Pd-announce January 2011

pd-announce@lists.iem.at

16 participants
22 discussions

/dev/art/#5 in Paris with Jukka Hautamäki - Friday january, 21
by Jack 19 Jan '11

19 Jan '11

English presentation bellow. /dev/art/#5 Rencontres, discussions et échanges entre artistes et développeurs utilisant les nouvelles technologies de programmation (arts numériques, hacking, performances, etc.). [http://www.rybn.org/dev/art/] Le vendredi 21 janvier / 19h-23h au BlackBoxe 17 rue de la Chapelle / 75018 Paris Metro ligne 12 / Station Marx Dormoy ou Porte de la Chapelle /// Noise ambiante abstraite /// 19h / 21h : Présentation de Jukka Hautamäki (FI), suivie d'une performance. Lors de cette rencontre, il présentera la dernière version IOKO (sous Max/MSP) réalisé à Paris lors de sa résidence à la Cité Internationale des Arts (description ci-dessous). 21h / 23h : Pot/apéro suivi de rencontres, discussions et échanges autour des arts numériques, de la performance, du hacking et du développement d'applications et d'installations. Jukka Hautamäki est artiste en nouveaux média basé à Turku/Helsinki, Finlande. Il travaille avec la vidéo, la photographie numérique, les paysages sonores expérimentaux et électroniques. Sous le nom de Ihokas, il essaie de maintenir un style évitant la facilité et les solutions trop communes. Son style de musique s'apparente à de la noise ambiante abstraite tournoyante, perturbée, obscure, difficile d'écoute. La musique d'Ihokas est une combinaison de traitement du son numérique, de sampling live, de synthés DIY et d'improvisation électro-acoustique. J. Hautamäki aime également bidouiller avec l'électronique, Arduino et Max/MSP. Il est le membre fondateur de l'association Kokomys d'électronique expérimentale de Turku. http://ihokas.tumblr.com/ /// English version /// Jukka Hautamäki is media artist living and working in Turku / Helsinki, Finland. He works with video, digital photography, experimental soundscapes and electronics.  With Ihokas moniker Hautamäki has always tried to maintain unique kind of style while avoiding most common mainstream solutions. Music style is abstract ambient noise with a twist. Disturbed, obscure, difficult listening. Ihokas live music is combination of digital sound processing, live sampling, DIY synths and electro-acoustic sound improvisation. Hautamäki is also working with DIY electronics, Arduino and MaxMSP. He is founding member of Turku based experimental electronics association Kokomys. He will present the latest version of IOKO MaxMSP patch, developed in Paris during his residency at Cité Internationale des Arts . http://ihokas.tumblr.com/ /dev/art/#6 aura lieu le vendredi 28 janvier à la Générale Nord/Est avec CHDH.

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Pd/Max Patching Circle tomorrow 1/20, 6-10pm
by Hans-Christoph Steiner 19 Jan '11

19 Jan '11

Join us at Eyebeam tomorrow (Thursday) from 6-10pm! We'll be playing with the Kinect camera again, plus working on the Pd Starter Kit. Bring whatever you are working on, or come see what others are doing. And next month we'll be at The Chocolate Factory in Brooklyn, hosted by Lee Azzarello. http://eyebeam.org/events/nyc-patching-circle We spend enough time alone staring at our computers; we are proposing to work together. So often issues that arise when working can be solved with a quick two minute discussion that would take hours to solve alone. We have Dorkbot to see people's work, we have Share where anyone can play, we have workshops and universities to learn from. This is a meeting where we all can come to work. This is an informal gathering of patching and patchers (Pd, Max/MSP/ Jitter, and even vvvv, Eyesweb, Labview, etc.). Beginners and Experienced welcome. Open to everyone, students, the public, etc. Work on personal projects, professional projects, school projects, ask for help, help others, or just patch quietly to yourself, in a room full of other people patching patches and helping other people patch. Tomorrow, this Thursday 6-10pm Free! Directions ---------- Patching Circle, http://puredata.info/community/NYCPatchingCircle Eyebeam, http://eyebeam.org/ Thursday, Jan 20th, 6-10pm 540 W. 21st Street Manhattan Tel. 212.937.6580 (Eyebeam) or 347.850.4872 (Hans) RSVP to info(a)eyebeam.org

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thirty-ninth meeting of the PureData Users Group of Montréal
by Mathieu Bouchard 13 Jan '11

13 Jan '11

---------- Forwarded message ---------- Date: Thu, 13 Jan 2011 16:39:31 -0500 (EST) From: Mathieu Bouchard <matju(a)artengine.ca> To: pdmtl(a)artengine.ca Subject: [Pdmtl] pdmtl#39 (L'ANNONCE !) La trente-neuvième rencontre du club d'utilisateurs de PureData de Montréal aura lieu le 15 janvier 2011 de 14h00 à 18h00 au FouLab. Ce local est situé à la suite 33B du 999, rue du Collège, dans l'arrondissement Sud-Ouest (à ne pas confondre avec la rue du même nom de l'arrondissement Saint-Laurent !). La station de métro la plus proche est Place-Saint-Henri à 400 mètres. Deux présentations à l'horaire : 1. laser (Maxime DAMECOUR) Ce dispositif de performance audio-visuelle que j'ai développé profite de sa simplicité : il est aussi simple que des haut-parleurs mécaniquement étendus et un laser. Les deux haut-parleurs déplacent une paire de miroirs qui tournent autour d'axes perpendiculaires. Un des haut-parleurs fait osciller le faisceau verticalement et l'autre le fait osciller horizontalement. En modulant deux ondes similaires avec PureData, des formes organiques sont produites. Certains éléments-clés d'images attirantes sont des choses telles que le rapport cyclique, les décalages de phase, les harmoniques et les fréquences en bas de 150 Hertz. Des sons naturels peuvent aussi être utilisés : on peut contrôler une forme en fredonnant dans un micro. This audio visual performance device I developed thrives on simplicity, it is as simple as mechanically extended speakers and a laser. The two speakers actuate a pair of mirrors that rotate on perpendicular axes. One speaker waves the beam vertically and the other horizontally. By modulating two similar waveforms with PureData, organic shapes are produced. Certain key elements of appealing shapes are things such as duty cycle, phase offsets, harmonics and frequencies under 150 Hertz. Natural sounds can also be used: one can control a form by humming into a microphone. 2. flocons (Mathieu BOUCHARD) Une des manières les plus populaires de faire des formes fractales est à l'aide de déformations d'espace utilisant les nombres Complexes. Les fractales de Mandelbrot et de Julia sont de telles choses, et d'ailleurs, elles utilisent toutes deux exactement la même formule (quadratique), de deux manières différentes. La série des flocons que j'ai commencée en décembre 2010 est faite avec une autre formule de nombres Complexes, cette fois cubique, et avec une opération qu'on ne retrouve pas dans les nombres Complexes normalement : un double miroir. Ce sont ces deux choses réunies qui reproduisent la symétrie à 12 parties des flocons de neige (six branches fois deux côtés). La manière de présenter des formules fractales peut se produire par simple boucle de rétroaction sur une opération qui réorganise les pixels d'une image dans laquelle les pixels peuvent aussi disparaître et être copiés de nombreuses fois. La série des flocons utilise un tel [#remap_image] inséré dans la boucle d'un filtre passe-bas pour donner un effet multi-couches. La patch est branchée sur une caméra PWC pour cette démonstration. Je montrerai aussi ce procédé avec une Julia et avec d'autres formules. _______________________________________________________________________ | Mathieu Bouchard ---- tél: +1.514.383.3801 ---- Villeray, Montréal, QC _______________________________________________ Pdmtl mailing list Pdmtl(a)lists.artengine.ca http://lists.artengine.ca/cgi-bin/mailman/listinfo/pdmtl

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Touring PD Music
by a bernstein 13 Jan '11

13 Jan '11

Hey PD Community, Beginning today and for the next week or so I will be touring the Northeastern United States playing music made with Pure Data. I play saxophone while using a MIDI foot controller to control PD and modulate my sax, and I have also programmed a PD synth to be controlled by my IPod Touch with TouchOSC and OSCulator. You can go to www.myspace.com/andrewbbernstein if you'd like to hear some of my music. Here are the dates: 1/13 Baltimore, MD @ The Red Room - 425 E. 31st St 1/14 Chalottesville, VA @ Magnolia - 507 10TH STREET NW W/ Hume, Amil Bleckie Band, Andrew Cedermark, Buildings 1/15 Brooklyn, NY @ Le Wallet - 1154 Myrtle Ave w/ Ashcan Orchestra & Hubble 1/16 Queens, NY @ Silent Barn - 915 Wyckoff Ave 1/17 New London, CT @ The Playhouse (dsboroughs(a)gmail.com for info) w/ MC Charlie Chaplin, Fireball, Dan & Liz 1/18 Providence, RI @ Soft Approach - 39 Manton Ave 1/19 Boston, MA @ The Whitehaus w/ Duck That 1/20 Northampton, MA @ King St Manor - 113 King St 1/21 Troy, NY @ 51 3rd - 51 3rd St w/ Sam Sowyrda, Wumme, & Casper Electronics 1/22 Philadelphia, PA @ Younglove's - 5011 Baltimore Ave w/ The New Heaven and The New Earth Hope to see some of you there! Best, Andrew Bernstein -- Andrew Bernstein 2622 Miles Ave Baltimore, MD 21211 www.myspace.com/andrewbbernstein www.highzero.org www.redroom.org

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[Pdmtl] Reminder: Call for proposals for CLIEC 2011 (deadline: Feb 1st) - live EA performances and paper presentations (fwd)
by Mathieu Bouchard 11 Jan '11

11 Jan '11

---------- Forwarded message ---------- Date: Mon, 10 Jan 2011 16:25:04 -0500 From: Eldad Tsabary <tazberry_docs(a)yahoo.ca> To: [...] Subject: [Pdmtl] Reminder: Call for proposals for CLIEC 2011 (deadline: Feb 1st) - live EA performances and paper presentations CLIEC 2011 - Concordia Live and Interactive Electroacoustic Colloquium Hexagram Concordia Centre for Research Creation in Media Arts and Technologies In collaboration with the Department of Music Montréal - Canada Saturday 26th of March, 2011 A call for proposals for paper presentations and live performances Deadline: 1st of February 2011 DESCRIPTION Hexagram Concordia will be hosting CLIEC 2011 ? a one-day colloquium focused on live and interactive electroacoustic music, organized in collaboration with the Music Department. The event will take place on Saturday, March 26th 2011 and will include paper sessions, a roundtable discussion, and an evening concert. We are inviting artists and researchers to propose paper presentations and performances focusing on live and interactive electroacoustics and related issues, including artistic and technological innovation, interdisciplinary collaboration, human-machine interface, laptop orchestras/ensembles, comprovisation, stage techniques, audience interactivity, aural and visual perception, related educational and pedagogical aspects, social and cultural contexts, and others. SUBMISSION PROCEDURES Paper presentation: please email an abstract (250 words or less), a short biography ready for printing (250 words or less), and a 3 page CV. Performance: please email a short description of the proposed performance piece (250 words or less), detailed technical needs, a short biography ready for printing (250 words or less), a 3 page CV, and audio samples when relevant (please send a link to download the files through yousendit, soundcloud or a similar service. Do not send audio files by email). The basic available setup allows up to 10 channels of audio. If your setup requires additional channels or for any other special technical consideration please send an email with specific questions. If you are uncertain whether a proposal is suitable you may email the organizers for clarification. Email abstracts to: cliec2011(a)gmail.com SESSION FORMATS Paper presentations: each paper will be presented in person for about 20 minutes followed by 5-10 minutes of discussion. Performances: the evening concert will consist of selected live electroacoustic performances, which may include multiple channels, multimedia, dance, theatrics, and interactive components. Roundtable discussion: an hour-long open discussion on key issues related to the main theme of the colloquium. DATES - Deadline for reception of proposals: February 1st, 2011 - Notification of acceptance: February 12th, 2011 - Confirmation of attendance by artist/researchers: February 25th, 2011 - Colloquium CLIEC-2011: Saturday, March 26th, 2011 CONTACT AND INFORMATION cliec2011(a)gmail.com CLIEC-2011 ORGANIZERS Eldad Tsabary (co-director) Ricardo Dal Farra (co-director) Paul Scriver (collaborator) CLIEC 2011 - Concordia Live and Interactive Electroacoustic Colloquium _______________________________________________ Pdmtl mailing list Pdmtl(a)lists.artengine.ca http://lists.artengine.ca/cgi-bin/mailman/listinfo/pdmtl

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pd-l2ork 20110109 snapshot now available
by Ivica Ico Bukvic 10 Jan '11

10 Jan '11

Please pardon cross-posting. Changelog: *fixed major CPU hit due to a bug in Cord Inspector implementation. Now the CPU usage is back to what it is in pd-extended. *further performance optimizations to the Cord Inspector. *improved edit mode detection and fixed edit menu activation accordingly. Latest snapshot is available from the usual place: http://l2ork.music.vt.edu/main/?page_id=56 Complete changelog since 11/25/2010 is available here: http://l2ork.music.vt.edu/data/pd/Changelog Best wishes, Ico

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pd 0.43 test 4 released
by Miller Puckette 10 Jan '11

10 Jan '11

Hi all, Pd version 0.43-0 test 4 is available on http://crca.ucsd.edu/~msp/software.htm or via git from Sourceforge: git clone git://pure-data.git.sourceforge.net/gitroot/pure-data/pure-data I think it's almost all there not (at last!) cheers Miller

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exquisite caos audio theory
by oskoff lovich 08 Jan '11

08 Jan '11

its only a gif and audio player embed but .. http://nuevocalipso.tumblr.com/caosTheory -- >>>http://noconventions.mobi/noish

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flocons (fwd)
by Mathieu Bouchard 08 Jan '11

08 Jan '11

more of my snowflakes series (after the merry xmas one) ---------- Forwarded message ---------- Date: Thu, 6 Jan 2011 21:41:34 -0500 (EST) From: Mathieu Bouchard <matju(a)artengine.ca> To: pdmtl(a)artengine.ca Subject: flocons http://gridflow.ca/gallery/flocon_256_114_14.png http://gridflow.ca/gallery/flocon_256_329_16.png http://gridflow.ca/gallery/flocon_256_96_15.png http://gridflow.ca/gallery/joyeux_no%C3%ABl.png _______________________________________________________________________ | Mathieu Bouchard ---- tél: +1.514.383.3801 ---- Villeray, Montréal, QC

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Regenwald 2011: workshop/installation/performance @ Club Transmediale Berlin
by Derek Holzer 07 Jan '11

07 Jan '11

Regenwald 2011: a workshop/installation/performance in the spirit of David Tudor for Club Transmediale Berlin with Derek Holzer (USA/DE) & Mads Bech Paluszewski (DK) Direct links: http://macumbista.net/?p=2018 http://www.clubtransmediale.de/ctm-festival/day-program/regenwald-2011.html *Overview* Regenwald 2011 is a contemporary re-interpretation of David Tudor’s series of compositions from the 1970′s entitled “Rainforest”. It uses various types of sonic transducers to play live sounds through various resonant objects in the performance space, as well as through architectural features of the space itself. Additionally, an 8×8 matrix mixer allows the sound from any of the objects to be sent to any of the performers, making the whole piece an experiment in generative chaos. Regenwald 2011 will be developed in a workshop format with up to 8 participants over a period of several days. The resulting work should shift between relatively static installation-like moments and performative sections where the artists seek new relationships with the objects and each other. The audience is free to move around the performance space, engage in conversations and explore the resonant objects, thus adding new life to the rainforest. A opening night presentation will introduce the concept of Regenwald 2011 and the context of “Schematic as Score” as seen in the works of both David Tudor and John Cage. *Documentation* A rough schematic of a previous transducer system (Regenskog 2010) can be seen here: http://macumbista.net/wp-content/uploads/2010/11/regnskog_notext.png Documentation of Regenskog 2010 can be found here: http://macumbista.net/?p=1840 *Dates* 28 January – 01 February, 12-19:00 daily: Regenwald 2011 workshop in West Germany, Kottbusser Tor, Berlin 01 February 21:00: opening Regenwald 2011 presentation/performance, West Germany, Kottbusser Tor, Berlin 02 February – 05 February 18-22:00 daily: Regenwald 2011 installation, West Germany, Kottbusser Tor, Berlin *Participate* The Regenwald 2011 workshop is open for 8 participants who will be selected and notified on or before 16 January 2011. There is no fee to participate. Applying participants should be: –Comfortable working in a collaborative environment –Knowledgeable in the basics of acoustics –Proficient in one or more chosen analog or digital sound instruments and/or systems for working with sound –Capable of bringing any equipment they require beyond the basics of the transducer system (instruments, mixers, computers, etc etc) Please send an email to regenwald2011(a)clubtransmediale.de by 12 January with the following information: –Name, location and short bio (max 100 words) –Short statement of interest (max 300 words) –Short description of your chosen instrument or system (max 300 words) –Links to audio/video documentation of one solo work and one collaborative work you have made *Workshop Leaders* Derek Holzer (1972) is an American sound artist living in Berlin, whose current interests include DIY analog electronics, sound art, field recording and the meeting points of electroacoustic, noise, improv and extreme music. He has played live experimental sound, as well as taught workshops in noise art technology, across Europe, North America, Brazil and New Zealand. http://www.macumbista.net Danish sound artist and cultural producer Mads Bech Paluszewski (1977) works with circuit bending, sound installations, tactile acoustics and performances from his Copenhagen base. Solo and as a member of several groups of experimental audio/visual music and performance groups, he has performed at many Nordic music and sound art festivals. He has also held several workshops in circuit bending and user driven sound installations in Denmark. *Partners* Regenwald is a join production of DISK/Club Transmediale and Tuned City/DOCK e.V. http://www.clubtransmediale.de http://www.tunedcity.net -- ::: derek holzer ::: http://macumbista.net ::: ---Oblique Strategy # 172: "Use `unqualified' people"

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Pd-announce January 2011