Pd-announce

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3dPdModular crowdfunding campaign
by Alexandros 02 Jun '20

02 Jun '20

Sorry for cross-posting, I'd like to share with you a crowdfunding campaign I have started for the 3dPdModular system. Some of you already know it (was: 3dPd), many don't. It's a hardware modular synthesizer system running on a single Raspberry Pi, programmed in Pd. It looks much like an analog modular synthesizer, but offers a variety of features not present in analog systems, such as cross-fading between patches, module cloning, saving patches on a phone app, and more. The campaign will run for a month. You can find it here https://gogetfunding.com/3dpdmodular/. The synth's website is this https://3dpdmodular.cc/. Please share with anyone interested.

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pd 0.51-0test2 for Macontosh - another try at code signing
by Miller Puckette 30 May '20

30 May '20

To Pd-announce: Pd 0.51-0test2 is up. It should fix the code signing problem in test1 ofr Macintoshes. No difference from test1 on other OSes. http://msp.ucsd.edu/software.htm cheers Miller

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Accademia Chigiana - Live Electronics Sound and Music Computing seminar - July 30/August 8 2020 (online!)
by Nicola Bernardini 29 May '20

29 May '20

Please re-distribute, and sorry for cross-postings. Once again, this summer the Accademia Musicale Chigiana will organize the seminar: Live Electronics Sound and Music Computing -- Performance and interpretation of electronic music in concert Instructors: Alvise Vidolin, Nicola Bernardini period: August 8 - July 30 2020 Due to the pandemic restrictions the seminar will be held online. https://chigiana.org/live-electronics-2020/ <https://chigiana.org/live-electronics-2020/> The application deadline has been extended to June 15 2020.

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Pd 0.51-0 test 1 released
by Miller Puckette 28 May '20

28 May '20

To Pd-announce: Pd version 0.51-0test1 is available on http://msp.ucsd.edu/software.htm or (source only) via github: https://github.com/pure-data/pure-data The "older machine" compile targets aren't ready yet, just 64-bit ones for OSes less than 10 or 15 years old.

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netpd 2.2 released
by Roman Haefeli 02 May '20

02 May '20

Hi I just released version 2.2 of netpd - the Collaborative Realtime Networked Music Making Environment. Most of the changes are actually pretty old, but recent traffic rise on netpd due to current circumstances made me put a tag on the current state of tings. Changes include: * add support for OSC blob data in protocol * support audio transmissions (samples or live) * new netpd abstraction: [netpd_sample] * make instruments directory configurable * add configuration parameter for latency compensation On the instruments side, still unannounced are: * metaseq - a time-line slicer for creating complex sequencing structures * evil - live audio transmission with configured latency à la ninjam * simplesample - proof-of-concept audio sampler * unpunch - new ds based sequencer with key commands Since a couple of weeks, you might bump into people from different parts of the world. We had a jam with 6 participants yesterday and it went smoothly, so it appears netpd gained some maturity during the years. Maybe now it's a good time to try it out. https://www.netpd.org/ Software: https://www.netpd.org/~roman/netpd-plus-instruments.zip Cheers, Roman

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vstplugin~ v0.3.3 bug fix release!
by Christof Ressi 07 Apr '20

07 Apr '20

Hi, here's a small bugfix release for vstplugin~- an external to load VST 2 and VST 3 plugins in Pd on Windows, macOS and Linux. Binaries are available on Deken or can be downloaded here: https://git.iem.at/pd/vstplugin/-/releases If possible, please report any issues at https://git.iem.at/pd/vstplugin/issues Have fun and stay healthy! Christof --- Changelog - features * implement missing SMPTE support for VST2 and VST3 plugins * implement missing MIDI clock sample offset for VST3 plugins (already implemented for VST2 plugins) - bug fixes * fix tiny VST editor window with certain plugins (rare) * fix bug in VST3 host message binary attribute (used by certain plugins, like FabFilter, to transmit large visualization data)

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NIME 2020
by James Dooley 06 Apr '20

06 Apr '20

Dear friends The NIME 2020 conference is mutating into an exciting online edition for participants in all regions of the world. This year's theme, the Accessibility of Musical Expression, is curiously timed for a planetary epidemiological lock-down, and offers a timely challenge to developers of New Interfaces for Musical Expression. COVID-19 is an urgent wake-up call for humanity. It is also an acute reminder of our accountability as inhabitants of a planet reeling from human hubris. We are uniquely positioned to promote NIME's broader societal implications via a richly networked conference ecosystem and reposition our intellectual journeys as a dynamic, creatively evolving, online community. NIME 2020 will also allow us to explore through online technologies that socially cohesive activity called musicking - something we need now, more than ever! NIME's recognised platform offers a rigorously peer-reviewed channel for publishing and discussing pioneering artistic and technical endeavours. Our 2020 edition will deploy these energies across formats that creatively combine synchronous and asynchronous materials, and concepts of presence and "real-time", in virtual and hybrid spaces where time zones productively collide. Keynotes, papers, demos, workshops and concerts will all be delivered online. The installation track, a traditional feature of NIME, will need to be repurposed for online fruition. To this effect we are issuing an additional short call<https://apc01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fnime2020.…> for proposals of installations designed to be experienced online. The call will be open from 6 April until 10 May. To reframe NIME 2020, we are also asking members of the community that are proficient at integrating online platforms to help shape our event. Just drop us an email if you want to contribute. Through its systemic design, we intend NIME 2020 to serve as a reference for other collaborative online events, and thus as a significant marker of our NIME legacy and responsibility. Early-bird registration for NIME 2020 opens on 13 April 2020. We have massively reduced the conference registration fee, and we look very much forward to welcoming as many of you as possible to the 2020 online edition of NIME! Sally Jane Norman & Lamberto Coccioli NIME 2020 General Co-Chairs

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ICAD 2020 Conference Postponed to 2021
by Kyla McMullen 27 Mar '20

27 Mar '20

*apologies if you receive this twice* Dear ICAD Members, On behalf of the ICAD Board, it is with great deliberation that we inform you that the physical meeting for ICAD 2020 in Gainesville, Florida from June 7-11 2020 has been postponed until June of 2021. The ICAD Board has thoroughly considered the health, well-being, and safety of our attendees, and ultimately this was the best choice during these unpredictable times. For authors, the submitted papers will officially be withdrawn without any review (no papers were sent to reviewers or otherwise viewed by the program committee). ICAD will be held next June at the University of Florida, so we are essentially shifting everything back by one year. Thank you for your patience and understanding. If you have any questions, please do not hesitate to reach out to any of the ICAD 2020 organizing team. Stay tuned for more updates on how to remain engaged with ICAD. We hope that you will be with us for ICAD 2021 in Gainesville, FL. Thank you, Kyla McMullen ICAD 2021 General Chair -- *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~* Kyla A. McMullen, Ph.D. Web: http://www.kylamcmullen.com LinkedIn: KylaMcMullen <https://www.linkedin.com/in/kyla-mcmullen-16902222> Twitter: @Dr_Kyla <https://twitter.com/Dr_Kyla> Facebook: Kyla McMullen <https://www.facebook.com/kyla.mcmullen.90/> Google Scholar: Kyla McMullen <https://scholar.google.com.au/citations?hl=en&user=DzvXnyoAAAAJ> Need a synchronous conversation? <http://calendly.com/kyla-mcmullen> *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

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Inter_agency Call for Artist-in-residence
by IOhannes m zmölnig 18 Mar '20

18 Mar '20

https://interagency.iem.at/artist_residency.html [Apologies for cross-postings] [Please distribute] Inter_agency is an artistic research project funded by the Austrian Science Fund (PEEK AR 483) and hosted at the Institute of Electronic Music and Acoustics (IEM) of the University of Music and Performing Arts of Graz. The focus of the project lies in the compositional exploration of intelligent agent-based systems and the application of machine listening and machine learning in interactive electro-instrumental compositions. For our 2020 residency program, we seek project proposals that add new perspectives to our research topic. We invite composers, sound artists and performers to submit proposals related, but not limited, to one of the following topics: - Interactive improvisation and performance systems - Applications of AI and machine learning in composition and performance - Machine listening based systems for generative music - Real-time composition The selected applicant is expected to work on-site at the Institute of Electronic Music and Acoustics (IEM) in Graz on a composition, installation or performance which will be presented at the IEM during the residency. The artist-in-residence will be part of our research team and will receive support from the two main artistic researchers, Artemi-Maria Gioti and Gerhard Eckel. The selected applicant is also expected to provide a documentation of the work developed during the residency, the format of which is open (conference publication, online documentation, research report, media release etc.) What we offer: - A shared work space in one of our offices - 24/7 access to our facilities (according to availability) including office spaces, studios and a concert venue equipped with a 3D higher order Ambisonics system and a 3D motion tracking system - Support by staff and faculty members - A net salary of approx. EUR 1300 per month, as well as health and accident insurance - Fees for up to 2 musicians involved in the realisation of the proposed project (for available instruments see Schallfeld Ensemble) Note: Housing, travel and material costs related to the submitted project will not be covered. The residency can not be split in shorter periods. Start date: October 1st 2020 (negotiable) Duration: 4 months APPLICATION DEADLINE: May 30th 2020 The host institution: The Institute of Electronic Music and Acoustics (IEM) of the University of Music and performing Arts Graz is one of Europe's leading research institutions in the fields of computer music, acoustics and audio engineering. In addition to its versatile research background, covering fields from spatial audio and sonification to algorithmic composition and interaction design, the host institution will provide its state-of-the-art facilities both as lab spaces and concert venues. For more information on the host institution, please visit the IEM homepage. Eligibility: Any composer, sound artist or performer working with interactive or agent-based systems, with or without prior experience in machine learning is eligible to apply. Applications can be submitted by individual artists only. KUG students, faculty and staff members and are not eligible to apply for this residency. Application guidelines: To apply for the residency please send the following material to mailto:interagency@iem.at by May 30th 2020: - A completed application form - A project proposal (1000-2000 words), explaining the relevance of the proposed project to our research topic and including an abstract of approx. 150 words. - A short CV (max 2 pages) including selected works and publications - Links to 2 previous works (audio or video recordings, scores, sketches etc.) If you have any questions, please address them to the same email address. The selected applicant will be notified by email by June 30th 2020

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IEM Music Residency Program 2021 and 2022 - Call for Applications
by IOhannes m zmölnig 18 Mar '20

18 Mar '20

IEM Music Residency Program 2021 and 2022 Call for Applications http://residency.iem.at (please distribute) The IEM – Institute of Electronic Music and Acoustics – in Graz, Austria is happy to announce its call for the 2021 and 2022 Artist-in-Residence program. The residency is aimed at individuals wishing to pursue projects in performance, composition, installation, sound art, development of tools for art production, and related areas. Individuals are asked to submit a project proposal that is related to the fields of artistic research of the IEM, as: - Algorithmic Composition - Algorithmic Experimentation - Audio-Visuality - Dynamical Systems - Experimental Game Design - Live Coding - Sonic Interaction Design - Spatialization/higher-order Ambisonics - Standard and non-standard Sound Synthesis Duration of residency: 5 months Start date: June 1st 2021 or June 1st 2022 (negotiable) Monthly salary: approx. EUR 1100 (net) APPLICATION DEADLINE: 1st of May 2020 The Institute: The Institute of Electronic Music and Acoustics is a department of the University of Music and Performing Arts Graz founded in 1965. It is a leading institution in its field, with more than 35 staff members of researchers and artists. IEM offers education to students in composition and computer music, sound engineering, sound design, contemporary music performance, and musicology. It is well connected to the University of Technology, the University of Graz as well as to the University of Applied Sciences Joanneum through three joint study programs. The artwork produced at IEM is released through the Institute's own Open CUBE and Signale concert series, as well as through various collaborations with international artists and institutions. What we expect from applicants: - A project proposal that adds new perspectives to the Institute's activities and resonates well with the interests of IEM. - Willingness to work on-site in Graz for the most part of the Residency. - Willingness to exchange and share ideas, knowledge and results with IEM staff members and students, and engage in scholarly discussions. - The ability to work independently within the Institute. - A dissemination strategy as part of the project proposal that ensures the publication of the work, or documentation thereof, in a suitable format. This could be achieved for example through the release of media, journal or conference publication, a project website, or other means that help to preserve the knowledge gained through the Music Residency and make it available to the public. - A public presentation as e.g. a concert or installation, which presents the results of the Artist Residency. What we offer: - 24/7 access to the facilities of the IEM. - Exchange with competent and experienced staff members. - A desk in a shared office space for the entire period and access to studios including the CUBE [1], according to availability. - Extensive access to the studios of the IEM during the period from July 1st until end of September. - access to the IKOsahedron loudspeaker [2] - access to the “Autoklavierspieler” [3] - infrared motion tracking systems - Regular possibilities for contact and exchange with peers from similar or other disciplines. - Concert and presentation facilities (CUBE 24 channel loudspeaker concert space). - A monthly salary of approx. EUR 1100 net per month in addition to health and accident insurance. What we cannot offer to the successful applicant: - We can not provide any housing. - We also cannot provide continuous assistance and support, although the staff is generally willing to help where possible. - We can not host artist duos or groups, because of spatial limitations. - We can not offer any additional financial support for travel or material expenses. An application form providing more information is available at http://residency.iem.at/ Feel free to contact residency(a)iem.at if you have any questions. [1] The Cube has a 24-channel loudspeaker system [2] http://iko.sonible.com/ [3] http://algo.mur.at/projects/autoklavierspieler

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