purrr sayz the kitty
wooof sayz the puppy
sorry sayz the cross-poster
--
Liwoli 2009 hacklab for art and open source
23 - 26 April 2009
Art University Linz
http://linz.linuxwochen.at
--
Liwoli 2009 is a three day long Hacklab and an open invitation to
everyone who would like to participate in an active process of learning,
producing and sharing ideas around the areas of Free/Libre Open Source
Software (FLOSS) and DIY practices in digital art and culture.
FLOSS developers, software artists such as the collective GOTO10,
activists from HAIP (Hack Act Interact Progress) and many others form
the basis for the event and will share their knowledge in the form of workshops,
presentations, installations and performances.
--
Open Call
For the event we are calling for contributions (presentations, workshops
and performances) around the FLOSS themes. This invitation is not only
for those who are interested in “Do It Yourself” and how it interrelates
with the current creative production practices, the invitation is also
directed to those who are interested in the cultural importance of
FLOSS.
Submissions Please send submissions before the 25.03.2009 to
call09-liwoli(at)servus(dot)at, with the following information :
# Title
# Format: lecture, workshop, installation, performance, presentation...
# Description of content:
# Links to relevant material (mandatory):
# Required things: projector, sounds system, running water, compressed
# air, cheeseburgers
--
Organisers & contributors: servus.at, GOTO10, Radio Fro/Haip, Time's Up,
lugl.at.
Host and Support by: Kunstuniversität Linz Department for Time
Based Media and the ZID der Kunstuniversität Linz
Funds: servus.at funded by BM:UK, Stadt Linz (LinzImpuls 2008), Radio
FRO/HAIP EU - CULTURE 2007
--
:*
Since he's showing Blender+ Pd, I thought I forward it here:
Begin forwarded message:
> From: Nick Porcaro <nick(a)porcaro.org>
> Date: February 21, 2009 7:55:49 PM EST
> To: Nick Porcaro <nick(a)porcaro.org>
> Subject: NYC Blender Users's meeting: Sat. Mar. 7th 2pm, Polytechnic
> University, Rogers Hall room 474
> X-Mailer: Apple Mail (2.753.1)
>
> The New York City Blender User's Group http://www.blendernyc.org
> is holding a meeting at Polytechnic University, Brooklyn, in Rogers
> Hall room 474 at 2 pm.
> Saturday March 7th at 2 pm
>
> Directions: http://www.poly.edu/directions
>
> We have the space for 5 hours.
>
> I plan to make a presentation on the work I've been doing with the
> Blender Game Engine and
> Pure Data http://www.puredata.org in support of free improv art/
> music, and Daniel Houghton will
> be discussing his short film called Pitch:
> http://download.blender.org/demo/movies/bc08/Best_short_film/Daniel-Houghto…
>
> This gathering is for anyone interested in connecting or
> reconnecting to the Blender community
> in New York City. We encourage presentations of recent work, future
> projects, and ideas for collaboration.
> However, if you would like to attend simply to listen, please do.
>
> Blender http://www.blender.org is a free open source 3D content
> creation suite, available for all major operating systems under the
> GNU General Public License. It compares well to software like Maya or
> 3D Studio Max.
>
> If you want to see what Blender is capable of, see:
>
> Elephant's Dream: http://www.elephantsdream.org
> Big Buck Bunny: http://www.bigbuckbunny.org
> and Yo Frankie!: http://www.yofrankie.org
>
> These projects were all supported by the Blender Foundation,
> and you can download all the .blend files for these projects at
> the sites shown above. Yo Frankie! is particularly interesting
> in that it represents lots of recent improvements to the Blender Game
> Engine, enabling more advanced real time support.
>
> Hope to see you there!
>
> Please RSVP, as Polytechnic has asked me for a head count.
>
> - Nick Porcaro
>
>
----------------------------------------------------------------------------
Man has survived hitherto because he was too ignorant to know how to
realize his wishes. Now that he can realize them, he must either
change them, or perish. -William Carlos Williams
SPACE Media are seeking applications for a 4-week residency based at SPACE on Mare Street in Hackney during Summer 2009. The call is open to artists and technologists who are exploring media culture, technology and sustainability.
Open Call Deadline 5pm Monday 23rd March 2009
This residency is the second in the PermaCultures series supporting the creative research, development and production of new artwork. Artists should aim to develop a new piece of work within the timeframe. The chosen applicant will have a previous track record of developing work with art and / or technology and should approach ideas related to the PermaCultures programme. Further information and application details can be found at:
http://www.spacestudios.org.uk/All_Content_Items/Media_Arts/PermaCultures/
There were some wires crossed so I am not sure this announcement went
out to this list yet (doh!) It starts in an hour, so RSVP to me and
we'll see if I can get you past Columbia security.
.hc
> Begin forwarded message:
>
>> From: "library" <library(a)exchange.tc.columbia.edu>
>> Date: February 9, 2009 12:29:16 PM EST
>> To: "TC Community" <abcdTeachersCollege(a)exchange.tc.columbia.edu>
>> Subject: Invitation: New Focus Group: PureData and Realtime Media,
>> Wednesday, 2/18, 4-6pm
>>
>> The Gottesman Libraries is pleased to invite you to join a
>>
>> A New Focus Group
>>
>> PureData & Realtime Media
>>
>> Introduction by Joseph Deken
>> Presentation by Miller Puckette
>> Discussion with Hans-Christoph Steiner
>>
>> Wednesday, February 18, 4:00 - 6:00 pm
>>
>> The Gottesman Libraries
>> Room 305
>> Teachers College, Columbia University
>> 525 West 120th Street
>>
>> RSVP by Monday, February 16 to library(a)tc.edu
>>
>> Would you like to create and manipulate video, graphics, and images
>> in real time? Explore endless possibilities for interactivity with
>> audio, video, cameras, and other or external sensors? Collaborate
>> live across networks or the internet to create dynamic music and
>> performance events with fellow artists, educators, technologists,
>> geeks? Whether a novice, an expert, or something in between, get
>> those creative juices flowing by joining the new Pure Data (pd)
>> Users Group.
>>
>> On Wednesday, February 18th Miller Puckette, music and computing
>> pioneer, writer, and designer of pd, will lead an introductory
>> discussion. Puckette is Professor in the Department of Music; and
>> Associate Director, Center for Research in Computing and the Arts,
>> at the University of California, San Diego. He will be introduced
>> by Joseph Deken, Director, Research Program Development at the
>> University of California San Diego, California Institute for
>> Telecommunications and Information Technology. Dr. Deken is a
>> visiting scholar at Teachers College who participated in the
>> Gottesman Libraries’ Subway Seminar Series. In 2008 Deken, together
>> with a group of colleagues from across the nation, launched New
>> Blankets, a non-profit organization chartered to develop new
>> technologies and participation mechanisms -- reinventing the
>> “Community Free Public Library” concept of Andrew Carnegie. Hans-
>> Christoph Steiner, a leading Puredata developer, community leader,
>> and Adjunct Assistant Professor, Department of Interactive
>> Telecommunications, Tisch School of the Arts, New York University,
>> will join the presentation and discussion. Professor Steiner also
>> orchestrates a "southern" puredata group in Brooklyn, having
>> received an MPS in Interactive Technologies fromNew York University
>> in 2004.
>>
>> Persons interested in joining the Pure Data Focus Group and
>> attending this presentation are encouraged to e-mail library(a)tc.edu
>> in advance of the preliminary meeting. Please note that space is
>> limited to members of Teachers College andColumbia University and
>> their invited guests.
>>
>> Individuals with disabilities are invited to request reasonable
>> accommodations including, but not limited to sign language
>> interpretation, Braille or large print materials, and a campus map
>> of accessible features. Address these requests to the Office of
>> Access and Services for Individuals with Disabilities at (212)
>> 678-3689, keller(a)tc.edu, or Deaf and Hard of Hearing Services at
>> (212) 678-3853 V/TTY, jaech(a)tc.edu.
>>
>> http://library.tc.columbia.edu/news.php?id=402
>
>>>>
----------------------------------------------------------------------------
¡El pueblo unido jamás será vencido!
Please Check the info below, and the attached PDF... spread it out!
Thanks....
PdCon09/CALL FOR WORKS:
PdCon09 is the "Third International Puredata Convention", to happen in São
Paulo-Brazil/July 2009
EMAIL: <<pdcon09(a)estudiolivre.org>>
NEWS (feb 15th):
- Online Submission procedure is opening on monday 16th!!!
- New Templates and Forms will be posted when the submission is opened!
- WE HAVE A NEW DEADLINE FOR THE SUBMISSION OF WORKS, MONDAY MARCH 15TH OF
2009!!!
ABOUT THE EVENT:
Puredata, or just Pd <http://puredata.info/>, is an open source tool for
multimedia programming. Because of its open source nature, much of its
development result from a community effort of developers worldwide. Some
centers do have more people engaged, like the places that held the two
previous conventions.
the first convention took place in Graz, Austria, in 2004
http://puredata.info/community/projects/convention04/. The second happened
in Montreal, Canada, in 2007 http://pure-data.ca/en/. It is a great
satisfaction that we continue this event by bringing it to yet another
continent, with the intent to promote the formation of an important group of
developers locally. In fact, in may of 2008, we had a national convention in
Brazil http://www.estudiolivre.org/tiki-index.php?page=Encontro%20PD, which
followed the same format of the previous international conventions, and
worked as a first gathering to organize this international event. The format
includes the show of artistic works, academic works, discussion regarding
the interests of the community, and diverse courses.
CALL FOR WORKS VS. 2.5 (FEB 15TH)
GENERAL CALL
We invite artists, producers, developers and further enthusiasts of the open
source tool Puredata to send works and projects alike in the following
categories:
A) Art Festival: (Art Installations, Concerts, Performances & Audiovisual
Presentations).
B) Mini-Courses & Workshops.
C) Paper Sessions/Posters.
D) Round Tables & Discussions.
Applicants are invited to submit in multiple categories, especially if
related (example: paper + artwork) - not that this will favor in the
selection process.
Please note we are looking for a diverse collection of works, hence there
might be a selection among several similar proposals (and more unique and
original ones might have some advantage).
Let us know if you have an institution support that may cover travel
expenses, we are looking for partnerships to help with funds.
The event will be held in Sao Paulo, Brazil, from July 19th to july 26th,
2009.
Possible (yet to be properly officialized) Locations & Partnerships:
- MIS, Sao Paulo's Museum of Image & Sound.
- PUC, School of Multimedia & Design.
- SESC-SP, Sao Paulo.
Promotional Support:
- CCSL (FOSS Competence Center) http://ccsl.ime.usp.br/
WE HAVE A NEW DEADLINE FOR THE SUBMISSION OF WORKS: MONDAY MARCH 15TH OF
2009!!!
Acceptance notice: APRIL 10th, 2009!
Here is the address to send works & questions to: pdcon09(a)estudiolivre.org
Addresses of the Official webpage for news updates & more info:
http://convention.puredata.infohttp://estudiolivre.org/pdcon09
Proposals for the Art Festival:
Performances, Concerts, Audiovisual Presentations & Art Installations (audio
And/Or Visual):
As it is the general concept of the event, we long for the discussion
regarding the aesthetics and politics of Free / Open Source Software Culture
& technology. In such context, we welcome all forms of works related to
audio and/or visual, including real-time interactive works, improvisations,
Live electronics/instrumental/electroacoustic mixes, Sound installations,
Performances, Network art, Robotics, Software Art and Interdisciplinary
works.
Demonstrations and General Info about Artistic works can be submitted online
in Portuguese, Spanish, or English. Please, specify the necessary materials
so we can do our best to provide them.
If language is a part of the artwork, the festival is open to any idiom,
although subtitles in English should be provided when applicable.
We look for art installations that adopted Puredata in its development.
Nevertheless, at the last extent, we are open for works realized under the
context of Puredata (using puredata in some part of the process) as well as
open source tools.
We are looking for partners to help us with tickets. Any suggestion is
welcome.
Note for ART-INSTALLATIONS (Audio And/Or Visual):
In order to avoid dependence on travel funds from the event, it would be
nice to have some works installed without the need for the artist(s) to be
on-site. This also implies that such works should be technically simple.
Call for Posters/Papers:
Abstracts and papers may be submitted in English. The works will be
organized in categories depending on what we receive. At first, we
contemplate a greater distinction into 3 categories: Technical, Artistic and
Theoretical.
The topics are generally open to the usage of Puredata in interactive art
production/research, the philosophy and social aspect of Free Open Source
Culture, and scientific research. Some possible themes could include:
- Programming Puredata externals
- Puredata versus Max/MSP
- Puredata versus SuperCollider, CSound, Processing and alike
- Hacking Puredata
- Future Projections for Puredata
- Hacktivist culture
- OpenContent and Creative Commons versus Intellectual Property forms
- Finding an Art Historical context for Open-Source Software Art
- Sampling and Plunderphonics as artistic strategies
- Computer-Supported Cooperative Work
- Networking
- Live Coding
- Philosophy, Culture and Sociology of Open Source Software and Open Works
- Aesthetics of New Media/New Technology Art
- Using Puredata in Science/Research & Artistic Works: (Digital Signal
Processing, Generative Works, Artificial Intelligence/Life & Computer-Aided
Work in General, User Interfaces - Human computer interaction/Virtual
reality interaction -, Realtime Performance, Auditory/Visual perception and
cognition, Acoustics/Psychoacoustics Modeling, Sound Synthesis, Timbre &
Sound Models, Biological and medical uses of Puredata.
And so on...
Check Submission of Works for Poster & Paper guidelines
If you wish to send a Poster, the limit is 4 pages, other works are limited
to 6 pages.
SUBMISSION OF WORKS:
Round Table and Discussions should be proposed on the puredata list:
http://lists.puredata.info/listinfo/pd-list, to be discussed and decided
upon previously by the community and participants in general.
The rest needs to be sent through our online system, with the provided Paper
Template And Forms
The online submission is due to open on monday, Feb 16th of 2009, check
http://convention.puredata.info for news and links. Questions about it must
be sent to <figocris(a)gmail.com>.
Poster Guidelines: 120cm height x 90cm wide
Papers are limited to 6 pages and must be submitted as PDFs.
If you wish to send a Poster, please send a short Paper limited to 4 pages.
We are studying the possibility of publishing the works online (both papers
& Posters) in digital/hypertextual format s well as in a printed version
with DVD-ROM.
---------------------
http://convention.puredata.info
pdcon09(a)estudiolivre.org
Please Check the info below, and the attached PDF... spread it out!
Thanks....
PdCon09/CALL FOR WORKS:
PdCon09 is the "Third International Puredata Convention", to happen in São
Paulo-Brazil/July 2009
EMAIL: <<pdcon09(a)estudiolivre.org>>
NEWS (feb 15th):
- Online Submission procedure is opening on monday 16th!!!
- New Templates and Forms will be posted when the submission is opened!
- WE HAVE A NEW DEADLINE FOR THE SUBMISSION OF WORKS, MONDAY MARCH 15TH OF
2009!!!
ABOUT THE EVENT:
Puredata, or just Pd <http://puredata.info/>, is an open source tool for
multimedia programming. Because of its open source nature, much of its
development result from a community effort of developers worldwide. Some
centers do have more people engaged, like the places that held the two
previous conventions.
the first convention took place in Graz, Austria, in 2004
http://puredata.info/community/projects/convention04/. The second happened
in Montreal, Canada, in 2007 http://pure-data.ca/en/. It is a great
satisfaction that we continue this event by bringing it to yet another
continent, with the intent to promote the formation of an important group of
developers locally. In fact, in may of 2008, we had a national convention in
Brazil http://www.estudiolivre.org/tiki-index.php?page=Encontro%20PD, which
followed the same format of the previous international conventions, and
worked as a first gathering to organize this international event. The format
includes the show of artistic works, academic works, discussion regarding
the interests of the community, and diverse courses.
CALL FOR WORKS VS. 2.5 (FEB 15TH)
GENERAL CALL
We invite artists, producers, developers and further enthusiasts of the open
source tool Puredata to send works and projects alike in the following
categories:
A) Art Festival: (Art Installations, Concerts, Performances & Audiovisual
Presentations).
B) Mini-Courses & Workshops.
C) Paper Sessions/Posters.
D) Round Tables & Discussions.
Applicants are invited to submit in multiple categories, especially if
related (example: paper + artwork) - not that this will favor in the
selection process.
Please note we are looking for a diverse collection of works, hence there
might be a selection among several similar proposals (and more unique and
original ones might have some advantage).
Let us know if you have an institution support that may cover travel
expenses, we are looking for partnerships to help with funds.
The event will be held in Sao Paulo, Brazil, from July 19th to july 26th,
2009.
Possible (yet to be properly officialized) Locations & Partnerships:
- MIS, Sao Paulo's Museum of Image & Sound.
- PUC, School of Multimedia & Design.
- SESC-SP, Sao Paulo.
Promotional Support:
- CCSL (FOSS Competence Center) http://ccsl.ime.usp.br/
WE HAVE A NEW DEADLINE FOR THE SUBMISSION OF WORKS: MONDAY MARCH 15TH OF
2009!!!
Acceptance notice: APRIL 10th, 2009!
Here is the address to send works & questions to: pdcon09(a)estudiolivre.org
Addresses of the Official webpage for news updates & more info:
http://convention.puredata.infohttp://estudiolivre.org/pdcon09
Proposals for the Art Festival:
Performances, Concerts, Audiovisual Presentations & Art Installations (audio
And/Or Visual):
As it is the general concept of the event, we long for the discussion
regarding the aesthetics and politics of Free / Open Source Software Culture
& technology. In such context, we welcome all forms of works related to
audio and/or visual, including real-time interactive works, improvisations,
Live electronics/instrumental/electroacoustic mixes, Sound installations,
Performances, Network art, Robotics, Software Art and Interdisciplinary
works.
Demonstrations and General Info about Artistic works can be submitted online
in Portuguese, Spanish, or English. Please, specify the necessary materials
so we can do our best to provide them.
If language is a part of the artwork, the festival is open to any idiom,
although subtitles in English should be provided when applicable.
We look for art installations that adopted Puredata in its development.
Nevertheless, at the last extent, we are open for works realized under the
context of Puredata (using puredata in some part of the process) as well as
open source tools.
We are looking for partners to help us with tickets. Any suggestion is
welcome.
Note for ART-INSTALLATIONS (Audio And/Or Visual):
In order to avoid dependence on travel funds from the event, it would be
nice to have some works installed without the need for the artist(s) to be
on-site. This also implies that such works should be technically simple.
Call for Posters/Papers:
Abstracts and papers may be submitted in English. The works will be
organized in categories depending on what we receive. At first, we
contemplate a greater distinction into 3 categories: Technical, Artistic and
Theoretical.
The topics are generally open to the usage of Puredata in interactive art
production/research, the philosophy and social aspect of Free Open Source
Culture, and scientific research. Some possible themes could include:
- Programming Puredata externals
- Puredata versus Max/MSP
- Puredata versus SuperCollider, CSound, Processing and alike
- Hacking Puredata
- Future Projections for Puredata
- Hacktivist culture
- OpenContent and Creative Commons versus Intellectual Property forms
- Finding an Art Historical context for Open-Source Software Art
- Sampling and Plunderphonics as artistic strategies
- Computer-Supported Cooperative Work
- Networking
- Live Coding
- Philosophy, Culture and Sociology of Open Source Software and Open Works
- Aesthetics of New Media/New Technology Art
- Using Puredata in Science/Research & Artistic Works: (Digital Signal
Processing, Generative Works, Artificial Intelligence/Life & Computer-Aided
Work in General, User Interfaces - Human computer interaction/Virtual
reality interaction -, Realtime Performance, Auditory/Visual perception and
cognition, Acoustics/Psychoacoustics Modeling, Sound Synthesis, Timbre &
Sound Models, Biological and medical uses of Puredata.
And so on...
Check Submission of Works for Poster & Paper guidelines
If you wish to send a Poster, the limit is 4 pages, other works are limited
to 6 pages.
SUBMISSION OF WORKS:
Round Table and Discussions should be proposed on the puredata list:
http://lists.puredata.info/listinfo/pd-list, to be discussed and decided
upon previously by the community and participants in general.
The rest needs to be sent through our online system, with the provided Paper
Template And Forms
The online submission is due to open on monday, Feb 16th of 2009, check
http://convention.puredata.info for news and links. Questions about it must
be sent to <figocris(a)gmail.com>.
Poster Guidelines: 120cm height x 90cm wide
Papers are limited to 6 pages and must be submitted as PDFs.
If you wish to send a Poster, please send a short Paper limited to 4 pages.
We are studying the possibility of publishing the works online (both papers
& Posters) in digital/hypertextual format s well as in a printed version
with DVD-ROM.
---------------------
http://convention.puredata.info
pdcon09(a)estudiolivre.org
Pure Data Basics: a Project-Oriented Workshop with Derek Holzer
Wednesday 11 March - Sunday 15 March 2009
11.00-19.00 daily with one hour lunch break
Final presentation Sunday 15 March, 19.00
Location: eNKa / ElsenStr. 52 (2.Hof) Berlin, Germany
Telephone: +49 (0)176 20626386
Course Participation fee: 100 euros
Registration is required for this workshop and can only be done via
email to: eNKa_NK(a)gmx.de
Please register early to ensure a place. Places are limited to 12.
Participants should indicate ahead of time what their background and
areas of interest are (sound, video, sensors, etc) as well as give a
short description of any project they might want to develop during the
workshop.
Pure Data is a powerful, free and open-source software environment for
producing and manipulating sound, image, data and connections to
sensors, motors and other "physical computing" functions, all in real
time. Because the programming is done visually, many artists find it a
more intuitive tool than traditional text-oriented programming
languages. This 5 day workshop will cover the basic "grammar" and
"vocabulary" of the Pure Data language through a mix of lecture and
demonstration in the mornings and project-based mentoring in the
afternoons. This workshop is open to those with no previous computer
programming experience, however basic computer literacy is assumed as
well as a working familiarity with either digital audio or video. A
manual-in-progress for Pure Data by Derek Holzer can be found here:
http://flossmanuals.net/puredata
5 DAY CURRICULUM
DAY ONE:
1) Meeting PD: the interface and how to play with it
2) Basic PD: participants learn to make a simple synthesizer, and
learn basic PD grammar in the process
3) Workshop: discussions of examples and work on student projects
DAY TWO:
1) PD audio: more on oscillators, noise, delays, feedback, filters and
signal analysis for all your sonic needs
2) Events in PD: participants explore the timing of events with
sequencers, delays, messages
3) Workshop: discussions of examples and work on student projects
DAY THREE:
1) Working with soundfiles: loading audio for use in samplers,
granulators and other file-based sound manipulation systems
2) Basic GEM: how to create simple 3D objects, play videos and get
camera input
3) Workshop: discussions of examples and work on student projects
DAY FOUR:
1) Physical PD: an introduction to physical computing using Pure Data
alongside a microcontroller-based board such as the Arduino or
xxxxxAVR/HID--or even a hacked USB gamepad--to work with sensors,
motors, lights, etc.
2) Workshop: discussions of examples and work on student projects
DAY FIVE:
1) Workshop: discussions of examples and work on student projects
2) The Wrap Up: public presentation of student works + closing party.
WHAT PARTICIPANTS SHOULD BRING
Essential:
1) Laptop running Linux, OS X or Windows
2) Pure Data Extended installed from: http://puredata.info/downloads
(please make sure it is Extended package!)
3) Soundcard
4) Headphones
Recommended/Suggested:
1) MIDI controller/keyboard
2) Microphone/piezoelectric contact microphone
3) USB Joystick/Gamepad
4) Sensors or other input devices (please bring your own sensors if
you are interested in working with them, as only a few light sensors
will be provided at the workshop)
5) Small motors or motor-driven objects
6) USB webcam/Firewire camera
7) Arduino boards (Available from Segor in Berlin: www.segor.de)
and/or the xxxxxAVR/HID board (http://www.1010.co.uk/avrhid.html,
please inquire via the xxxxx webpage about preordering!)
8) Your own projects and ideas to realize!
ABOUT THE INSTRUCTOR
BIOGRAPHY
Derek Holzer [USA 1972] is a sound artist with a background in radio,
webstreaming and environmental recording. His work focuses on
capturing and transforming small, unnoticed sounds from various
natural and urban locations, networked collaboration strategies,
experiments in improvisational sound and the use of free software such
as Pure-Data. He has released tracks under the Nexsound, Sirr,
and/OAR, Frozen Elephants Music, Mandorla and Gruenrekorder labels,
and has co-initiated several internet projects for field recording and
collaborative soundscapes including Soundtransit.nl. His recent
projects include the opto-electronic audiovisual performance
TONEWHEELS, solo performances for analog synthesizer and a manual for
Pure Data. He was also co-curator of the Tuned City event for sound
and architecture, which took place in Berlin during July 2008.
http://umatic.nl/info_derek.htmlhttp://www.myspace.com/macumbista
_______________________________________________
Pd-announce mailing list
Pd-announce(a)iem.at
http://lists.puredata.info/listinfo/pd-announce
_______________________________________________
Pd-list(a)iem.at mailing list
UNSUBSCRIBE and account-management ->
http://lists.puredata.info/listinfo/pd-list
Pure Data Basics: a Project-Oriented Workshop with Derek Holzer
Wednesday 11 March - Sunday 15 March 2009
11.00-19.00 daily with one hour lunch break
Final presentation Sunday 15 March, 19.00
Location: eNKa / ElsenStr. 52 (2.Hof) Berlin, Germany
Telephone: +49 (0)176 20626386
Course Participation fee: 100 euros
Registration is required for this workshop and can only be done via
email to: eNKa(a)gmx.de
Please register early to ensure a place. Places are limited to 12.
Participants should indicate ahead of time what their background and
areas of interest are (sound, video, sensors, etc) as well as give a
short description of any project they might want to develop during the
workshop.
Pure Data is a powerful, free and open-source software environment for
producing and manipulating sound, image, data and connections to
sensors, motors and other "physical computing" functions, all in real
time. Because the programming is done visually, many artists find it a
more intuitive tool than traditional text-oriented programming
languages. This 5 day workshop will cover the basic "grammar" and
"vocabulary" of the Pure Data language through a mix of lecture and
demonstration in the mornings and project-based mentoring in the
afternoons. This workshop is open to those with no previous computer
programming experience, however basic computer literacy is assumed as
well as a working familiarity with either digital audio or video. A
manual-in-progress for Pure Data by Derek Holzer can be found here:
http://flossmanuals.net/puredata
5 DAY CURRICULUM
DAY ONE:
1) Meeting PD: the interface and how to play with it
2) Basic PD: participants learn to make a simple synthesizer, and
learn basic PD grammar in the process
3) Workshop: discussions of examples and work on student projects
DAY TWO:
1) PD audio: more on oscillators, noise, delays, feedback, filters and
signal analysis for all your sonic needs
2) Events in PD: participants explore the timing of events with
sequencers, delays, messages
3) Workshop: discussions of examples and work on student projects
DAY THREE:
1) Working with soundfiles: loading audio for use in samplers,
granulators and other file-based sound manipulation systems
2) Basic GEM: how to create simple 3D objects, play videos and get
camera input
3) Workshop: discussions of examples and work on student projects
DAY FOUR:
1) Physical PD: an introduction to physical computing using Pure Data
alongside a microcontroller-based board such as the Arduino or
xxxxxAVR/HID--or even a hacked USB gamepad--to work with sensors,
motors, lights, etc.
2) Workshop: discussions of examples and work on student projects
DAY FIVE:
1) Workshop: discussions of examples and work on student projects
2) The Wrap Up: public presentation of student works + closing party.
WHAT PARTICIPANTS SHOULD BRING
Essential:
1) Laptop running Linux, OS X or Windows
2) Pure Data Extended installed from: http://puredata.info/downloads
(please make sure it is Extended package!)
3) Soundcard
4) Headphones
Recommended/Suggested:
1) MIDI controller/keyboard
2) Microphone/piezoelectric contact microphone
3) USB Joystick/Gamepad
4) Sensors or other input devices (please bring your own sensors if
you are interested in working with them, as only a few light sensors
will be provided at the workshop)
5) Small motors or motor-driven objects
6) USB webcam/Firewire camera
7) Arduino boards (Available from Segor in Berlin: www.segor.de)
and/or the xxxxxAVR/HID board (http://www.1010.co.uk/avrhid.html,
please inquire via the xxxxx webpage about preordering!)
8) Your own projects and ideas to realize!
ABOUT THE INSTRUCTOR
BIOGRAPHY
Derek Holzer [USA 1972] is a sound artist with a background in radio,
webstreaming and environmental recording. His work focuses on
capturing and transforming small, unnoticed sounds from various
natural and urban locations, networked collaboration strategies,
experiments in improvisational sound and the use of free software such
as Pure-Data. He has released tracks under the Nexsound, Sirr,
and/OAR, Frozen Elephants Music, Mandorla and Gruenrekorder labels,
and has co-initiated several internet projects for field recording and
collaborative soundscapes including Soundtransit.nl. His recent
projects include the opto-electronic audiovisual performance
TONEWHEELS, solo performances for analog synthesizer and a manual for
Pure Data. He was also co-curator of the Tuned City event for sound
and architecture, which took place in Berlin during July 2008.
http://umatic.nl/info_derek.htmlhttp://www.myspace.com/macumbista
Hello list,
Sorry only in french :
Il se tiendra le 14 et 15 février prochain deux workshops Pure Data à
Mains d'Oeuvres à Saint-Ouen.
Le workshop du 14 février s'adressera aux débutants et celui du 15
février aux personnes qui connaissent déjà l'environnement.
11H > 18H Salle STAR TREK (deuxième étage)
Par jour : 20 EUR TP - 15 € TR (Audoniens, chômeurs, étudiants, Rmistes)
Plus d'infos sur :
http://www.craslab.org
Pour les inscriptions :
formations(a)craslab.org
++
Jack