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ELSE 1.0 beta 17 & Live Electronics Tutorial 1.0 beta 7) Released
by Alexandre Torres Porres 08 Feb '19

08 Feb '19

17th Beta release of ELSE 1.0 - now with a total of 294 objects! This needs Pd 0.49-0 or above! My Live Electronics Tutorial was also updated! So, my last update from a few days ago had a bugged [conv~] object (which performs partitioned convolution). This release fixes it and there are other things too, see: https://github.com/porres/pd-else/releases/tag/v1.0-beta17 for more details. Get binaries also directly from Pd (Help => Find Externals). Anyway, I can only now finally say my Live Electronics Tutorial solely depends 100% on the ELSE library. I've also made important reviews on it. I'm now also reorganizing things in a new and unfinished volume 3! Check it out: https://github.com/porres/Live-Electronics-Tutorial/releases/tag/v-1.0beta-7 cheers

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ELSE 1.0 beta 16 & Live Electronics Tutorial 1.0 beta 6)\ Released
by Alexandre Torres Porres 05 Feb '19

05 Feb '19

16th Beta release of ELSE 1.0 - now with a total of 293 objects! This needs Pd 0.49-0 or above! Not much new in this release. The highlights are 3 new objects: [conv~], [rec~] and [sample~]. See https://github.com/porres/pd-else/releases/tag/v1.0-beta16 for more details. Get binaries also directly from Pd (Help => Find Externals). The [conv~] object is a partitioned convolution abstraction, but a compiled object should come up sooner or later. One way or another, this object removes the last dependency from my Live Electronics Tutorial, which now solely depends 100% on the ELSE library, and what makes this release special! Check it out: https://github.com/porres/Live-Electronics-Tutorial/releases/tag/v-1.0beta-6 cheers

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ICAD 2019 CfP
by Paul Vickers 30 Jan '19

30 Jan '19

(Apologies for cross-postings) ICAD 2019 — Call for Submission of Papers, Extended Abstracts, Workshops, and Tutorials 25th International Conference on Auditory Display Northumbria University, Newcastle-upon-Tyne, UK 23–27 June, 2019 https://icad2019.icad.org https://twitter.com/ICAD2019 Theme/Special Focus of ICAD 2019 is "Digital Living: Sonification for Everyday Life". Digital technology and artificial intelligence are becoming embedded in the objects all around us, from consumer products to the built environment. Everyday life happens where People, Technology, and Place intersect. Our activities and movements are increasingly sensed, digitised and tracked. Of course, the data generated by modern life is a hugely important resource not just for companies who use it for commercial purposes, but it can also be harnessed for the benefit of the individuals it concerns. Sonification research that has hit the news headlines in recent times has often been related to big science done at large publicly funded labs with little impact on the day-to-day lives of people. At ICAD 2019 we want to explore how auditory display technologies and techniques may be used to enhance our everyday lives. From giving people access to what’s going on inside their own bodies, to the human concerns of living in a modern networked and technological city, the range of opportunities for auditory display is wide. PAPERS AND EXTENDED ABSTRACTS The ICAD 2019 committee is seeking papers and extended abstracts that will contribute to knowledge of how sonification can support everyday life. For details on topics of interest, proposal format, submission instructions, and additional conference information please visit https://icad2019.icad.org/call-for-participation HYUNDAI MOTOR COMPANY DESIGN CHALLENGE ON AUDITORY UX DESIGN FOR AUTONOMOUS VEHICLES AND FUTURE MOBILITY In addition to the general papers call, the organizing committee is pleased to announce a special call for papers, videos and demonstrations of prototypes for the Hyundai Motor Company-sponsored design challenge on "Auditory User eXperience Design for Autonomous Vehicles and Future Mobility". Submissions to this special category could cover: - Auditory applications for infotainment for autonomous vehicles - Auditory interactions between connected vehicles - Auditory situation awareness in autonomous vehicles - Auditory interactions between autonomous vehicles and pedestrians - Auditory user interfaces for blind drivers in autonomous vehicles - Auditory displays for hand-over/take-over request in semi-autonomous vehicles - Sonification for emotion regulation/meditation of drivers in autonomous vehicles - Sonic interaction to build the feeling of trust as well as safety - Sonification for the use cases of electric/hybrid vehicles (e.g., charging, low battery, etc.) - Driver (or occupant) & vehicle agent dialogue design - Driving as playing instruments (driving sonification) - In-vehicle application of spatial (or 3D) sounds for new experiences WORKSHOPS AND TUTORIALS ICAD workshops and tutorials provide in-depth opportunities for conference attendees to discuss and explore important aspects of the field of auditory display with like-minded researchers and practitioners. Sessions can range from applications and programming methodologies to interdisciplinary research skills, emerging research areas, and challenge problems, to sonification/compositional Maker sessions. Space, facilities, technical support, and the number of workshop and tutorial sessions that can be accepted are limited, so early submission of proposals is encouraged. Workshop and tutorial organizers are expected to collaborate with the conference committee, issue calls for participation, gather and review contributed materials (if appropriate), and decide upon the final programme for their session. IMPORTANT DATES: - Friday 15th March 2019 — Deadline for submission of full papers and the HMC design challenge - Friday 29th March 2019 — Workshop/Tutorial proposals due  - Friday 26 April 2019 — Notification of decisions - Friday 3 May 2019 — Extended abstract submission (some full paper submissions may be recommended for the extended abstract category) Papers Chair: Tony Stockman icad2019papers(a)icad.org Workshop/Tutorial Chair: Derek Brock icad2019workshops(a)icad.org Conference Chairs: Paul Vickers and Matti Gröhn icad2019chairs(a)icad.org ABOUT ICAD First held in 1992, ICAD is a highly interdisciplinary conference with relevance to researchers, practitioners, artists, and graduate students working with sound to convey and explore information. The conference is unique in its specific focus on auditory displays and the range of interdisciplinary issues related to their use. Like its predecessors, ICAD 2019 will be a single-track conference, open to all, with no membership or affiliation requirements. -- Paul Vickers Co-chair of ICAD 2019: https://icad2019.icad.org This message is intended solely for the addressee and may contain confidential and/or legally privileged information. Any use, disclosure or reproduction without the sender’s explicit consent is unauthorised and may be unlawful. If you have received this message in error, please notify Northumbria University immediately and permanently delete it. Any views or opinions expressed in this message are solely those of the author and do not necessarily represent those of the University. Northumbria University email is provided by Microsoft Office365 and is hosted within the EEA, although some information may be replicated globally for backup purposes. The University cannot guarantee that this message or any attachment is virus free or has not been intercepted and/or amended.

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2nd CFP: The 7th International Workshop on Musical Metacreation
by Kıvanç Tatar 22 Jan '19

22 Jan '19

Apologies for the cross posting. ====================== 2nd CALL FOR SUBMISSIONS ====================== ((( MUME 2019 ))) The 7th International Workshop on Musical Metacreation http://musicalmetacreation.org June 17-18, 2019, Charlotte, North Carolina MUME 2019 is to be held at the University of North Carolina Charlotte in conjunction with the 10th International Conference on Computational Creativity, ICCC 2019 (http://computationalcreativity.net/iccc2019). === Important Dates === Workshop submission deadline: February 24, 2019 Notification date: April 28, 2019 Camera-ready version: May 19, 2019 Workshop dates: June 17-18, 2019 ====================== Metacreation applies tools and techniques from artificial intelligence, artificial life, and machine learning, themselves often inspired by cognitive and natural science, for creative tasks. Musical Metacreation studies the design and use of these generative tools and theories for music making: discovery and exploration of novel musical styles and content, collaboration between human performers and creative software “partners”, and design of systems in gaming and entertainment that dynamically generate or modify music. MUME intends to bring together artists, practitioners, and researchers interested in developing systems that autonomously (or interactively) recognize, learn, represent, compose, generate, complete, accompany, or interpret music. As such, we welcome contributions to the theory or practice of generative music systems and their applications in new media, digital art, and entertainment at large. Topics =========================== We encourage paper and demo submissions on MUME-related topics, including the following: -- Models, Representation and Algorithms for MUME ---- Novel representations of musical information ---- Advances or applications of AI, machine learning, and statistical techniques for generative music ---- Advances of A-Life, evolutionary computing or agent and multi-agent based systems for generative music ---- Computational models of human musical creativity -- Systems and Applications of MUME ---- Systems for autonomous or interactive music composition ---- Systems for automatic generation of expressive musical interpretation ---- Systems for learning or modeling music style and structure ---- Systems for intelligently remixing or recombining musical material ---- Online musical systems (i.e. systems with a real-time element) ---- Adaptive and generative music in video games ---- Generative systems in sound synthesis, or automatic synthesizer design ---- Techniques and systems for supporting human musical creativity ---- Emerging musical styles and approaches to music production and performance involving the use of AI systems ---- Applications of musical metacreation for digital entertainment: sound design, soundtracks, interactive art, etc. -- Evaluation of MUME ---- Methodologies for qualitative or quantitative evaluation of MUME systems ---- Studies reporting on the evaluation of MUME ---- Socio-economical Impact of MUME ---- Philosophical implication of MUME ---- Authorship and legal implications of MUME Submission Format and Requirements ================================= Please make submissions via the EasyChair system at: https://easychair.org/conferences/?conf=mume2019 The workshop is a day and a half event that includes: -Presentations of FULL TECHNICAL PAPERS (8 pages maximum) -Presentations of POSITION PAPERS and WORK-IN-PROGRESS PAPERS (5 pages maximum) -Presentations of DEMONSTRATIONS (3 pages maximum) which present outputs of systems (working live or offline). All papers should be submitted as complete works. Demo systems should be tested and working by the time of submission, rather than be speculative. We encourage audio and video material to accompany and illustrate the papers (especially for demos). We ask that authors arrange for their web hosting of audio and video files, and give URL links to all such files within the text of the submitted paper. Submissions do not have to be anonymized, as we use single-blind reviewing. Each submission will be reviewed by at least three program committee members. Workshop papers will be published as MUME 2019 Proceedings and will be archived with an ISBN number. Please use the updated MuMe paper template to format your paper. Also please feel free to edit the licence entry (at the bottom left of the first page of the new template). We created a new MUME 2019 template based on AAAI template. The MUME 2019 latex and Word template is available at: http://musicalmetacreation.org/buddydrive/file/templates_mume2019/ Submission should be uploaded using MUME 2019 EasyChair portal: https://easychair.org/conferences/?conf=mume2019 For complete details on attendance, submissions and formatting, please visit the workshop website: <http://www.musicalmetacreation.org/> http://musicalmetacreation.org Presentation and Multimedia Equipment: ========================================== We will provide a video projection system as well as a stereo audio system for use by presenters at the venue. Additional equipment required for presentations and demonstrations should be supplied by the presenters. Contact the Workshop Chair to discuss any special equipment and setup needs/concerns. Attendance ======================================= It is expected that at least one author of each accepted submission will attend the workshop to present their contribution. We also welcome those who would like to attend the workshop without presenting. Workshop registration will be available through the ICCC 2019 conference system. History ======================================= MUME 2019 builds on the enthusiastic response and participation we received for the past occurrences of MUME series: - MUME 2012 (held in conjunction with AIIDE 2012 at Stanford): http://musicalmetacreation.org/mume-2012/ - MUME 2013 (held in conjunction with AIIDE 2013 at NorthEastern): http://musicalmetacreation.org/mume-2013/ - MUME 2014 (held in conjunction with AIIDE 2014 at North Carolina): http://musicalmetacreation.org/mume-2014/ - MUME 2016 (held in conjunction with ICCC 2016 at Université Pierre et Marie Curie): http://musicalmetacreation.org/mume-2016/ - MUME 2017 (held in conjunction with ICCC 2017 at Georgia Institute of Technology): http://musicalmetacreation.org/mume-2017/ - MUME 2018 (held in conjunction with ICCC 2018 at Salamanca University): http://musicalmetacreation.org/mume-2018/ Questions & Requests ====================================== Please direct any inquiries/suggestions/special requests to one of the Workshop Chairs, Bob (keller(a)cs.hmc.edu) or Bob (bobs(a)kth.se). Workshop Organizers =================== Program Co-Chair Robert M. Keller, Professor Computer Science Department Harvey Mudd College 301 Platt Blvd <https://maps.google.com/?q=301+Platt+Blvd+Claremont,+CA+91711+USA&entry=gma…> Claremont, CA 91711 USA <https://maps.google.com/?q=301+Platt+Blvd+Claremont,+CA+91711+USA&entry=gma…> https://www.cs.hmc.edu/~keller/ keller(a)cs.hmc.edu Program Co-Chair Bob L. Sturm, Associate Professor Tal, Musik och Hörsel (Speech, Music and Hearing) Lindstedtsvägen 24 <https://maps.google.com/?q=Lindstedtsv%C3%A4gen+24&entry=gmail&source=g> School of Electronic Engineering and Computer Science Royal Institute of Technology KTH, Sweden https://www.kth.se/profile/bobs bobs(a)kth.se Concert Chair Gus Xia, Assistant Professor Computer Science NYU Shanghai gxia(a)nyu.edu Publicity Chair Dr. Oliver Bown Senior Lecturer Faculty of Art & Design, The University of New South Wales Room AG12, Cnr Oxford St <https://maps.google.com/?q=Oxford+St++Greens+Rd,+Paddington,+NSW,+2021,+Aus…>& Greens Rd, <https://maps.google.com/?q=Oxford+St++Greens+Rd,+Paddington,+NSW,+2021,+Aus…> Paddington, NSW, 2021, Australia <https://maps.google.com/?q=Oxford+St++Greens+Rd,+Paddington,+NSW,+2021,+Aus…> o.bown(a)unsw.edu.au ---------------------- http://musicalmetacreation.org ====================== MUME Steering Committee Andrew Brown, Griffith University, Australia Michael Casey, Dartmouth College, US Arne Eigenfeldt, Simon Fraser University, Canada Anna Jordanous, University of Kent, UK Bob Keller, Harvey Mudd College, US Róisín Loughran, University College Dublin, Ireland Philippe Pasquier, Simon Fraser University, Canada Benjamin Smith, Purdue University Indianapolis, USA -- Kıvanç Tatar ---------------------------------- PhD Candidate Interactive Arts + Technology Simon Fraser University, Vancouver, Canada Email: kivanctatar(a)gmail.com Website: https://kivanctatar.com/

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Ofelia 2.0.4 released!
by Zack Lee 23 Dec '18

23 Dec '18

Ofelia v2.0.4 is released and already uploaded to Deken. It mostly fixes minor bugs. Please update it if you haven’t. Merry Christmas! Changes: - Fixed Array:setTable() bug on Windows. - Renamed Array:getTable() and Array:setTable() to Array:get() and Array:set(). - Added additional argument to Array:get() and Array:set() to set onset value. - Fixed crashing issue when returning a large sized table as a list. - Disabled printing the bug fix version on the pd console. - Added “examples/pd/misc” example to show various pd objects emulation. For more info: https://github.com/cuinjune/ofxOfelia Zack

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MuMe Workshop 2019, Call for Submissions
by MuMe 15 Dec '18

15 Dec '18

====================== CALL FOR SUBMISSIONS ====================== ((( MUME 2019 ))) The 7th International Workshop on Musical Metacreation http://musicalmetacreation.org June 17-18, 2019, Charlotte, North Carolina MUME 2019 is to be held at the University of North Carolina Charlotte in conjunction with the 10th International Conference on Computational Creativity, ICCC 2019 (http://computationalcreativity.net/iccc2019). === Important Dates === Workshop submission deadline: February 24, 2019 Notification date: April 28, 2019 Camera-ready version: May 19, 2019 Workshop dates: June 17-18, 2019 ====================== Metacreation applies tools and techniques from artificial intelligence, artificial life, and machine learning, themselves often inspired by cognitive and natural science, for creative tasks. Musical Metacreation studies the design and use of these generative tools and theories for music making: discovery and exploration of novel musical styles and content, collaboration between human performers and creative software “partners”, and design of systems in gaming and entertainment that dynamically generate or modify music. MUME intends to bring together artists, practitioners, and researchers interested in developing systems that autonomously (or interactively) recognize, learn, represent, compose, generate, complete, accompany, or interpret music. As such, we welcome contributions to the theory or practice of generative music systems and their applications in new media, digital art, and entertainment at large. Topics =========================== We encourage paper and demo submissions on MUME-related topics, including the following: -- Models, Representation and Algorithms for MUME ---- Novel representations of musical information ---- Advances or applications of AI, machine learning, and statistical techniques for generative music ---- Advances of A-Life, evolutionary computing or agent and multi-agent based systems for generative music ---- Computational models of human musical creativity -- Systems and Applications of MUME ---- Systems for autonomous or interactive music composition ---- Systems for automatic generation of expressive musical interpretation ---- Systems for learning or modeling music style and structure ---- Systems for intelligently remixing or recombining musical material ---- Online musical systems (i.e. systems with a real-time element) ---- Adaptive and generative music in video games ---- Generative systems in sound synthesis, or automatic synthesizer design ---- Techniques and systems for supporting human musical creativity ---- Emerging musical styles and approaches to music production and performance involving the use of AI systems ---- Applications of musical metacreation for digital entertainment: sound design, soundtracks, interactive art, etc. -- Evaluation of MUME ---- Methodologies for qualitative or quantitative evaluation of MUME systems ---- Studies reporting on the evaluation of MUME ---- Socio-economical Impact of MUME ---- Philosophical implication of MUME ---- Authorship and legal implications of MUME Submission Format and Requirements ================================= Please make submissions via the EasyChair system at: https://easychair.org/conferences/?conf=mume2019 The workshop is a day and a half event that includes: -Presentations of FULL TECHNICAL PAPERS (8 pages maximum) -Presentations of POSITION PAPERS and WORK-IN-PROGRESS PAPERS (5 pages maximum) -Presentations of DEMONSTRATIONS (3 pages maximum) which present outputs of systems (working live or offline). All papers should be submitted as complete works. Demo systems should be tested and working by the time of submission, rather than be speculative. We encourage audio and video material to accompany and illustrate the papers (especially for demos). We ask that authors arrange for their web hosting of audio and video files, and give URL links to all such files within the text of the submitted paper. Submissions do not have to be anonymized, as we use single-blind reviewing. Each submission will be reviewed by at least three program committee members. Workshop papers will be published as MUME 2019 Proceedings and will be archived with an ISBN number. Please use the updated MuMe paper template to format your paper. Also please feel free to edit the licence entry (at the bottom left of the first page of the new template). We created a new MUME 2019 template based on AAAI template. The MUME 2019 latex and Word template is available at: http://musicalmetacreation.org/buddydrive/file/templates_mume2019/ Submission should be uploaded using MUME 2019 EasyChair portal: https://easychair.org/conferences/?conf=mume2019 For complete details on attendance, submissions and formatting, please visit the workshop website: http://musicalmetacreation.org Presentation and Multimedia Equipment: ========================================== We will provide a video projection system as well as a stereo audio system for use by presenters at the venue. Additional equipment required for presentations and demonstrations should be supplied by the presenters. Contact the Workshop Chair to discuss any special equipment and setup needs/concerns. Attendance ======================================= It is expected that at least one author of each accepted submission will attend the workshop to present their contribution. We also welcome those who would like to attend the workshop without presenting. Workshop registration will be available through the ICCC 2019 conference system. History ======================================= MUME 2019 builds on the enthusiastic response and participation we received for the past occurrences of MUME series: MUME 2012 (held in conjunction with AIIDE 2012 at Stanford): http://musicalmetacreation.org/mume-2012/ MUME 2013 (held in conjunction with AIIDE 2013 at NorthEastern): http://musicalmetacreation.org/mume-2013/ MUME 2014 (held in conjunction with AIIDE 2014 at North Carolina): http://musicalmetacreation.org/mume-2014/ MUME 2016 (held in conjunction with ICCC 2016 at Université Pierre et Marie Curie): http://musicalmetacreation.org/mume-2016/ MUME 2017 (held in conjunction with ICCC 2017 at Georgia Institute of Technology): http://musicalmetacreation.org/mume-2017/ MUME 2018 (held in conjunction with ICCC 2018 at Salamanca University): http://musicalmetacreation.org/mume-2018/ Questions & Requests ====================================== Please direct any inquiries/suggestions/special requests to one of the Workshop Chairs, Bob (keller(a)cs.hmc.edu) or Bob (bobs(a)kth.se). Workshop Organizers =================== Program Co-Chair Robert M. Keller, Professor Computer Science Department Harvey Mudd College 301 Platt Blvd Claremont, CA 91711 USA https://www.cs.hmc.edu/~keller/ keller(a)cs.hmc.edu Program Co-Chair Bob L. Sturm, Associate Professor Tal, Musik och Hörsel (Speech, Music and Hearing) Lindstedtsvägen 24 School of Electronic Engineering and Computer Science Royal Institute of Technology KTH, Sweden https://www.kth.se/profile/bobs bobs(a)kth.se Concert Chair Gus Xia, Assistant Professor Computer Science NYU Shanghai gxia(a)nyu.edu Publicity Chair Dr. Oliver Bown Senior Lecturer Faculty of Art & Design, The University of New South Wales Room AG12, Cnr Oxford St & Greens Rd, Paddington, NSW, 2021, Australia o.bown(a)unsw.edu.au ---------------------- http://musicalmetacreation.org ====================== MUME Steering Committee Andrew Brown, Griffith University, Australia Michael Casey, Dartmouth College, US Arne Eigenfeldt, Simon Fraser University, Canada Anna Jordanous, University of Kent, UK Bob Keller, Harvey Mudd College, US Róisín Loughran, University College Dublin, Ireland Philippe Pasquier, Simon Fraser University, Canada Benjamin Smith, Purdue University Indianapolis, USA

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ELSE 1.0 beta 15 and Live Electronics Tutorial 1.0 beta 5
by Alexandre Torres Porres 14 Dec '18

14 Dec '18

The ELSE library has been updated and ELSE 1.0 Beta 15 has been released! Find Binaries up in deken. There are many new objects for a total of 286 - more details about the release at: https://github.com/porres/pd-else/releases/tag/v1.0-beta15 I also have this Live Electronics Tutorial that depends on ELSE and it also gets updates at every new ELSE release to reflect what's new or make it compatible for any breaking change, so here's the release that depends on ELSE 1.0 Beta 15: https://github.com/porres/Live-Electronics-Tutorial/releases/tag/v-1.0beta-5 This might be the last update of the year, so merry xmas and happy holidays cheers

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CfP: 6th International Conference on Movement and Computing (MOCO19), 10-12th October, Tempe, Arizona, USA
by Cumhur Erkut 06 Dec '18

06 Dec '18

Apologies for cross-posts, please distribute. ——————————————————————————————————————— 6th International Conference on Movement and Computing (MOCO19) https://moco19.movementcomputing.org/ ——————————————————————————————————————— 10-12th October, Tempe, Arizona Arizona State University, USA Arizona State University [ASU] will host the 2019 the 6th International Conference on Movement and Computing [MOCO] which is to be held in Tempe, Arizona. The MOCO 2019 theme will be Movement Imaginaries. Paper presentations, panels, performances, demos, workshops on all MOCO-related topics are welcome. MOCO is an interdisciplinary conference that explores the use of computational technology to support and understand human movement practice, as well as movement as a means of interacting with computers. We welcome submissions with an interdisciplinary understanding of movement that ranges from biomechanics to embodied cognition and the phenomenology of bodily experience and identities. We therefore invite submissions from a wide range of disciplines including, but not limited to: Human-Computer Interaction, Psychology, Dance, Artificial Intelligence, Neuroscience, Sports Science, Machine Learning, Cognitive Science, Visual Arts, Robotics, Philosophy, Anthropology, Music, Affective Computing, Games, Healthcare and Animation. All proposal abstracts for roundtables, panel sessions, contributed papers, and posters must be submitted by Wednesday, February 27, 2019 (midnight EDT). See Submissions for more information and the full CFP. ———————————— Important Dates ———————————— NB There will be no deadline extensions Submission deadline: 27 February 2019 Notification: 23 May 2019 Camera ready papers: 30 June 2019 ABOUT https://moco19.movementcomputing.org https://www.movementcomputing.org/past-conferences/ —————————— Submission —————————— We would like to invite submissions for paper presentations, performances, workshops and more to the 6th International Conference on Movement and Computing (MOCO) which is to be held in Tempe, Arizona. MOCO is open to a wide range of ways of presenting your work. As well as papers for oral and poster presentations, we invite submission of a wide range of practice work such as demos, performances, games, artistic works and movement workshops (in which participants take part in a guided movement activity). We encourage submitters to be creative in proposals for practice sessions and are open to novel formats. This requires a wide range of computational tasks including modeling, representation, segmentation, recognition, classification, or generation of movement information but also an interdisciplinary understanding of movement that ranges from biomechanics to embodied cognition and the phenomenology of bodily experience. We therefore invite submissions from a wide range of disciplines including (but not limited to): Human-Computer Interaction, Psychology, Dance, Artificial Intelligence, Neuroscience, Sports Science, Machine Learning, Cognitive Science, Visual Arts, Robotics, Philosophy, Anthropology, Music, Affective Computing, Games, Healthcare and Animation. ———————————— Suggested Topics ———————————— • Expressive movement-based interaction • Movement analysis and analytics • Machine learning for movement • Movement representation • Somatic practice and design • Modeling movement qualities and expressive movement • Mechatronics and creative robotics • Design for movement in digital art • Gesture Interaction • Movement generation • Movement and sound interaction • Movement computation in ergonomics, sports, and health • Sensory-motor learning with audio/visual feedback • Embodied cognition and movement • Visualizing and sonifying movement • Modeling kinaesthetic empathy • Embodied and whole body interaction • Expressive movement analysis and synthesis • Design for movement in digital art • Semantic models for movement representation • Movement Notation Systems (e.g. Laban or Eshkol-Wachman) and computation • Dance and technology • Biosensing, biocontrol and movement • Movement expression in avatar, artificial agents, virtual humans or robots. • Music and movement • Philosophical perspectives and reflection on movement and computing The conference is an opportunity to present a research or study or details of collaborative work. Participants will have the opportunity to offer a presentation of the results of their research on one of the themes of the symposium and to interact with their scientific/ artistic peers, in a friendly and constructive environment. We encourage submission of a wide range of formats, the submission categories are: Long paper with oral presentation (8 pages maximum) Short paper with oral presentation (4 pages maximum) Extended abstract with poster presentation (6 pages maximum in the extended abstract format) All submissions should be in pdf format and should use the ACM proceedings format: http://www.acm.org/publications/proceedings-template ———————————— Tracks ———————————— MOCO is open to a wide range of ways of presenting your work. Besides papers for oral and poster presentation, we invite submission of practice works such as demos, performances, games, artistic works and movement workshops (in which participants take part in a guided movement activity). ———————————— Papers and Posters ———————————— The conference is an opportunity to present original research and details of collaborative work. Participants will have the opportunity to offer a presentation of the results of their research on one of the themes of the conference and to interact with their scientific/artistic peers, in a friendly and constructive environment. We encourage submission of a wide range of formats. Authors of papers and posters may submit an accompanying demonstration proposal in addition to their regular paper or poster submission, by completing the proposal form for practice works (see items 2 and 3 in the next section) and sending it along with their submission. Together with the form, authors have to provide a link to a video about their work. The proposal form for practice works is mandatory for all paper and poster submissions including an accompanying demonstration and must include details about technical set-up and space requirements. ———————————— Practice Works ———————————— We deliberately use a very open term – “practice work” – to encourage diverse ideas of what practice in movement and computing is and how such practice can be presented. We suggest the following as examples of what a practice work might be, but also stress that the list is not exhaustive and any types of presentation can be considered, the only criteria being excellence of the work and whether it is possible to stage the work given the resources, time and space available to the conference. Suggested practice works topics: * Technology demos * Performances (e.g., dance, physical performance, music) * Artworks * Interactive Installations * Movement workshops (i.e., a session in which participants engage in movement based activity) * Games * Video presentations Submissions consist of: 1. An extended abstract (2 pages maximum). 2. The proposal form for practice work, including detailed technical requirements and possible additional information. The form is available here (Ms Excel format) or here (OpenOffice format). 3. Supporting media (videos, pictures, audio, and so on), which should provide an overview of the practical work and details of the practical and technical requirements for putting the work on (this is very important to ensure that we can accommodate the work within the resources of our conference). Extended abstract for practice work with presentation format to be suggested by the author for example demonstration, performance, art work, movement workshop, game or other practice presentation (2 pages maximum + Demo proposal form). Please note that we are an academic conference with a low fee which means we cannot pay for commissioned performances and art work. Also, we cannot guarantee facilities for all possible sessions, so please give full details of your needs in the proposal form so we can judge whether it is possible. Submissions will be by extended abstract (2 pages maximum) and a proposal form which will give details of the practical requirements for putting on the work (this is very important to ensure that we can accommodate the work within the resources of our conference). Please note that we are an academic conference with a low fee which means we cannot pay for commissioned performances and art work. Also, we cannot guarantee facilities for all possible sessions, so please give full details of your needs in the proposal form so we can judge whether it is possible. ———————————— Doctoral Consortium ———————————— Doctoral papers are an opportunity for PhD students to present their work in progress on their doctorate, share and develop their research ideas in a supportive environment and with the participation of experts in the field. Students will have the opportunity to establish a community, together with other doctoral students at a similar stage of their research. Accepted papers will have an oral presentation in a dedicated session. We encourage students to submit a paper even if they are early in their doctoral work. Papers should not be longer than 4 pages including the references. The first author must be an actual PhD student. Doctoral Consortium papers will be indexed and published in the ACM digital library. Videos and other supplementary materials are highly welcomed. Students accepted to present their work at the Doctoral Consortium must plan to attend it. Submission Format and Procedure All submissions must be written in English. Submissions must be in pdf format and they have to be prepared using the ACM proceedings template: http://www.acm.org/publications/proceedings-template All contributions must be submitted online through EasyChair: https://easychair.org/conferences/?conf=moco2019 All submissions must be anonymous and will be peer-reviewed. The MOCO proceedings will be indexed and published in the ACM digital library. ———————————— CONFERENCE LOCATION ———————————— ASU is a massive Research One university, giving the conference access to a great diversity of programs, practices, and scholars working here. MOCO at ASU presents a unique opportunity to build upon existing fields of interests and forge new avenues for research and knowledge creation that resonate across the arts and sciences and branch into health, philosophy, education and other application areas that include both computational techniques and human movement. The range of interdisciplinary labs and centers and the beautiful October weather make this an ideal locale for the conference. ASU is located about fifteen minutes from the Phoenix Airport. ———————————— Contact ———————————— If you have any questions please contact: moco2019(a)easychair.org or Grisha Coleman ———————————— Committee ———————————— • Conference Chair: Grisha Coleman (ASU) • Scientific Chairs: Sofia Dahl & Cumhur Erkut (Aalborg University) • Performance & Practice Chair: Christian Ziegler (ASU) • Doctoral Symposium Chair: Garett Laroy Johnson (ASU) • Local Organizers: Kimberlee Swisher, Stacey Moran, Julie Ackerly, Jessica Raijko, Adam Nocek, Pavan Turaga • Steering Committee: Frédéric Bevilacqua (IRCAM), Sarah Fdili Alaoui (LRI-Université Paris-Sud 11), Jules Françoise (CNRS, Université Paris-Sud Université Paris-Saclay), Philippe Pasquier (Simon Fraser University), Thecla Schiphorst (Simon Fraser University) -- http://movementcomputing.org/

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Call for Participation - The 2019 Spatial Music Workshop
by Eric Lyon 05 Dec '18

05 Dec '18

Greetings and apologies for any cross-postings. The December 15th deadline for applying to the 2019 Spatial Music Workshop is approaching. The application portal is here <http://icat.vt.edu/spatial-music-workshop/>. The fifth Spatial Music Workshop will take place at the Moss Arts Center at Virginia Tech from August 12 – 17, 2019. The workshop will consist of sessions on spatialization techniques, software systems for spatialization, discussions of current research in spatialization, and listening to electronic music composed for high-density loudspeaker arrays (HDLAs). We welcome applications from composers, sound engineers, acoustic researchers, or anyone else for whom 3D spatial projection of sound is highly pertinent to their work. Best, Eric

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call for works - OEGZM
by IOhannes m zmoelnig 04 Dec '18

04 Dec '18

(sorry for x-posting; please distribute) ////////// CALL FOR WORKS The ÖGZM - Österreichische Gesellschaft für zeitgenössische Musik (Austrian Society for Contemporary Music) is announcing a call for works, seeking electro-acoustic compositions with or without instruments (see "guidelines" for details). The call is open to composers of all ages and nationalities. Four compositions will be selected from the submitted works by a jury. The four selected works will receive two performances in Vienna and Graz (Austria) in spring 2019 within the framework of OEGZM´s electronic concert series CROSSTALKS. The composers of the selected works will be announced via e-mail and on the OEGZM Website at the beginning of March 2019. GUIDELINES 1. Instrumentation: 2 categories: a) saxophone (available instruments: soprano, tenor, baritone sax.) and/or double bass plus live electronics or playback b) fixed media. NOTE: All works of (a) must contain an electronic part - either live electronics or playback (fixed media). The maximum number of channels is 4. 2. Submitted pieces may be no longer than 11 minutes duration. A minimum duration of 3 minutes would be appreciated, but is not mandatory. 3. Submissions are due by 31.01.2019 midnight. Composers may submit one work per category (= max. 2 works). 4. The material for the jury - scores (*pdf) and/or playback, fixed media, audio material in stereo and *mp3 only - must be submitted via Dropbox, Google Drive, WeTransfer or a similar download link without expiring date, sent to office(at)oegzm.at before the deadline. We are sorry that scores on paper and sound files on CD, flash drive and other hardware media cannot be accepted. 5. The use of video is possible by means of video beamer + screen, which will be provided on request. 6. A short biography in English (running text, max. 2000 figures including spaces; *pdf) is required. 7. Submissions must contain the following information: Composer´s full name, date and place of birth, full current address, e-mail address and telephone number (including country calling code). NOTE: This Call for Works is not anonymous. 8. There is no submission fee. If you have any questions, please contact us via our e-mail address office(at)oegzm.at http://www.oegzm.at http://www.facebook.com/oegzm http://www.youtube.com/user/oegzm ////////// Regards Daniel Mayer ----------------------------- http://daniel-mayer.at -----------------------------

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