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PuREST JSON 1.3.0 released
by Thomas Mayer 25 May '15

25 May '15

Hello, I am happy to announce the release of PuREST JSON 1.3.0, code name: Trickle down theory. PuREST JSON is a library for connecting Puredata (Pd) to HTTP services and encoding and decoding JSON data. Github repository: https://github.com/residuum/PuRestJson Source code packages: https://github.com/residuum/PuRestJson/releases Full documentation: https://github.com/residuum/PuRestJson/wiki Binaries for Windows and Debian i386 and amd64: http://ix.residuum.org/pd/purest_json.html Build instructions for all platforms: https://github.com/residuum/PuRestJson/wiki/Compilation Changelog: https://raw.githubusercontent.com/residuum/PuRestJson/master/Changelog.txt Have fun, {"name": "Thomas"} -- Piratenpartei Deutschland Kreisverband München-Stadt, Vorsitzender Tel: +49 151 61 45 90 52 Schopenhauerstraße 71 80807 München

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Summer workshops at CCRMA
by Nette Worthey 20 May '15

20 May '15

Greetings, We are happy to announce the lineup of workshops this summer at Stanford's Center for Computer Research in Music and Acoustics! The list is located below; find more details here: https://ccrma.stanford.edu/workshops/ <https://ccrma.stanford.edu/workshops/> If you have questions about any of the workshops, please let me know, or contact the instructors directly. Feel free to share this with lists and sites of which you are a member! CCRMA SUMMER WORKSHOPS 2015 The Center for Computer Research in Music and Acoustics offers intensive programs in which top educators and researchers in the fields of music, engineering, and computer science present a detailed study of specialized subjects. Each workshop is one week long. The workshops are open to the public. 6/15 - 6/19 Aspects of Sound in Art <https://ccrma.stanford.edu/workshops/aspects-of-sound-in-art-asa-2015>: Elaine Buckholtz, Sasha Leitman, and Floor Van de Velde Acoustic. Electronic. Analog. Digital. Interactive. Sound. Art. Installation <>. 6/21 - 6/26 SuperCollider <https://ccrma.stanford.edu/workshops/supercollider>: Fernando Lopez Lezcano and Bruno Ruviaro SuperCollider is one of the most powerful programming environments for real time sound synthesis and processing, algorithmic & generative composition, and many other audio related applications. 6/29 - 7/3 New Music Controllers <https://ccrma.stanford.edu/workshops/new-music-controllers-2015>: Sasha Leitman and Michael Gurevich In this workshop, you will learn how to construct novel musical controllers and sound art objects. 7/6 - 7/10 <>Audio Plug-Ins Designed with Faust <https://ccrma.stanford.edu/workshops/faust-workshop-2015>: Romain Michon Have you always wondered how your favorite VST <http://en.wikipedia.org/wiki/Virtual_Studio_Technology> reverb works in Ableton <http://www.ableton.com/> or do you just want to learn an easy way to design your own plug-ins or MaxMSP <http://en.wikipedia.org/wiki/Max_%28software%29> objects? This CCRMA audio plug-ins design workshop is what you're looking for. 7/13 - 7/17 Music Information Retrieval <https://ccrma.stanford.edu/workshops/music-information-retrieval-mir-2015>: Jay LeBoeuf, Leigh Smith, Steve Tjoa Learn how computers and mobile devices understand sound, including concepts and design for music recommendation systems, audio indexing, and automatic music transcription. 7/20 - 7/24 Designing Musical Games :: Gaming Musical Design <https://ccrma.stanford.edu/workshops/designingmusicalgames2015>: Rob Hamilton and Chris Platz One of the most exciting areas of music technology development is happening in the realm of gaming and interactive virtual space. This hands-on workshop will explore cutting edge techniques for building interactive sound and music systems for games and 2D/3D rendered environments. 7/27 - 7/31 3D Printing for Acoustics <https://ccrma.stanford.edu/workshops/3d-printing-acoustics-2015> : John Granzow and Dan Somen In collaboration with the Product Realization Lab (PRL), CCRMA presents a 3D printing workshop where participants will join a group of makers who print their own instruments. 8/3 - 8/7 Stompbox Design <https://ccrma.stanford.edu/workshops/stompbox-design-2015>: Edgar Berdahl and Esteban Maestre Come design your own flavor of audio effect at Stanford Universityʼs Stompbox Design workshop. We will teach you a new platform for implementing audio effects in hardware that not only enables you to re-create sound effects from the past but also promotes the creation of new sound effects. <~><~><~><~><~><~><~><~><~> Nette Worthey CCRMA Administrator Dept. of Music, Stanford 660 Lomita Dr. Stanford CA 94305 650.723.4971 x320 650.723.8468 fax networth(a)ccrma.stanford.edu

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Egregore - source | software edition
by Cyrille Henry 19 May '15

19 May '15

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pd users Berlin meeting this week
by Malte Steiner 19 May '15

19 May '15

PD Berlin meetings are from now at c-base (Rungestrasse 20 Berlin) every first and third thursday in the month beginning 20:00, the next one is this weeks thursday, the 21. May. This time we want to explore midi and OSC programming with PD and jam a bit. Looking forward to it and thanks c-base for hosting us. What we do: The meetings don't replace workshops (which are offered extra ;) ), scope of these meetings can be any (or none) of the following: patch/project showcase programming work on general Pd documentation help for beginners (installation, programming tips, ...) or something else you want to do ... Just come along, bring your laptop and sit down with us. The bar is open during the meetings. Necessary prerequisites are only a computer and good mood. If Pd isn't on it, we'll download and install it. http://puredata.info/community/groups/pd-berlin/pd-berlin-users-group/ We thank c-base for providing the space and network for the meetings.

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Ircam Mini-Symposium Featuring Miller Puckette & Katja Vetter
by Arshia Cont 18 May '15

18 May '15

Parisian Pd crowd is warmly invited to attend this mini-symposium at IRCAM, featuring Miller Puckette and Katja Vetter: http://forumnet.ircam.fr/event/pico-computer-symposium/ <http://forumnet.ircam.fr/event/pico-computer-symposium/> Where: IRCAM (Paris), Stravinsky Hall When: Thursday May 21st, 14:30-16:30 Seminars in English, Open to public Arshia Cont

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Special issue of Wi: Journal of Mobile Media / Audio Mobility -
by Locus Sonus 08 May '15

08 May '15

Wi:Journal of Mobile Media & LOCUS SONUS 2015: Vol. 9 No. 2. Audio Mobility The editorial team at Wi:Journal of Mobile Media and Locus Sonus Lab are pleased to announce the release of the latest issue 2015 : Vol 9 No2 Audio Mobility / La revue scientifique canadienne Wi: Journal of Mobile Media et le laboratoire de recherche Locus Sonus ont le grand plaisir de vous annoncer la sortie du numéro spécial 2015 : Vol 9 No2 Audio Mobilité Guest-edited by / Sous la direction de : Peter Sinclair & Elena Biserna / Locus Sonus With contributions by / Avec les contributions de : Romain Barthélémy & Roland Cahen, Frauke Behrendt, Justin Bennett, Elena Biserna, Xavier Boissarie & Emmanuel Guez, Samuel Bordreuil, Joel Cahen, Aisen Caro Chacin, Jean Cristofol, Owen Chapman, Laurent Di Biase, Steve Jones, Jérôme Joy, Fabrice Métais, Marie Muller, Gaëtan Parseihian, Sølvi Ystad, Mitsuko Aramaki & Richard Kronland Martinet, Matthieu Saladin, Dom Schlienger, Peter Sinclair, Jessica Thompson, Aline Veillat. The issue can be found here / Lien vers la revue : http://wi.mobilities.ca/ <http://wi.mobilities.ca/> //////// (English & French below) 1- AUDIO MOBILITY: INTRODUCTION 2- TABLE OF CONTENTS / SOMMAIRE 3- AKNOWLEDGEMENTS / REMERCIEMENTS /////// 1- AUDIO MOBILITY: INTRODUCTION This special issue of the Canadian Journal Wi: Journal of Mobile Media is one of the outcomes of the research project Audio Mobility, started by Locus Sonus in 2013. The publication includes more than twenty texts by international artists, theorists and scholars exploring the relationships between mobile media and sound production in contemporary artistic, cultural and social practices. Originally presented at the Symposium # 8 Audio Mobility, organized by Locus Sonus (16-18 April 2014), the texts were revisited by the authors for this special edition. Le numéro spécial de la revue canadienne Wi: Journal of Mobile Media est le fruit du projet de recherche Audio Mobilité, commencé par Locus Sonus en 2013. La publication contient une vingtaine de textes d'artistes, théoriciens et historiens internationaux qui explorent la relation entre la production sonore et les médias mobiles dans les pratiques culturelles et sociales contemporaines. Initialement présentés au Symposium #8 Audio Mobilité, organisé par Locus Sonus (16-18 Avril 2014), les textes ont été revisités par les auteurs pour cette édition spéciale. 2- TABLE OF CONTENTS / SOMMAIRE Peter Sinclair and Elena Biserna: Audio Mobility: Introduction GB >http://wi.mobilities.ca/locus-sonus-introduction/ <http://wi.mobilities.ca/locus-sonus-introduction/>FR > http://wi.mobilities.ca/locus-sonus-introduction/%22#french <http://wi.mobilities.ca/locus-sonus-introduction/%22#french> Romain Barthélémy and Roland Cahen: Navigating by sound in my SmartCity http://wi.mobilities.ca/romain-barthelemy-and-roland-cahen-navigating-by-so… <http://wi.mobilities.ca/romain-barthelemy-and-roland-cahen-navigating-by-so…> Frauke Behrendt: Locative Media as Sonic Interaction Design: Walking through Placed Sounds http://wi.mobilities.ca/frauke-behrendt-locative-media-as-sonic-interaction… <http://wi.mobilities.ca/frauke-behrendt-locative-media-as-sonic-interaction…> Justin Bennett: Walking, Telling, Listening – Audio Walks http://wi.mobilities.ca/justin-bennett-walking-telling-listening-audio-walk… <http://wi.mobilities.ca/justin-bennett-walking-telling-listening-audio-walk…> Elena Biserna: Mediated Listening Paths: Breaking the Auditory Bubble http://wi.mobilities.ca/elena-biserna-mediated-listening-paths-breaking-the… <http://wi.mobilities.ca/elena-biserna-mediated-listening-paths-breaking-the…> Samuel Bordreuil: Between The Marching Band and The Sound Walk http://wi.mobilities.ca/samuel-bordreuil-between-the-marching-band-and-the-… <http://wi.mobilities.ca/samuel-bordreuil-between-the-marching-band-and-the-…> Joel Cahen: Strategies on Sound Based Augmented Reality Theatre http://wi.mobilities.ca/joel-cahen-strategies-on-sound-based-augmented-real… <http://wi.mobilities.ca/joel-cahen-strategies-on-sound-based-augmented-real…> Aisen Caro Chacin: Echolocation Headphones: Seeing Space with Sound http://wi.mobilities.ca/aisen-caro-chacin-echolocation-headphones-seeing-sp… <http://wi.mobilities.ca/aisen-caro-chacin-echolocation-headphones-seeing-sp…> Owen Chapman: Ecotones, Eco-territories and the Sonic Relationality of Space: An audio investigation of Montreal’s ‘Falaise St. Jacques’ http://wi.mobilities.ca/owen-chapman-ecotones-eco-territories-and-the-sonic… <http://wi.mobilities.ca/owen-chapman-ecotones-eco-territories-and-the-sonic…> Jean Cristofol: Map and probe http://wi.mobilities.ca/jean-cristofol-map-and-probe/ <http://wi.mobilities.ca/jean-cristofol-map-and-probe/> Laurent Di Biase: Sound Geofiction and Mobile Interaction: The Sound in the Environment as Support for Composition http://wi.mobilities.ca/laurent-di-biase-sound-geofiction-and-mobile-intera… <http://wi.mobilities.ca/laurent-di-biase-sound-geofiction-and-mobile-intera…> Emmanuel Guez and Xavier Boissarie: From the Ear to the Eye. Conditions of a “Localized Writing” Experiment http://wi.mobilities.ca/emmanuel-guez-and-xavier-boissarie-from-the-ear-to-… <http://wi.mobilities.ca/emmanuel-guez-and-xavier-boissarie-from-the-ear-to-…> Steve Jones: The Carry Principle: Strategies for Mobile Music Practice http://wi.mobilities.ca/steve-jones-the-carry-principle-strategies-for-mobi… <http://wi.mobilities.ca/steve-jones-the-carry-principle-strategies-for-mobi…> Jérôme Joy: Visiting, Weaving, and Modulating Sonic Expanses and Rhythms – Tuning, Improvisation, and Environmental Aesthetics http://wi.mobilities.ca/jerome-joy-visiting-weaving-and-modulating-sonic-ex… <http://wi.mobilities.ca/jerome-joy-visiting-weaving-and-modulating-sonic-ex…> Fabrice Métais: Of God’s Word Terrestrial Acoustics: A Missed Call http://wi.mobilities.ca/fabrice-metais-of-gods-word-terrestrial-acoustics-a… <http://wi.mobilities.ca/fabrice-metais-of-gods-word-terrestrial-acoustics-a…> Marie Muller: Mapping the Iceberg: An Attempt to Model the City of Aix-en-Provence as 3D Sound Map on a Real Space http://wi.mobilities.ca/marie-muller-mapping-the-iceberg-an-attempt-to-mode… <http://wi.mobilities.ca/marie-muller-mapping-the-iceberg-an-attempt-to-mode…> Gaëtan Parseihian, Sølvi Ystad, Mitsuko Aramaki, Richard Kronland Martinet: The process of sonification design for guidance tasks http://wi.mobilities.ca/gaetan-parseihian-the-process-of-sonification-desig… <http://wi.mobilities.ca/gaetan-parseihian-the-process-of-sonification-desig…> Matthieu Saladin: Can One Hear Mobile Listening? The Public Ringtones Project and the Mediality of Listening http://wi.mobilities.ca/matthieu-saladin-can-one-hear-mobile-listening-the-… <http://wi.mobilities.ca/matthieu-saladin-can-one-hear-mobile-listening-the-…> Dom Schlienger: Acoustic Localisation Techniques for Interactive and Locative Audio Applications http://wi.mobilities.ca/dom-schlienger-acoustic-localisation-techniques-for… <http://wi.mobilities.ca/dom-schlienger-acoustic-localisation-techniques-for…> Peter Sinclair: Inside Zeno’s Arrow: Mobile Captation and Sonification http://wi.mobilities.ca/peter-sinclair-inside-zenos-arrow-mobile-captation-… <http://wi.mobilities.ca/peter-sinclair-inside-zenos-arrow-mobile-captation-…> Jessica Thompson: Mobile Sound and (Re)Making Place http://wi.mobilities.ca/jessica-thompson-mobile-sound-and-remaking-place/ <http://wi.mobilities.ca/jessica-thompson-mobile-sound-and-remaking-place/> Aline Veillat: Augmented Topography by Sound? http://wi.mobilities.ca/aline-veillat-augmented-topography-by-sound/ <http://wi.mobilities.ca/aline-veillat-augmented-topography-by-sound/> 3- AKNOWLEDGEMENTS / REMERCIEMENTS We would like to thank Owen Chapman (managing editor of Wi) for offering us the opportunity to publish this special edition and for the support of Michelle Macklem (online text management) and Antonia Hernandez (graphic design and layout) during the editorial process. Thanks also to the Concordia University Research Chair in Mobile Media Studies (Kim Sawchuk) for financial support. We would also like to thank the panel of peer reviewers: Richard Kronland-Martinet (LMA – CNRS), Samuel Bordreuil (AMU/CNRS-LAMES), Jean-Paul Thibaud (CRESSON- CNRS), Jacques Sapiega (AMU – ASTRAM), Angus Carlyle (CRISAP), Jean Cristofol (ESAA), Jérôme Joy (ENSAB – Locus Sonus), Anne Roquigny (Locus Sonus), Marie Muller, Laurent Di Biase, Fabrice Métais. The Locus Sonus Symposium #8 was organised by Locus Sonus (ESA Aix en Provence & ENSBA Bourges) in partnership with AMU MMSH LAMES (Laboratoire Méditerranéen de Sociologie), Seconde Nature and Fondation Vasarely (Aix en Provence). Locus Sonus is funded by the French Ministry of Culture. Nous remercions chaleureusement les éditeurs de Wi et en particulier Owen Chapman de nous avoir donné l’opportunité de publier ce numéro spécial. Un grand merci également à Michelle Macklem (direction éditoriale en ligne) et à Antonia Hernandez (design et mise en page) pour leur soutien durant tout le processus éditorial. Nous tenons également à remercier le groupe de pairs examinateurs : Richard Kronland-Martinet (LMA - CNRS), Samuel Bordreuil (UMA / CNRS-LAMES), Jean-Paul Thibaud (CRESSON- CNRS), Jacques Sapiega (UMA - ASTRAM), Angus Carlyle (CRISAP), Jean Cristofol (ESAA), Jérôme Joy (ENSAB - Locus Sonus), Anne Roquigny (Locus Sonus), Marie Muller, Laurent Di Biase, Fabrice Métais. Le Symposium Locus Sonus #8 a été organisé par le laboratoire de recherche Locus Sonus (ESA Aix en Provence et ENSBA Bourges) en partenariat avec l'UMA MMSH LAMES (Laboratoire Méditerranéen de Sociologie), Seconde Nature et la Fondation Vasarely (Aix en Provence). Locus Sonus est financé par le Ministère français de la Culture et de la Communication

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Embodied Sound: bodies, sounds and performance - concerts in London 13 May
by Marco Donnarumma 08 May '15

08 May '15

You are warmly invited to attend this symposium curated by Guy Harries and organised by CPAD (Centre for Performing Arts Development) at UEL. 'Embodied Sound' an evening symposium about contemporary live performance *Free entry, no booking required.* Wednesday 13 May at University of East London, University Square Stratford - US.3.38 (Studio 2) 1 Salway Road, London E15 1NF SYMPOSIUM - performances, paper, panel talk: 6.00-9.00pm WORKSHOP- "live sound/live vision": 4.15-5.45pm https://www.facebook.com/events/452454428255574/ The symposium ‘Embodied Sound’ is an evening’s exploration and discussion of the connection between sound and the performer's body in current live practice. The wide range of approaches includes vocal experimentation, use of the body’s various ‘signals’ captured through sensors, and the translation/interpretation of sound into live illustration. Performers will be presenting and discussing their live work, including: Marco Donnarumma, Sharon Gal and the Live Hazard Collective (Guy Harries and Valerie Pezeron. Guest speaker Zeynep Bulut (King’s College London) will present a paper on the connection between sound and the body, and Michael Bunce (UEL) will chair a panel with all the presenters, including Q&A. The symposium is preceded by an afternoon ‘live sound / live illustration’ workshop organised by Live Hazard Collective (4.15-5.45pm). All workshop participants will collaborate on an improvised sound piece, as well as live illustration in response to sound. ALL WELCOME (including those who do not consider themselves 'musicians' or 'illustrators'). The Centre for Performing Arts Development (CPAD) at the University of East London (UEL) is focused on developing original and innovative research in Performing Arts including Drama, Theatre & Performance Studies, Music, Dance and Creative Writing with a particular emphasis on socially engaged practices, performance philosophy and cultures, practice-based research, digital and interdisciplinary research. -- Marco Donnarumma Performer, body tinkerer, teacher and writer. #soundandmusic #biotech #freeculture EAVI - Goldsmiths, University of London ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Portfolio: http://marcodonnarumma.com Research: http://res.marcodonnarumma.com

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PD Users Meeting Berlin this week
by Malte Steiner 04 May '15

04 May '15

PD Berlin meetings are from now at c-base (Rungestrasse 20 Berlin) every first and third thursday in the month beginning 20:00, the next one is this weeks thursday, the 7. May. This time we want to explore midi and OSC programming with PD and jam a bit. Looking forward to it and thanks c-base for hosting us. What we do: The meetings don't replace workshops (which are offered extra ;) ), scope of these meetings can be any (or none) of the following: patch/project showcase programming work on general Pd documentation help for beginners (installation, programming tips, ...) or something else you want to do ... Just come along, bring your laptop and sit down with us. The bar is open during the meetings. Necessary prerequisites are only a computer and good mood. If Pd isn't on it, we'll download and install it. http://puredata.info/community/groups/pd-berlin/pd-berlin-users-group/ We thank c-base for providing the space and network for the meetings.

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WebPd 0.3.0 released
by s p 30 Apr '15

30 Apr '15

WebPd 0.3.0 is finally out! Refactored from scratch, 100% pure Web Audio API, which means it should be as fast as it gets on the browser. check-it out https://github.com/sebpiq/WebPd feedback very welcome. -- *Sébastien Piquemal* -----* @sebpiq* ----- http://github.com/sebpiq ----- http://funktion.fm

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2nd Annual Web Audio Conference - preliminary announcement
by Jason Freeman 21 Apr '15

21 Apr '15

2nd Annual Web Audio Conference - Preliminary Announcement April 4-6, 2016 Georgia Institute of Technology Atlanta, Georgia USA http://webaudio.gatech.edu <http://webaudio.gatech.edu/> The 2nd Web Audio Conference (WAC) will be held April 4-6, 2016 at Georgia Tech in Atlanta. WAC is an international conference dedicated to web audio technologies and applications. The conference welcomes web developers, music technologists, computer musicians, application designers, researchers, and people involved in web standards. The conference addresses research, development, design, and standards concerned with emerging audio-related web technologies such as Web Audio API, Web RTC, WebSockets and Javascript. It is open to industry engineers, R&D scientists, academic researchers, artists, and students. The first Web Audio Conference <http://wac.ircam.fr/> was held in January 2015 at IRCAM <http://ircam.fr/> and Mozilla <http://www.mozilla.org/> in Paris, France. The Internet has become much more than a simple storage and delivery network for audio files, as modern web browsers on desktop and mobile devices bring new user experiences and interaction opportunities. New and emerging web technologies and standards now allow applications to create and manipulate sound in real-time at near-native speeds, enabling the creation of a new generation of web-based applications that mimic the capabilities of desktop software while leveraging unique opportunities afforded by the web in areas such as social collaboration, user experience, cloud computing, and portability. The Web Audio Conference focuses on innovative work by artists, researchers, and engineers in industry and academia, highlighting new standards, tools, APIs, and practices as well as innovative web audio applications for musical performance, education, research, collaboration, and production. Contributions to the second edition of the Web Audio Conference are encouraged in the following areas: Web Audio API, Web MIDI, Web RTC, and other existing or emerging web standards for audio and music Development tools, practices, and strategies of web audio applications Innovative audio and music based web applications Client-side audio processing (real-time or non real-time) Audio data and metadata formats and network delivery Server-side audio processing and client access Client-side audio engine and audio rendering Frameworks for audio synthesis, processing, and transformation Web-based audio visualization and/or sonification Multimedia integration Web-based live coding environments for music Web standards and use of standards within audio based web projects Hardware and tangible interfaces in web applications Codecs and standards for remote audio transmission Any other innovative work related to web audio that does not fall into the above categories We welcome submissions in the following tracks: paper, poster, demo, performance, and artwork. All submissions will be double-blind peer reviewed. The conference proceedings, which will include both papers (for papers and posters) and abstracts (for demos, performances, and artworks), will be published online and in SmartTech, Georgia Tech’s archival open-access repository. Papers: Authors are invited to submit 4-6 page papers. Accepted papers will be presented at the conference as an oral presentation. Posters: Authors are invited to submit posters with an accompanying 2-4 page paper. Accepted posters will be presented at the conference as a poster presentation. We encourage authors to submit their work simultaneously to both the poster and demo track Demos: Authors are invited to submit demos. Accepted demos will be presented at the conference in a hands-on demo session. We encourage authors to submit their work simultaneously to both the poster and demo track. Demo submissions should include a title, a one-paragraph abstract and a complete list of technical requirements (including anything expected to be provided by the conference organizers). Performances: We invite proposals for performances making creative use of web-based audio applications. Performances can include elements such as audience device participation, web-based interfaces, WebMIDI, WebSockets, and/or other imaginative approaches to web technology. Submissions must include a title, a one-paragraph abstract of the performance, a link to video documentation of the work, a complete list of technical requirements (including anything expected to be provided by conference organizers), and names and one-paragraph biographies of all musicians involved in the performance. Artworks: We invite proposals for sonic web artworks and interactive applications which make significant use of web audio standards such as Web Audio API or WebMIDI in conjunction with other technologies such as HTML5 graphics, WebGL, and/or interactivity. Works must be suitable for presentation on a computer kiosk with headphones. They will be featured at the conference venue throughout the conference and on the conference web site. Submissions must include a title, one-paragraph abstract of the work, a link to access the work, and names and one-paragraph biographies of the author(s). Important Dates July 1, 2015: submission system opens October 1, 2015: submission deadline December 1, 2015: author notification March 1, 2016: camera-ready papers and abstracts due April 4-6, 2016: conference At least one author of each accepted submission must register for and attend the conference in order to present their work. Submission Templates and Submission System Coming soon.

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