Hi, and here it is:
https://github.com/porres/pd-cyclone/releases/tag/cyclone0.3beta-3
This release doesn't work on Pure Data Extended or Purr Data and needs ate
least Pd 0.48-1
But we still need help compiling for other systems, like Windows, Rasberry
Pi, and Linux 32 bits... anyone? As soon as we have them all, we'll upload
them to Deken.
Release notes: This release on february 21st 2018 marks the exact 2nd year
anniversary of this repository, under the maintenance of Alexandre Porres,
Derek Kwan and Matt Barber. The main goal is to update all cyclone objects
from Max 4.0 to 7.3.4 (the current release). We are almost done with it and
have mostly [zl] remaining for that objective! We also fixed numerous bugs,
created new objects and are rewriting the whole documentation. More
precisely, we have:
- 61 updated objects
- 63 fixed objects (including objects that were updated, will be updated
and did not need updates) - 48 new objects
Not much else on the To Do list now, maybe still a couple more beta
versions before the final release and hopefully this will be done in yet
another year or so ;)
Other info about cyclone can be found here:
https://github.com/porres/pd-cyclone/wiki
cheers
Hi, I'm happy to announce my Pd external library, ofelia.
ofelia is an external library written with openFrameworks and influenced by
GEM for creating cross-platform multimedia applications.
The library consists of over 400 objects covering most features of
openFrameworks core API, designed to ease the development of multimedia
applications such as visual arts, musical apps and interactive games.
The library includes the following features:
- interactive output window
- various getters and event listeners
- 2d/3d shapes drawing
- image and font loading
- camera, lighting, material
- framebuffer object
- various data types (vec3f, color..)
- various utilities to speed up development (new expr, counter..)
- bandlimited oscillators and resonant filters
The library is currently available to be used under macOS, Linux(64bit) and
Windows. It will also be available on Raspberry Pi soon.
You can download and install it by searching "ofelia" in 'Help -> Find
externals' then add "ofelia" to 'Preferences -> Startup -> New' in Pd.
There are some basic example patches you can try inside 'ofelia/examples'
directory.
ofelia works with vanilla Pd-0.48-1 and other versions of Pd may not work.
The patch made with ofelia can be converted to a standalone application for
macOS, Linux, Windows, iOS and Android without having to write any further
code. (Thanks to ofxPd) You just need to install some required tools to
compile it on your desktop.
For more information, please visit https://github.com/cuinjune/ofxOfelia
Any feedback is welcomed, hope you like it. :)
sorry for x-posting
---
Briefly about Piksel and Piksel Studio
Piksel is a network of artists and an annual media art festival based
in Bergen(NO), which focuses on the relationship between art and free
technologies, arranged for the first time in 2003.
Piksel Studio 207 is Piksel’s new project in Bergen. Piksel Studio 207
is established in a 130 m2 room where we will create an annual program
for artists, children and young people, cultural institutions and the
general public.
CALL FOR PROJECTS
In 2018, Piksel Studio plans to make up to 5 exhibitions selected from
this open call. Each exhibition will take a maximun of a month, one
week to setup and 3 weeks to exhibit. Formats are open and further
discussions can be taken.
Piksel Studio is currently seeking for artists, curators and
organizations to use the space as an exhibition space, workshop room or
performative space. The projects can be of any format that fits the
space.
The works must be realized by the use of free and open source
technologies. We specially encourage projects in the field of DIY
Bioart, renewable/sustainable technologies, DIY and open hardware,
audiovisual software tools or software art released under a free/open
license. (Also includes presentations of artistic projects realized
using free/open technologies.)
Piksel offers the space, the communication skills, the technical
production equipment and support within the actual resources. The
selected projects must provide their own fundings in case extra
production costs are needed (travel, accommodation, per diems etc.).
Piksel can assist to seek for external fundings in specific projects.
The selection will be done in a first come first served process. We will
be selecting projects as they come and the call is open till 1st of
October.
To submit a project please send an email to piksel18(a)piksel.no with the
subject Piksel Studio Exhibition. The email should include the name of
the project, description, bio and cv of the people involved, technical
needs and fundings possibilities.
more info: www.piksel.no
Call for Applications:
Workshop-in-Exposition: Thresholds of the Algorithmic
Bergen (NO), June 2018.
**Reminder and extended deadline: 23 February 2018**
(sorry for x-posting -- please distribute)
Algorithms have been used in music and sound art even before the
emergence of “computer music” in the 1950s, but today we witness an
entire new wave of interest, reflected in festivals, genres,
publications and research projects. It is the very notion of algorithms
that is shifting. They are no longer an abstract formalisation, but
emerge from artistic praxis and experimentation and become entangled in it.
Almat and BEK are happy to announce a call for participation in a
workshop-in-exposition taking place in Bergen, Norway, June 2018. This
will be a part of BEK and Notam’s ongoing series of workshops for
advanced users. It is a hybrid format that places the workshop inside an
exhibition context, where the exposed works and artefacts form the basis
of the workshop’s activity. Instead of “closed works”, what is exposed
to the general public are objects, sounds or installations that are open
to engagement and reconfiguration during the workshop.
Algorithms that Matter (Almat) is an artistic research project funded by
the Austrian Science Fund FWF, PEEK AR 403-GBL, and based at the
Institute of Electronic Music and Acoustics (IEM) in Graz, Austria.
BEK and Notam are centers for innovation and use of technology in music
and the arts in Norway. Both Notam and BEK have a strong focus on
education, and strive to establish new goals and provide new impulses
for current music technologists and artists.
- https://almat.iem.at
- http://www.bek.no
- http://www.notam02.no
- Full text of the call:
https://almat.iem.at/assets/downloads/almat-bek_call2018.pdf
- Application form:
https://almat.iem.at/assets/downloads/almat-bek_form2018.pdf
## Theme and Format
Thresholds are locations of transitions, points where one modality
becomes another, where a qualitative change occurs. In physics the point
where an aggregate state changes—the phase transition—is a distinguished
transitional location were the properties of the adjacent states become
evident. Similarly, in this workshop-in-exposition we want to study the
properties of the algorithmic by putting ourselves in threshold
positions and actively shape them. More than merely separating two
sides, one can spend time on a threshold, move along a ridge, performing
a tightrope walk while trying not to fall to either side.
Situated within the Almat artistic research project, this event aims at
bringing together practitioners and researchers in the field of digital
art, sound art and computational aesthetics. The hybrid format of
workshop-in-exposition puts on display works of the participants
pertaining to the theme, and at the same time avails them for
interrogation, discussion and reconfiguration during the week long workshop.
The full call embeds a list of three different ‘thresholds’ from which
the applicants should point out a specific one, that they recognise as
being addressed by their own artistic work. This will act both as a
point for further exploration during the workshop and as a bridge
towards audience perception.
## Application
Please read carefully the call and fill out the form provided at
https://almat.iem.at/call2018.html and send it to almat(a)iem.at along
with the required accompanying documents.
We aim at a balance of gender and background of the applicants.
Conditions:
- Duration of exhibition: from 08 June to 17 June 2018
- Start date (in situ): 04 June 2018
(preparation and set up from 04 June to 08 June 2018)
- End date: 17 June 2018
- Applicants must be present during the workshop.
- Workshop fee must be paid by confirmed participants (see form)
**Application deadline: 23 February 2018** (e-mail reception, 24:00 CET)
If you have further questions, please do not hesitate to contact us at
almat(a)iem.at.
---
iem.at | kug.ac.at | bek.no | notam02.no | fwf.ac.at
Dear Pd list,
LSU is pleased to be offering two graduate assistantships to incoming PhD students in the Experimental Music and Digital Media program in Fall 2018. Please see below for more details.
Best regards,
Edgar Berdahl
[LSU]<http://www.lsu.edu/>
Assistant Professor
School of Music and Center for Computation and Technology
Louisiana State University, Baton Rouge, LA 70803
mobile 650-492-0211
Teaching, Studio Maintenance, and Research Graduate Assistantship
The LSU School of Music is offering an assistantship to an incoming student in order to assist in the following areas:
• Teaching of an undergraduate course such as MUS 2745 Introduction to Computer Music or MUS 2700 Introduction to Music Technology
• Assist with studio maintenance and concert preparations
• Research projects in the area of Experimental Music and Digital Media (EMDM)
This position is a multi-year full time assistantship of 20hours/week, 15k/year + tuition remission.
Digital Design & Emergent Media Graduate Assistantship
The LSU CCT Cultural Computing focus area, LSU School of Music Experimental Music & Digital Media program (EMDM), in collaboration with the Louisiana Department of Education, the LSU Cain Center, and Lee Magnet High School have collaborated to develop future-relevant high school curriculum in preparation for careers that involve digital media design and production – some of the most ubiquitous skills necessary for employment in the 21st century. To this end, we are excited to offer a graduate assistantship in Digital Design & Emergent Media.
The DDEM position is a full time assistantship of 20hours/week, 18k/year + tuition remission.
Depending on expertise, responsibilities for the DDEM Assistantship may include:
- Assist in the rollout of the statewide STEM Certification Pathway in Digital Design & Emergent Media
- Teaching the Programming Digital Media course at a nearby high school and assisting in curriculum revision
- Assist in teaching the Programming Digital Media course (CSC2463) class at LSU (Web Audio & Arduino units)
- Curriculum, unit development, and teacher training of Digital Media entangled courses
- Work with a team of faculty, students and teachers to prepare materials for training DDEM High School teachers over the summer.
- Development of software/hardware modules, frameworks, and teaching materials to assist in this kind of education
- other responsibilities related to the design and implementation of the Digital Design & Emergent Media curriculum
The Assistantship will begin in Fall 2018 however financial support is available to begin working on the project as early as late Spring.
For more information contact Dr. Jesse Allison - jtallison(a)lsu.edu
General Information
Candidates should apply to the Experimental Music and Digital Media (EMDM) concentration for the Doctor of Philosophy in Music. A master's degree is required for admission. An acceptable score [combined verbal/quantitative] on the GRE is also required. Applicants must submit a letter of intent, an application for admission, and official transcripts of all undergraduate and graduate work. In addition, applicants to this program must submit a portfolio representative of their prior work in this area. The portfolio should include recorded media (mp3s, video files, etc.), scores (if appropriate), computer source code from prior projects (if appropriate) and in general a list of work that demonstrates the student’s interest and abilities in experimental music, electroacoustic music or digital media. Auditions are NOT necessary.
Application due date: March 1.
Language Requirement
A test of English as a Foreign Language (TOEFL) or the International English Language Testing Service (IELTS) is required for international applicants from countries other than United Kingdom, Ireland, Canada, Australia, New Zealand, Belize, or certain Caribbean Islands. If you have a degree from a U.S. college or university or a degree from any of the listed countries, you are exempt from this requirement.
Facilities
The Experimental Music and Digital Media (EMDM) program occupies space both within the School of Music and Dramatic Arts as well as at the new Digital Media Center building on LSU campus. Facilities include new recording studios, fabrication facilities (including a laser cutter and a 3D printer), a 71-channel sound diffusion system, the Laptop Orchestra of Louisiana, Shaver Auditorium, the Digital Media Center Auditorium, the School of Music Recital Hall, and more.
Apply
To apply, visit http://www.lsu.edu/cmda/music/admissions/graduate/index.php
Applications should be submitted to LSU's Graduate School.
The most-directly affiliated faculty you would collaborate could include
Jesse Allison (http://allisonic.com/)
Steven David Beck (<https://www.cct.lsu.edu/~sdbeck/>https://stephendavidbeck.wordpress.com/author/sdbeck/)
Edgar Berdahl (http://edgarberdahl.com/)
Frederick "Derick" Ostrenko (http://frederickostrenko.com<http://frederickostrenko.com/>)
Hye Yeon Nam (http://design.lsu.edu/faculty/nam-hye-yeon/)
For more information, please visit
http://emdm.music.lsu.edu/https://www.cct.lsu.edu/http://music.lsu.edu/
Hi,
I'm pleased to announce that the brand new *Camomile *release (1.0.1) is
available!
Camomile is a plugin with Pure Data embedded that offers to load and to
control patches inside a digital audio workstation. The plugin is available
in the VST2, VST3 and Audio Unit formats for Linux, Windows and MacOS.
Download and information on the website:
https://github.com/pierreguillot/camomile/wiki.
Please, read carefully the documentation. Feedback are more than welcome! For
feature request and bug report, please use the issue section in the Github
repository if you can: https://github.com/pierreguillot/camomile/issues.
An overview of the main changes:
v1.0.0
- Use libpd instead of my personal wrapper.
- Use TLS approach of Pd to manage thread concurrency issues.
- Use a text file to define the properties of the plugins.
- Generate plugins with the patches included.
- Separate the GUI and the parameters' definitions.
v1.0.1
- Fix thread concurrency issue that occurred when selecting a program
(#77).
- Fix stack overflow issue due to concurrent access to the Pd's stack
counter (#69).
- Update documentation for VST2/VST3/AU generation on MacOS to display
the name of the plugins in Ableton (#75).
- Improve the whole documentation (#72) and start "How to Create
Patches" (#73).
- Add more warning when there are extra arguments in parameters' methods.
- Add support for "openpanel" and "savepanel" methods.
- Update examples Bulgroz, AlmondOrgan, Castafiore, MiniMock.
- Start/Add support for patch description in the text file (#74).
- Start/Add support for patch credits in the text file (#74).
Further information on the previous versions and the changes on this topic
<https://forum.pdpatchrepo.info/topic/9884/camomile-an-audio-plugin-that-loa…>
. And here is the link to topic of the pd forum:
https://forum.pdpatchrepo.info/topic/11242/camomile-v1-0-1-an-audio-plugin-…
.
Cheers
Dear all,
I'm happy to announce the public release of the Locusonus external.
The locusonus external feature a solo object: locuscast~, a streaming client, similar in use to the oggamp~ or mp3amp~ objects.
It is based on FFMPEG (and pack it, that why it's a bit big).
It can read a wide variety of format (ogg, mp3, aac, wav, and many more), any bitrate, any samplerate, and up to 64 channels.
And files can be read too.
At the moment it's available for macOS and Raspberry Pi (arm6 and arm7), and in a close future it will be for linux and windows as well.
The external is here:
http://locusonus.org/pd/
A demo patch is provided, but intended to work on L2ork, with the purestJson external.
So far, it has been tested on :
Raspbian Jessie (arm6&7) with Pd vanilla and L2ork
Raspbian Stretch with Pd vanilla.
MacOs 10.6.9 and later
You can report bug, observation or happyness about it ay this email adress:
pd(a)locusonus.org
Locusamp is made in Aix en Provence at the Locus Sonus research lab by Grégoire Lauvin and Stéphane Cousot.
http://locusonus.orghttp://locusonus.org/locusonus.org
Locus Sonus Lab 2014/2015 : Elena Biserna, Stéphane Cousot, Grégoire Lauvin, (Laurent Di Biase, Fabrice Métais, Marie Müller), Jérôme Joy, Anne Roquigny, Peter ...
http://locusonus.org/soundmap
Locus Sonus :: Soundmap<http://locusonus.org/soundmap>
locusonus.org
automatic navigation : To listen to all streams at regular interval, enable the automatic navigation mode by defining your listening time (in seconds), by default 10 ...
Grégoire Lauvin
======================
2nd CALL FOR SUBMISSIONS
======================
((( MUME 2018 )))
The 6th International Workshop on Musical Metacreation
http://musicalmetacreation.org
June 25-26, 2018, Salamanca, Spain.
MUME 2018 is to be held at the University of Salamanca in conjunction with
the Ninth International Conference on Computational Creativity, ICCC 2018.
=== Important Dates ===
Workshop submission deadline: March 2nd, 2018
Notification date: April 30th, 2018
Camera-ready version: May 25th, 2018
Workshop dates: June 25-26, 2018
======================
MUME brings together artists, practitioners, and researchers interested in
developing systems that autonomously (or interactively) recognize, learn,
represent, compose, generate, complete, accompany, or interpret music. As
such, we welcome contributions to the theory or practice of generative
music systems and their applications in new media, digital art, and
entertainment at large.
Topics
===========================
We encourage paper and demo submissions on MUME-related topics, including
the following:
-- Models, Representation and Algorithms for MUME
-- Systems and Applications of MUME
-- Evaluation of MUME
Moree information:
----------------------
http://musicalmetacreation.org
Please direct any inquiries/suggestions/special requests to the Workshop
Chair, Philippe Pasquier (pasquier(a)sfu.ca).
Workshop Organizers
===================
Pr. Philippe Pasquier (Workshop Chair)
School of Interactive Arts and Technology (SIAT)
Simon Fraser University, Canada
Pr. Arne Eigenfeldt
School for the Contemporary Arts
Simon Fraser University, Canada
Dr. Oliver Bown
Design Lab, Faculty of Architecture, Design and Planning
The University of Sydney, Australia
Kıvanç Tatar (MUME Administration and Publicity Assistant)
PhD Candidate, School of Interactive Arts and Technology,
Simon Fraser University, Vancouver, Canada.
MUME Steering Committee
======================
Andrew Brown
Griffith University, Australia
Anna Jordanous
University of Kent, UK
Bob Keller
Harvey Mudd College, US
Róisín Loughran
University College Dublin, Ireland
Michael Casey
Dartmouth College, US
Benjamin Smith
Purdue University Indianapolis, US
--
Kıvanç Tatar
----------------------------------
PhD Candidate
Interactive Arts and Technology
Simon Fraser University, Vancouver, Canada
Email: kivanctatar(a)gmail.com
Website: https://kivanctatar.wordpress.com/
NIME 2018 Call for submissions
Please pardon the cross-posting,
*A friendly reminder that the submission deadline of January 20th, 2018,
for the NIME 2018 conference is now less than 48 hours away. Please note
as long as you create a placeholder entry by January 20th, you will be
able to edit it until the final submission deadline of January 27th. The
paper templates and all other supporting information is available on the
website (**NIME2018.ORG <http://nime2018.org>).
Breaking news: In conjunction with the NIME conference, Virginia Tech
Moss Arts Center will be hosting "Invented Instruments" exhibit by
Laurie Anderson featuring the famous Tape Bow Violin.
*
**
*
We sincerely look forward to your submissions. In the meantime, should
you have any questions, please do not hesitate to contact us.*
*About NIME*
NIME (New Interfaces for Musical Expression) is the premier conference
in human-machine interfaces and interactions for musical performance.
NIME is a gathering of researchers, designers, musicians, who come
together to share knowledge, perform music, and build community through
research presentations, concerts, installations, and workshops.
On behalf of the 2018 NIME Committee I am pleased to announce that the
NIME 2018 "Mirrored Resonances" Conference call for submissions is now
officially open! Co-organized between Virginia Tech and the University
of Virginia, the conference will take place June 3-6, 2018 in
Blacksburg, Virginia. We welcome submissions of papers, posters, panels,
musical performances, installations, demos, and workshops, particularly
those that may respond to the overarching conference theme of “Mirrored
Resonances” and its thematic areas in any of the many ways they might be
interpreted. Likewise, we encourage potential participants to consider
exploring the unique Virginia Tech facilities, including the Institute
for Creativity, Arts, and Technology’s Cube with a massive high density
loudspeaker array. The deadline for the *double-blind peer reviewed
submissions*, including papers, panels, demo papers, music, and
installations is January 20th, 2018. Submissions created by January 20th
will continue to be editable until January 27th when the submission
process will close. Demos without paper and workshops will be *curated
*and have an extended submission deadline until March 1st, 2018. In
addition to the NIME and academic communities, we also invite industry,
as well as non-academic creatives to consider participating in the
aforesaid categories. For a complete list of important dates visit the
Participate <http://nime2018.icat.vt.edu/Participation/#dates> page.
We are excited to announce that the conference will feature four keynote
artists:
*Onyx Ashanti**
**Benjamin Knapp**
**Ikue Mori**
**Pamela Z*
If interested in sponsorship opportunities please do not hesitate to
contact us
<mailto:conference-chairs@nime2018.org?Subject=NIME%202018%20Sponsorship>
On behalf of the entire NIME 2018 Committee, we look forward to
welcoming you in Virginia next June!
Go to the website
<http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-r/>
NIME2018.ORG <http://nime2018.org>
Facebook <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-y/>
Twitter <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-j/>
Instagram <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-t/>
Website <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-i/>
Moss Arts Center
190 Alumni Mall
Blacksburg, VA 24060
Like <http://virginiatech.cmail19.com/t/j-fb-otlirdl-ydiykltyik-d/>
Tweet <http://virginiatech.cmail19.com/t/j-tw-otlirdl-ydiykltyik-h/>
Share <http://virginiatech.cmail19.com/t/j-li-otlirdl-ydiykltyik-p/>
Forward
<http://virginiatech.forwardtomyfriend.com/j-ydiykltyik-61B1A90A-otlirdl-l-x>
Call for Applications:
Workshop-in-Exposition: Thresholds of the Algorithmic
Bergen (NO), June 2018.
(sorry for x-posting -- please distribute)
Algorithms have been used in music and sound art even before the
emergence of “computer music” in the 1950s, but today we witness an
entire new wave of interest, reflected in festivals, genres,
publications and research projects. It is the very notion of algorithms
that is shifting. They are no longer an abstract formalisation, but
emerge from artistic praxis and experimentation and become entangled in it.
Almat and BEK are happy to announce a call for participation in a
workshop-in-exposition taking place in Bergen, Norway, June 2018. This
will be a part of BEK and Notam’s ongoing series of workshops for
advanced users. It is a hybrid format that places the workshop inside an
exhibition context, where the exposed works and artefacts form the basis
of the workshop’s activity. Instead of “closed works”, what is exposed
to the general public are objects, sounds or installations that are open
to engagement and reconfiguration during the workshop.
Algorithms that Matter (Almat) is an artistic research project funded by
the Austrian Science Fund FWF, PEEK AR 403-GBL, and based at the
Institute of Electronic Music and Acoustics (IEM) in Graz, Austria.
BEK and Notam are centers for innovation and use of technology in music
and the arts in Norway. Both Notam and BEK have a strong focus on
education, and strive to establish new goals and provide new impulses
for current music technologists and artists.
- https://almat.iem.at
- http://www.bek.no
- http://www.notam02.no
- Full text of the call:
https://almat.iem.at/assets/downloads/almat-bek_call2018.pdf
- Application form:
https://almat.iem.at/assets/downloads/almat-bek_form2018.pdf
## Theme and Format
Thresholds are locations of transitions, points where one modality
becomes another, where a qualitative change occurs. In physics the point
where an aggregate state changes—the phase transition—is a distinguished
transitional location were the properties of the adjacent states become
evident. Similarly, in this workshop-in-exposition we want to study the
properties of the algorithmic by putting ourselves in threshold
positions and actively shape them. More than merely separating two
sides, one can spend time on a threshold, move along a ridge, performing
a tightrope walk while trying not to fall to either side.
Situated within the Almat artistic research project, this event aims at
bringing together practitioners and researchers in the field of digital
art, sound art and computational aesthetics. The hybrid format of
workshop-in-exposition puts on display works of the participants
pertaining to the theme, and at the same time avails them for
interrogation, discussion and reconfiguration during the week long workshop.
The full call embeds a list of three different ‘thresholds’ from which
the applicants should point out a specific one, that they recognise as
being addressed by their own artistic work. This will act both as a
point for further exploration during the workshop and as a bridge
towards audience perception.
## Application
Please read carefully the call and fill out the form provided at
https://almat.iem.at/call2018.html and send it to almat(a)iem.at along
with the required accompanying documents.
We aim at a balance of gender and background of the applicants.
Conditions:
- Duration of exhibition: from 08 June to 17 June 2018
- Start date (in situ): 04 June 2018
(preparation and set up from 04 June to 08 June 2018)
- End date: 17 June 2018
- Applicants must be present during the workshop.
- Workshop fee must be paid by confirmed participants (see form)
**Application deadline: 16 February 2018** (e-mail reception, 24:00 CET)
If you have further questions, please do not hesitate to contact us at
almat(a)iem.at.
iem.at | kug.ac.at | bek.no | notam02.no | fwf.ac.at