Hi,
A new pre-release v0.1.0-beta7 of Camomile (a set of plugins with Pd
embedded) is available (https://github.com/pierreguillot/Camomile/releases)!
It's still a beta version but most of the bug has been corrected, the
general behavior won't change and for now the only improvement that I plan
is the documentation even if it has already been well updated (
https://github.com/pierreguillot/Camomile/wiki). I hope that the next
release will be the stable release v0.1.0!
Feedback are welcome.
Cheers
[apologies for cross postings]
Georgia Tech is now accepting applications for the MS and PhD programs in music technology for matriculation in August 2018. All PhD students, and a limited number of MS students, receive graduate research assistantships that cover tuition and pay a competitive monthly stipend. The deadline for applications is January 10, 2018.
Further details can be found in the attached flyer or at https://music.gatech.edu/graduate. An overview of active areas of research may be found at http://www.gtcmt.gatech.edu.
Feel free to contact me with any questions.
Best,
—Jason
--
Jason Freeman
Professor, School of Music
College of Design
Georgia Institute of Technology
jason.freeman(a)gatech.edu
http://www.jasonfreeman.net
NIME 2018 Call for submissions
Please pardon the cross-posting,
*A friendly reminder of the upcoming submission deadline January 20th,
2018, for the NIME 2018 international conference. The paper templates
and all other supporting information is available on the website
(**NIME2018.ORG <http://nime2018.org>). We sincerely look forward to
your submissions. In the meantime, should you have any questions, please
do not hesitate to contact us. ***On behalf of the entire committee I
wish you all a happy New Year.**
NIME (New Interfaces for Musical Expression) is the premier conference
in human-machine interfaces and interactions for musical performance.
NIME is a gathering of researchers, designers, musicians, who come
together to share knowledge, perform music, and build community through
research presentations, concerts, installations, and workshops.
On behalf of the 2018 NIME Committee I am pleased to announce that the
NIME 2018 "Mirrored Resonances" Conference call for submissions is now
officially open! Co-organized between Virginia Tech and the University
of Virginia, the conference will take place June 3-6, 2018 in
Blacksburg, Virginia. We welcome submissions of papers, posters, panels,
musical performances, installations, demos, and workshops, particularly
those that may respond to the overarching conference theme of “Mirrored
Resonances” and its thematic areas in any of the many ways they might be
interpreted. Likewise, we encourage potential participants to consider
exploring the unique Virginia Tech facilities, including the Institute
for Creativity, Arts, and Technology’s Cube with a massive high density
loudspeaker array. The deadline for the *double-blind peer reviewed
submissions*, including papers, panels, demo papers, music, and
installations is January 20th, 2018. Submissions created by January 20th
will continue to be editable until January 27th when the submission
process will close. Demos without paper and workshops will be *curated
*and have an extended submission deadline until March 1st, 2018. In
addition to the NIME and academic communities, we also invite industry,
as well as non-academic creatives to consider participating in the
aforesaid categories. For a complete list of important dates visit the
Participate <http://nime2018.icat.vt.edu/Participation/#dates> page.
We are excited to announce that the conference will feature four keynote
artists:
*Onyx Ashanti**
**Benjamin Knapp**
**Ikue Mori**
**Pamela Z*
If interested in sponsorship opportunities please do not hesitate to
contact us
<mailto:conference-chairs@nime2018.org?Subject=NIME%202018%20Sponsorship>
On behalf of the entire NIME 2018 Committee, we look forward to
welcoming you in Virginia next June!
Go to the website
<http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-r/>
NIME2018.ORG <http://nime2018.org>
Facebook <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-y/>
Twitter <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-j/>
Instagram <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-t/>
Website <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-i/>
Moss Arts Center
190 Alumni Mall
Blacksburg, VA 24060
Like <http://virginiatech.cmail19.com/t/j-fb-otlirdl-ydiykltyik-d/>
Tweet <http://virginiatech.cmail19.com/t/j-tw-otlirdl-ydiykltyik-h/>
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*Call for Proposals*
Deadline: 17.00 (GMT), Friday 12th January 2018.
In the forty years since the release of Brian Eno’s *Music for Airports *the
concept and aesthetics of ambient music have proliferated, influencing
artists as diverse as Taylor Deupree, Steven Wilson, David Lynch and The
Orb, infusing drone, microsound, minimalism and experimental electronic
music as well as aspects of contemporary instrumental music. The aim of
this two-day conference is to re-appraise ambient music in relation to
Eno’s milestone release.
Ambient@40 will be hosted in the newly opened Oastler Building at the
University of Huddersfield from Friday 23rd to Saturday 24th February. The
programme committee invites proposals for:
1. individual papers (20 minute presentation with 10 minutes for
questions and discussion);
2. performance and paper (10 minute per performance, 10 minute
presentation with 10 minutes for questions).
The committee welcomes proposals from academics, independent scholars,
research students and practitioners.
The conference will run alongside the Electric Spring Festival (
www.electricspring.co.uk) and an evening concert on Saturday 24th February
at the Festival will close the conference.
The program committee will also invite a selection of those giving papers
to write them up in the months following the conference (deadline June
2018) as book chapters for publication in late 2018 / early 2019.
*Submission and selection process*
All proposals should be submitted to Prof. Monty Adkins (m.adkins(a)hud.ac.uk)
by the deadline, Friday 12th January 2018 (17.00, GMT). Individual paper
submissions should include an abstract (350 words) and an author biography
(200 words). Performance and paper submissions should include a brief
overview of the audio presentation including technical resources required
(300 words), links to online samples of audio work, an abstract (350 words)
and an author biography (200 words).
The committee aims to notify proposal authors of its decision by Friday 19th
January 2018. Those selected will be asked to confirm their acceptance and
technical setup. The full programme will be announced online and booking
opened on Monday 22nd January 2018.
The Ambient@40 conference registration fee will be £50 (£30 for
students/concessions).
https://ambientat40.wordpress.com/
NIME 2018 Call for submissions
Please pardon the cross-posting,
*A friendly reminder of the upcoming submission deadline January 20th,
2018, for the NIME 2018 conference. The paper templates and all other
supporting information is available on the website (**NIME2018.ORG
<http://nime2018.org>). We sincerely look forward to your submissions.
In the meantime, should you have any questions, please do not hesitate
to contact us. ***On behalf of the entire committee I wish you all a
happy New Year.**
NIME (New Interfaces for Musical Expression) is the premier conference
in human-machine interfaces and interactions for musical performance.
NIME is a gathering of researchers, designers, musicians, who come
together to share knowledge, perform music, and build community through
research presentations, concerts, installations, and workshops.
On behalf of the 2018 NIME Committee I am pleased to announce that the
NIME 2018 "Mirrored Resonances" Conference call for submissions is now
officially open! Co-organized between Virginia Tech and the University
of Virginia, the conference will take place June 3-6, 2018 in
Blacksburg, Virginia. We welcome submissions of papers, posters, panels,
musical performances, installations, demos, and workshops, particularly
those that may respond to the overarching conference theme of “Mirrored
Resonances” and its thematic areas in any of the many ways they might be
interpreted. Likewise, we encourage potential participants to consider
exploring the unique Virginia Tech facilities, including the Institute
for Creativity, Arts, and Technology’s Cube with a massive high density
loudspeaker array. The deadline for the *double-blind peer reviewed
submissions*, including papers, panels, demo papers, music, and
installations is January 20th, 2018. Submissions created by January 20th
will continue to be editable until January 27th when the submission
process will close. Demos without paper and workshops will be *curated
*and have an extended submission deadline until March 1st, 2018. In
addition to the NIME and academic communities, we also invite industry,
as well as non-academic creatives to consider participating in the
aforesaid categories. For a complete list of important dates visit the
Participate <http://nime2018.icat.vt.edu/Participation/#dates> page.
We are excited to announce that the conference will feature four keynote
artists:
*Onyx Ashanti**
**Benjamin Knapp**
**Ikue Mori**
**Pamela Z*
If interested in sponsorship opportunities please do not hesitate to
contact us
<mailto:conference-chairs@nime2018.org?Subject=NIME%202018%20Sponsorship>
On behalf of the entire NIME 2018 Committee, we look forward to
welcoming you in Virginia next June!
Go to the website
<http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-r/>
NIME2018.ORG <http://nime2018.org>
Facebook <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-y/>
Twitter <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-j/>
Instagram <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-t/>
Website <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-i/>
Moss Arts Center
190 Alumni Mall
Blacksburg, VA 24060
Like <http://virginiatech.cmail19.com/t/j-fb-otlirdl-ydiykltyik-d/>
Tweet <http://virginiatech.cmail19.com/t/j-tw-otlirdl-ydiykltyik-h/>
Share <http://virginiatech.cmail19.com/t/j-li-otlirdl-ydiykltyik-p/>
Forward
<http://virginiatech.forwardtomyfriend.com/j-ydiykltyik-61B1A90A-otlirdl-l-x>
[Apologies for cross-postings] [Please distribute]
*Save the date: Linux Audio Conference 2018*
The 2018 Linux Audio Conference will take place at
*c-base, Berlin*
*7th -11th June 2018*
The LAC 2018 will feature a full program of talks, workshops and music.
Theofficial call for papers and works will be sent shortly after the
winter break -
so use the quiet of the holidays to think about possible submissions.
All relevant information will be made availableon:
http://lac.linuxaudio.org/2018/
All the best,
the LAC 2018 Organizing Team
--
Henrik von Coler
Elektronisches Studio, Fachgebiet Audiokommunikation
Electronic Music Studio, Audio Communication Group
Technische Universität Berlin
Fakultät I Geistes- und Bildungswissenschaften
Institut für Sprache und Kommunikation
Faculty I Humanities
Institute of Speech and Communication
Einsteinufer 17c, Sekr. EN 8, 10587 Berlin
Germany
Tel: +49 (0)30 314 22327
Fax: +49 (0)30 314 21143
voncoler(a)tu-berlin.de
www.ak.tu-berlin.de
Dear all,
We are happy to announce two new (tenured) associate professorships at
the University of Oslo:
*Associate Professor in Music Technology
<https://www.jobbnorge.no/ledige-stillinger/stilling/144977/associate-profes…>**
*The successful candidate will play an important role in building up the
new Master’s programme “Music, Communication and Technology
<http://uio.no/mct-master>”. The candidate should have experience with
network music making, including practical experience with real-time and
audio-visual technologies, and network-based communication. Additional
competencies could include virtual/augmented reality, motion capture,
new interfaces for musical expression, music information retrieval,
spatial audio, and entrepreneurship. The candidate must also show an
interest in novel teaching-methods, including “flipped classroom”,
problem-based learning, and guiding students in innovation and
entrepreneurship.
*Associate Professor in Popular Music Studies
<https://www.jobbnorge.no/ledige-stillinger/stilling/144996/associate-profes…>**
*Expertise within the broad field of popular music studies, across a
broad range of popular music genres, is required. The successful
candidate will have a solid theoretical and methodological grounding in
popular music studies, and must be critically informed and pioneering in
their approach to music research, with an identified specialism in the
field.
Please circulate through your networks and forward to relevant
candidates. Apologies for cross posting.
See also the other openings
<http://www.hf.uio.no/imv/english/about/vacancies/index.html> at the
Department of Musicology.
Best,
--
Alexander Refsum Jensenius, Ph.D.
Assoc. Professor, Department of Musicology, University of Oslo
<http://people.uio.no/alexanje/>
Deputy Director, RITMO Centre for Interdisciplinary Studies in Rhythm, Time, and Motion
<http://www.uio.no/ritmo/>
New book: "A NIME Reader"
<http://link.springer.com/book/10.1007/978-3-319-47214-0>
New master's programme: "Music, Communication & Technology"
<http://www.uio.no/mct-master/>
I've just released a Unity project for download that includes a Pure Data project with 20+ sfx patches & a generative music patch to create all the game audio using synthesis. It uses OSC for two directional communication with Unity which could be easily added to your own projects. I presented it at AES & MIGS a while back but haven't had enough time with running the school to get it out until now. I've also included standalone versions for PC & Mac so you don't need to install Unity but Pd is needed. Looking to get it working under the Heavy compiler in the future as well to allow for an entirely standalone version.
I hope those involved in procedural audio for games will find this project helpful. The full project is available for download from our school's website: http://School.VideoGameAudio.com
-Leonard
---
http://SoVGA.com