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ICAD 2018 Call for Paper
by Myounghoon Jeon 06 Nov '17

06 Nov '17

*ICAD 2018* The 24th International Conference on Auditory Display (ICAD 2018) Michigan Technological University, Houghton, MI, USA, June 10-15, 2018 CALL FOR PAPERS, EXTENDED ABSTRACTS, WORKSHOPS/TUTORIALS, SONIFICATIONS, INSTALLATIONS, AND DEMONSTRATIONS Please check the conference website for updates: *http://icad2018.icad.org/ <http://icad2018.icad.org/>* *Theme: Sonification as ADSR* Auditory researchers are familiar with “ADSR” (Attack-Decay-Sustain-Release), which are basic components of sound. In ICAD 2018, we want to (1) not only go back to the basics but also (2) explore and integrate various potentials of auditory displays and sonification as Art-Design-Science-Research (ADSR). Under this conference theme, we will value and embrace all types of submissions, including papers, extended abstracts, multimedia (videos/audios), concert pieces, demos and installations. ICAD is a highly interdisciplinary academic conference with relevance to researchers, practitioners, musicians, and students interested in the design of sounds to support tasks, improve performance, guide decisions, augment awareness, and enhance experiences. It is unique in its singular focus on auditory displays and the array of perception, technology, and application areas that this encompasses. Like its predecessors, ICAD 2018 will be a single-track conference, open to all, with no membership or affiliation requirements. ICAD 2018, the 24th International Conference on Auditory Display, will be held at Michigan Tech, June 10 to 15, 2018. The conference venues are the Colleges of Arts and Architecture and Information Sciences and Technology. The graduate student ThinkTank (doctoral consortium) will be on Sunday, June 10, before the main conference. *Submission Dates* - Papers February 16th 2018 (Fri) - Extended Abstracts March 23rd 2018 (Fri) - Workshop/tutorial March 9th 2018 (Fri) - ThinkTank March 23rd 2018 (Fri) - Sonification Concert March 23rd 2018 (Fri) - Installations March 23rd 2018 (Fri) *Topics* Topics of interest include (but are not limited to): * Art & Design* - Music composition inspired by data/interactive-sonification - Integrative arts including sonification - Performing arts including sonification - Culture-specific sonification - Speculative, aspirational, and prototype designs - Aesthetics of auditory displays and sonification - Sonic information design paradigm, theory, and taxonomy - Design examples, case studies, and real-world applications - Design methods, processes, tools, and techniques - Users, experiences, and contexts of using sonification * Science & Research* - Design of new a sensor, device, or platform for auditory displays & sonification - Methods and processes - Participatory design approaches - Auditory user interfaces - Psychology, cognition, perception and psychoacoustics - Computational/algorithmic approaches· - Accessibility and assistive technologies - Human Factors, Ergonomics and Usability - Computational/algorithmic approaches - Spatial/3D sound - Sound scape, auditory scene analysis - Sonification in Health and Environmental Data (soniHED) - Sonification in the Internet of things, big data, & cybersecurity - Sonification in automated vehicles *Workshops/Tutorials* ICAD workshops and tutorials provide in-depth opportunities for conference attendees to discuss and explore important aspects of the field of auditory display with like-minded researchers and practitioners. Sessions can range from applications and programming methodologies to interdisciplinary research skills, emerging research areas, and challenging problems. *Organizing Committee* - General Chair: Myounghoon Jeon (Philart) - Paper Co-Chairs: Areti Andreopoulou, Steven Landry, & Jaclyn Barnes - Music/Concert Chair: Christopher Plummer - Workshop Chair: Derek Brock - ThinkTank Chair: Hiroko Terasawa - Installations Chair: Josh Loar - Communications Chair: Nicole Kelly - Advisory Board Chair: Matti Gröhn -- ************************************************ Myounghoon "Philart" Jeon, Ph.D. Associate Professor *Mind Music Machine Lab <http://trim.mtu.edu/>* *Center for Human-Centered Computing <http://icc.mtu.edu/hcc/>@ICC <http://icc.mtu.edu/>* Department of Cognitive and Learning Sciences Department of Computer Science *Michigan Tech*nological University Meese 205, Rekhi 202, 1400 Townsend Drive Houghton, MI 49931 (906) 487-3273 mjeon(a)mtu.edu

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ELSE 1.0 Beta 6 released
by Alexandre Torres Porres 05 Nov '17

05 Nov '17

ELSE 1.0 Beta 6 is out. Highlisghts: Now [adsr~] has an extra outlet that can be useful to turn audio processing on and off! Use it in your polyphonic synths, with clone, and save on processing conveniently! Check its help file. And now something I'm really happy about. We now have a keyboard GUI object in deken for everyone to enjoy (thanks to Flavio Luiz Schiavoni <https://www.facebook.com/flavioluiz.schiavoni?fref=gs&dti=4729684494&hc_loc…>). This is the only keyboard GUI object available for all platforms in deken, and the only one I know that can take external MIDI input! Get else 1.0 beta 6 via deken or here: https://github.com/porres/pd-else/releases Report bugs here: https://github.com/porres/pd-else/issues Other release notes are: - [trigger~] and [togedge~] have been deleted and sort of combined into a new object named [past~]; - more new objects: [gatehold~], [gate2imp~] (now we have a total of 155 objects) - [e] object fixed - [setdsp~] has now an inlet and outlet - [display] can now display the selector cheers

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PIKSEL17 -- We Take EmoCoin! workshops announcement.
by 220hex 04 Nov '17

04 Nov '17

Dear Piksel friends, here is the PIKSEL17 -- We Take EmoCoin! workshops announcement. Please feel free to spread the word to your friends. Have a nice day! Piksel Team. ----------------------------------------------------------------------- PIKSEL17 We Take EmoCoin! The 15th annual Piksel Festival for Electronic Art and Free Technologies - Wokshops - November 13st-16th, Bergen (NO) - http://17.piksel.no The 15th edition of the Piksel Festival takes place in Bergen (NO) November 16th- 18th 2017. We Take EmoCoin! The Piksel17 festival slogan points out to the new capital: our emotions. The interest of the human beings can be captured through emotions, and therefore can be monetized. Emotions has become the new coin. Emotions can be measured, monitorized and monetized in almost real time. Together with our use of social networks, technology is also investing in bio-sensing the body, using small components and microcontrollers we can collect our bio-data. So, we ourselves with our public online behaviour and our stored bio-signals, visualized and interfaced, create a direct link between emotions and money. PIKSEL17 – We Take EmoCoin! ----------------------------------------------------------- Workshops Programme: All workshops are free to attend. To sign up send an email to:prod(at)piksel(dot)no BioSIGNAL Sensing Workshop by Cristian Delgado 16th Nov Building: Piksel Studio 207 Date: 14:00-18:00 http://17.piksel.no/?p=72 In this workshop the participants are going to use small components and microcontrolers to make biosignal sensors, to record pulse, muscle and cardiac activity to conect it to instruments and visuals, working with the sense plants response, electromiography and oxygen in blood to control both visuals and audio software with body signals and interaction between bodies. The result is a colective exhibition made by the participants and the invited artist. Bergen PD Meeting 16th Nov Building: Piksel Studio 207 Date: 14:00-16:00 http://17.piksel.no/?p=72 PureData is an open source visual programming language for music and multimedia creation, oftenly used by composers, performers, software designers, researchers and artists to create performances and installations. This first PD meeting will try to gather the Bergen PD community around regular meetings in order to discuss and learn about PD, what it is, how do we see or use it, but also a place to discuss about electronic music and open-source culture. The meeting is run by artist and composer Arthur Hureau with the support of Piksel. From E-waste to Sound Device by Toni Quiroga 17h Nov Building: Piksel Studio 207 Date: 11:00-18:00 http://17.piksel.no/?p=230 During this workshop you will learn how to turn parts of e-waste and trash into functional primitive sound devices. Through the vivisection of dead media devices you will learn how to extract valuable components (like motors, VU meters, integrated circuits, transistors and other raw materials) and reuse them in order to build a primitive and idiosyncratic instrument. We will build fully recycled electronic gadgets powered through alternative and ecologically sustainable methods integrating our own body residuals into the process (if you want to). The idea is to get a better understanding of new media through the excavation of the old and obsolete by highlighting the nonlinear history within those devices. The Praxis LIVE - Hybrid Visual IDE for Live Creative Coding by Neil C. Smith 17h Nov Building: Piksel Studio 207 Date: 14:00-17:00 http://17.piksel.no/?p=69 Praxis LIVE is an innovative and powerful new way to work with OpenJDK and tools like Processing. It is a way to create projections, interactive spaces, custom AV instruments, or live-coding performances. The workshop will introduce basic project building and patching with Praxis LIVE. The participants will be able to continue to experiment with visual patching, or learn how to "drop down" to the built-in code editor and live recode components using Processing / Java or OpenGL. They will be able to explore Praxis LIVE's support for physical computing, including prebuilt integration with TinkerForge open hardware, or GPIO on the Raspberry Pi. www.praxislive.org |www.neilcsmith.net A Recipe for Destruction: Secure Hardware Data Erasure by Nikita Mazurov 18h Nov Building: Piksel Studio 207 Date: 11:00-13:00 http://17.piksel.no/?p=227 This workshop propose the question that how securely delete data nowdays has become an important thing. Exists a huge number of software solutions which advocate wholesale drive encryption, but software solutions are woefully inadequate for the task. So this piece propose a demonstration of a pragmatic hardware solution: secure device destruction via open source recipes. Will demonstrate and walk attendees through creating homemade recipes to securely get rid of their devices, whether tablets, laptops, phones, or even desktops. The ultimate goal of this non-traditional workshop is to illustrate that for our digital data to truly become 'renewable' it must be liberated from the prison of the physical form, exorcised from the demon of the hard drive. Sonified Textiles by Paola Torres Nuñez del Prado 18h Nov Building: Piksel Studio 207 Date: 14:00-18:00 http://17.piksel.no/?p=78 The Shipibo-Konibo, from the Peruvian rainforest, openly link their traditional singing (Ikaros) to the designs they draw on vessels and their bodies, and the textiles they use as decoration and clothing. They consider that their designs can be sung. The workshop includes an introduction to various sonification methods, ranging from databending to code, using different open-source softwares (Audacity, Gimp, Hex editor) and programming platforms for mapping sounds on visual data (images and video). An explanation on how glitch is related to the designs behind the artworks from Paracas Culture from Perú, the Chincheros Textile Masters from Cusco, and the Shipibo-Konibo. Biotransmissions by Colectivo Electrobiota 18h Nov Building: Piksel Studio 207 Date: 14:00-18:00 http://17.piksel.no/?p=72 An experiment with electronics and biology seeking to explore different forms of interspecies communication and relationship with nature. Introduction to biointeractivity and electronics to build our own biosensor that will allow us to make latent the potential voices of the different forms of life that inhabit the rhizosphere. Vector Synthesis by Derek Holzer November 27 – November 29 Date: 14:00-20:00 http://17.piksel.no/?p=81 VECTOR SYNTHESIS is an audiovisual, computational art project using sound synthesis and vector graphics display techniques to investigate the direct relationship between sound+image. It draws on the historical work of artists such as Mary Ellen Bute, John Whitney, Nam June Paik, Ben Laposky, and Steina & Woody Vasulka among many others, as well as on ideas of media archaeology and the creative re-use of obsolete technologies. Audio waveforms control the vertical and horizontal movements as well as the brightness of a single beam of light, tracing shapes, points and curves with a direct relationship between sound and image. http://macumbista.net/?page_id=5000

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NIME 2018 call for submissions
by Ivica Ico Bukvic 02 Nov '17

02 Nov '17

NIME 2018 Call for submissions Please pardon the cross-posting, NIME (New Interfaces for Musical Expression) is the premier conference in human-machine interfaces and interactions for musical performance. NIME is a gathering of researchers, designers, musicians, who come together to share knowledge, perform music, and build community through research presentations, concerts, installations, and workshops. On behalf of the 2018 NIME Committee I am pleased to announce that the NIME 2018 "Mirrored Resonances" Conference call for submissions is now officially open! Co-organized between Virginia Tech and the University of Virginia, the conference will take place June 3-6, 2018 in Blacksburg, Virginia. We welcome submissions of papers, posters, panels, musical performances, installations, demos, and workshops, particularly those that may respond to the overarching conference theme of “Mirrored Resonances” and its thematic areas in any of the many ways they might be interpreted. Likewise, we encourage potential participants to consider exploring the unique Virginia Tech facilities, including the Institute for Creativity, Arts, and Technology’s Cube with a massive high density loudspeaker array. The deadline for the *double-blind peer reviewed submissions*, including papers, panels, demo papers, music, and installations is January 20th, 2018. Submissions created by January 20th will continue to be editable until January 27th when the submission process will close. Demos without paper and workshops will be *curated *and have an extended submission deadline until March 1st, 2018. In addition to the NIME and academic communities, we also invite industry, as well as non-academic creatives to consider participating in the aforesaid categories. For a complete list of important dates visit the Participate <http://nime2018.icat.vt.edu/Participation/#dates> page. We are excited to announce that the conference will feature four keynote artists: *Onyx Ashanti** **Benjamin Knapp** **Ikue Mori** **Pamela Z* If interested in sponsorship opportunities please do not hesitate to contact us <mailto:conference-chairs@nime2018.org?Subject=NIME%202018%20Sponsorship> On behalf of the entire NIME 2018 Committee, we look forward to welcoming you in Virginia next June! Go to the website <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-r/> NIME2018.ORG <http://nime2018.org> Facebook <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-y/> Twitter <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-j/> Instagram <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-t/> Website <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-i/> Moss Arts Center 190 Alumni Mall Blacksburg, VA 24060 Like <http://virginiatech.cmail19.com/t/j-fb-otlirdl-ydiykltyik-d/> Tweet <http://virginiatech.cmail19.com/t/j-tw-otlirdl-ydiykltyik-h/> Share <http://virginiatech.cmail19.com/t/j-li-otlirdl-ydiykltyik-p/> Forward <http://virginiatech.forwardtomyfriend.com/j-ydiykltyik-61B1A90A-otlirdl-l-x>

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else 1.0 beta 5 released
by Alexandre Torres Porres 29 Oct '17

29 Oct '17

I did 4 updates this month because of a course I'm teaching, which ends now, so I'm gonna drop this for a while, sorry for polluting with so many updates. Anyway, it's up on deken already, and here are some details: https://github.com/porres/pd-else/releases cheers

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call for submissions extended to Nov 3: Guthman Musical Instrument Competition
by Jason Freeman 20 Oct '17

20 Oct '17

[please forward and apologies for cross-posting] Georgia Tech School of Music Guthman Musical Instrument Competition 2018 Call for Submissions Is Now Open! http://guthman.gatech.edu Georgia Tech's 2018 Margaret Guthman Musical Instrument Competition is an annual event aimed at identifying the world's next generation of musical instruments and unveiling the best new ideas in musicality, design, and engineering. Wired magazine called the competition an "X-Prize for music," and contestants liken it to a TED Conference for new musical instrument designers. The Guthman Competition will take place March 7-8, 2018, at Georgia Tech's Ferst Center for the Arts, in Atlanta, Georgia. The deadline for submissions has been extended to November 3, 2017. Approximately twenty semi-finalists will be invited to demonstrate, discuss, and perform with their instruments as they compete for $10,000 in cash prizes. Submit Your Instrument at: http://guthman.gatech.edu/guthman-submissions /////////////////////////////////////////////////// :::: This Year's Judges :::: PERRY COOK - Professor Emeritus, Princeton University SUZANNE CIANI - Electronic Music Pioneer JESPER KOUTHOOFD - Founder, Teenage Engineering /////////////////////////////////////////////////// To learn more about the competition, visit guthman.gatech.edu

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ELSE 1.0 Beta 3 released
by Alexandre Torres Porres 18 Oct '17

18 Oct '17

Just a few days later I'm releasing an update, I deleted one object and added other 2, but also did change some important things, details in https://github.com/porres/pd-else/releases/tag/v1.0-beta3 I ended up not uploading beta 2 to deken and now have already uploaded beta 3 so it's just a matter of time until all of them show up - I've deleted beta 1 so just "else-v1.0beta3" shows up in deken. cheers 2017-10-14 21:58 GMT-03:00 Alexandre Torres Porres <porres(a)gmail.com>: > Second beta version is out; 145 objects, the trigate~ object has been > deleted, but we have 12 new objects: display / display~ / ar~ / metro~ / > impseq~ / sequencer~ / trig2bang~ / trigger~ / sampler~ / trighold~ / > randpulse~ / brickwall~ > > find it here: https://github.com/porres/pd-else/releases/tag/1.0-beta2 > > but it should be up in deken in around 24h >

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ELSE 1.0 Beta 2 released
by Alexandre Torres Porres 15 Oct '17

15 Oct '17

Second beta version is out; 145 objects, the trigate~ object has been deleted, but we have 12 new objects: display / display~ / ar~ / metro~ / impseq~ / sequencer~ / trig2bang~ / trigger~ / sampler~ / trighold~ / randpulse~ / brickwall~ find it here: https://github.com/porres/pd-else/releases/tag/1.0-beta2 but it should be up in deken in around 24h

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PdPcHb Pure Data Patching Circle Hebden Bridge #1
by Julian Brooks 27 Sep '17

27 Sep '17

Pure Data Patching Circle Hebden Bridge (PdPcHb) "At Patching Circles, you can work on personal projects, professional projects, school projects, ask for help, help others, or just patch quietly to yourself in a room full of other people patching patches and helping other people patch." 7-9pm Tuesday 3rd October 2017 (meeting bi-weekly) @: Big Tin Shed Alternative Technology Centre Unit 7, Victoria Works, Victoria Rd, Hebden Bridge, West Yorkshire UK HX7 8LN Sessions run in association with: Noisy Toys* http://noisytoys.org/event/scavengers-club-starts-3-october-at-the-big-tin-… https://www.facebook.com/noisytoys Who are running Scavengers Club for ages 8+ from 5pm Small donations appreciated (£2) to cover basic costs Please contact me for further PdPcHb info Hope to see you there, Julian *Many thanks to Steve Summers for making this happen

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call for submissions: Guthman Musical Instrument Competition
by Jason Freeman 21 Sep '17

21 Sep '17

Georgia Tech School of Music Guthman Musical Instrument Competition 2018 Call for Submissions Is Now Open! http://guthman.gatech.edu Georgia Tech's 2018 Margaret Guthman Musical Instrument Competition is an annual event aimed at identifying the world's next generation of musical instruments and unveiling the best new ideas in musicality, design, and engineering. Wired magazine called the competition an "X-Prize for music," and contestants liken it to a TED Conference for new musical instrument designers. The Guthman Competition will take place March 7-8, 2018, at Georgia Tech's Ferst Center for the Arts, in Atlanta, Georgia. The deadline for submissions is October 20, 2017. Approximately twenty semi-finalists will be invited to demonstrate, discuss, and perform with their instruments as they compete for $10,000 in cash prizes. Submit Your Instrument at: http://guthman.gatech.edu/guthman-submissions /////////////////////////////////////////////////// :::: This Year's Judges :::: PERRY COOK - Professor Emeritus, Princeton University SUZANNE CIANI - Electronic Music Pioneer JESPER KOUTHOOFD - Founder, Teenage Engineering /////////////////////////////////////////////////// To learn more about the competition, visit guthman.gatech.edu or our Facebook page. We’d love to hear your comments!

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