idmil.org/people/marcelo_m._wanderley> – Professor of Music Technology at McGill University focusing on new instruments for musical expression.
The deadline for submissions is November 1, 2015. Approximately twenty semi-finalists will be invited to demonstrate, discuss, and perform with their instruments as they compete for $10,000 in cash prizes.
Click Here <http://guthman.gatech.edu/submit> for 2016 Guthman Submissions!
The Moog Challenge (Hackathon)
And this year, for the first time - What's your Moog <http://www.moogmusic.com/> instrument?
The Moog Challenge is a 48-hour Hackathon conducted at the Georgia Tech School of Music starting Friday evening, February 26 and ending Sunday evening, February 28. Moog Challenge participants will design and build novel musical instruments using Moog platforms and other software and hardware prototyping tools provided by Georgia Tech.
The Moog Hackathon panel of judges will be led by Moog CEO, Mike Adams <http://wncmagazine.com/blog/qa_with_mike_adams>. Participants will compete for $5,000 in prizes and the top winner will be automatically admitted as an entrant to the Guthman Competition three days later.
Click Here <http://guthman.gatech.edu/submit> to Register for the 2016 Moog Challenge (Hackathon)!
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The 2nd Web Audio Conference (WAC) will be held April 4-6, 2016 at Georgia Tech in Atlanta. The keynote speakers <http://webaudio.gatech.edu/node/25> for WAC 2016 are Helen Thorington and Frank Melchior. Submissions for papers, talks, posters, demos, performances, and artworks are due October 15, 2015 at 11:59 PM Pacific Time. To submit your work, visit http://webaudio.gatech.edu/node/22 <http://webaudio.gatech.edu/node/22>.
WAC is an international conference dedicated to web audio …
[View More]technologies and applications. The conference welcomes web developers, music technologists, computer musicians, application designers, researchers, and people involved in web standards. The conference addresses research, development, design, and standards concerned with emerging audio-related web technologies such as Web Audio API, Web RTC, WebSockets and Javascript. It is open to industry engineers, R&D scientists, academic researchers, artists, and students. The first Web Audio Conference <http://wac.ircam.fr/> was held in January 2015 at IRCAM <http://ircam.fr/> and Mozilla <http://www.mozilla.org/> in Paris, France.
The Internet has become much more than a simple storage and delivery network for audio files, as modern web browsers on desktop and mobile devices bring new user experiences and interaction opportunities. New and emerging web technologies and standards now allow applications to create and manipulate sound in real-time at near-native speeds, enabling the creation of a new generation of web-based applications that mimic the capabilities of desktop software while leveraging unique opportunities afforded by the web in areas such as social collaboration, user experience, cloud computing, and portability. The Web Audio Conference focuses on innovative work by artists, researchers, and engineers in industry and academia, highlighting new standards, tools, APIs, and practices as well as innovative web audio applications for musical performance, education, research, collaboration, and production.
Contributions to the second edition of the Web Audio Conference are encouraged in the following areas:
Web Audio API, Web MIDI, Web RTC, and other existing or emerging web standards for audio and music
Development tools, practices, and strategies of web audio applications
Innovative audio and music based web applications
Client-side audio processing (real-time or non real-time)
Audio data and metadata formats and network delivery
Server-side audio processing and client access
Client-side audio engine and audio rendering
Frameworks for audio synthesis, processing, and transformation
Web-based audio visualization and/or sonification
Multimedia integration
Web-based live coding environments for music
Web standards and use of standards within audio based web projects
Hardware and tangible interfaces in web applications
Codecs and standards for remote audio transmission
Any other innovative work related to web audio that does not fall into the above categories
We welcome submissions in the following tracks: paper, poster, demo, performance, and artwork. All submissions will be single-blind peer reviewed. The conference proceedings, which will include both papers (for papers and posters) and abstracts (for demos, performances, and artworks), will be published online in SmartTech, Georgia Tech’s archival open-access repository.
Papers: Submit a 4-6 page paper to be given as an oral presentation.
Talks: Submit an abstract to be given as an oral presentation.
Posters: Submit a 2-4 page paper to be presented at a poster session.
Demos: Submit an abstract to be presented at a hands-on demo session. Demo submissions should include a title, a one-paragraph abstract and a complete list of technical requirements (including anything expected to be provided by the conference organizers).
Performances: Submit a performance making creative use of web-based audio applications. Performances can include elements such as audience device participation, web-based interfaces, WebMIDI, WebSockets, and/or other imaginative approaches to web technology. Submissions must include a title, a one-paragraph abstract of the performance, a link to video documentation of the work, a complete list of technical requirements (including anything expected to be provided by conference organizers), and names and one-paragraph biographies of all musicians involved in the performance.
Artworks: Submit a sonic web artwork or interactive application which makes significant use of web audio standards such as Web Audio API or WebMIDI in conjunction with other technologies such as HTML5 graphics, WebGL, and/or interactivity. Works must be suitable for presentation on a computer kiosk with headphones. They will be featured at the conference venue throughout the conference and on the conference web site. Submissions must include a title, one-paragraph abstract of the work, a link to access the work, and names and one-paragraph biographies of the author(s).
Tutorials: If you are interested in running a tutorial session at the conference, please contact the organizers directly (webaudio at gatech dot edu).
Important Dates
October 15, 2015 at 11:59 PM Pacific Time: submission deadline
December 1, 2015: author notification
March 1, 2016: camera-ready papers and abstracts due
April 4-6, 2016: conference
At least one author of each accepted submission must register for and attend the conference in order to present their work.
Submission Templates and Submission System
Submission templates are available on the conference web site at http://webaudio.gatech.edu/node/22 <http://webaudio.gatech.edu/node/22>
The submission system is open at https://cmt.research.microsoft.com/WAC2016/ <https://cmt.research.microsoft.com/WAC2016/>
[View Less]
PD Berlin meetings are from now at c-base (Rungestrasse 20 Berlin)
every first and third thursday in the month beginning 20:00, the next
one is thursday, the 1.October. This time we want to explore midi and OSC
programming with PD and jam a bit.
Looking forward to it and thanks c-base for hosting us.
What we do:
The meetings don't replace workshops (which are offered extra ;) ),
scope of these meetings can be any (or none) of the following:
patch/project showcase
programming
work on general …
[View More]Pd documentation
help for beginners (installation, programming tips, ...)
or something else you want to do ...
Just come along, bring your laptop and sit down with
us. The bar is open during the meetings. Necessary prerequisites are
only a computer and good mood. If Pd isn't on it, we'll download and
install it.
http://puredata.info/community/groups/pd-berlin/pd-berlin-users-group/
We thank c-base for providing the space and network for the
meetings.
the next dates:
THURSDAY, 1. October 2015, 20h00
THURSDAY, 15. October 2015, 20h00
THURSDAY, 5. November 2015, 20h00
THURSDAY, 19. November 2015, 20h00
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