Pd-announce

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2534 discussions

Looking for Freelance pd Composers
by Tássio Knop 07 Jan '16

07 Jan '16

Hi everyone, I'm looking for a creative pd composer/coder for a big project in Rio de Janeiro, Brazil. Remote working is not a problem. It would be awesome to find someone who is experienced in transforming multiple sources of input into something musical / pleasant to hear, ranging from calm and soothing to something fast and furious. If you're available for this challenge, i'd love to see your portfolio. Please get in touch! All the best, Tassio Knop -- Tássio Knop | Software Developer | tassio.knop(a)ydreams.com.br | +55 21 98327-7562 <5521992307966> YDreams Brasil | ydreams.com.br <http://www.ydreams.com.br/> | YouTube <https://youtube.com/ydreams> | Facebook <https://fb.me/ydreams> | Instagram <https://instagram.com/ydreamsbrasil/> | Twitter <https://twitter.com/ydreams> | +55 21 2225-7029 <552122257029> Disclaimer and Confidentiality Notice: YDreams Brasil accepts no responsibility or liability whatsoever with regard to the information herein contained. This message including any attachment hereof is confidential and may be privileged or otherwise legally protected from disclosure and may only be read, copied and used by the intended recipient. If you are not the intended recipient, please contact the sender immediately (+55 21 2225-7029 <552122257029>) and delete this email and any attachment permanently from your system. You must not copy this email or any attachment or disclose its/their contents to any other person or entity. Thank you.

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CALL FOR PARTICIPATION - MUME 2016
by Kıvanç Tatar 06 Jan '16

06 Jan '16

====================== CALL FOR PARTICIPATION ====================== ((( MUME 2016 ))) 4th International Workshop on Musical Metacreation http://www.musicalmetacreation.org <https://www.easychair.org/conferences/?conf=mume2016> June 27, 2016 MUME 2016 is to be held in Paris at Université Pierre et Marie Curie (UPMC), in conjunction with the Seventh International Conference on Computational Creativity, ICCC 2016. === Important Dates === Workshop submission deadline: May 1, 2016 Notification date: June 1, 2016 Camera-ready version: June 10, 2016 Workshop date: June 27, 2016 ====================== We are delighted to announce the 4th International Workshop on Musical Metacreation (MUME 2016) to be held June 27, 2016, in conjunction with the Seventh International Conference on Computational Creativity, ICCC 2016. MUME 2016 builds on the enthusiastic response and participation we received for the past occurrences of MUME series: - MUME 2012 (held in conjunction with AIIDE 2012 at Stanford): http://musicalmetacreation.org/index.php/mume-2012/ - MUME 2013 (held in conjunction with AIIDE 2013 at NorthEastern): http://musicalmetacreation.org/index.php/mume-2013/ - MUME 2014 (held in conjunction with AIIDE 2014 at North Carolina): http://musicalmetacreation.org/index.php/mume-2014/ Metacreation involves using tools and techniques from artificial intelligence, artificial life, and machine learning, themselves often inspired by cognitive and life sciences, for creative tasks. Musical Metacreation explores the design and use of these tools for music making: discovery and exploration of novel musical styles and content, collaboration between human performers and creative software “partners”, and design of systems in gaming and entertainment that dynamically generate or modify music. MUME aims to bring together artists, practitioners, and researchers interested in developing systems that autonomously (or interactively) recognize, learn, represent, compose, generate, complete, accompany, or interpret music. As such, we welcome contributions to the theory or practice of generative music systems and their applications in new media, digital art, and entertainment at large. Topics ====== We encourage paper and demo submissions on MUME-related topics, including the following: -- Representation and Algorithms for MUME ---- Novel representations of musical information ---- Advances or applications of AI, machine learning, and statistical techniques for generative music ---- Advances or applications of evolutionary computing or agent and multi-agent based systems for generative music -- Systems and Applications of MUME ---- Systems for autonomous or interactive music composition ---- Systems for automatic generation of expressive musical interpretation ---- Systems for learning or modeling music style and structure ---- Systems for intelligently remixing or recombining musical material ---- Online musical systems (i.e. systems with a real-time element) ---- Adaptive and generative music in video games ---- Techniques and systems for supporting human musical creativity ---- Applications of musical metacreation for digital entertainment: sound design, soundtracks, interactive art, etc. -- Evaluation of MUME ---- Methodologies for qualitative or quantitative evaluation of MUME ---- Studies reporting on the evaluation of MUME ---- Theory, and Socio-economical Impact of MUME ---- Computational models of human musical creativity ---- Emerging musical styles and approaches to music production and performance involving the use of AI systems ---- Socio-economical impact of MUME ---- Authorship and legal implications of MUME Submission Format and Requirements ================================= Please make submissions via the EasyChair system at: https://easychair.org/conferences/?conf=mume2016 . The workshop is a full day event that includes: - Presentations of FULL TECHNICAL PAPERS (8 pages maximum) - Presentations of POSITION PAPERS and WORK-IN-PROGRESS PAPERS (5 pages maximum) - Presentations of DEMONSTRATIONS (3 pages maximum) All papers should be submitted as complete works. Demo systems should be tested and working by the time of submission, rather than be speculative. We encourage audio and video material to accompany and illustrate the papers (especially for demos). We ask that authors arrange for their web hosting of audio and video files, and give URL links to all such files within the text of the submitted paper. Submissions do not have to be anonymized, as we use single-blind reviewing. Each submission will be reviewed by at least three program committee members. Workshop papers will be published as MUME 2016 Proceedings and will be archived with an ISBN number. Submissions should be formatted using the AAAI, 2-column format; see instructions and templates here: http://www.aaai.org/Publications/Author/author.php Submission should be uploaded using MUME 2016 EasyChair portal: https://www.easychair.org/conferences/?conf=mume2016 For complete details on attendance, submissions and formatting, please visit the workshop website: http://www.musicalmetacreation.org Presentation and Multimedia Equipment: ========================================== We will provide a video projection system as well as a stereo audio system for use by presenters at the venue. Additional equipment required for presentations and demonstrations should be supplied by the presenters. Contact the Workshop Chair to discuss any special equipment and setup needs/concerns. Attendance ======================================= It is expected that at least one author of each accepted submission will attend the workshop to present their contribution. We also welcome those who would like to attend the workshop without presenting. Workshop registration will be available through the ICCC2016 conference system. Questions & Requests ====================================== Please direct any inquiries/suggestions/special requests to the Workshop Chair, Philippe Pasquier (pasquier(a)sfu.ca). Workshop Organizers =================== Pr. Philippe Pasquier (Workshop Chair) School of Interactive Arts and Technology (SIAT) Simon Fraser University, Canada Pr. Arne Eigenfeldt School for the Contemporary Arts Simon Fraser University, Canada Dr. Oliver Bown Design Lab, Faculty of Architecture, Design and Planning The University of Sydney, Australia Kıvanç Tatar (MUME Administration and Publicity Assistant) School of Interactive Arts and Technology, Simon Fraser University, Vancouver, Canada. ---------------------- http://www.musicalmetacreation.org ====================== Best regards, -- Kıvanç Tatar ---------------------------------- Researcher, Metacreation Lab Interactive Arts and Technology Simon Fraser University, Vancouver, Canada GSM : 1 778 858 6073 Email: kivanctatar(a)gmail.com Website: https://kivanctatar.wordpress.com/

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PPP : pure-data (libpd) based jamming system
by Berenger Recoules 05 Jan '16

05 Jan '16

Hi Everyone, Here is a fun project based on libpd and thus pd : ppp.mgsx.net This work is based on a fork of droidparty by Chris McCormick : it helps you to build binary apps for android, and include a standard wifi MIDI clock in your patch. This means that every app published with this framework can be synched with one another, or even any other kind of MIDI compliant music gear. We still have some documentation to write up, but we have a good start as well as a video and a few sample apps available for free in the android playstore. Feedback is welcome :) I hope you like it as much as we enjoy making it, have fun !

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ANN: pd-l2ork version 20151219 now available
by Ivica Bukvic 22 Dec '15

22 Dec '15

Apologies for x-posting, This holiday release brings you: *-legacy flag that provides 100% backwards compatibility with iemgui objects *gfsm library *added support for $0 functionality in messages *support for Intel Haswell and Skylake CPUs *ability to use # in labels *ability to use multiple $n arguments in labels *fixed bug in keyboard autorepeat and cleaned up [key] object to support autorepeat filtering *added autotune~ external and its K12 module *synced cyclone and iem libraries *other small fixes and cosmetic improvements For a raw (unedited) changelog and a more detailed overview, please visit: https://puredata.info/downloads/Pd-L2Ork/releases/20151219 To download pd-l2ork: *http://l2ork.music.vt.edu/main/make-your-own-l2ork/software/ <http://l2ork.music.vt.edu/main/make-your-own-l2ork/software/>* NB: Currently only Ubuntu 15.10 64bit build is available, with 32bit and Raspberry Pi builds forthcoming. About Pd-L2Ork Pd-L2Ork is a fork of the ubiquitous Pure-Data focusing on improved user interface, expanded collection of externals, and an advanced SVG-enabled graphical front-end. Originally it was introduced as the core infrastructure for the Linux Laptop Orchestra (L2Ork http://l2ork .icat.vt.edu), and has since expanded to include K-12 learning module with a unique learning environment offering adaptable granularity that has been utilized in over dozen maker workshops and initiatives, including the Raspberry Pi Orchestra program for middle school children introduced in the summer 2014. Today, pd-l2ork is being developed by a growing number of international collaborators and contributors. For additional info L2Ork and pd-l2ork: http://l2ork.music.vt.edu Best, -- Ivica Ico Bukvic, D.M.A. Associate Professor Computer Music ICAT Senior Fellow Director -- DISIS, L2Ork Virginia Tech School of Performing Arts – 0141 Blacksburg, VA 24061 (540) 231-6139 ico(a)vt.edu www.performingarts.vt.edu disis.icat.vt.edu l2ork.icat.vt.edu ico.bukvic.net

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apply to the Georgia Tech MS and PhD programs in music technology
by Jason Freeman 16 Dec '15

16 Dec '15

[please forward] Georgia Tech is now accepting applications for the MS and PhD programs in music technology for matriculation in August 2016. All PhD students, and a limited number of MS students, receive graduate research assistantships that cover tuition and pay a competitive monthly stipend. The deadline for applications is January 10, 2016. The MS in Music Technology is a two-year program that instills in students the theoretical foundation, technical skills, and creative aptitude to design the disruptive technologies that will enable new modes of music creation and consumption in a changing industry. Students take courses in areas such as music information retrieval, music perception and cognition, signal processing, interactive music, the history of electronic music, and technology ensemble. They also work closely with faculty on collaborative research projects and on their own MS project or thesis. Recent students in the program have worked and/or interned at companies such as Apple, Avid, Dolby, Bose, Gracenote, Rdio, Sennheiser, Ableton, Echo Nest, Pandora, Moog, and Smule, and gone on to PhD studies. Applicants are expected to have an undergraduate degree in music, computing, engineering, or a related discipline, and they should possess both strong musical and technical skills. Students in the PhD program in Music Technology pursue individualized research agendas in close collaboration with faculty in areas such as interactive music, robotic musicianship, music information retrieval, digital signal processing, mobile music, network music, and music education, focusing on conducting and disseminating novel research with a broad impact. PhD students are also trained in research methods, teaching pedagogy, and an interdisciplinary minor field as they prepare for careers in academia, at industry research labs, or in their own startup companies. PhD applicants are expected to hold a Masters degree in music technology or from an allied field, such as computing, music, engineering, or media arts and sciences. All PhD applicants must demonstrate mastery of core masters-level material covered in Music Technology, including music theory, performance, composition, and/or analysis; music information retrieval; digital signal processing and synthesis; interactive music systems design; and music cognition. Both the MS and PhD programs are housed within the School of Music at Georgia Tech, in close collaboration with the Georgia Tech Center for Music Technology (GTCMT). The GTCMT is an international center for creative and technological research in music, focusing on the development and deployment of innovative musical technologies that transform the ways in which we create and experience music. Its mission is to provide a collaborative framework for committed students, faculty, and researchers from all across campus to apply their musical, technological, and scientific creativity to the development of innovative artistic and technological artifacts. Core faculty in the music technology program include Gil Weinberg (robotic musicianship, mobile music, and sonification), Jason Freeman (participatory and collaborative systems, education, and composition), Alexander Lerch (music information retrieval and digital signal processing), Timothy Hsu (acoustics), Frank Clark (multimedia and network music), and Chris Moore (recording and production). More information on the MS program is at: http://www.music.gatech.edu/academics/graduate/overview More information on the PhD program is at: http://www.music.gatech.edu/academics/phd/overview More information on the GTCMT is at: http://www.gtcmt.gatech.edu To apply, please visit: http://www.gradadmiss.gatech.edu/apply/ To contact us, please visit: http://www.gtcmt.gatech.edu/contact-us

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Pure Data Berlin meeting this week
by Malte Steiner 15 Dec '15

15 Dec '15

PD Berlin meetings are from now at c-base (Rungestrasse 20 Berlin) every first and third thursday in the month beginning 20:00, the next one is thursday, the 17.December. This time we want to explore midi and OSC programming with PD and jam a bit. Looking forward to it and thanks c-base for hosting us. What we do: The meetings don't replace workshops (which are offered extra ;) ), scope of these meetings can be any (or none) of the following: patch/project showcase programming work on general Pd documentation help for beginners (installation, programming tips, ...) or something else you want to do ... Just come along, bring your laptop and sit down with us. The bar is open during the meetings. Necessary prerequisites are only a computer and good mood. If Pd isn't on it, we'll download and install it. http://puredata.info/community/groups/pd-berlin/pd-berlin-users-group/ We thank c-base for providing the space and network for the meetings.

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Software Developer Position for MUSICOLL ANR Project
by Pierre Guillot 07 Dec '15

07 Dec '15

[apologies for multiple postings] Job Advertisement: Software Developer for MUSICOLL ANR Project 8 month contract starting on February, 1st, 2016 Associating the Computer Science and Musical Creation Research Centre (CICM) / MSH Paris Nord USR 3258 and the OhmForce company, specialized in collaborative digital audio, the MUSICOLL project (2016-2018), funded by French National Research Agency proposes to redesign musical practices of real-time in a collaborative and nomadic environment. Over a first phase, this project aims at the specification and development of a C++ software prototype using the JUCE framework. It should enable several creators to work simultaneously on the design of sound processes hosted online. In that perspective, we are seeking a software developer that will work with two Ph.D. candidates / developers and two researchers from CICM. Missions - involved in the development of the software kernel. - involved in the development of user graphic interface. Training level: Engineer or Master 2 in software engineering if possible with a specialization in digital audio signal processing. Required experience: 2 years. Required skills - mastery of C++ language (standard library from C++11). - mastery of versioning tools (Git) - mastery of continuous integration tools Desired skills - knowledge of the JUCE framework (http://www.juce.com/) - knowledge in digital audio signal processing. Complementary skills: practice of such visual programming softwares as Pure Data or Max. Other skills: excellent editorial skills in English and French. Ability to work in teams and communicate. Terms and conditions: - Beginning : february, 1st, 2016. - Localization : MSH-Paris-Nord, 20 avenue George Sand - 93210 Saint-Denis. Subway station: Front Populaire (line 12) - Salary on the basis of a Research Engineer Contractor 1st grade of CNRS (National Centre for Scientific Research) equivalent to a gross annual salary of 29386 euros. - 8 month contract at fulltime. Contact: If you are interested, send us your curriculum vitae, a motivation letter and a portfolio of your previous realisations at cicm.mshparisnord(a)gmail.com CICM is localized between the Université Paris VIII <http://www-artweb.univ-paris8.fr/spip.php?rubrique336> and the Maison des Sciences de l'Homme Paris Nord <http://www.mshparisnord.org/>. CICM is linked to the équipe d'accueil MUSIDANSE n° 1572 "Esthétique, musicologie et créations musicales" <http://www.musique.univ-paris8.fr/>, Ecole Doctorale "Esthétique, Sciences et Technologies des Arts » <http://www.edesta.univ-paris8.fr/> at the Université Paris VIII <http://www-artweb.univ-paris8.fr/spip.php?rubrique336>. __________________________ Offre d’emploi : Développeur logiciel pour le projet ANR MUSICOLL CDD de 8 mois à partir du 1er février 2016 Associant le Centre de Recherche en Informatique et Création Musicale (CICM) / MSH Paris Nord USR 3258 et la PME OhmForce, spécialisée dans l’audionumérique collaboratif, le projet ANR MUSICOLL (2016-2018) propose de repenser la pratique musicale du temps-réel dans un environnement collaboratif et nomade. Dans un premier temps, le projet vise la spécification et le développement d’une maquette logicielle C++ utilisant le framework JUCE. Elle permettra à plusieurs créateurs de travailler simultanément à l’élaboration de traitements musicaux temps-réel hébergés en ligne. Dans cette perspective, nous cherchons un développeur informatique qui travaillera au sein d’une équipe composée de deux doctorants/développeurs et de deux chercheurs du CICM. Missions - Participation au développement du noyau logiciel. - Participation au développement de l’interface graphique utilisateur. Niveau de formation : Ingénieur ou titulaire d’un Master (Bac+5) en ingénierie informatique si possible avec une spécialisation en traitement du signal audionumérique. Expérience requise : 2 ans. Compétences requises - Maîtrise du langage C++ (bibliothèque standard à partir du C++11). - Maîtrise des outils de contrôle de version (Git) - Maîtrise des outils d’intégration continue Compétences souhaitées - Connaissance du framework JUCE (http://www.juce.com/) - Connaissances en traitement du signal audionumérique. Compétences complémentaires : Pratique des logiciels de programmation visuelle tels que Pure Data ou Max. Autres compétences : Excellentes compétences rédactionnelles. Lecture et écriture de l'anglais. Aptitude à travailler en équipe et à communiquer. Modalités - Début : 1er février 2016 - Localisation : MSH-Paris-Nord, 20 avenue George Sand - 93210 Saint-Denis, Métro : Front Populaire (ligne 12) - Rémunération sur la base d’un profil d’Ingénieur de Recherche contractuel 1er échelon CNRS correspondant à un salaire brut annuel de 29386 euros. - CDD de 8 mois à temps plein. Contact Si vous êtes intéressé(e), envoyez nous un CV, une lettre de motivation ainsi qu’un portfolio de vos réalisations à l’adresse : cicm.mshparisnord(a)gmail.com Le CICM est une équipe bi-localisée entre l'Université Paris VIII <http://www-artweb.univ-paris8.fr/spip.php?rubrique336> et la Maison des Sciences de l'Homme Paris Nord <http://www.mshparisnord.org/>. Le CICM est rattaché à l'équipe d'accueil MUSIDANSE n° 1572 "Esthétique, musicologie et créations musicales" <http://www.musique.univ-paris8.fr/>, Ecole Doctorale "Esthétique, Sciences et Technologies des Arts" <http://www.edesta.univ-paris8.fr/> de l'Université Paris VIII <http://www-artweb.univ-paris8.fr/spip.php?rubrique336>.

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IRCAM / ZKM Joint Residency Call -- Extended Deadline
by Arshia Cont 29 Nov '15

29 Nov '15

Hello all, Last chance to submit applications for the Art Research Residency Program 2017, featuring a new joint IRCAM / ZKM residency track: https://t.co/fr8W795Gp0 Note the extended deadline for December 13th 2015 (midnight Paris Time). Cheers, Arshia Cont Director, Research/Creativity Interfaces Department, Ircam - Centre Pompidou, Paris, France. http://www.ircam.fr/irc.html?L=1 http://repmus.ircam.fr/arshia-cont/

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Interactivos?'15: Material Cultures in the Digital Age. Call for collaborators
by Difusion Medialab-Prado 20 Nov '15

20 Nov '15

Interactivos?'15: Material Cultures in the Digital Age. Call for collaborators Call to collaborate in the project workshop *Interactivos?'15: Material Cultures in the Digital Age* <http://medialab-prado.es/article/interactivos15-culturas-materiales-en-la-e…>, that will be carried out *from **December 2 to 16, 2015*. Collaborators will participate in the production of the selected projects <http://medialab-prado.es/article/interactivos15-culturas-materiales-en-la-e…>. The workshop is complete with a series of conferences and meetings and takes place in the framework of the project Common Objects <http://medialab-prado.es/article/objetos-comunes>, in cooperation with Constant vzw <http://www.constantvzw.org/site/?lang=en>. Free registration. Deadline: *November 30*, 2015.    Medialab-Prado offers free lodging to collaborators in youth hostels during the workshop (limited seating, shall on request and by order of registration).The last day to ask for a place is November 23. More information: http://medialab-prado.es/article/interactivos15-culturas-materiales-en-la-e… -- Medialab-Prado Plaza de las Letras Calle Alameda, 15. 28014 Madrid T. 912 191 157 difusion(a)medialab-prado.es FB MedialabPradoMadrid Twitter: <http://www.facebook.com/MedialabPradoMadrid%3C/a>@medialabprado <https://twitter.com/medialabprado> "Este correo y sus documentos adjuntos pueden contener información confidencial y/o privilegiada que sólo podrá ser utilizada por su destinatario para el fin del cual es objeto el presente correo. Si usted no es el destinatario o lo ha recibido por error rogamos nos lo comunique y proceda a su eliminación advirtiéndole que toda copia, revelación, distribución y/o cualquier otro uso queda terminantemente prohibido pudiendo incurrir en responsabilidades legales. En cumplimiento de lo dispuesto en el artículo 5 de la Ley Orgánica 15/1999, de 13 de diciembre, de protección de datos de carácter personal, MADRID DESTINO CULTURA TURISMO Y NEGOCIO, S.A. (en adelante, MADRID DESTINO) le informa que sus datos personales o de contacto profesional facilitados serán incorporados en nuestros ficheros de datos personales con la finalidad de gestionar el envío de comunicaciones informativas, así como la relación promocional, comercial y/o negocial (incluyendo, como tal finalidad, la formalización y gestión de contratos y la gestión contable, fiscal, laboral y administrativa) que MADRID DESTINO pudiera mantener con usted. Si lo desea, puede ejercer sus derechos de acceso, rectificación, cancelación y oposición dirigiéndose a MADRID DESTINO CULTURA TURISMO Y NEGOCIO, S.A. sita en Madrid, c/ Montalbán 1, 7ª planta, 28014. El medioambiente es cosa de todos: antes de imprimir este e-mail, piense bien si es necesario hacerlo. This email and the attached documents may contain confidential and/or privileged information for the exclusive use of the person named above for whom this message is intended. If you are not the designated recipient or have received it by mistake, please notify us and delete this message. You are also hereby notified that copying, revealing, distributing and/or using the contents of this email in any other way is strictly prohibited and may have legal consequences. In accordance with the stipulations of Spanish Data Protection Law, MADRID DESTINO CULTURA TURISMO Y NEGOCIO, S.A. (hereinafter, MADRID DESTINO) hereby informs you that the personal or professional contact details you provide will be recorded in our personal detail files for the purposes of sending announcements and notices and for managing the promotional, commercial and/or business relationship (including, for such purposes, the formalisation and management of contracts as well as accounting, fiscal, labour and administrative management) that MADRID DESTINO may have with you. If you wish, you may exercise your rights of access, rectification, cancellation or objection by writing to MADRID DESTINO CULTURA TURISMO Y NEGOCIO, S.A. situated at c/ Montalbán 1, 7ª planta, 28014 Madrid. We are all responsible for the environment: please think before you print this email.”

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ANN: Contemplative Practices for the 21st Century University -- call for submissions
by Ivica Ico Bukvic 19 Nov '15

19 Nov '15

Apologies for x-posting--please consider sharing this announcement with your colleagues/constituents. I am pleased to announce the call for works (papers, posters, installations, and performance works) for the upcoming Contemplative Practices for the 21st Century University conference that will take place at Virginia Tech, March 10-12, 2016. As part of the conference, Virginia Tech Institute for Creativity, Arts, and Technology (ICAT) invites proposals for art, installations, and technology demonstrations with focus on contemplative practice. While proposed art and installations should also leverage technology, within the context of this submission we define technology in the broadest terms possible. All submissions will be reviewed by an interdisciplinary panel consisting of ICAT faculty and will be assessed on their feasibility within the context of available conference infrastructure and resources. Selected projects will be showcased as part of the reception and a concert at the Moss Arts Center. Where appropriate, some submissions may be also presented in a paper and/or poster format as part of the "Technology" track. Authors of selected submissions will be expected to attend the conference. We are particularly interested in performance works that leverage ICAT's unique infrastructure, including Cube and Perform Studio. To apply, please see the ICAT Submissions Form on the website below. The deadline for submissions is December 18, 2015. http://www.cpe.vt.edu/cptcu/submissions.html Best, -- Ivica Ico Bukvic, D.M.A. Associate Professor Computer Music ICAT Senior Fellow DISIS, L2Ork Virginia Tech School of Performing Arts – 0141 Blacksburg, VA 24061 (540) 231-6139 ico(a)vt.edu www.performingarts.vt.edu disis.music.vt.edu l2ork.music.vt.edu

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