Pd-announce January 2015

pd-announce@lists.iem.at

7 participants
8 discussions

Linux Audio Conference 2015 - Extension of Deadline
by Albert Graef 31 Jan '15

31 Jan '15

[Sorry for cross-posting, please distribute.] The Linux Audio Conference submissions deadline has been extended for another week! Please note the new deadline: Sunday, Feb 8th, 2015 (23:59 HAST) So, if you were considering to submit a paper but couldn't make up your mind yet, here is your chance to become active! Never forget that this conference lives through the people participating in it. February 8th is the new deadline for all submission types: papers, music, installations, workshop proposals. Check out the link below for more info: http://lac.linuxaudio.org/2015/participation Note that as usual we have created two different OpenConf instances: one for the submission of regular papers, lightning talks and poster sessions, and a second one for music, installations and workshop proposals. For the latter, please also check the detailed instructions at http://lac.linuxaudio.org/2015/download/lac2015-call-for-miw.pdf. If you have any questions concerning your submission, please don't hesitate to contact us at lac(a)linuxaudio.org, or through our #lac2015 IRC channel on freenode.net. Please spread this information to anyone who might be interested. We look forward to your submissions and hope to meet you in Mainz in April! Sincerely, The LAC 2015 Organizing Team -- Dr. Albert Gr"af Computer Music Research Group, JGU Mainz, Germany Email: aggraef(a)gmail.com WWW: https://plus.google.com/+AlbertGraef

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Call for Works: Ensemble and Electronics
by Daniel Mayer 29 Jan '15

29 Jan '15

FYI ================================== International Call for Scores 2015 - Schallfeld goes electronic Ensemble Schallfeld in cooperation with "Kulturzentrum bei den Minoriten" invites composers from all nationalities born in or after 1974 to send in pieces for ensemble and electronics. Since 2013 Schallfeld has been active in Graz and Austria as a young ensemble and platform for the promotion of contemporary music by international composers, mostly of the younger generation. Beyond being a "traditional ensemble", Schallfeld is active as a free artists' collective, consisting of musicians with different backgrounds and interests. This leads to the great diversity of Schallfeld's activities, ranging from music theatre to sound art, chamber music, improvisation and educational activities. Deadline: 2015-04-01, for detailled terms see http://schallfeld.weblog.mur.at/en/call-for-scores/ http://schallfeldensemble.com ================================== Regards Daniel Mayer ----------------------------- www.daniel-mayer.at -----------------------------

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ICAD 2015 - call for submission
by Visda Goudarzi 21 Jan '15

21 Jan '15

Dear all, (With apologies for cross posting, please distribute!) This is a reminder that the call for participation for ICAD15 is currently open. http://icad15.iem.at Call for Papers, Posters, Extended Abstracts, Music, Installations, and Workshops - ICAD 2015 “ICAD in Space: Interactive Spatial Sonification” The 21st International Conference on Auditory Display July 6 - 7 Workshops and Student Think Tank July 8 - 10 Conference University of Music and Performing Arts and Technical University of Graz, Austria. The conference is organised by the Institute of Electronic Music and Acoustics (IEM). IEM is one of the leading institutions in the field of audio engineering and computer music. As part of the University of Music and Performing Arts Graz, IEM is a multidisciplinary institution, whose general mission is to bridge the gap between science and the arts. As a unique characteristic, IEM focuses on sonification as part of its research in computer music. IEM facilities include laboratories and performance spaces such as CUBE, which are equipped with spatial audio and motion tracking systems. Since 2014, IEM hosts the Sonic Interaction Design (SID) lab, in which interactive sound systems are designed and evaluated. ICAD is a highly interdisciplinary conference with relevance to researchers, practitioners, artists, and graduate students working with sound to convey and explore information. The conference is unique in its specific focus on auditory displays and the range of interdisciplinary issues related to their use. Like its predecessors, ICAD15 will be a single-track conference, open to all, with no membership or affiliation requirements. In addition to ICAD's core interests, we would like to take the opportunity of the conference being held at IEM to highlight this yearʼs theme ICAD in Space: Sonification, Sonic Interaction Design, and Spatial Audio. ::::::::::::::::: KEY DATES ::::::::::::::::: 15 February 2015 Submission of Papers, Posters, Music, and Installations 15 March 2015 Submission of Workshops 15 April 2015 Submission of Extended Abstracts 15 April 2015 Notification of acceptance for Workshops 01 May 2015 Notification of acceptance for Papers, Posters, Music, and Installations 15 May 2015 Notification of acceptance for Extended Abstracts 01 June 2015 Camera-Ready deadline ::::::::::::::::: AREAS OF INTEREST ::::::::::::::::: Relevant areas for ICAD include but are not limited to: Auditory Display: - Aesthetics, Culture, & Philosophy - Design, Theory & Methods - Technology: Tools & Applications - Perceptual and Cognitive Aspects - Usability & Evaluation - Accessibility Special Focus of ICAD15: - Sonification: - Exploration of Data through Sound - Sonification as Art - Sonic Interaction Design - Interaction design - Input technologies - Auditory Information Design - Spatial Audio - Binaural virtual acoustics - Loudspeaker-based sound field synthesis Accepted papers will be included in the published proceedings and made publicly available in the Georgia Tech SMARTech system (http:// smartech.gatech.edu/). The types of submissions solicited for ICAD15 include: ::::::::::::::::: PAPERS AND POSTERS::::::::::::::::: Paper and poster submissions will be 4-8 pages in length, including all figures and references. Typical paper contributions are between 6 - 8 pages, and typical poster contributions are 4 - 5 pages long. Full papers should describe work that offers a substantial contribution to the field of auditory display. Authors of accepted papers will be invited to give an oral presentation of their work, and at least one author must present the work at the conference for the paper to appear in the proceedings. Poster submissions should describe both finished work and work in late stages of progress. Work that is complete enough that meaningful conclusions can be drawn at the time of submission are encouraged. Authors of accepted submissions will be invited to participate in a poster and/or demonstration session, and at least one author must present the work at the conference for the paper to appear in the published proceedings. When weighing the decision to submit to poster and demonstration sessions, we encourage authors to consider their work in relation to the potential positive benefits (both to authors and their audiences) afforded by the personal interactions that occur in this type of session. Authors of selected full papers will be invited to submit an extended version (up to 12 pages) of their papers for publication in a Special Issue of the Journal on Multimodal User Interfaces (JMUI): Auditory Display. (http:// www.springer.com/computer/hci/journal/12193) ::::::::::::::::: EXTENDED ABSTRACTS ::::::::::::::::: Extended abstracts include, but are not limited to late-breaking results, works in early stages of progress, novel methodologies, unique or controversial theoretical positions, and discussions of unsuccessful research or null findings. Submissions for extended abstracts require a proceedings paper of up to 2 pages in length. Authors of accepted abstracts will be invited to give a short presentation of their work, and at least one author must present the work at the conference for the abstract to appear in the published proceedings. The deadline of the extended abstracts is later to allow very recent contributions in the field. Papers Co-Chairs Visda Goudarzi and Areti Andreopoulou papers.icad15(a)iem.at ::::::::::::::::: MUSIC AND INSTALLATIONS::::::::::::::::: We invite submissions of music and sound installations. Sonification should be a constitutive element of the proposed works. Priority will be given to works employing space and interaction as additional dimensions to an artistic data exploration. We therefore especially encourage the submission of multichannel electroacoustic or acousmatic pieces and interactive sound installations. The works will be reviewed by an international panel of sound and sonification experts. Preference will be given to submissions that are technically feasible and have a clear documentation of the setup. At least one of the authors who wish to have their works presented at ICAD15 must register and attend to the conference. As we would like to extend the presentation of these works beyond the time limits of the conference, authors of accepted works are encouraged to present their work also online using the Research Catalogue (http://www.researchcatalogue.net), an international database for artistic research. The conference page will provide a portal to these presentations. Music Co-Chairs Johannes Zmölnig and Gerhard Eckel music.icad15(a)iem.at ::::::::::::::::: WORKSHOPS :::::::::::::::: ICAD workshops and tutorials provide in-depth opportunities for conference attendees to discuss and explore important topics in the field of auditory display with like-minded researchers and practitioners. Please submit concepts for “hands-on” workshops or discussion platforms, possibly allowing participants to contribute, but no paper sessions on their own. Focus areas can range from applications and programming methodologies to interdisciplinary research skills, emerging concepts, and challenge problems. Space, facilities, technical support, and the number of sessions that can be accepted are limited, so early submission of proposals is encouraged. Workshop and tutorial organizers are expected to collaborate with the conference committee, issue calls for participation, gather and review contributed materials (if appropriate), and decide upon the final program for their session. Workshop Co-Chairs Franz Zotter and Derek Brock workshop.icad15(a)iem.at ::::::::::::::::: SONIFICATION CONTEST :::::::::::::::: The call for the Sonification Contest will be released in early 2015. ::::::::::::::::: STUDENT THINK TANK :::::::::::::::: The call for the Student Think Tank will be released in early 2015. We will provide child care during the conference and workshops. If you travel with a kid/ kids please drop us an email ahead of time. For more information on submission in different categories please refer to the conference website: http://icad15.iem.at Conference Co-Chairs Katharina Vogt and Ypatios Grigoriadis chair.icad15(a)iem.at

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Pd 0.46-5 released
by Miller Puckette 20 Jan '15

20 Jan '15

Hi all, Pd version 0.45-0 is available on http://msp.ucsd.edu/software.htm or via git from sourceforge: git clone git://git.code.sf.net/p/pure-data/pure-data This release fixes 2 patch editing bugs (one of which caused Pd to crash) and 2 problems compiling Pd on various platforms. cheers Miller

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ISSTC 2015 Submissions due March 1
by Kerry Hagan 18 Jan '15

18 Jan '15

Hi all, The Irish Sound, Science and Technology Association announced a call for submissions for its 2015 Convocation, held in Limerick, Ireland, August 12-13. It has four tracks: music, workshops, art and papers/posters. It's open to all nationalities, ages, etc. The theme is "Resonance and Recapitulation: Echo of a Renaissance," tied very closely to the past year of events in Limerick City, but we are accepting submissions outside the theme, as usual. More information is available at the link below. Miller Puckette (whom you all know) is our keynote this year, and we're very excited to have him. So please submit. All instructions, information, explanation of the theme, etc., can be found here: http://issta.ie/index.php/call-2015/ and the deadline is March 1. Thanks, Kerry www.kerrylhagan.net www.spade.ul.ie www.dmarc.ie www.issta.ie

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ICMC 2015 - Call for Music and Paper Submissions
by Kokoras, Panayiotis 14 Jan '15

14 Jan '15

[cid:67259A60-6C53-4287-9819-F665319E2BB3@unt.edu] 41st International Computer Music Conference 2015 - ICMC CALL FOR MUSIC AND PAPER SUBMISSIONS September 25 - October 1, 2015, Denton, Texas Looking Back, Looking Forward http://icmc2015.unt.edu/ Deadline for submissions: February 8th, 2015 The Center for Experimental Music and Intermedia (CEMI) at the University of North Texas will host the 41st International Computer Music Conference (ICMC) 2015 in Denton from September 25 to October 1, 2015. The theme of the conference, “Looking Back, Looking Forward” invites participants to reflect on the innovations, developments and artistic challenges over the past century, and to articulate a vision for the future. For more information on the types of work that can be submitted to ICMC 2015, or to submit your work for consideration, follow the links below: http://icmc2015.unt.edu/call-for-music/ http://icmc2015.unt.edu/call-for-papers/ All submissions must be sent electronically only through the Conference Management System. Important Dates Open for Submissions: January 11th, 2015 Deadline for music and paper submissions: February 8th, 2015 (UTC -7) Acceptance notification: April 19th, 2015 Final deadlines for all performance material and ‘Camera-Ready’ paper: May 10th, 2015 Registration deadline: June 14th, 2015 Join the Facebook group for announcements and updates. https://www.facebook.com/icmc2015 Please feel free to disseminate around, and accept our apologies for the cross-posting! For specific inquiries, please contact the ICMC 2015 Organizing Committee members: Conference Chair: Panayiotis Kokoras (University of North Texas) Music Chair: Jon Nelson (University of North Texas) Paper Chair: Richard Dudas (Hanyang University, Seoul, Korea) Technical Director: Andrew May (University of North Texas) Thank you, Panayiotis Kokoras CMC2015 Chair ––––––––––––––––––– Panayiotis Kokoras, PhD Assistant Professor Division of Composition Studies University of North Texas College of Music 1155 Union Circle #311367, Denton, TX 76203-5017 (940) 565-4651 http://www.music.unt.edu/comp/faculty/ http://www.panayiotiskokoras.com

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ISEA2015: Artist Category Added: Call for Papers & Participation
by Kristin Carlson 05 Jan '15

05 Jan '15

========================= Artist Category Added: ISEA2015 ========================= ((( ISEA2015 ))) 21st International Symposium on Electronic Art Due to numerous requests, the submission deadline for long art or research papers, short art or research papers, art or research extended abstracts with demonstration or poster presentation, panels, institutional presentations, workshops and tutorials is extended to January 12, 2015. A new category of Abstracts for Artist Short Talks, Demonstration and Works in Progress has been added to accommodate art works with a deadline of February 20, 2015. August 14-18 2015, Vancouver, Canada. http://ISEA2015.org Submission types: ========================= The 21st International Symposium on Electronic Art (ISEA) will be held August 14-18, 2015, in Vancouver, Canada. The ISEA2015 symposium will be hosted by Simon Fraser University’s Faculty of Communication Arts and Technology (FCAT), and a vast variety of local academic and artistic partners. ISEA is the largest nomadic international gathering on 'electronic and emergent media'. Since its start in the Netherlands in 1988 it has taken place on 4 continents and in over 20 different cities. The event annually brings together artists, designers, academics, technologies, scientists, and general audiences. The symposium consists of a peer reviewed conference, a series of exhibitions and partner events - from large-scale interactive artwork in public spaces to cutting edge electronic music performance. For this extended deadline, ISEA2015 welcomes submissions for two broad categories: 1 - A set of workshops and tutorials will occur on Friday the 14th, and Saturday the 15th of August 2015. See the call for workshops, tutorials, and institutional presentations for more details on how to propose yours: http://isea2015.org/call-for-proposals/workshops-tutorials/ 2 - The academic symposium will occur from Sunday the 16th to Tuesday the 18th of August 2015. It includes the following activities for which we solicit submissions: * Long Art or Research Papers (8 pages) with Oral Presentation * Short Art or Research Papers (4 pages) with Oral Presentation * Extended Abstracts (2 pages) with Demonstration or Poster Presentation * Round Tables and Square Panels * Institutional Presentations * Abstracts for Artist Short Talks, Demonstration and Works in Progress ISEA2015 submissions in the Long paper, Short paper, and Extended abstract categories need to be the full length version of the paper (not only the abstract). The Proceedings are an important outcome for ISEA, which is the main trace of the symposium and contribution to the larger academic and artistic community at large. Each submission will be thoroughly reviewed by members from our International Program Committee. Accepted submission will be published in the ISEA2015 Proceedings (with an ISBN/ISSN). These proceedings will be available online, at no cost, prior to the symposium. For more details on how to contribute in any of the above categories, see our call for papers and panels here: http://isea2015.org/call-for-proposals/papers-posters-and-panels/ Submissions are to be made through our ISEA2015 EasyChair portal: https://www.easychair.org/conferences/?conf=isea2015 While, every submission relevant to the ISEA community will be reviewed and considered, the ones relevant to the ISEA2015 theme of DISRUPTION will be given priority: http://isea2015.org/about/theme/ Visit us on Facebook for updates: https://www.facebook.com/ISEA2015 Important dates: ========================= - 12 January 2015: Submission deadline for long art or research papers, short art or research papers, art or research extended abstracts with demonstration or poster presentation, panels, institutional presentations, workshops and tutorials - 15 February, 2015: Notifications of acceptance of long art or research papers, short art or research papers, panels, institutional presentations, workshops and tutorials - 20 February, 2015: Submission deadline for abstracts for artist short talks, demonstration and works in progress - 21 March, 2015: Notifications of acceptance for art or research extended abstracts with demonstration or poster presentation, art or research demonstrations and abstracts for artist short talks, demonstration and works in progress - 14-18 August, 2015: ISEA2015 Symposium ========================= Symposium Organizers ====================== Dr. Philippe Pasquier (Symposium Director) School of Interactive Arts and Technology (SIAT) Simon Fraser University, Vancouver, Canada. Dr. Thecla Schiphorst (Symposium Director) School of Interactive Arts and Technology (SIAT) Faculty of Communication, Arts & Technology (FCAT), Simon Fraser University, Vancouver, Canada. Kate Armstrong (Artistic Director) Independent Curator, Director of the Social + Interactive Media (SIM) Centre, Emily Carr University of Art+Design, Vancouver, Canada. Malcolm Levy (Artistic Director) Independent Curator, Director of Hybridity, Vancouver, Canada. ======================= ISEA INTERNATIONAL The series of ISEA symposia is coordinated by ISEA International. Founded in the Netherlands in 1990, ISEA International (formerly Inter-Society for the Electronic Arts) is an international non-profit organization fostering interdisciplinary academic discourse and exchange among culturally diverse organizations and individuals working with art, science and technology. ISEA International Headquarters is supported by the University of Brighton (UK). ========================= International Program Committee: * Adrian Cheok Keio University, Japan * Adrian Carballal Universidade da Coruña, Spain * Alan Dorin Monash University, Australia * Amaranth Borsuk University of Washington at Bothell, USA * Amy K. Hoover University of Central Florida, USA * Andrew Murphie University of New South Wales, Australia * Andrew Horner University of Science & Technology, Hong Kong * Anna Munster University of New South Wales, Australia * Anna Ursyn University of Northern Colorado, USA * Annabel Cohen University of Prince Edward Island, Canada * Antonios Liapis IT University of Copenhagen, Denmark * Antony Nevin Massey University, New Zealand * Arne Eigenfeldt Simon Fraser University, Canada * Avneesh Sarwate Princeton University, USA * Baptiste Caramiaux Goldsmiths, University of London, UK * Ben Lacker Independent Artist * Benjamin Carey The University of Technology, Sydney, Australia * Benjamin Smith University of Illinois at Urbana-Champaign, USA * Beryl Graham University of Sunderland, UK * Bill Manaris College of Charleston, USA * Bonnie Mitchell Bowling Green State University, USA * Brad Moody American University of Dubai, UAE * Brian Magerko Georgia Institute of Technology, USA * Brian Bailey University of Illinois at Urbana-Champaign, USA * Brian Ross Brock University, Canada * Bruce Wands School of Visual Arts, USA * Bunt Brogan University of Wollongong, Australia * Caitlin Fisher York University, Canada * Carlos Guedes New York University Abu Dhabi, UAE * Caroline Langill OCAD University, Canada * Casey Reas University of California, Los Angeles, USA * Chris Salter Concordia University, Canada * Chris Speed University of Edinburgh, UK * Chris Chesher The University of Sydney, Australia * Christiane Paul The New School, USA * Colin Johnson University of Kent, UK * Dan Ventura Brigham Young University, USA * Daniel Bisig Zurich University of the Arts, Switzerland * Daniel Jones Goldsmiths, University of London, UK * David Johnson College of Charleston, USA * David Kirsh University of California, San Diego, USA * Deborah Cornell The New School, USA * Dene Grigar Washington State University Vancouver, USA * Diane Willow University of Minnesota, USA * Diarmuid O'Donoghue National University of Ireland, Ireland * Diego Maranan University of Plymouth, UK * Dimitrios Charitos National and Kapodistrian University of Athens, Greece * Dooeun Choi The New School, USA * Dot Tuer OCAD University, Canada * Douglas Repetto Columbia University, USA * Eelco Denheijer Vrije Universiteit Amsterdam, Netherlands * Elena Jessop MIT Media Lab, USA * Elena Márquez Segura Uppsala University, Netherlands * Elinor Nina Czegledy Concordia University, Canada * Elisa Rubegni Università della Svizzera italiana, Italy * Amílcar Cardoso University of Coimbra, Portugal * Ferhan Cook International Digital and Mobile Media Consultant, UK * Florian 'Floyd' Mueller RMIT University, Australia * Francesco Monico University of Plymouth, UK * Frank Lee Drexel University, USA * Frank Dufour The University of Texas at Dallas, USA * Frieder Nake University of Bremen, Germany * Gary Greenfield University of Richmond, USA * Georg Boenn University of Bath, UK * Greg Corness Columbia College Chicago, USA * Hans Dehlinger University of Kassel, Germany * Henry Tsang Emily Carr University of Art and Design, Canada * Ian Clothier Western Institute of Technology at Taranaki, New Zealand * Ingrid Bachman Concordia University, Canada * Irini Papadimitriou Victoria & Albert Museum, UK * Jack Ox University of New Mexico, USA * Jakob Tholander Stockholm University, Sweden * James Maxwell Simon Fraser University, USA * James Partaik Université du Québec à Chicoutimi, Canada * Jamie Bullock Birmingham Conservatoire, UK * Jan C. Schacher Zurich University of the Arts,Switzerland * Jane Prophet City University, Hong Kong * Jane Grant University of Plymouth, UK * Janis Jefferies Goldsmiths University, UK * Jason Freeman Georgia Institute of Technology, USA * Jayne Wallace University of Dundee, UK * Jeffrey Albert Loyola University New Orleans, USA * Jeremy Hight Washington State University at Vancouver, USA * Jim Bizzocchi Simon Fraser University, Canada * Jinsil Hwaryoung Seo Texas A+M University, USA * Jocelyn Spence University of Surrey, UK * John Shearer University of Lincoln, UK * John Toenjes University of Illinois Urbana-Champaign, USA * Jon McCormack Monash University, Australia * Jonathan Eisenmann Ohio State University, USA * José Fornari NICS/Unicamp, Brasil * Juan Romero University of A Coruña, Spain * Judith Doyle OCAD University, Canada * Juliana Espana-Keller Concordia University, Canada * Kate Pullinger DeMontfort University, UK * Katerina El Raheb University of Athens & "Athena" Research Center, Greece * Kevin Badni American University of Sharjah, UAE * Lafrances Hui Asia Society New York, USA * Laurent Grisoni University of Lille, France * Lian Loke University of Sydney, Australia * Linda Candy University of Technology Sydney, Australia * Lise Hansen The Oslo School of Architecture and Design, Norway * Lynne Heller OCAD University, Canada * Maria Fernandez Cornell University, USA * Maria Lantin Emily Carr University of Art and Design, Canada * Marina Lapalma Independent Scholar, USA * Marina Devos University of Bath, UK * Marion Walton University of Cape Town, South Africa * Marjorie Perloff Stanford University, USA * Mark America University of Colorado at Boulder, USA * Mark Marino University of Southern California Los Angeles, USA * Marta Ameri Colby College USA * Martin Brain University of Oxford, UK * Matthew Yee-King Goldsmiths, University of London, UK * Matthew Lewis Ohio State University, USA * Maximos Kaliakatsos-Papakostas University of Patras, Greece * Michael Cook Imperial College London, UK * Michael Century Rensselaer Polytechnic Institute, USA * Michael O'Neill University College Dublin, Ireland * Mike Phillips University of Plymouth, UK * Muhammed Shameel Ajman University of Science and Technology, Ajman, UAE * Myfanwy Ashmore Independent Artist, Canada * Nadia Magnenat Thalmann University of Geneva, Switzerland * Nathaniel Stern University of Wisconsin-Milwaukee, USA * Nick Bryan-Kinns Queen Mary University of London, UK * Nicolas Monmarché Université de Tours, France * Nina Colosi Stream Museum, USA * Pablo Gervás Universidad Complutense de Madrid, Spain * Palle Dahlstedt University of Gothenburg, Sweden * Patrick Lichty University of Wisconsin-Milwaukee, USA * Paul Catanese Columbia College Chicago, USA * Paulo Urbano Universidade de Lisboa, Portugal * Penousal Machado University of Coimbra, Portugal * Peter Anders Kayvala PLC, USA * Peter Beyls Universidade Católica Porto, Portugal * Peter Bentley University College London, UK * Petra Gemeinboeck University of New South Wales, Australia * Philip Galanter Texas A&M University, USA * Radu-Daniel Vatavu University Stefan cel Mare of Suceava, Romania * Rita Raley University of California, Santa Barbara, USA * Roger Malina University of Texas at Dallas, USA * Rolf Inge Godøy University of Oslo, Norway * Samirah Alkassim Independent Artist, USA * Sarah Lahti Zayed University, Dubai, UAE * Scott Fitzgerald New York University, USA * Scott Delahunta Coventry University, UK * Scott Rettberg University of Bergen, Norway * Simon Colton Goldsmiths College, University of London, UK * Simon Penny University of California, Irvine, USA * Sita Popat University of Leeds, UK * Somnuk Phon-Amnuaisuk Brunei Institute of Technology, Malaysia * Sotiris Manitsaris MINES ParisTech, France * Stephanie Cash Burnaway Magazine, USA * Su Ballard Wollongong University, NSW, Australia * Sue Gollifer University of Brighton, UK * Tien Wei Woon Independent Artist and Curator, Singapore * Tim Boykett Times Up Art Collective, Austria * Tim Ryan RMIT University, Australia * Tim Blackwell Goldsmiths, University of London, UK * Tristan D'Estree Sterk School of the Art Institute of Chicago, USA * Vicki Sowry Australian Network for Art & Technology (ANAT), Australia * Victoria Szabo Duke University, USA * Wim Vanderplas Utrecht University of Applied Sciences, Netherlands * Woodman Taylor American University in Dubai, UAE * Xin Wei Sha Arizona State University, USA

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Linux Audio Conference 2015 - Call for Participation
by Albert Graef 03 Jan '15

03 Jan '15

[Sorry for cross-posting, please distribute.] Linux Audio Conference 2015 - Call for Participation (Due to exceptional circumstances, this announcement comes a bit late, so please note the early deadline of Feb 1st for submissions. We apologize.) We are happy to announce the next issue of the Linux Audio Conference (LAC), April 9-12, 2015 @ JGU | Johannes Gutenberg University, in Mainz, Germany. http://lac.linuxaudio.org/2015/ The Linux Audio Conference is an international conference that brings together musicians, sound artists, software developers and researchers, working with Linux as an open, stable, professional platform for audio and media research and music production. LAC includes paper sessions, workshops, and a diverse program of electronic music. *Call for Papers, Workshops, Music and Installations* We invite submissions of papers addressing all areas of audio processing and media creation based on Linux and other open source software. Papers can focus on technical, artistic and scientific issues and should target developers or users. In our call for music, we are looking for works that have been produced or composed entirely/mostly using Linux and other open source music software. The online submission of papers, workshops, music and installations is now open at http://lac.linuxaudio.org/2015/participation The deadline for all submissions is Feb 1st, 2015 (23:59 HAST). You are invited to register for participation on our conference website. There you will find up-to-date instructions, as well as important information about dates, travel, lodging, and so on. This year's conference is hosted by the Computer Music Research Group (Bereich Musikinformatik) at the IKM (Institut für Kunstgeschichte und Musikwissenschaft) of the Johannes Gutenberg University (JGU) at Mainz. Being founded in 1991, our research group has been among the first German academic institutions in this interdisciplinary field at the intersection of music, mathematics, computer science and media technology. In our media lab students are working almost exclusively with Linux, and in our research we are also devoted to contributing to the growing body of open source audio and computer music software. http://www.musikwissenschaft.uni-mainz.de/Musikinformatik/ We look forward to your submissions and hope to meet you in Mainz in April! Sincerely, The LAC 2015 Organizing Team -- Dr. Albert Gr"af Computer Music Research Group, JGU Mainz, Germany Email: aggraef(a)gmail.com WWW: https://plus.google.com/+AlbertGraef

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Pd-announce January 2015