A few bug fixes, and a new naming scheme for buttons, and some other
random, minor things.
http://at.or.at/hans/pd/hid.html
In this version, standard joysticks and mice are supported almost
exactly the same in GNU/Linux and MacOS X. Tablets are supported in
GNU/Linux, but Wacom wrote a whack driver for MacOS X, so tablets are
not yet supported in MacOS X.
.hc
________________________________________________________________________
____
Man has survived hitherto because he was too ignorant to know how to
realize his wishes.
Now that he can realize them, he must either change them, or perish.
-William Carlos Williams
http://at.or.at/hans/pd/objects.html
I put up a new version of [autoscale] on a new page on my site. Now!
With added [reset( message!
.hc
________________________________________________________________________
____
There is no way to peace, peace is the way.
-A.J. Muste
I've been to this conference twice, in Montreal and Hamamatsu, Japan.
Its definitely quite fun and interesting. I am going to try to go to
this one too.
Begin forwarded message:
> From: tina blaine <tblaine(a)andrew.cmu.edu>
> Date: November 11, 2004 8:06:11 PM EST
> To: tblaine(a)andrew.cmu.edu
> Subject: NIME05 CFP - PLEASE FORWARD
> X-Mailer: Mulberry/3.1.5 (Mac OS X)
>
> IMPORTANT! This message has been blind-carbon-copied to you.
> Do not reply-to-all or forward it without the author's permission.
>
> APOLOGIES FOR THE RESEND, BUT PLEASE IGNORE THE MESSAGE ABOUT NEEDING
> MY PERMISSION TO FORWARD THIS CFP --- (CMU's email server
> automatically inserts this to BCC messages) PLEASE DISTRIBUTE FAR AND
> WIDE -- THANKS!
>
>
> International Conference on
> New Interfaces for Musical Expression
> Vancouver, Canada
> May 26-28, 2005
> http://hct.ece.ubc.ca/nime/2005/
>
> NIME 2005 Call for Participation
>
> On behalf of the NIME 2005 Committee, we extend an invitation to you
> to be part of the New Interfaces for Musical Expression conference.
> Please join us at the University of British Columbia in Vancouver,
> Canada for the latest developments in musical interface design and
> musical expression presented in papers, performances, demos and
> installations. NIME 2005 marks the 5th conference on new musical
> interface design to follow the initial NIME workshop at CHI 2001, and
> subsequent international conferences held in Dublin, Montreal and
> Hamamatsu. As in previous years, NIME 05 will provide a unique
> opportunity to converge with an audience of like-minded artists and
> technologists from around the world.
>
>
> PAPERS
>
> We invite the submission of research papers, reports, and posters on
> topics related to new musical controllers including, but not
> restricted to:
>
> * Design reports on novel controllers and interfaces for musical
> expression
> * Surveys of past work and/or stimulating ideas for future
> research
> * Performance experience reports on live performance and
> composition using novel controllers
> * Controllers for virtuosic performers, novices, education and
> entertainment
> * Perceptual & cognitive issues in the design of musical
> controllers
> * Music and motion and/or music and emotion
> * Movement, visual and physical expression with sonic expressivity
> * Musical mapping algorithms and intelligent controllers
> * Novel controllers for collaborative performance
> * Interface protocols (e.g. MIDI) and alternative controllers
> * Artistic, cultural, and social impact of new performance
> interfaces
> * Real-time gestural control in musical performance
> * Mapping strategies and their influence on digital musical
> instrument design
> * Sensor and actuator technologies for musical applications
> * Haptic and force feedback devices for musical control
> * Real-time software tools and interactive systems
> * Pedagogical applications of new interfaces - Courses and
> curricula
> * Performance rendering system (RENCON)
> * Evaluation criteria for evaluating rendered music (RENCON)
>
>
> DEMOS
>
> We encourage the submission of demos, either as part of papers and
> reports or as standalone contributions.
>
>
> PERFORMANCES
>
> We encourage artists, performers and conference presenters to submit
> proposals for performances and live demonstrations that employ new
> musical controllers, novel interface concepts, and/or new mapping
> systems that can be featured in the concert events.
>
>
> INTERATIVE SOUND INSTALLATIONS: *new this year*
>
> At the University of British Columbia, we are creating a new high-tech
> atrium that contains a multichannel sound and video scape platform
> that will be complete by December 15, 2004. The space is intended to
> house interactive sound and video installation works. As an experiment
> for this year's NIME, we are soliciting for proposals for an
> Installation Track to create interactive installation works in this
> space. Please contact the installation track chair for more details
> about this facility or if you are interested in submitting for the
> installation track.
>
>
> IMPROV SESSIONS: *new this year*
>
> For the first time at NIME there will be semi-organized improvisation
> sessions where scientists, engineers, artists and performers can
> interact with one another. Different configurations and groups will be
> put together based on types of sensors used for gesture recognition,
> genre of sound-mapping, ethnomusicological controllers, rhythm vs
> soundscape controllers, interfaces with motors, etc. There will be 3
> Improv Sessions in the afternoons everyday during lunch and then a
> final jam concert party on the final night. For more information
> contact the Improv Sessions Chair, Ajay Kapur.
>
>
> WORKSHOPS
>
> There are two one-day workshops scheduled the day before the main
> conference:
>
> * Mobile Music
> http://hct.ece.ubc.ca/nime/2005/mobilemusic.html
> * Engineering and Music
> http://hct.ece.ubc.ca/nime/2005/engineeringandmusic.html
>
>
> IMPORTANT DATES
>
> Jan 15, 2005: Submission deadline (interactive sound installation
> proposals)
> Jan 31, 2005: Submission deadline (performance proposals, papers,
> reports, demos, posters)
> Feb 7, 2005: Notification of acceptance for installations.
> Mar 14, 2005: Notification of acceptance for performances.
> Mar 15, 2005: Notification of acceptance for papers, reports, posters
> and demos.
> Mar 31, 2005: Early registration deadline.
> Apr 15, 2005: Program notes submission deadline (performances);
> final paper submission deadline (papers, reports,
> posters).
>
>
> CONFERENCE CHAIRS
>
> * Sidney Fels (ssfels(a)ece.ubc.ca)
> * Tina "Bean" Blaine (tblaine(a)andrew.cmu.edu)
>
>
> MORE INFORMATION
>
> http://hct.ece.ubc.ca/nime/2005/
>
>
>
>
>
>
>
http://at.or.at/hans/
Hi all,
I've released test 10 of pd 0.38 to the usual:
http://crca.ucsd.edu/~msp/software.html
this is on a new "stable_0_38" branch of CVS. If nothing breaks for a
couple of days I'll call it "0.38" and get back to trying to improve
stuff...
cheers
Miller
Finally, we have HID support for Pd running on MacOS X. The GNU/Linux
support should be pretty solid, the MacOS X support is very alpha, with
a number of bugs, including only being able to access one device at a
time.
http://at.or.at/hans/pd/hid.html
.hc
________________________________________________________________________
____
Using ReBirth is like trying to play an 808 with a long stick.
-David Zicarelli
hi all ...
i created a devel_0_38 branch that is based on miller's 0.38-test7 ...
i would strongly suggest to deprecate devel_0_37 and work on devel_0_38.
most of the features of devel_0_37 are still available and i hope i
haven't missed or broke anything ...
have a lot of fun with it ...
cheers ... tim
--
mailto:TimBlechmann@gmx.de ICQ: 96771783
http://www.mokabar.tk
After one look at this planet any visitor from outer space
would say "I want to see the manager."
William S. Burroughs
hola;,
before going to piksel ( http://www.piksel.no/piksel04/ ),
i will make that little code freeze
and release that version, just to have a reference implementation
we can start talking about.
from the CHANGES.LOG :
################################################################
0.12.17 ( codename No pasa nada )
added pdp_theorout~ : theora file recorder
fixed pdp_theorin~ : fixed buggy end of file detection
fixed pdp_theorin~ : now, it's able to read files without sound
added pdp_cropper : a video cropper for image compositing
( see patch cutandpaste.pd )
added pdp_background : a simple background generator
modified pdp_ocanvas : added an alpha channel for each source
modified pdp_text : added an alpha channel ( global )
################################################################
ya esta, next step will be to add some theora streaming object,
but i'm really not sure to go the flumotion way
( although it works here ),
but as regards to the way some enterprises want
to take hold of it.
i'd rather stream through icecast2 ( and this works too )
the URL : http://ydegoyon.free.fr/pidip-0.12.17.tar.gz
( sorry, linux only )
hasta luego,
sevy
hoola please send information about the worshop
will be on sunday at 11:00 to 14:00 ¿?
is the pd worshop of art furura ¿?
gracias ivan and davis form barcelona
>From: "B. Bogart" <ben(a)ekran.org>
>Reply-To: pd-list(a)iem.kug.ac.at
>To: pd-announce(a)iem.at
>CC: solu(a)solu.org, jaume(a)riereta.net
>Subject: [PD-announce] Last Announcement for pixelTANGO workshop in
>Barcelona
>Date: Fri, 29 Oct 2004 12:58:55 -0400 (EDT)
>
>Hello all,
>
>This will be my last public invitation to pixelTANGO workshop(s) I'm doing
>here in Barcelona. I've been told these workshops are free, meaning you
>should not have to pay at the front to get into the workshops.
>
>All the Open Territories workshops will happen between 11:00am and 3:00pm
>at Mercat de les Flors, on the second floor in a smaller lecture theatre
>overlooking the square. Go up the elevator or the stairs to find it.
>
>There will be three workshops:
>
>lightTWIST (correction projection system) 11h to 12h
>nSLAM (multi channel ogg streaming in PD) 12h to 1h
>pixelTANGO (visual performance abstractions for PD) 1h to 3h
>
>All three will probably all be of interest to PD enthusiasts.
>
>For the pixelTANGO workshop please bring a computer (g4 mac recommended).
>I'll be uploading a tarball today so that people can play with the
>software. Right now its just a bunch of abstractions, help files and
>externals you have to put into the proper PD locations, so installation
>can be a bit tricky. If you want to try and get it to work in Linux please
>do! It depends on Gem 0.90, Zexy, popup, prepend and entry (last three
>from CVS).
>
>From the readme:
>
>pixelTANGO (pt) is a set of abstractions and externals, for pd/Gem, that
>make using pd and Gem easier, faster and more satisfying. (for new pd/Gem
>users)
>
>The purpose of pt is to balance usability and ease of learning with
>programmability, modularity and flexibility.
>
>This balance means that pt will always be playing catch-up to build easy
>interfaces to the ever growing complex functionality of Gem.
>
>This means that pixelTANGO will be used with Âtraditional pd/Gem
>programming for and by artists to create performances as well as
>contribute more specialized pt modules back to the community.
>
>In other words it is a set of high-level abstractions that was in
>discussion at the Graz conference. Particularly for video powered by Gem.
>(In theory the achitecture should work with PDP as well, which would give
>some of the features like smooth interpolation, built in state-saving and
>OSC remote control etc..)
>
>I hope to see you at 1:00 on saturday the 30th at Mercat de les Flors on
>the second floor.
>
>Ben Bogart
>
>
>
>
>_______________________________________________
>PD-announce mailing list
>PD-announce(a)iem.at
>http://iem.at/cgi-bin/mailman/listinfo/pd-announce
_________________________________________________________________
Móviles, DVD, cámaras digitales, coleccionismo... Con unas ofertas que ni te
imaginas. http://www.msn.es/Subastas/
------------------------------------------------------------
ICMC 2005 -- Free Sound
International Computer Music Conference
September 5-9, 2005. Barcelona, Spain
http://www.icmc2005.org/
------------------------------------------------------------
SUMMARY OF DEADLINES
Music, video, and installations -- February 5, 2005
Papers, posters, and demonstrations -- March 5, 2005
Panels, workshops and special events -- April 5th, 2005
Exhibitors -- June 5th, 2005
CALL FOR PARTICIPATION
The Phonos Foundation, the Pompeu Fabra University of Barcelona, and the
Higher School of Music of Catalonia in conjunction with the International
Computer Music Association, is proud to announce ICMC 2005. The conference
will take place in Barcelona, Spain, from the 5th to 9th of September 2005,
with pre-conference workshops on September 1st and 2nd.
ICMC is the pre-eminent annual gathering of computer music practitioners
from around the world. Its unique interleaving of professional paper
presentations and concerts of new computer music compositions creates a
vital synthesis of science, technology, and the art of music.
By choosing 'free sound' as this year's leitmotif, we aim to emphasise the
idea of freeing sound from its current aesthetic, technical and legal
confines. We wish to promote an open discussion on the extent to which
sound is considered a community asset -- an asset that belongs to society
and cannot be privatised. Thus, we encourage contributions that emphasise
these and related topics.
We invite original contributions in all areas of the computer music field in
a number of formats. However, we are also open to any proposal, and
encourage all submissions, including those that do not fit the categories
below.
We issue the following calls:
* Call for music, video, and installations (deadline February 5, 2005)
We invite submissions of electroacoustic music, video, and installation
works that reflect the diversity of the field. Opportunities exist to
combine digital resources with a variety of instrumental ensembles. For
further details visit
http://www.icmc2005.org/index.php?selectedPage=76
* Call for papers, posters, and demonstrations (deadline March 5, 2005)
We invite submissions for papers, posters, and demonstrations examining the
aesthetic, compositional, educational, musicological, scientific, or
technological aspects of computer music and digital audio. For further
information visit http://www.icmc2005.org/index.php?selectedPage=73
* Call for panels, workshops and special events (deadline April 5th, 2005)
We invite proposals for panel sessions, workshops and special events,
especially those with relevance to the conference theme of 'free sound'.
* Call for exhibitors (deadline June 5th, 2005)
The conference will provide a forum for the world's leading music technology
companies to showcase their latest product information and for schools and
institutions to highlight their educational programs. We invite submissions
from interested parties.
To promote the idea of 'free sound', the organisers of ICMC 2005 are setting
up the Free Sound Project, a website dedicated to the sharing and usage of
copyleft [1] sounds. Thus, we are making a special call for copyleft sounds
with no specific deadline. For more information, visit
http://www.icmc2005.org/ in the near future.
For detailed information on the conference, and submission formats, visit
http://www.icmc2005.org/
To keep up to date with all of the latest news and information about ICMC
2005 please subscribe to our mailing list by visiting
http://www.icmc2005.org/index.php?selectedPage=64
We are looking forward to your contributions!
The ICMC 2005 Team
---
[1] http://www.gnu.org/copyleft/copyleft.html