Hi all,
my latest audio-release made with Pure-data
*Noish~ ::”AQHG”::…> UZUCDR-10 *
Coded, edited and mixed at Txcucrut Studio Bcn.
Field recordings, synthesis, diy software pure data
Experimental generative techniques for de-composing.
Graphic ///lcpino///
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Uzusounds >>>>>>>>>>>>>>>>>>http://www.uzusounds.com
Net//Cdr label managed by Aurel {zorei}, where you can find people like
Kenji Siratori,
Phroq / Francisco Meirino,Manuel Knapp & Tim Blechmann, the tropicals
fish(s) of the
bilbao’s RIA “”Mubles””,and more..
full download here: http://www.archive.org/details/noish_aqhg
This is a free work, you can copy, distribute, and modify it
under the terms of Yves Degoyon's license
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the noise published here can be studied,
modified, used by anyone that
provides all the original credits
and sources in derivative projects.
there are restrictions on its use,
it cannot be used for :
* military amd/or repressive use
* commercial installations and products
* any project that promotes : racism, nationalism, xenophobia, sexism,
homophobia, religious hatred or missionarism .. ( expandable list)
this is not a standard license.
sevy.
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dale!
--
>>>http://noconventions.mobi/noish
In French only/En français seulement.
Une formation de perfectionnement sur GEM (librairie graphique
permettant d'utiliser OpenGL dans l'environnement Pure Data) est
proposée par le CrasLab les 4 et 5 décembre de 11h à 18h. Cette
formation est recommandée pour les utilisateurs de Pure Data et GEM qui
souhaitent élaborer des projets sophistiqués et qui ont recours à
l'image, l'image animée, la vidéo, la caméra et la 3D.
Le prix par jours est de 25 euros (20 euros pour les Audoniens,
chômeurs, Rmistes et adhérents de Mains d'Oeuvres).
Jack du collectif RYBN assurera la formation sur ces deux jours.
Plus d'infos sur cette formation :
http://www.mainsdoeuvres.org/article1094.html
Pré-requis :
- Connaissances : les deux journées abordent des techniques et fonctions
avancées sur GEM, elles sont prévues pour un public d’initiés à Pure
data (autodidactes ou personnes ayant suivi une session d’initiation ou
des cours, et ayant une pratique régulière du logiciel).
- Matériel : Il est demandé aux participants de venir avec un ordinateur
portable pourvu de la dernière version de Pd-extended. La deuxième
journée de formation nécessite d’apporter une webcam. Il est préférable
d’avoir un ordinateur équipé de processeurs NVIDIA ou ATI pour le bon
fonctionnement des manipulations. Généralement, les ordinateurs de moins
de quatre ans conviennent à ce type de créations.
CrasLab
Mains d'Oeuvres
1, rue Charles Garnier
93400 Saint-Ouen
La formation aura lieu dans l'atelier 12 (1er étage).
Renseignements : Agnès Le Foulgoc 01.77.60.28.00
Changes include:
*synced with the latest pd-extended 0.42.x branch build scripts
(installs in /usr/lib/pd-extended and produces pdextended binary)
*fixed stray bugs with iemgui objects
*realigned some of the iemgui objects in the autopatch mode
*other minor bugs'n'fixes
Barring any unexpected developments this will be the last release
candidate.
http://l2ork.music.vt.edu/main/?page_id=56
As usual, feedback/bug-reports are most appreciated.
Best wishes,
Ico
Working again with Bobby Pietrusko and Stewart Smith, I created
sonification for visualization of data about the global wine
industry. It opened recently at SFMOMA in San Francisco. You can see
a little snippet here:
http://at.or.at/hans/undervine/
And here's a chunk from a scene that didn't make the final cut be we
like anyway:
http://at.or.at/hans/blog/2010/11/21/highlighting-data-with-sound/
"Wine is a potent force in contemporary life, perhaps the only
comestible to produce its own visual culture. How Wine Became Modern,
the first exhibition of its kind, looks at the world of wine and the
role that architecture, design, and media have played in its stunning
transformation over the past three decades. Developed in collaboration
with the New York architecture studio Diller Scofidio + Renfro, the
exhibition features historical artifacts, architectural models,
multimedia installations, newly commissioned artworks, and even a
"smell wall" to provide a richly textured experience in the galleries.
Come discover how important cultural preoccupations of our day, such
as the meaning of "place" and "authenticity" in our increasingly
global and virtual world, play out at this uniquely fertile
intersection of nature and culture. At once a nuanced investigation
and a vivid sensory and aesthetic experience, this exhibition presents
wine as you've never seen it before."
November 20, 2010 - April 17, 2011
http://www.sfmoma.org/exhibitions/406http://www.sfmoma.org/press/releases/exhibitions/829