Pd-announce October 2014

pd-announce@lists.iem.at

7 participants
7 discussions

deadline extended: Call for Entries to Georgia Tech's 2015 Margaret Guthman Musical Instrument Competition
by Jason Freeman 30 Oct '14

30 Oct '14

Call for Entries to Georgia Tech's 2015 Margaret Guthman Musical Instrument Competition Deadline extended until November 15th, 2014 Share your ideas for the next generation of musical instruments at Georgia Tech’s 2015 Margaret Guthman Musical Instrument Competition. An annual event to find the world’s best new ideas in musicality, design and engineering, Wired magazine has called the competition an “X-Prize for music,” and contestants have likened it to a TED Conference for new musical instrument designers. 2015 Guthman Competition Judges: Joe Paradiso - Director of the MIT Media Lab's Responsive Environments Group and Associate Professor of Media Arts & Sciences at MIT. Paradiso is a physicist who has worked with NASA and a designer of electronic music synthesizers and MIDI systems. http://en.wikipedia.org/wiki/Joseph_A._Paradiso Graham Marsh - Producer, mixer, writer, engineer, multi-instrumentalist with four Grammy awards and numerous Grammy nominations. Graham has engineered, produced and played for artists such as Ludacris, Kid Cudi, Bruno Mars, Gnarls Barkely, and Cee Lo Green among many others. http://en.wikipedia.org/wiki/Graham_Marsh_(producer) DJ Hurricane - Hip hop DJ, producer, and rapper, known for his work with the Beastie Boys. One of New York's premier turntablists, DJ Hurricane fostered his skills alongside Run D.M.C. and is currently developing hip hop artist JBYRD while serving as Playpro Media speaker on the history of hip-hop. http://en.wikipedia.org/wiki/DJ_Hurricane To learn more about the competition visit http://guthman.gatech.edu To enter your work into the competition please submit your work at http://guthman.gatech.edu/enter-competiton. The deadline for submissions is November 15, 2014. Approximately 20 semi-finalists will be invited to demonstrate, discuss, and perform with their instruments at the competition as they compete for $10,000 in cash prizes. The competition takes place on February 19th - 20th, 2015, at Georgia Tech in Atlanta. This marks the first year the Guthman Competition will be extending a special invitation to students. We are excited to provide limited travel support for selected student submissions (student ID required).

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2015 NIME First Call for Participation
by Jesse T Allison 23 Oct '14

23 Oct '14

15th International Conference on New Interfaces for Musical Expression (NIME) [2015nimelogo_transparent] May 31 – June 3, 2015 Louisiana State University Baton Rouge, Louisiana, USA http://nime2015.lsu.edu Introduction NIME (New Interfaces for Musical Expression) is the premier conference in designing human-computer interfaces and interactions for musical performance. NIME gathers researchers and practitioners around lectures, installations, concerts, and workshops. Visual | Aural | Tangible Experimental Music & Digital Media @ LSU Louisiana State University and the city of Baton Rouge are excited to present the 15th edition of NIME. The LSU School of Music and Center for Computation & Technology will host the 2015 NIME conference, sharing all that we have to offer to the NIME community to creatively explore how music is made. The conference will bridge a bit of past and future, with opportunities to engage in the fantastic musical history of Louisiana, as well as make use of the newly opened facilities at the LSU Digital Media Center including our 92-speaker immersive sound theatre. We are also excited to have the LSU Digital Art program involved in an expansion of the sonic art installations category for extended exhibition at the Shaw Center for the Arts, LSU Museum of Art and Glassell Gallery. Laissez les bons temps rouler! Call For Participation On behalf of the NIME 2015 Committee, we would like to invite you to be part of the 15th international conference on New Interfaces for Musical Expression. We invite submission of new works in the following categories: • Papers and Posters • Performances and Installations • Workshops and Tutorials • Demonstrations Important Dates Artistic program: Performances & Installation works • Submissions due: December 1, 2014 • Review Notification: January 30, 2015 Scientific program: Papers, Workshops, Demonstrations: • Draft submission (mandatory): January 23, 2015 • Final submission: January 30, 2015 • Review notification: March 20, 2015 • Camera-ready paper deadline: April 17, 2015 The online submission system will open on November 3rd, 2014 and its address will be published at nime2015.lsu.edu Please note the following: • The artistic program deadlines (installation and performance) this year do not coincide with the paper deadline! • The scientific program consists of a mandatory draft submission followed by full submission. This system is implemented to address the perennial deadline extensions. There will be no deadline extensions. On the date of the draft submission, the author must be registered on the online submission system and have submitted a full draft manuscript of their paper. Authors then have one week to make minor edits to previously submitted manuscripts. Scientific Program Call for Papers We welcome submissions of original research on scientific and artistic use of new interfaces for musical expression. A non-exhaustive list of NIME related topics is found below. This list is inclusive and indicative. The thematic focus of this year’s edition is Visual | Aural | Tangible and is described in the introduction above. We also encourage submissions that extend, stretch, or challenge the NIME topics and themes. Acceptance criteria: The paper under consideration must propose an original contribution to NIME research; it must cite prior related work and should demonstrate rigorous research methodology. There are three different paper submission categories: • Full paper (up to 6 pages in proceedings, longer oral presentation, optional demo) • Short paper/poster (up to 4 pages in proceedings, shorter oral presentation or poster, optional demo) • Demo paper (up to 2 pages in proceedings, demonstration) Submitted papers will be subject to a peer review process by an international expert committee. All accepted papers will be published in the conference proceedings, under an ISSN/ISBN reference, and will be archived online after the conference to be tracked by citation tools. A manuscript submitted for review cannot be already under review for publication elsewhere or be submitted for a second review elsewhere while under review for NIME 2015. Authors of both full and short papers are greatly encouraged to submit a video in support of their paper. A video is mandatory for demonstration submission. A best paper award will be presented to the individual(s) judged by the scientific committee to have written the best paper appearing in the conference proceedings. In the aim to constantly improve the conference, this year the papers and demos will go through a modified review, which was first employed by NIME last year. The complete process is detailed below. Call for Workshops We invite submissions for half-day (3 hours) or full-day (6 hours) workshops and tutorials. These can be targeted towards specialist techniques, platforms, hardware, software or pedagogical topics for the advancement of fellow NIME-ers and people with experience related to the topic. They can also be targeted toward visitors to the NIME community, novices/newbies, interested student participants, people from other fields, and members of the public getting to know the potential of NIME. Tutorial proposals should clearly indicate the audience and assumed knowledge of their intended participants to help us market to the appropriate audience. Workshops and tutorials can relate to, but are not limited to, the topics of the conference. This is a good opportunity to explore a specialized interest or interdisciplinary topic in depth with greater time for discourse, debate, and collaboration. Review Process After you submit your paper, it will go through a rigorous review process that has been changed compared to the previous years. Overall, the review process comprises three layers of evaluation: reviewer, meta-reviewer, and paper chair. The process is as follows: • Each paper is assigned to one meta-reviewer who is a representative of the general research topic that the paper deals with. • The meta-reviewer together with the paper chair assign the papers to the reviewers that will evaluate it according to a set of criteria. Each paper has at least two reviewers. • The meta-reviewer writes a meta-review based on the reviewers’ comments. The meta-reviewer may ask the reviewers to provide further details for reviews that were too concise. • The paper chair gathers reviews and meta-reviews. He or she discusses with the meta-reviewers and finalizes a decision for each paper. • The anonymity of the submission is preserved among the reviewers. Artistic Program Call for Performances We invite submission of proposals for performances and installations. Proposed performances should have a clear connection with the substance of the NIME conference. We expand the notion of NIME in the performance program to include the exploration of existing interfaces into new sounds, new methods, or new ways of being physical. These performances might re-insert the body into digital performance, or they might suggest new modes of performing and the presentation of live music that go beyond existing practices while exploiting the unique affordances of interfaces and technologies. We encourage submissions that explore: • Novel and exploratory use of interfaces in performance • Both old and new interfaces • Use of innovative, imaginative and creative methods. We invite you to consider fully what a performance can be: you should go well beyond demonstrating the interface and we will consider any performance that is in the realm of live, electronically-produced sound, where an interface is central to the realisation of the music. Submitted proposals will be reviewed by an expert committee. Preference will be given to submissions with strong evidence that the proposed performance has already been realized or is technically feasible and within the artists’ capabilities. We particularly invite premieres from performers with a track record, or with interfaces that have been well tested. You should submit a PDF document, maximum 4 pages. The proposal must include the following: • Title and detailed description of the proposed performance. • A link to one primary video documentation of an example performance with the relevant interface. If video documentation is inappropriate for your performance, please explain why and instead send an audio file with accompanying photographs (these do not need to be to marketing standard, they are more for explanation of how your performance will look). • Links to any relevant supplementary supporting media files (audio and video). • Number of performers and the instruments and technologies that will be used. • Names of all participants/submitters, with a short bio for each (100 words). • Details of technical requirements for the venue. Diagrams of the preferred stage setup and signal routing are recommended. • Evidence of the feasibility of the performance. Include documentation and listings of past performances or related works that demonstrate the submitter’s capabilities to implement the proposed performance. • A list of any equipment that needs to be provided by the conference organizers. • Any instrumental performers that would need to be provided by the organizers. Note that the conference organizers may not be able to accommodate your request. Please also note that the organizers cannot provide funding to support performers’ travel or accommodation at the conference. • Please specify if the performance is a demo. • Please note whether performance would be better in club, bar or traditional concert environment. Performance proposals in conjunction with paper submissions are encouraged, but each must be submitted separately and will be judged on its own merit. Typical NIME performance pieces last for 5-15 minutes, but shorter and longer performance proposals may exceptionally be taken into consideration. Within reasonable limits, we may be able to provide musicians to perform pieces but this would be negotiated on a piece-by-piece basis. Documentation of the performances will be available online after the conference unless this is impossible due to the nature of the performance. Special Call – Digital Media Center Theatre The LSU Center for Computation & Technology’s Digital Media Center Theatre is a custom-designed immersive audio and video environment. The theatre hosts a Christie 4k digital projector, and a Meyer Constellation sound system, with 71 discrete channels and up to 40 directlyaccessibleaudiochannels. Weareinterestedinperformancesthatuse4kvideoand/or massively large loudspeaker arrays as essential components of the work. Also, demonstrations or papers that address massively large loudspeaker arrays are welcome. Contact us for more detailed specifications (nime-music(a)cct.lsu.edu). Call for Installations NIME 2015 seeks installation and sculptural work to showcase at several locations in Baton Rouge. The theme for all venues will focus on an amalgamation of NIME topics listed below. Special consideration will be given to projects that embody a combination of qualities that are visual, aural, and tangible. Submitted proposals will be subject to a peer review process by an international expert committee. Installations picked to be shown at the LSU Digital Media Center will be exhibited during the length of the conference. Installations picked to be shown at the LSU Museum of Art and the LSU Glassell Gallery will be invited to be part of a longer exhibition spanning a month. These pieces will be shown alongside several invited sound artists whose work addresses NIME. In order to present an installation for NIME 2015, please submit a proposal in the form of a PDF document, maximum 4 pages, containing the following information: • The title of the work • Names of contributing artists • A clear description of the proposed installation that will provide reviewers with a sense of its motivation and proposed realization. Pictures, schematic diagrams and/or proposed floor plans would be helpful here. You may also provide any documentation of previous presentations of this installation (if they exist). • Describe the space needed and the adaptability of the installation in terms of possible venues. • Provide a list of equipment required for the installation, clearly indicating what you will bring and what you would require the conference organizers to provide. • Finally, indicate if your piece is able to be shown only during the length of the conference or if is able to remain for an extended exhibition. Topics Core topics central to NIME include the following. In addition to submissions that address specific themes of this year’s edition of the conference, original contributions are encouraged in, but not limited to, the following topics: • Novel controllers and interfaces for musical expression • Novel musical instruments • Augmented/hyper instruments • Novel controllers for collaborative performance • Sensor and actuator technologies • Haptic and force feedback devices • Motion, gesture and music • Interfaces for dance and physical expression • Multimodal expressive interfaces • Interfaces for musical expression for hearing or visually impaired people • Interactive game music • NIME intersections with game design • Robotic music • Mobile music technology and performance paradigms • Biological and bio-inspired systems • Musical mapping strategies • Embedded musical instruments and embedded sound art installations • Interactive sound art and installations • Musical human-computer interaction • Interaction design and software tools • Interface protocols and data formats • Sonic interaction design • Issues in perception, cognition, computational musicology and music analysis • Performance analysis • Performance rendering and generative algorithms • Machine learning in musical performance • Experiences with novel interfaces in live performance and composition • Surveys of past work and stimulating ideas for future research • Historical studies in twentieth-century instrument design • Artistic, cultural, and social impact of NIME technology • Novel interfaces in music education and entertainment • Reports on student projects in the framework of NIME-related courses • Practice-based research approaches/methodologies/criticism • User studies/evaluations of NIME • Language and state in live interaction • Musicianship of new musical interfaces • Platforms and frameworks for musical interaction design Organizing Committee NIME 2015 is hosted by the Cultural Computing focus area, Center for Computation & Technology (avatar.cct.lsu.edu), and the LSU School of Music Experimental Music & Digital Media program (emdm.music.lsu.edu) at Louisiana State University, Baton Rouge, Louisiana, USA. General Inquiries: nime(a)cct.lsu.edu Academic Inquiries: nime-papers(a)cct.lsu.edu Music Inquiries: nime-music(a)cct.lsu.edu Installation: nime-art(a)cct.lsu.edu Volunteers: nime-volunteer(a)cct.lsu.edu -Dr. Jesse Allison | Assistant Professor of Experimental Music & Digital Media - LSU School of Music | Cultural Computing - LSU Center for Computation & Technology | http://emdm.music.lsu.edu | http://avatar.lsu.edu/ | jtallison(a)lsu.edu<mailto:jtallison@lsu.edu> | 225.578.5572

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Pd 0.46-2 released
by Miller Puckette 16 Oct '14

16 Oct '14

Hi all, Pd version 0.46-2 is available on http://msp.ucsd.edu/software.htm or via git from sourceforge: git clone git://git.code.sf.net/p/pure-data/pure-data cd pure-data git checkout Bug fixes affecting the size of pre-0.39 GOPs, allowing arrays of size 1, and didn't exactly fix but made a workaround for a compatibility problem with externs using the DSP state (probably rare). Slightly less confusing messages about real-time status (linux platform only). cheers Miller

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Fw: MAH Re-Create 2015 - Call for Proposals
by Eldad Tsabary 10 Oct '14

10 Oct '14

___________________________________ CALL FOR PROPOSALS - APPEL À COMMUNICATIONS (site version française) RE-CREATE 2015 The 10th anniversary and sixth international conference on the histories of Media, Art Science and Technology Hexagram, Concordia University and Université du Québec à Montréal in collaboration with Media@McGill and CIRMMT- McGill Montréal, Canada. 5-8 November 2015 Re-Create CFP Submission Site Re-Create 2015, the sixth international Conference on the Histories of Media, Art Science and Technology will mark the 10th Anniversary of the Re conference series. Re-Create 2015 is devoted to exploring what theories, methodologies and techniques can be used to understand past, present and indeed, future paradigms of creative material practice involving technologies within research contexts from a historical and critical point of view. The title Re-Create is an abbreviation for the term “research-creation”, part of a growing international movement which goes by many names: “practice-led research,” “research-led practice,” and “artistic research,” among others. While the link between research and practice seems to be a new horizon, the media-based arts have long been at the intersection of the humanities, sciences, and engineering and present a critical site in which to take up the changing relationships between knowledge, power, and economy. Research normally signifies modes of acquiring new knowledge that coherently and systematically advance a field and is grounded and validated by both social frameworks (peers) and existing bodies of knowledge. Similarly, research in conjunction with material practice demands that making be historically, theoretically and methodologically framed and valorized. Re-Create 2015 seeks to interrogate the historical entanglement of research and making within a wide and diverse set of international sites, disciplines and contexts: from non-institutional creative research initiatives driven by artists and designers in the streets, to the labyrinths of industry funded research labs and universities. From unknown or ignored histories of research-based practices in Latin America, Asia and Indigenous communities to government funded initiatives, the conference will thus critically explore the ongoing and productive tensions between theory, method and making in the histories of media, art, science and technology. Potential contributors to the conference should focus thematic panel sessions or individual papers on one of the following areas of concentration: LAB STUDIES : Studies on how artists and designers have historically worked in industry, universities and collective, grass roots-based research environments CURATORIAL ACTIONS AND PRACTICES : How have research paradigms historically entered into curatorial practices and how have they been framed, exhibited and articulated? ANTI-INSTITUTIONAL RESEARCH : Historical profiles of non-institutionally based research-driven explorations. THEORETICAL FRAMEWORKS : How have theoretical paradigms in media, art, science and technology historically evolved structuralism in the 1960s or media studies to current work in affect theory, media archaeology, critical post-humanist approaches derived from STS, appropriation and remix aesthetics, feminist new materialism, queer and postcolonial studies, enactive and distributed cognition? METHODOLOGIES : What can methodological tools emerging from the human and social sciences like ethnography, historiography, archaeology, genealogy and other qualitative techniques provide to the historical and critical positioning of practice? INTERDISCIPLINARY INTERSECTIONS AND IMPACTS : Exploration of the formation and rise of interdisciplinary research fields (image science, sound studies, science studies, sensory studies, environmental studies) and their impact on the construction of media art histories. DIGITAL HUMANITIES : What is the historical relationship between the digital humanities and the histories of media, art, science and technology? SITES: How historically have sites of research and practice in media art, science and technology evolved outside of the predominant spheres of Europe and North America and what forms have they taken? CONFERENCE PROGRAM The conference program will include competitively selected peer-reviewed individual papers, panel presentations and poster sessions as well as a number of keynotes and invited speakers and a parallel satellite program of events with Hexagram partners including core cultural institutions in Montreal. In the interest of maintaining a concentrated conference program, there will be a series of plenary sessions as well as accompanying poster sessions. Each of the plenaries as well as the poster sessions will mix together scholars and practitioners representing different cultural perspectives. The conference will be held in English and French, with live translation. CALL FOR PROPOSALS Re-Create 2015 welcomes contributions from researchers, artists, designers, scholars and technologists working across diverse disciplines, sites and practices. We particularly encourage scholars and creators from international contexts outside of Europe and North America. ABOUT THE CONTEXT AND THE HOST The conference will take place in Montreal hosted by Hexagram, the international network for media, art, design and digital culture (http://hexagram.ca). It is the largest network of its kind in Canada and one of the largest internationally dedicated to research-led creative practices. Ten years after the inaugural Re-Fresh conference at the Banff New Media Institute in 2005, the return of the conference to Canada and specifically to Quebec, offers a pertinent context to address the evolution of research in the histories of media, art, science and technology (http://www.mediaarthistory.org/mah-conf-series).The conference will be held across the two core Hexagram sites at Concordia University and the Université du Québec à Montréal (UQAM). The venues are within walking distance from each other, centrally located in vibrant, downtown Montreal – the digital arts and culture capital of North America. SUBMISSIONS 250 word abstracts of proposals, panel presentations and posters should be submitted in either Text, RTF, Word or PDF formats. Texts can be submitted in French and in English. The DEADLINE for submissions is December 7, 2014. Submitters will be informed by mid February 2015. INFORMATION about the submission process and general information can be found at: Re-Create Submission Site Conference partners include Media@McGill, CIRMMT-McGill, Cinémathèque québécoise, DHC-Art, Elektra/ACREQ, Goethe-Institut Montreal and others to be announced. Conference chairs and Hexagram Co-Directors: Chris Salter, artist, Concordia University Research Chair and Associate Professor, Design and Computation Arts, Concordia University (QC/CA/US/DE) and Gisèle Trudel (QC/CA), artist and professor, École des arts visuels et médiatiques, Université du Québec à Montréal. Re-Create Local Organizing Committee: Thierry BARDINI, Barbara CLAUSEN, Ricardo DAL FARRA, Jean DUBOIS, Jean GAGNON, Alice JIM, Jason LEWIS, Jonathan LESSARD, Louise POISSANT, Chris SALTER, Cheryl SIM, Jonathan STERNE, Alain THIBAULT, Gisele TRUDEL, Marcelo WANDERLEY Re-Create 2015 International Advisory Board: Marie-Luise ANGERER, Monika BAKKE, Samuel BIANCHINI, Georgina BORN, Andreas BROECKMANN, Annick BUREAUD, Michael CENTURY, Joel CHADABE, Dooeun CHOI, Ian CLOTHIER, Sarah COOK, Nina CZEGLEDY, Sara DIAMOND, Diane DOMINGUES, Jean Paul FOURMENTRAUX, Sébastien GENVO, Orit HALPERN, Jens HAUSER, Denisa KERA, Felipe César LONDONO, Natalie LOVELESS, Glenn LOWRY, Rafael LOZANO-HEMMER, Roger MALINA, Sally Jane NORMAN, Nicolas NOVA, Jussi PARIKKA, Christiane PAUL, Simon PENNY, Andrew PICKERING, Sundar SARRUKAI, Yukiko SHIKATA, Michel VAN DARTEL, ZHANG GA, Ionat ZURR MAH Honorary Board: Douglas DAVIS, Jasia REICHARDT, Itsuo SAKANE, Peter WEIBEL MAH Conference Series Board: Sean CUBITT, Oliver GRAU, Linda HENDERSON, Erkki HUHTAMO, Douglas KAHN, Martin KEMP, Machiko KUSAHARA, Tim LENOIR, Gunalan NADARAJAN, Paul THOMAS

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IEM Music Residency Program 2015 - Call for Applications
by IOhannes m zmölnig 09 Oct '14

09 Oct '14

======================================== IEM Music Residency Program 2015 - Call for Applications (sorry for x-posting - please distribute) The Institute of Electronic Music and Acoustics (IEM) in Graz, Austria is happy to announce its new Music Residency program and invites applications from composers/sound artists for the 2015 edition. The Residency is aimed at individuals wishing to pursue projects in performance, composition, installation and sound art, development of tools for art production and related areas. Duration of residency: 5 months Start date: March 1st 2015 (negotiable) Monthly salary: Approx. EUR 1100 (net) APPLICATION DEADLINE: 1st of December 2014 23:59 CEST The Institute of Electronic Music and Acoustics is a department of the University of Music and Performing Arts Graz and was founded in 1965. An internationally well renowned institution in its field, it currently holds a staff of more than 25 members. IEM offers education to students in composition and computer music, sound engineering, contemporary music performance and musicology. It is well connected to the University of Technology as well as to the University of Graz through two joint study programs. The artwork produced at IEM is released through the Institute's own OpenCUBE and Signale concert series, as well as through various collaborations with international artists and institutions. IEM's main activities are centered around the three main research areas Computer Music Artistic Research Signal Processing and Acoustics and contributions to these, or any other related field of relevance, are invited for the Music Residency program. What we expect from applicants: - An outstanding project proposal that adds new perspectives to the Institute's activities and resonates well with the interests of IEM. - The successful applicant will work on-site in Graz for the major part of the Residency. - Willingness to exchange and share ideas, knowledge and results with IEM staff members and students and engage in scholarly discussion. - The ability to work independently within the Institute. - A dissemination strategy as part of the project proposal that ensures the publication of the work, or documentation thereof, in a suitable format. This could be achieved for example through the release of media, journal or conference publication, a project website or other means that help to preserve the knowledge gained through the Music Residency and make it available to the public. What we offer to the successful applicant: - Support in artistic production and arts-based research - Exchange with competent and experienced staff members - shared office space for the entire period and access to studios including the CUBE which has a 24-channel loudspeaker system; - Contact with peers from similar or other disciplines - Infrastructure (electroacoustic music studios, icosahedral loudspeaker array, motion capture technology) - Concert and presentation facilities (CUBE 24 channel loudspeaker concert space) - Existing networks with local/international partners - We provide a monthly salary of approx. EUR 1100 net per month in addition to health and accident insurance. An application form providing more information is available at http://iem.kug.ac.at/fileadmin/media/iem/projects/2014/Residency2015.docx Feel free to contact residency(a)iem.at if you have any questions.

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∏-node in Graz / Workshops and Concert
by Jack 06 Oct '14

06 Oct '14

-----BEGIN PGP SIGNED MESSAGE----- Hash: SHA1 In the framework of the MusikProtokoll festival http://musikprotokoll.orf.at/ _ ___Workshops__ 6 days of workshops on radio and digital ; rtl-sdr scanning, antenna building and tuning, transmit data with radiowaves, and more ... - - Tuesday 07 > Wednesday 08, October 2014, 19:00-21:00 - - Thursday 11 > Sunday 12, October 2014, 14:00-16:00 Steirischer Herbst Festivalzentrum, Paulustorgasse 8, Graz Free entrance Application at: workshop [at] p-node.org infos : http://musikprotokoll.orf.at/ or https://p-node.org/graz/ _ ___Concert__ Radio Scanner Orchestra Thursday 09 October 2014 @Steirisches Herbst Festival Zentrum, 19:30 > 21:30 Steirischer Herbst Festivalzentrum, Paulustorgasse 8, Graz Free entrance infos : http://musikprotokoll.orf.at/ or https://p-node.org/graz/ ++ Jack -----BEGIN PGP SIGNATURE----- Version: GnuPG v1 iQEcBAEBAgAGBQJUMmjrAAoJEOuluecjw8GUpVwH/2XilATps9minFEEZ9jHKHmw LAf2m3CrvY9AqEelemi8bwfVKjrjITfIaw/UT/LA+wNPKcgaU+gv0k4KGF1Y7/JF b6wfO8mZf4m1y8oC4nGXAE57Jdhv4jGm31kbe9uodqlkRxSznTAvosJ4p0qhFk9e +ABOWMDqKqMhM2dq1YfUR31xBpLX9ue2DZqNfgFOVfHnaLq9tpNmjTMX6Krqo7RM /cn/2Sh0hnEciSYcfAdCfaPsvO07epveYVD219sxE3zFQpUUpgDtdz0MpA+h1tyE 68iCbaTPeqR9FVw8bV0H51cQDaQ3A93KtipaOQFCZlZvnyMAqju395DXjJBFyfI= =NDJG -----END PGP SIGNATURE-----

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Feed your heartbeat back into your rib cage: sounding bodies in Ljubljana, NYC, London, Dresden.
by Marco Donnarumma 02 Oct '14

02 Oct '14

(sorry for any x-post) Dears Pders!, with the hope it is of interest, here's the mailout September 2014 packed with Pd-based stuff. This comes out only every 6-months. http://marcodonnarumma.com/next/sept2014/ - Nigredo, German premiere at CYNETART Festival in November - A night of biophysical music at Spectrum, NYC leading music venue - The Xth Sense at Sonar+D Music Hack Day - Two new books on human and technological bodies in sound-based body art - Fall touring session: Amsterdam, NYC, Ljubljana and London thanks for reading, best wishes, M -- Marco Donnarumma Performer, body tinkerer, teacher and writer. #soundandmusic #biotech #freeculture EAVI - Goldsmiths, University of London ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Portfolio: http://marcodonnarumma.com Research: http://res.marcodonnarumma.com

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Pd-announce October 2014