Test 3 is out. This should resolve all the trouble we've had with test2
except that one tester on MacOS is still finding that Pd 0.55 loads way
more slowly than 0.54 - I don't see that happening on my machine and I
don't know how many machines will be affected... it might take a while
to track this one down, but hopefully it won't affect many people. If
you _do_ notice longer startup times on MacOS please let me (or the Pd
list) know - with more data points it migth be easier for me to
replicate the problem for myself.
as usual: http://msp.ucsd.edu/software.htm OR
https://msp.ucsd.edu/software.htm
source on github: https://github.com/pure-data/pure-data
cheers
Miller
To Pd-announce:
Pd version 0.55-0 test2 is available from http://msp.ucsd.edu/software.htm
or (source only) via github: https://github.com/pure-data/pure-data
There was no "test1" - it never made it through the release process. Also,
for Mac users, the app will show up as "Pd-0.55-0test2c" but in fact
it's just test2.
cheers
Miller
Extended Deadline for contributions: 2024-05-12
Speculative Sound Synthesis Symposium 2024, 26 - 28 September 2024, Graz, Austria Institute of Electronic Music and Acoustics, University of Music and Performing Arts Graz
https://speculative.iem.at/symposium/
Dear colleagues,
The submission deadline for the Speculative Sound Synthesis Symposium 2024 has been extended to May 12, 2024. This extension is intended to give potential contributors more time to prepare and submit their proposals.
Speculative Sound Synthesis deals with the relationship between technology and artistic thinking in computer music. It attempts to productively destabilize this relationship by artistically questioning the standards of sound synthesis.
Call for Contributions
We are looking for artistic research contributions that investigate speculative approaches to sound synthesis, computation, and music technology. These contributions should explore aesthetic positions that offer alternative perspectives to standardized ways of thinking and creating. The symposium aims to unite speculative approaches that make computational processes perceptible and address the tension between contingency and control in artistic practice.
Contribution Formats
We welcome proposals that use a variety of formats, such as (but not limited to) live-performance, lecture-performance, paper presentation, fixed-media, installation, workshop, exhibition of objects/sounds etc.
For more information on how to submit your contribution, please visit:
https://speculative.iem.at/symposium/docs/call_for_contributions/
Updated important dates:
- Deadline for submissions: 2024-05-12
- Notification of acceptance: 2024-05-31
- Registration closes: 2024-06-16
- Camera-ready submissions: 2024-06-30
- Symposium starts: 2024-09-26
- Symposium ends: 2024-09-28
The symposium will take place in Graz as part of the artistic research project Speculative Sound Synthesis, funded by the Austrian Science Fund (FWF) within the program for Arts-based research PEEK (AR 713-G). It is hosted by the Institute of Electronic Music and Acoustics (IEM) at the University of Music and Performing Arts Graz (KUG).
Best regards,
The Speculative Sound Synthesis Symposium Organizing Committee