DPI no7
APPEL DE DOSSIERS | CALL FOR SUBMISSIONS
Date limite | Deadline : EXTENSION à/to *15 Jan. 2007*
Festival HTMlles 8 - Oct. 2007
CONTROLE DES MASSES | CROWD CONTROL
The HTMlles Festival for Media Art and Networked Practices is a biennale
event held in Montreal. An initiative of StudioXX feminist digital art
and resource center, the HTMlles Festival is now entering it's 8th
edition under the thematic title of "Crowd Control".
'Des phénomènes récurrents d'inclusion et d'exclusion peuvent être
observés lorsque que sont pistés, à travers le temps, l'espace et les
approches théoriques, les mouvements migratoires de personnes, d'objets
et d'idées. La migrabilité est une mesure invisible permettant de
calculer les capacités de déplacements. Qui ou quoi peut se déplacer ?
Quelle part des informations est conservée et quelle autre ne l'est pas?
Quelle parties sont transférables? Quels sont les options possibles pour
contrôler les exclusions et les inclusions ?'
'Occurrences of inclusions and exclusions can be observed when tracking
a migrating person, object or concept through time and theory, as well
as space. The ability (or inability) to migrate is an invisible measure
for the capacity to move. Who/what is able to move? What information is
kept and what is left out? What is transferable and what is not? What
are possible options for controlling the inclusions and exclusions ?'
The festival has developed into a vibrant International forum, bringing
together women and active feminists working with technology. Originally
founded as a 'web art' festival, the HTMlles maintains a focus on works
and dialogs related to networking.
The HTMlles festival invites guest projects and presenters and extends a
call for submissions of works to be selected by jury. HTMlles 8 : Crowd
Control will be held in Montreal in October 2007. The call for project
submission will close on January 5, 2007
The HTMlles festival is directed by curator Kyd Campbell in
collaboration with the team of StudioXX, a programming committee and a
dedicated festival staff.
links to further information and the online application forms:
www.htmlles.net <http://www.htmlles.net>
www.htmlles.net/08/call <http://www.htmlles.net/08/call>
++ Kyd Campbell, HTMlles Festival Director
contact: info(a)htmlles.net <mailto:info@htmlles.net>
<http://dpi.studioxx.org/index.php?id=99>STUDIO XX
STUDIO XX
338 Terrasse Saint-Denis, Montréal (Québec) H2X 1E8
À deux pas au sud de l'intersection Sherbrooke et St-Denis.
Just south of Sherbrooke, off St. Denis
Métro Sherbrooke, ou autobus 24 (Sherbrooke) ou 125 (Ontario).
(514) 845-0289 / http://www.studioxx.org
Information: info(a)studioxx.org <mailto:info@studioxx.org>
Le Studio XX est un centre d'artiste féministe engagé dans
l'exploration, la création et la critique en art technologique. Fondé à
Montréal en 1996, il vise à mettre de l'avant la multiplicité des
territoires, voix et actions créatives des femmes dans le cyberespace.
Le Studio XX remercie ses membres et ses partenaires pour leur
contribution généreuse : Le Conseil des arts et des lettres du Québec,
le Conseil des arts du Canada, le Conseil des arts de Montréal.
Founded in 1996, Studio XX is Montreal's foremost women's digital
resource centre. Through a variety of creative activities and
initiatives, the Studio works with women to demystify digital
technologies, to critically examine their social aspects, to facilitate
women's access to technology, and to create and exhibit women's new
digital art. Studio XX thanks its members and partners for their
continued generous support : the Conseil des arts et des lettres du
Québec, the Canadian Arts Council, Heritage Canada, the Conseil des arts
de Montréal, The Municipality of Montreal.
Conseil des arts et des lettres du Québec Conseil des arts du
CanadaConseil des arts de Montréal
_______________________________________________
Annonces mailing list
Annonces(a)studioxx.org
http://www.studioxx.org/mailman/listinfo/annonces
I'll be deeply immersed in this, since its in NYC. I hope to see
more Pders:
Begin forwarded message:
>> NIME 2007 CALL FOR PARTICIPATION
>>
>> On behalf of the NIME07 Committee, we would like to invite you to be
>> part of the 7th International Conference on New Interfaces for
>> Musical
>> Expression (NIME), organized by Harvestworks and New York
>> University's
>> (NYU) Music Technology Program in partnership with LEMUR and the NYU
>> Interactive Telecommunications Program (ITP).
>>
>> We encourage contributions of the following kinds:
>> * Papers (full-length, short-length, posters)
>> * Demos
>> * Live Performances
>> * Installations
>>
>> Complete submission guidelines are now available at
>> http://www.nime.org/2007.
>>
>> IMPORTANT DATES
>>
>> Submission deadlines
>> Installations and Performances
>> - January 31st 2007: Papers/posters, Demos, Live Performances,
>> Installations
>>
>> Notification of acceptance
>> - March 9th 2007: Papers/posters, Demos, Live Performances,
>> Installations
>>
>> Registration deadlines
>> - April 16th 2007: Early Registration (reduced fee)
>>
>> Final text submission deadline
>> - April 16th 2007: Complete Camera-ready Papers and Abstracts
>>
>> PAPERS/POSTERS
>>
>> We invite the submission of papers on topics related to new
>> interfaces
>> for music performance including, but not restricted to
>> * Novel controllers and interfaces for musical expression
>> * Novel controllers for collaborative performance
>> * Novel musical instruments
>> * Augmented/hyper instruments
>> * Interfaces for dance and physical expression
>> * Interactive sound and multimedia installations
>> * Interactive sonification
>> * Sensor and actuator technologies
>> * Haptic and force feedback devices
>> * Interface protocols and data formats
>> * Gesture and music
>> * Robotics and music
>> * Perceptual & cognitive issues
>> * Interactivity design and software tools
>> * Musical mapping strategies
>> * Performance analysis and machine learning
>> * Performance rendering and generative algorithms
>> * Experiences with novel interfaces in education and entertainment
>> * Experiences with novel interfaces in live performance and
>> composition
>> * Surveys of past work and stimulating ideas for future research
>> * Historical studies in twentieth-century instrument design
>> * Reports on students projects in the framework of NIME related
>> courses
>> * Artistic, cultural, and social impact of NIME technology
>>
>> Accepted presentation types are:
>> - Full Paper (6 pages in proceedings, longer oral presentation)
>> - Short Paper (4 pages in proceedings, shorter oral presentation)
>> - Poster (2 or 4 pages in proceedings, poster presentation)
>>
>> DEMOS
>> Demo Sessions are an opportunity to support and discuss realized or
>> partially realized work with conference attendees, in an informal,
>> discursive way. Demos of technologies and applications that address
>> the topics listed above will be considered for selection.
>> Demonstrations are designed to give exhibitors an opportunity to show
>> material that benefits from having a physical presence at the
>> conference. It is important that there be a realized, demonstrable,
>> working component to all submissions to this category. This is
>> not to
>> say that Demos cannot be sketches or further ideas or future plans
>> for
>> the project - but an activity, process, action or actionable form of
>> the concept must exist as part of the Demo proposed.
>>
>> Demos must include a 2 page poster to be displayed at the Demo
>> Sessions and included in the printed proceedings. The poster should
>> address the scientific/technical aspects of the project, acquired
>> experiences and/or the context of the development.
>>
>> For those submitting papers, we will provide the possibility of
>> scheduling demo presentations within the dedicated Demo Sessions.
>> The submission
>> procedure will allow that a Demo option be chosen for any Paper
>> submission. An accepted paper will not guarantee an accepted demo.
>>
>> Accepted presentation types are:
>> - Demo (Demonstration space plus 2 pages in proceedings)
>>
>>
>> LIVE PERFORMANCES
>> A series of three evening concerts as well as 'NIME-at-night' events
>> at clubs will be organized during the conference to highlight
>> creative
>> use of interactive instrument technology and performance systems.
>> One
>> of the evening concerts will feature commissioned performers playing
>> work from their repertoire as well as pieces submitted through the
>> Live Performances call.
>>
>> We welcome proposals for performances to be featured in the NIME 07
>> concerts.
>>
>> Accepted presentation types are:
>> - Concert Performance (Performance slot plus program note in
>> proceedings)
>> - Club Performance (Performance slot plus program note in
>> proceedings)
>> - New Work for Commissioned Performer (Performance by commissioned
>> performer plus program note in proceedings)
>>
>> INSTALLATIONS
>> The NIME Installations category is intended to address submissions
>> that deal with the subjects listed above, but are intended for
>> public-space or art gallery contexts. Accepted Installations will be
>> shown for the full 3 days of the conference, beginning on the morning
>> on Thursday, June 7th and ending in the evening on Saturday June 9th.
>> The Installations venue for NIME 2007 will also be open to the
>> general
>> public. Installation submissions will be judge by artistic merit,
>> interactivity, relevance to NIME, innovation, exhibition history
>> experience and practicality criteria. A one-paragraph description of
>> the Installation project must be submitted with other required
>> materials, and will be included in the conference proceedings.
>>
>> Accepted submissions to the Installation category will be
>> exhibited in
>> an environment appropriate to a public-space and gallery context.
>> NIME
>> 2007 is obtaining special facilities in New York City, near other
>> conference events for exhibition of accepted Installation projects.
>> Please check the NIME site in November for floor plan details and
>> photos of the space. The number of accepted submission will be
>> partially subject to available space.
>>
>> Accepted presentation types are:
>> - Installations (Installation space plus brief description in
>> proceedings)
>>
>>
>> SPECIAL FOCUS ON ROBOTICS AND MUSIC
>> NIME07 will include a number of events specially focused on robotics
>> and music. These will include a keynote speaker from the field of
>> robotics and music, a special workshop on the subject and a concert
>> series the weekend before NIME07.
>>
>> Therefore, we are especially inviting submissions in all
>> categories in
>> the area of Robotics and Music. Special consideration will be
>> given to
>> competent submissions in this area.
>>
>> VENDOR BOOTHS
>> For presentations of commercial products and companies not associated
>> with a conference submission, there will be exhibit booths. Please
>> contact Jennifer Stock at vendors(a)nime2007.org.
>>
>> WORKSHOPS, SPECIAL SESSION AND ASSOCIATED EVENTS
>>
>> June 6, morning:
>> * Workshop on Music and Robotics
>> Details on how to participate in the Music and Robotics workshop
>> to come.
>>
>> June 7-9:
>> * NIME 2007
>>
>> May 31st to June 10th:
>> * New York Electronic Arts Festival
>>
>> NIME 07 organized site visits, additional workshops and off-concerts
>> including jam sessions are planned.
>>
------------------------------------------------------------------------
All information should be free. - the hacker ethic
This Wed, Jan 3rd 6-9pm.
http://idmi.poly.edu/node/98
This is an informal gathering of patching and patchers (Max/MSP/
Jitter, Pure Data, and even jMax, EyesWeb, vvvv, etc.). Beginners
and Experienced welcome. Open to everyone, students, the public,
etc. Work on school projects, personal projects, ask for help, help
others, or just patch quietly to yourself, in a room full of other
people patching patches and helping other people patch.
Following a New Year's Theme, we thought that we should have a
session on best practices. How do you make sense of all those boxes
and cords? Let's share ideas.
RSVP and I'll put you on the guest list at the door. Otherwise call
718 260 3693 when you get there.
Directions
All events will take place in Rogers Hall at Polytechnic's Brooklyn
campus, on the second floor, in room RH207. The entrance is on Jay
St. Across the street from the Marriott.
* train to Jay Street-Borough Hall
* train to Borough Hall (walk one block East to Willoughby
Street and make a left on Jay Street)
* train to Lawrence Street-MetroTech(walk one block North on
Lawrence Street)
* train to Dekalb Avenue(walk two blocks North toward Manhattan
Bridge and make a left on Myrtle Avenue into MetroTech)
For more directions, see http://www.poly.edu/directions/
.hc
------------------------------------------------------------------------
If you are not part of the solution, you are part of the problem.
hello,
i did in fall a project together with my college PURE
called "HeartChamberOrchestra".
essentially it is an audiovisual realtime composition
for an orchestra. the score is composed in realtime
out of the heartbeat data of the musicians.
the visualisation was done with GEM,
the sensordata aquisition and analysis with PD,
the realtimescore for the musicians with MAX,
the composition engine with MAX,
the heartbeatsensors are made of arduino boards with polar oem boards.
screenshots and movies at :
www.heartchamberorchestra.org under documentation
best
erich
---------------------
http://randomseed.org
-------- Original Message --------
===================================================
This is advance notice of a new post: RESEARCH FELLOW (Electronic Arts).
Apologies for cross-postings.
Please send requests for further information and expressions of interest to
Stephen Boyd Davis <s.boyd-davis(a)mdx.ac.uk>. Please put 'RF in Electronic
Arts' in the subject-line of any emails. Applicants will in due course need
to send a full application to the University's Human Resources office.
Period: Full-time temporary for three years. For funding reasons this post
is NOT available part-time.
Location: Middlesex University, north London.
The Lansdown Centre for Electronic Arts seeks a full-time Research Fellow to
undertake research in any of the areas of expertise of the Centre. The
Centre's work is multidisciplinary and transcends Art-Science boundaries.
Applications are welcome from those with art, design, science and other
backgrounds.
The RF will Investigate a research theme which can be of the applicant's own
choosing. Themes of the Centre's work include: Interactive Media; Sonic
Arts; Film, Video and Interactive Arts. Please see http://www.cea.mdx.ac.uk/
for an indication of the kinds of projects currently undertaken at the
Centre. Applicants are welcome to make proposals which extend the Centre's
current range of activities, provided they complement the existing work.
The post-holder is expected to produce public research outputs. These may be
any of: scholarly journal articles, conference papers, book chapters,
performances, screenings, installations, exhibitions, websites etc. These
must be of at least national, and preferably international, significance.
The post-holder will also, with the help of others, develop proposals for
externally funded research projects.
This is a post-doctoral appointment. However, applicants whose PhD is near
completion may also apply. If your PhD is not yet complete, please indicate
its current status. This will be confirmed with your Director of Studies.
Applicants with an existing track-record of significant public outputs will
be preferred.
In your full application you will be expected to identify:
1. the research theme or themes which you wish to pursue;
2. the rationale for the research, indicating why it is important;
3. how you plan to undertake the research;
4. what research outputs you expect to achieve, indicating likely
publications, fora, venues etc as appropriate;
5. any requirements you anticipate in order to support your research;
6. why you are the right person for the post;
7. why you want to undertake the research at the Lansdown Centre.
Please send requests for further information and expressions of interest to
Stephen Boyd Davis <s.boyd-davis(a)mdx.ac.uk>. Please put 'RF in Electronic
Arts' in the subject-line of any emails. Applicants will in due course need
to send a full application to the University's Human Resources office.
http://at.or.at/hans/pd/installers.html
Ok, this should be approaching release readiness, lots of random
little bugs fixed, plus finally a regularly working Mac/Intel build.
Let's stress test! Please report bugs to the bug tracker so that they
can get fixed.
Binaries are available for the following platforms:
Debian/stable/i386
Debian/testing/i386
Debian/testing/powerpc
Fedora Core 4/i386
Ubuntu/Dapper/i386
Mac OS X 10.4/powerpc
Mac OS X 10.4/G4-optimized
Mac OS X 10.4/i386
Windows XP/i386
The 10.3 builds will come back once I get access to a Mac OS X 10.3
machine. Windows 2000 builds should happen sometime soon.
.hc
------------------------------------------------------------------------
"[W]e have invented the technology to eliminate scarcity, but we are
deliberately throwing it away to benefit those who profit from
scarcity." -John Gilmore
hi all
netpd-shuffle, the netpd-radio-stream, plays just everything that ever
has been recorded from netpd-sessions. there is also an
ANTI_BOREDOM_BUTTON on it's webinterface, that is to press, when a
session lasts for a too long time and is going to become boring (some
sessions are more than an hour long and stay the same for some time,
because everyone is chatting instead of making music.... ;-)
http://www.netpd.org/listen
--this is all stuff made purely with puredata--
on the same stream livesessions will be broadcasted, that hopefully will
happen every thursday @ 9pm GMT. everyone is kindly invited to
participate.
cheers
roman
___________________________________________________________
Telefonate ohne weitere Kosten vom PC zum PC: http://messenger.yahoo.de
hi all
netpd-shuffle, the netpd-radio-stream, plays just everything that ever
has been recorded from netpd-sessions. there is also an
ANTI_BOREDOM_BUTTON on it's webinterface, that is to press, when a
session lasts for a too long time and is going to become boring (some
sessions are more than an hour long and stay the same for some time,
because everyone is chatting instead of making music.... ;-)
http://www.netpd.org/listen
--this is all stuff made purely with puredata--
on the same stream livesessions will be broadcasted, that hopefully will
happen every thursday @ 9pm GMT. everyone is kindly invited to
participate.
cheers
roman
___________________________________________________________
Der frühe Vogel fängt den Wurm. Hier gelangen Sie zum neuen Yahoo! Mail: http://mail.yahoo.de