Hello list,
As last year, there are two pd workshops in July and August at Imal
(Brussels/Belgium).
1st workshop (4 days) :
"PureData, une introduction"
from july 27th till july 30st, 2010
With Jack/RYBN
2nd workshop (4 days) :
"PureData, 3D Temps Réel et modèles physiques"
from august 3rd till august 6th, 2010
With Nicolas Montgermont
there are also some other related workshop (arduino, processing, ...)
Registrations and information :
http://www.imal.org/AteliersArtNum
come in Brussels!
++
Jack
Dear colleagues,
Please find enclosed informations about the „Sound in immersive
digital performance environments“ workshop within steirischer herbst
festival in Graz (Austria).
Best regards,
Gerda Strobl
-----------------------------------------------------------------------------------------------
Apologies for multiple posting!
------------------------------------------------------------------------------------------------
Sound in immersive digital performance environments
12/10 – 14/10, IEM Graz
By CREW (B): Eric Joris and Vincent Jacobs, Gerhard Eckel (IEM, AT)
and Martin Rumori (DE)
CREW is a Belgian based performance company working on the cross-road
of performance art and new technologies. The CREW workshop in Graz
will be organized in close collaboration with IEM and will focus on
the use of sound and music as a performative tool for immersive
digital environments. The workshop is limited to 4 participants with a
good knowledge of technologies for recording and spatialization of
(ambisonic) sound and a creative interest in multi-disciplinary
environments.
Research question of the workshop:
The technology used by CREW to create its immersive environments
implies a Head Mounted Display (HMD) that offers visitors omni-
directional video-based images. The device enables the visitor to
physically move around and walk inside visual and auditory
environments (virtual and live) and it enables him to interact with
this environment. The visual and auditory material can be organized
and edited.
The immersive nature of this implies a high and continuous feeling of
'presence'. Sound and music strongly relate to this notion of
presence. In the workshop we will explore strategies for the
production of meaningful sound (or music) for this immersive
environment and address aspects related to the conceptualizing, the
making, the recording, the editing and the postproduction of a sound
field. Participants will work on editing and montage examples that
integrate auditory, visual and tactile experiences.
steirischer herbst festival:
The workshop is part of the EU-subsidised research project on “New
Media, Performing Arts and Spectatorship”, and within this context the
major performance project ”Immercity” will be developed and shown next
year at steirischer herbst.
Please find detailed information and the application modalities directly
on
http://www.steirischerherbst.at/2010/english/calendar/calendar.php?eid=103
(Deadline for applications is 31/07/2010).
Best whishes,
Gerda Strobl
Gerda Strobl
steirischer herbst
24/09 – 17/10/2010
Sackstraße 17 / 8010 Graz / Austria
t +43 316 823 007 82 / f +43 316 823 007 77
http://www.steirischerherbst.at
sorry for xyz, please >> <<
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| | |__| | | | ____ | | ___|_ | _____|
| | | | | |_ | | | | |_|_ | |_______
|_|_ |_| |___| |_| |_| |_| |_________|
|_|_ ____ _______ _________
|_| _|____|_ | _____|_ |___ ___|_ _
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from | __ | | _ _| | |
4 to 7 | | |_ | | | |_|___ _|_|
NOVEMBER 2010 |_| |_| |_| |___| |_|
*CALL FOR PROJECTS*
The sixth edition of make art – in-between design: rediscovering
collaboration in digital art – will take place in Poitiers (FR), from
the 4th to the 7th of November 2010.
make art is an international festival dedicated to the integration
of Free/Libre/Open Source Software (FLOSS) in digital art.
make art offers performances, presentations, workshops and an
exhibition, focusing on the encounter between digital art and free
software.
*in-between design: rediscovering collaboration in digital art*
Today's market production accelerates the spread of non-critical and
standardized aesthetics, by means of locked top-down distribution
mechanisms and a series of tools that enforce it. At the same time
new forms of methodologies inspired or powered by free software,
participatory practices and peer-to-peer networks are fueling many
Internet subcultures. Some of these emerging practices will lead to
competitive social productions, while other will remain as pure
artistic experiments.
By adopting production and distribution methods based on free software
and open standards and by sharing the sources of one's work with
others, the collective knowledge base and aesthetic sensibilities can
freely interact to explore uncharted, hybrid directions which no
longer reflect the supremacy of a single idea.
- Does the sharing of artworks "recipes" and tools help debunk
the myth of the isolated design genius?
- By leaving the possibility of ongoing development and refinement,
is it possible to ever produce a "final" design?
- Can these methods and technologies inspire new forms of creation or
tools, beyond self-referential productions?
- Is it wishful thinking to approach collaborative graphical design
in the same way as an open source software project?
- Is Free and Open Source licensing a catalyst for creation or does
it add an extra level of complexity?
- Can the limitation of one license trigger new forms of constrained
creativity?
We're currently seeking new, innovative media art and design works and
projects focusing on the above theme and questions:
- graphical artworks and installations
- lectures
- project presentations
- software and hardware demos
We're also seeking audiovisual performances that will take place
during the festival evenings.
The submitted projects must fit this focus and be made in a free/libre
and open source environment, this includes both its optional
dependencies or production tools and the operating system. We are
asking you to publish the sources of your project under a free culture
license of your choice or release it into the public domain.
Projects that do not meet these criteria will not be considered.
*How to apply*
Submission form and a list of additional requirements are available at:
http://makeart.goto10.org/call/
Deadline: *Saturday 31 July 2010*
Incomplete or late applications will not be processed.
*Timeline*
31st of July 2010 – Deadline call for proposals
Beginning of September – Selected projects notifications
4th-7th of November 10 – make art 2010 - Poitiers (FR)
For examples of previous editions, please visit the archives :
http://makeart.goto10.org/
make art is powered by GOTO10
http://puredata.info/community/NYCPatchingCircle
We are reviving the New York City Patching Circle and making it a
monthly thing! Every third Sunday of the month, we'll be meeting at
NYC Resistor. Last month we worked on Gem and laid plans for an
object based on Mac OS X's IOSurface to allow different programs like
Pd/Gem, Quartz Composer, etc. to share textures in the GPU.
We spend enough time alone staring at our computers; we are proposing
to work together. So often issues that arise when working can be
solved with a quick two minute discussion that would take hours to
solve alone. We have Dorkbot to see people's work, we have Share where
anyone can play, we have workshops and universities to learn from.
This is a meeting where we all can come to work.
This is an informal gathering of patching and patchers (Pd, Max/MSP/
Jitter, and even vvvv, Eyesweb, Labview, etc.). Beginners and
Experienced welcome. Open to everyone, students, the public, etc. Work
on school projects, personal projects, ask for help, help others, or
just patch quietly to yourself, in a room full of other people
patching patches and helping other people patch.
Every third Sunday of the month, so this Sunday, July 18th!
noon-6pm
Directions
NYC Resistor, http://www.nycresistor.com/
87 3rd Avenue, (between Bergen and Dean), 4th Floor
Brooklyn, NY 11217
Tel. +1.347.850.4872 or +1.347.586.9270
2/3/4/5/B/D/Q/N/R to Atlantic/Pacific
LIRR to Atlantic Terminal
F/G to Bergen
Hello,
For those who want to participate to translate Floss manual pd ->
english to french... I forward this message...
Thanks.
Cheers
p.
---------- Message transféré ----------
De : INFOS Centre de Ressources Art Sensitif
Date : 16 juillet 2010 20:02
Objet : [Fwd: Re: Floss Manual et Pure data]
Bonsoir,
La chargée des flossmanuals france, Elisa Godoy de Castro Guerra, a
créé une liste de diffusion pour commencer à constituer un groupe de
personnes interessées et lancer les discussions.
Pour s'y abonner envoyez un courriel à
floss-manual-francophone+subconfirm (arobse)) googlegroups.com
<http://groups.google.fr/group/floss-manual-francophone>
Pour écrire à Elisa : elisa.dcg (arobse)) gmail.com
Je vous laisse diffuser l'info + largement.
à+
Agnès
--
Yi Sang à Paris, du 23 juin au 4 juillet 2010.
http://www.yisang.fr/http://tinyurl.com/2fjt6jqhttp://www.pascsaq.org
-r-W-x-R-W-X-R- x
autobuild/wheel
---------------[18608128 - s-ile-nses]
@@@@@@@ ;-)
Hey all,
NYC Resistor has regular 'study groups' where people come to work on
the same topic, this Wednesday (tomorrow) the topic is Android. Its
an open environment to come work on Android projects with others who
are doing the same time. A few of us will be focusing on the Pd port
to Android.
This Study Group is part of a regular series of such events at NYC
Resistor, other topics have been Android, Pure Data, Blender, and
Python. Check the website for the upcoming schedule, or subscribe to
the calendar:
http://nycresistor.com
Wednesday, July 14th
6-9pm
87 3rd Ave, 4th Floor, Brooklyn
I worked on the Magnum Photos exhibit, that's where I've been for the
past week or two. The opening is tomorrow, in conjunction with some
interesting stuff on the floor below. Come join in if you are
nearby. The whole thing was realized using Pd-extended/Gem on 10
Ubuntu/Lucid Dell computers and one Mac mini.
> The FLAG Art Foundation
> invites you to the opening of
> SUMMER @ FLAG
> Thursday, July 8
> 6-8 PM
> The FLAG Art Foundation, 545 West 25th Street, 9th Floor
>
> 9th FLOOR
> Noriko Ambe
> - ARTISTS BOOKS, Linear-Actions Cutting Project
> - pronounced KIRU means cut in Japanese. This solo exhibition of New
> York based artist Noriko Ambe is comprised of a specific selection
> of artist books that were the result of an ongoing exploration by
> the artist. Utilizing twenty art monographs from artists such as
> Damien Hirst, Andy Warhol, and Tom Friedman, Ambe has meticulously
> cut hundreds of varying shapes and lines into each page of each
> book, creating intricately controlled biomorphic and sculptural
> fissures. Immersing herself in the body of work encompassed by each
> monograph, Ambe evaluated the nature of her connection with each
> artist and specific works - this aided in her decision of what to
> subtract and what to reveal.
>
> Jennifer Dalton
> MAKING SENSE
> Like an archaeologist of the present-day, Jennifer Dalton collects
> and examines cultural information, organizes and evaluates this
> information according to her own personal criteria, and then
> displays her findings. These displays take the form of drawings,
> photographs or sculptural installations consisting of assembled or
> handmade objects. In Making Sense, she analyzes the cultural
> institutions Facebook, the New Yorker, and Artforum, testing her own
> biases and hypotheses and applying taxonomies where they might not
> be expected. Her process is quasi-scientific, at the intersection
> where apparently objective data encounters low-tech and personal
> methods and conclusions.
>
> Robert Lazzarini
> guns, knives, brass knuckles
> guns, knives, brass knuckles, is an installation and exhibition of
> sculpture by New York based artist Robert Lazzarini. All of Robert
> Lazzarini's sculptures of the past decade begin with what the artist
> calls a 'normative object'. The works in the exhibition start with a
> set of common kitchen knives (chefs, paring, pruning, cleaver,
> etc.), a .38 Smith & Wesson Model 10 revolver, and a unembellished
> pair of brass knuckles. These objects are then subjected to
> mathematical distortions and fabricated out of the materials that
> are original to the objects themselves: blued carbon steel and
> walnut for guns, stainless steel, wood and plastic for knives; and
> yellow brass for brass knuckles. The combination of these
> distortions with the lack of any conventionally artistic 'material
> translation' (e.g. a car out of cardboard; flesh out of marble)
> renders these objects familiar yet strange and difficult, quite
> literally, to grasp. In canting the gallery's walls, Lazzarini
> extends the dislocation exercised on his objects to the space of
> their display. This altered environment not only further subjects
> one's perceptions to a kind of visual slippage, but also connects
> Lazzarini to a lineage of artists, from Richard Serra to Alberto
> Giacometti, distinctly concerned with processes of perception and
> visual abstraction.
>
> 10th FLOOR
> The Magnum Mark
> SELECTIONS FROM THE MAGNUM PHOTOS ARCHIVE
> The signature styles of Magnum's photographers and their commitment
> to documenting the world have brought each of them individual
> acclaim. But it is their collective and it's archive, with its
> wealth of iconic images, that have guaranteed their influence on
> Twentieth and early Twenty-First Century visual culture. As digital
> technology usurps analogue, in both the taking and distribution of
> photographic work, the physical print archive, once at the heart of
> Magnum's business, has taken on a new role as a resource for
> scholarship and exhibition. This exhibition sets out to celebrate
> the legacy of Magnum's print archive, uncovering the processes
> behind traditional, manual, image dissemination, interpreting the
> mysterious marks on the back of press prints and demonstrating the
> craft of printing Magnum's famous photographs. It also looks to our
> digital future, in which technological innovation and the world wide
> web have created exciting new models to deliver, and re-interpret
> Magnum's photography.
>
> Featured within the exhibition will be previously unseen press
> prints, darkroom "print maps", original contact sheets and
> additional ephemera from Magnum's New York archive alongside a new
> media component.
>
>
> 545 West 25th Street, 9th Floor
> New York, New York 10001
> www.flagartfoundation.org
>
>
>
>
> Forward email
*MEDIALAB-PRADO*
Plaza de las Letras
C/ Alameda, 15
28014 Madrid (Spain)
+34 913 692 303
www.medialab-prado.es
*
*_
_
Interactivos?'10: Neighborhood Science
*Art and new techologies showcase through July 31, 2010 @ Medialab-Prado
(c/ Alameda, 15, Plaza de las Letras in Madrid)
*_
Madrid, July 2010_
Medialab-Prado presents "Interactivos?'10: Neighborhood Science" digital
art exhibition, where ten prototypes developed by nearly 70 artists,
scientifics, teachers, designers and a variety of professionals,
students and fun of DIY and DIWO (Do It With Others) will be on showcase.
This exhibition aims to offer a new and experimental point of view about
what you can do with low cost tools applied ot the work with the local
environment, urban ecology, citizen collaboration networks, etc.
Visitors will be able to "listen" to satellites surrounding us (Birds
Within); research urban water analisys methods (Lilipod); easily create
solar powered electronic devices (Open Solar Circuits) and participate
in a discarded objects project (re:tag), among others.
Free admission.
More information:
http://medialab-prado.es/article/interactivos10_muestra_de_proyectos
Tue - Fri: 10 am - 8 pm
Sat: 11am - 8 pm
Sun: 11 am - 3 pm
--
Nerea García Garmendia
Comunicación / Press
Medialab-Prado
Área de Las Artes, Ayuntamiento de Madrid
Plaza de las Letras
Alameda, 15 28014 Madrid
Tfno. +34 914 202 754
difusion(a)medialab-prado.es
www.medialab-prado.es