http://at.or.at/hans/pd/objects.html
A big update for the [arduino] object and matching firmware.
- protocol enhancements for clarity and flexibility
- digital inputs
- analog inputs
- hardware PWM outputs
Still to come:
- software PWM
- pulseOut (servo control)
Thanks to:
- Jamie Allen for help with the protocol redesign
- Gerda Strobl and Georg Holzmann for help patch and working PWM
- David Mellis, David Cuartielles, and Massimo Banzi for design
discussions
.hc
------------------------------------------------------------------------
As we enjoy great advantages from inventions of others, we should be
glad of an opportunity to serve others by any invention of ours; and
this we should do freely and generously. - Benjamin Franklin
I got this festival announcement and thought that it might be
interesting for netpd people.
Koray.
From: "((NOMUSIC))" <nomusic(a)altern.org>
Subject: (((NOMUSIC))) Festival X - Open Call
( ( ( N O M U S I C ) ) ) F E S T I V A L X
* * * Open Call to Net Audio Performers * * *
* http://www.nomusic.org - festival(a)nomusic.org *
-< 48 Participants >-
-< 24h Continuous Audio Streaming Festival >-
-< Realtime Simultaneous Dual Live >-
-< Audio Live Performing only via Internet >-
-< Creative Commons Audio License - No Archivz >-
-< Stream Live Audio - Double/Split Channel >-
Stream Start :
13th December 2006 (00h00 / 00:00am) [GMT+0 Greenwich Time]
Stream End :
13th December 2006 (23h59 / 11:59pm) [GMT+0 Greenwich Time]
Join Now the (((NOMUSIC))) FESTIVAL X !
Submit JOIN FORM Here :
http://www.nomusic.org > and then click JOIN
[Deadline : 15th October, 2006]
[Line-up results : 15th November, 2006]
* PRESENTATION :
(((NOMUSIC))) started on June 2001, according to the principle that a
diffusion site on Internet should correspond to the representation of
the
singular performances of a new generation of artists, musicians,
performers and other actors of the electronic scene. The creation of
this
open diffusion site proved to be necessary because of today’s difficulty
to perform disembodied concerts of electronic music on stage, in a
classical frontal (actor/audience) representation space.
Nowadays, these emerging new multimedia performances allow everybody to
approach music in a more singular way, with a different listening
practice
and on a more sharing scene.
Every year since 2001, (((NOMUSIC))) offers one or more festivals which
programming is geographically variable and which function is to relay
in a
coordinated way a 24 hours earth revolution of no-musicians @ home. This
virtual earth revolution materializes a world wide sound cover of 24
time
zones according to the universal time [GMT 0]. This gives to
participants
who are scattered all over the world the opportunity to take part in the
festival. The participation is free of charge and the recruitment is
made
exclusively on Internet through diffusion lists. The selection is not
made
according to practices and genres criterion but rather according to the
approaches and artistic positions which should echo the logic of the
festival.
(((NOMUSIC))) platform offers two types of live. In its classical form,
the participant plays alone at home for one hour. He can also play in
dual. Dual is a live in which two geographical sites are linked via
Internet and mixed together in stereo (participant 1 on the left channel
and participant 2 on the right one).
(((NOMUSIC))) wishes to generate improbable duals and gatherings between
two participants during one hour time in a web audio performance.
We make no storage because we think that Internet is a huge database
which
conveys already a great amount of dead informations and we don’t want to
pollute it further. We are thus in favour of instant access to a
selective
event. The mechanism of the programming is not automated; it is relayed
manually for 24 hours without any interruption by
laboiteblanche and Carl.Y., two real human routers who are at the
service
of continuous audio stream and who endure technical difficulties and
give
rapid formation on the technologies of streaming to all the
participants.
(((NOMUSIC))) stands between musical negation and anti-bruitism, in a
non-silent interstice of audio manifestation. It allows the
composer-performer to be his own auditor, in a place where nothing
should
be heard but just felt as a new entity to observe.
* FOUNDERS :
> From 1999 on, laboiteblanche and Carl.Y, have both experimented
streaming through series of interconnected web concerts and programming
via the site NOWEB thus creating a form of festival which dimension is
tailor-made for the web.
The support of the late CICV Pierre Schaeffer ’s residence at
Hérimoncourt [Fr] gave more opportunity for further development of the
interface system; it allowed also an access to a bandwidth of great
capacity, which is essential to bear the year after year rising load of
the connections. Technically speaking, (((NOMUSIC))) is now
autonomous and
provides its own lodging on Internet since the creation of the NOHOST
network.
laboiteblanche & Carl.Y play regularly together in concerts or on the
net,
from Berlin to Fournos via Paris or other cities. At the same time, each
of them develops different projects related to the new
technologies:
laboiteblanche : http://grandhoteldeparis.com
Car.Y : http://auditorium.noweb.org
* STATS :
* 5 years and 10 festivals
* 226 participants during 212 hours
* More than 8000 listeners from 25 countries over 4 continents
* SUPPORT :
(((NOMUSIC))) is a free, self-managing and independent festival which
diffuses under a Creative Commons License.
Enjoy your flight with us !
laboiteblanche & Carl.Y
(((NOMUSIC)))
http://www.nomusic.org
festival(a)nomusic.org
-------------------------------------
M.Koray Tahiroglu
Media Lab,UIAH
http://mlab.uiah.fi/~korayt/
tel: +358 50 939 02 33 ( in Finland only)
tel: +90 533 712 8245
"Survey on Musical Instruments"
[with apologies of cross posting]
*To all musicians (acoustic and digital instrumentalists) and composers*
We are doing a little survey on people's relationship with their
instruments and tools.
It is a comparative study of the differences between acoustic and
digital instruments
from the perspective of usability or ergonomics. Amongst many other
things, we are
interested in the experience of playing or composing for the different
instruments, but
also people's views on how the instrument/tool affects the musical ideas
and what can
be played/composed.
Please help us to get an understanding of these issues by filling out
the following survey:
http://www.ixi-software.net/survey
We will of course present our findings when processed with a research
paper and
online presentations.
Thanks in advance.
the ixi team
... and also announcing,
Version 0.09 of The Theory and Technique of Electronic Music is available
on:
http://www-crca.ucsd.edu/~msp/techniques.htm
This was a proofreading pass, in which I think over 1000 errors got
fixed... including a couple of major ones.
cheers
Miller
Bug fixes, many bug fixes... it's on:
http://crca.ucsd.edu/~msp/software.htm
CVS upload to come when I can get to the machine I can do that from...
cheers
Miller