Pure Data Patching Circle Hebden Bridge (PdPcHb)
"At Patching Circles, you can work on personal projects, professional
projects, school projects, ask for help, help others, or just patch quietly
to yourself in a room full of other people patching patches and helping
other people patch."
7-9pm Wednesday 29th November 2017 (meeting bi-weekly) @:
Big Tin Shed
Alternative Technology Centre
Unit 7,
Victoria Works,
Victoria Rd,
Hebden Bridge,
West Yorkshire UK
HX7 8LN
Sessions run in association with:
Noisy Toys*
http://noisytoys.org/event/pure-data-patching-circle-hebden-bridge-wed-29-n…
For more info, please give me a shout.
Cheers,
Julian
Dear all,
We are happy to announce several***Doctoral and Postdoctoral Research
Fellowships *at the new*RITMO Centre for Interdisciplinary Studies in
Rhythm, Time and Motion<http://www.hf.uio.no/ritmo/english/>*at the
*University of Oslo*:
*Doctoral Research Fellowships in Artificial Intelligence on
Musical/Human/Robotic Rhythm (1-2 positions)
<https://www.jobbnorge.no/ledige-stillinger/stilling/144121/doctoral-researc…>_
_*The PhD fellow(s) will carry out research on artificial intelligence
methods to be used in (1) the analysis of human/musical rhythm and/or
(2) synthesis of rhythms in robotic systems. The project(s) may
therefore range from focusing more on theoretical development and
computer-based testing, to focusing more on developing machine systems
(simulation and robots) that can interact rhythmically with each other
and with humans*__*
*Doctoral Research Fellowship in Rhythm and Musical Form
<https://www.jobbnorge.no/ledige-stillinger/stilling/144227/doctoral-researc…>_
_*The PhD fellow will carry out research into the ways in which rhythm
can work as a means of representing processes that stretch far beyond
the human ‘now’ in large-scale orchestral works (thirty minutes or
more). The aim is to study the constant structuring and restructuring
that takes place in the mind of the perceiver, encompassing moments of
perception (in the ‘now’), projection (of future events) and retention
(of past events) in the mental mapping of large-scale musical patterns.*__*
*Doctoral Research Fellowship in Musical Microrhythm in Jazz
<https://www.jobbnorge.no/ledige-stillinger/stilling/144058/doctoral-researc…>_
_*The PhD fellow will conduct research into musical microrhythm, with a
particular focus on the interaction of sound-related and temporal
features of sound at the micro level of music performance in jazz and
jazz-related musical styles. Qualitative interviews will be combined
with music analysis (auditory, transcription-based and/or using
computers), as well as perspectives from music cognition/psychology*_._**__*
*Doctoral Research Fellowship in Rhythm in Sample-based Music
<https://www.jobbnorge.no/ledige-stillinger/stilling/144061/doctoral-researc…>_
_*The PhD fellow will conduct research into rhythm in hip-hop music,
with a focus on sampling and the ways in which sound manipulation and
editing operations affect our experience of rhythm and groove.
Qualitative interviews will be combined with music analysis (auditory,
transcription-based and/or using computers), as well as perspectives
from music cognition/psychology.*__*
*Postdoctoral Research Fellowship in Machine Learning on Time Series
Data
<https://www.jobbnorge.no/ledige-stillinger/stilling/144122/post-doctoral-re…>_
_*The postdoctoral fellow will carry out research on novel machine
learning methods for the analysis of time series data relevant for
RITMO. This includes a large range of different data types, including
audio/video recordings, data from motion and eye tracking systems,
physiological sensors, and brain imaging.*__*
*Postdoctoral Research Fellowship in Music Information Retrieval
<https://www.jobbnorge.no/ledige-stillinger/stilling/144460/post-doctoral-re…>_
_*The postdoctoral fellow will carry out research in music information
retrieval on audio recordings, with a particular focus on
temporal/rhythmic structures of large-scale musical works. It will also
be relevant to combine audio-based analyses with musical score analysis
and multimodal analysis of human time series data.*__*
*Postdoctoral Research Fellowships in Neuroimaging (1-2 positions)
<https://www.jobbnorge.no/ledige-stillinger/stilling/144013/post-doctoral-re…>_
_*The postdoctoral fellow(s) will carry out research on the neural
mechanisms and systems that support and enable rhythm perception and
production in the human brain. Methodologically, the appointed
candidate(s) will be involved in subprojects using scalp
electroencephalography (EEG) and/or invasive electrocorticography
(ECoG), or fMRI concurrent with cognitive experiments.*__*
RITMO is a new Centre of Excellence funded by the Research Council of
Norway. All RITMO researchers will be co-located and work in a unique
interdisciplinary constellation, with world-leading competence in
musicology, psychology and informatics. Read more about RITMO
<http://www.hf.uio.no/ritmo/english/about/>.
*Application deadline:*31 January 2018
*Contact:* Head of Administration Ancha Wesnes
<http://www.hf.uio.no/imv/english/people/adm/annecwe/index.html>
Please circulate through your networks and forward to relevant
candidates. Apologies for cross posting.
Best,
--
Alexander Refsum Jensenius, Ph.D.
Assoc. Professor, Department of Musicology, University of Oslo
http://people.uio.no/alexanje/
Deputy Director, RITMO Centre for Interdisciplinary Studies in Rhythm,
Time, and Motion
http://www.uio.no/ritmo
New book: "A NIME Reader"
http://link.springer.com/book/10.1007/978-3-319-47214-0
New master's programme: "Music, Communication & Technology"
http://www.uio.no/mct-master
PIKSEL17 We Take EmoCoin!
The 15th annual Piksel Festival for Electronic Art and Free Technologies
- November 16th-18th, Bergen (NO)
- http://17.piksel.no
WELCOME TO the 15th Edition of the PIKSEL FESTIVAL!
Piksel is an annual festival for artists and developers working with
free/open source software, hardware and art in Bergen.
We Take EmoCoin! The Piksel17 festival slogan points out to the new
capital: our emotions. Emotions has become the new coin. Emotions can
be measured, monitored and monetized in almost real time. Together with
our use of social networks, technology is also investing in bio-sensing
the body to collect our bio-data. So, we ourselves with our public
online behaviour and our stored bio-signals, visualized and interfaced,
create a direct link between emotions and money.
PIKSEL17 – We Take EmoCoin!
------------------------------
PIKSEL17 – We Take EmoCoin! is devoted to show a series of artistic
works, performances, workshops and presentations dealing with DIY
A-Life (artificial life), DIY electronic and audiovisual artworks, and
concerts.
Piksel KidZ Lab
From 6th of November, Piksel Studio 207 will host the Autumn School
Piksel KidZ Lab. Three workshops: Hello plants :), Water talking! and
Sonorartec to explore the urban and natural environment. Kids build
small electronic sound devices, marine bioart sensors, and chips to
communicate with the plants.
Check our website! Streams of the performances! (16th-18th from 20:00
to 24:00)
------------------------------
Programme:
EXHIBITIONS @ Piksel Studio 207, SKUR14 and Gallery S12
http://17.piksel.no/?cat=3http://17.piksel.no/?cat=5
Gabriela Munguía, Lupita Chavez (Colectivo Electrobiota), Benjamin
Grosser, Antonio Quiroga, Julien Poidevin, Vilde Andersen, Iván
Paulsen, Nicholas Knouf, Daniela Moreno Wray, Alexandra Cardenas,
Camilla Vatne Barratt-Due, Seph Li, Paola Torres Nuñez del Prado, ,
Julien Ottavi/Jenny Pickett, Aline Martinez Santos, Annette
Schmid&Veerle Pennock, Beam, Kate Sicchio&Camille Baker, Maria Paulina
Gutiérrez, Renata Gaui, Shary Kock, Shih Wei Chieh, Teresa Almeida,
Tincuta Heinzel, Angela Davies, Alexander Senko, Osvaldo Cibils, Bjørn
Magnhildøen, Nick Montfort, Cecilia Jonsson, Andreja Andric, Jonas
Lund, Marek Sitko, Wayne Kent Madsen, Robert B. LISEK, James Sham, Neil
Rubens, Brian Korgel, Patrick Killoran, Mattis Kuhn, Jacob Sundstrom.
PERFORMANCES @ Bergen Kjøtt
http://17.piksel.no/?cat=6
Neil C Smith, Agnes Pe, Robert B. Lisek , Marco Valdivia,
Alexandra Cardenas, Camilla Vatne Barratt-Due, Anders Eiebakke, Grim
Erland Svingen, Andreja Andric, Eli Guðnason, Søren Krag, John Hegre,
Greg Pope, Jean-Philippe Gross, Xavier Querel, Julien Ottavi, Jenny
Pickett, Elise Macmillan, Derek Holzer, Juan Jaramillo.
ARTIST TALKS @ Bergen Kjøtt
http://17.piksel.no/?cat=2
Artists TBA
WORKSHOPS @ Studio Piksel 207
http://17.piksel.no/?cat=4
BioSIGNAL Sensing Workshop by Cristian Delgado
Bergen PD Meeting
From E-waste to Sound Device by Toni Quiroga
Praxis LIVE - Hybrid Visual IDE for Live Creative Coding by Neil C.
Smith
A Recipe for Destruction: Secure Hardware Data Erasure by Nikita
Mazurov
Sonified Textiles by Paola Torres Nuñez del Prado
Biotransmissions by Colectivo Electrobiota
Vector Synthesis by Derek Holzer
Open call for participants.
Register by sending an email to: prod(a)piksel.no
--
more info and complete festival program:
http://17.piksel.no/
--
Piksel17 is supported by The Norwegian Art Council, Bergen
Municipality, Hordaland County, Nordic Cultural Fund, Norwegian
Ministry of Foreigh Affairs, PNEK, BEK, OCA, Bergen Kjøtt and Gallery
S12.
PIKSEL :: FREE AS IN ART!
------------------------------
Piksel is an international event for artists and developers working with
free and open technologies in artistic practice.
Part workshop, part festival, it is organized in Bergen, Norway, and
involves participants from more than a dozen countries exchanging
ideas, coding, presenting art and software projects, doing workshops,
performances and discussions on the aesthetics and politics of free
technologies & art.
------------------------------
*ICAD 2018*
The 24th International Conference on Auditory Display (ICAD 2018)
Michigan Technological University, Houghton, MI, USA, June 10-15, 2018
CALL FOR PAPERS, EXTENDED ABSTRACTS, WORKSHOPS/TUTORIALS, SONIFICATIONS,
INSTALLATIONS, AND DEMONSTRATIONS
Please check the conference website for updates: *http://icad2018.icad.org/
<http://icad2018.icad.org/>*
*Theme: Sonification as ADSR*
Auditory researchers are familiar with “ADSR” (Attack-Decay-Sustain-Release),
which are basic components of sound. In ICAD 2018, we want to (1) not only
go back to the basics but also (2) explore and integrate various potentials
of auditory displays and sonification as Art-Design-Science-Research
(ADSR). Under this conference theme, we will value and embrace all types of
submissions, including papers, extended abstracts, multimedia
(videos/audios), concert pieces, demos and installations.
ICAD is a highly interdisciplinary academic conference with relevance to
researchers, practitioners, musicians, and students interested in the
design of sounds to support tasks, improve performance, guide decisions,
augment awareness, and enhance experiences. It is unique in its singular
focus on auditory displays and the array of perception, technology, and
application areas that this encompasses. Like its predecessors, ICAD 2018
will be a single-track conference, open to all, with no membership or
affiliation requirements.
ICAD 2018, the 24th International Conference on Auditory Display, will be
held at Michigan Tech, June 10 to 15, 2018. The conference venues are the
Colleges of Arts and Architecture and Information Sciences and Technology.
The graduate student ThinkTank (doctoral consortium) will be on Sunday,
June 10, before the main conference.
*Submission Dates*
- Papers February 16th 2018 (Fri)
- Extended Abstracts March 23rd 2018 (Fri)
- Workshop/tutorial March 9th 2018 (Fri)
- ThinkTank March 23rd 2018 (Fri)
- Sonification Concert March 23rd 2018 (Fri)
- Installations March 23rd 2018 (Fri)
*Topics*
Topics of interest include (but are not limited to):
* Art & Design*
- Music composition inspired by data/interactive-sonification
- Integrative arts including sonification
- Performing arts including sonification
- Culture-specific sonification
- Speculative, aspirational, and prototype designs
- Aesthetics of auditory displays and sonification
- Sonic information design paradigm, theory, and taxonomy
- Design examples, case studies, and real-world applications
- Design methods, processes, tools, and techniques
- Users, experiences, and contexts of using sonification
* Science & Research*
- Design of new a sensor, device, or platform for auditory displays &
sonification
- Methods and processes
- Participatory design approaches
- Auditory user interfaces
- Psychology, cognition, perception and psychoacoustics
- Computational/algorithmic approaches·
- Accessibility and assistive technologies
- Human Factors, Ergonomics and Usability
- Computational/algorithmic approaches
- Spatial/3D sound
- Sound scape, auditory scene analysis
- Sonification in Health and Environmental Data (soniHED)
- Sonification in the Internet of things, big data, & cybersecurity
- Sonification in automated vehicles
*Workshops/Tutorials*
ICAD workshops and tutorials provide in-depth opportunities for conference
attendees to discuss and explore important aspects of the field of auditory
display with like-minded researchers and practitioners. Sessions can range
from applications and programming methodologies to interdisciplinary
research skills, emerging research areas, and challenging problems.
*Organizing Committee*
- General Chair: Myounghoon Jeon (Philart)
- Paper Co-Chairs: Areti Andreopoulou, Steven Landry, & Jaclyn Barnes
- Music/Concert Chair: Christopher Plummer
- Workshop Chair: Derek Brock
- ThinkTank Chair: Hiroko Terasawa
- Installations Chair: Josh Loar
- Communications Chair: Nicole Kelly
- Advisory Board Chair: Matti Gröhn
--
************************************************
Myounghoon "Philart" Jeon, Ph.D.
Associate Professor
*Mind Music Machine Lab <http://trim.mtu.edu/>*
*Center for Human-Centered Computing <http://icc.mtu.edu/hcc/>@ICC
<http://icc.mtu.edu/>*
Department of Cognitive and Learning Sciences
Department of Computer Science
*Michigan Tech*nological University
Meese 205, Rekhi 202, 1400 Townsend Drive
Houghton, MI 49931
(906) 487-3273
mjeon(a)mtu.edu
ELSE 1.0 Beta 6 is out.
Highlisghts: Now [adsr~] has an extra outlet that can be useful to turn
audio processing on and off! Use it in your polyphonic synths, with clone,
and save on processing conveniently! Check its help file.
And now something I'm really happy about. We now have a keyboard GUI object
in deken for everyone to enjoy (thanks to Flavio Luiz Schiavoni
<https://www.facebook.com/flavioluiz.schiavoni?fref=gs&dti=4729684494&hc_loc…>).
This is the only keyboard GUI object available for all platforms in deken,
and the only one I know that can take external MIDI input!
Get else 1.0 beta 6 via deken or here:
https://github.com/porres/pd-else/releases Report bugs here:
https://github.com/porres/pd-else/issues
Other release notes are:
- [trigger~] and [togedge~] have been deleted and sort of combined into a
new object named [past~];
- more new objects: [gatehold~], [gate2imp~] (now we have a total of 155
objects)
- [e] object fixed
- [setdsp~] has now an inlet and outlet
- [display] can now display the selector
cheers
Dear Piksel friends, here is the PIKSEL17 -- We Take EmoCoin! workshops
announcement.
Please feel free to spread the word to your friends. Have a nice day!
Piksel Team.
-----------------------------------------------------------------------
PIKSEL17 We Take EmoCoin!
The 15th annual Piksel Festival for Electronic Art and Free Technologies
- Wokshops
- November 13st-16th, Bergen (NO)
- http://17.piksel.no
The 15th edition of the Piksel Festival takes place in Bergen (NO)
November 16th- 18th 2017. We Take EmoCoin! The Piksel17 festival slogan
points out to the new capital: our emotions. The interest of the human
beings can be captured through emotions, and therefore can be
monetized. Emotions has become the new coin. Emotions can be measured,
monitorized and monetized in almost real time. Together with our use of
social networks, technology is also investing in bio-sensing the body,
using small components and microcontrollers we can collect our
bio-data. So, we ourselves with our public online behaviour and our
stored bio-signals, visualized and interfaced, create a direct link
between emotions and money.
PIKSEL17 – We Take EmoCoin!
-----------------------------------------------------------
Workshops Programme:
All workshops are free to attend.
To sign up send an email to:prod(at)piksel(dot)no
BioSIGNAL Sensing Workshop by Cristian Delgado
16th Nov
Building: Piksel Studio 207
Date: 14:00-18:00
http://17.piksel.no/?p=72
In this workshop the participants are going to use small components and
microcontrolers to make biosignal sensors, to record pulse, muscle and
cardiac activity to conect it to instruments and visuals, working with
the sense plants response, electromiography and oxygen in blood to
control both visuals and audio software with body signals and
interaction between bodies. The result is a colective exhibition made
by the participants and the invited artist.
Bergen PD Meeting
16th Nov
Building: Piksel Studio 207
Date: 14:00-16:00
http://17.piksel.no/?p=72
PureData is an open source visual programming language for music and
multimedia creation, oftenly used by composers, performers, software
designers, researchers and artists to create performances and
installations. This first PD meeting will try to gather the Bergen PD
community around regular meetings in order to discuss and learn about
PD, what it is, how do we see or use it, but also a place to discuss
about electronic music and open-source culture. The meeting is run by
artist and composer Arthur Hureau with the support of Piksel.
From E-waste to Sound Device by Toni Quiroga
17h Nov
Building: Piksel Studio 207
Date: 11:00-18:00
http://17.piksel.no/?p=230
During this workshop you will learn how to turn parts of e-waste and
trash into functional primitive sound devices. Through the vivisection
of dead media devices you will learn how to extract valuable components
(like motors, VU meters, integrated circuits, transistors and other raw
materials) and reuse them in order to build a primitive and
idiosyncratic instrument. We will build fully recycled electronic
gadgets powered through alternative and ecologically sustainable
methods integrating our own body residuals into the process (if you
want to). The idea is to get a better understanding of new media
through the excavation of the old and obsolete by highlighting the
nonlinear history within those devices.
The Praxis LIVE - Hybrid Visual IDE for Live Creative Coding by Neil C.
Smith 17h Nov
Building: Piksel Studio 207
Date: 14:00-17:00
http://17.piksel.no/?p=69
Praxis LIVE is an innovative and powerful new way to work with OpenJDK
and tools like Processing. It is a way to create projections,
interactive spaces, custom AV instruments, or live-coding performances.
The workshop will introduce basic project building and patching with
Praxis LIVE. The participants will be able to continue to experiment
with visual patching, or learn how to "drop down" to the built-in code
editor and live recode components using Processing / Java or OpenGL.
They will be able to explore Praxis LIVE's support for physical
computing, including prebuilt integration with TinkerForge open
hardware, or GPIO on the Raspberry Pi. www.praxislive.org
|www.neilcsmith.net
A Recipe for Destruction: Secure Hardware Data Erasure by Nikita Mazurov
18h Nov
Building: Piksel Studio 207
Date: 11:00-13:00
http://17.piksel.no/?p=227
This workshop propose the question that how securely delete data
nowdays has become an important thing. Exists a huge number of software
solutions which advocate wholesale drive encryption, but software
solutions are woefully inadequate for the task. So this piece propose a
demonstration of a pragmatic hardware solution: secure device
destruction via open source recipes. Will demonstrate and walk
attendees through creating homemade recipes to securely get rid of
their devices, whether tablets, laptops, phones, or even desktops. The
ultimate goal of this non-traditional workshop is to illustrate that
for our digital data to truly become 'renewable' it must be liberated
from the prison of the physical form, exorcised from the demon of the
hard drive.
Sonified Textiles by Paola Torres Nuñez del Prado
18h Nov
Building: Piksel Studio 207
Date: 14:00-18:00
http://17.piksel.no/?p=78
The Shipibo-Konibo, from the Peruvian rainforest, openly link their
traditional singing (Ikaros) to the designs they draw on vessels and
their bodies, and the textiles they use as decoration and clothing.
They consider that their designs can be sung.
The workshop includes an introduction to various sonification methods,
ranging from databending to code, using different open-source softwares
(Audacity, Gimp, Hex editor) and programming platforms for mapping
sounds on visual data (images and video). An explanation on how glitch
is related to the designs behind the artworks from Paracas Culture from
Perú, the Chincheros Textile Masters from Cusco, and the Shipibo-Konibo.
Biotransmissions by Colectivo Electrobiota
18h Nov
Building: Piksel Studio 207
Date: 14:00-18:00
http://17.piksel.no/?p=72
An experiment with electronics and biology seeking to explore different
forms of interspecies communication and relationship with nature.
Introduction to biointeractivity and electronics to build our own
biosensor that will allow us to make latent the potential voices of the
different forms of life that inhabit the rhizosphere.
Vector Synthesis by Derek Holzer
November 27 – November 29
Date: 14:00-20:00
http://17.piksel.no/?p=81
VECTOR SYNTHESIS is an audiovisual, computational art project using
sound synthesis and vector graphics display techniques to investigate
the direct relationship between sound+image. It draws on the historical
work of artists such as Mary Ellen Bute, John Whitney, Nam June Paik,
Ben Laposky, and Steina & Woody Vasulka among many others, as well as
on ideas of media archaeology and the creative re-use of obsolete
technologies. Audio waveforms control the vertical and horizontal
movements as well as the brightness of a single beam of light, tracing
shapes, points and curves with a direct relationship between sound and
image. http://macumbista.net/?page_id=5000
NIME 2018 Call for submissions
Please pardon the cross-posting,
NIME (New Interfaces for Musical Expression) is the premier conference
in human-machine interfaces and interactions for musical performance.
NIME is a gathering of researchers, designers, musicians, who come
together to share knowledge, perform music, and build community through
research presentations, concerts, installations, and workshops.
On behalf of the 2018 NIME Committee I am pleased to announce that the
NIME 2018 "Mirrored Resonances" Conference call for submissions is now
officially open! Co-organized between Virginia Tech and the University
of Virginia, the conference will take place June 3-6, 2018 in
Blacksburg, Virginia. We welcome submissions of papers, posters, panels,
musical performances, installations, demos, and workshops, particularly
those that may respond to the overarching conference theme of “Mirrored
Resonances” and its thematic areas in any of the many ways they might be
interpreted. Likewise, we encourage potential participants to consider
exploring the unique Virginia Tech facilities, including the Institute
for Creativity, Arts, and Technology’s Cube with a massive high density
loudspeaker array. The deadline for the *double-blind peer reviewed
submissions*, including papers, panels, demo papers, music, and
installations is January 20th, 2018. Submissions created by January 20th
will continue to be editable until January 27th when the submission
process will close. Demos without paper and workshops will be *curated
*and have an extended submission deadline until March 1st, 2018. In
addition to the NIME and academic communities, we also invite industry,
as well as non-academic creatives to consider participating in the
aforesaid categories. For a complete list of important dates visit the
Participate <http://nime2018.icat.vt.edu/Participation/#dates> page.
We are excited to announce that the conference will feature four keynote
artists:
*Onyx Ashanti**
**Benjamin Knapp**
**Ikue Mori**
**Pamela Z*
If interested in sponsorship opportunities please do not hesitate to
contact us
<mailto:conference-chairs@nime2018.org?Subject=NIME%202018%20Sponsorship>
On behalf of the entire NIME 2018 Committee, we look forward to
welcoming you in Virginia next June!
Go to the website
<http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-r/>
NIME2018.ORG <http://nime2018.org>
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Moss Arts Center
190 Alumni Mall
Blacksburg, VA 24060
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