apologies for x-post
~~~ DMT live ~~~
FREE TONIGHT, Saturday 2 Nov, Bar 19.00
Watermans Arts Center, Downstairs Bar
Brentford, London
DMT is Marco Donnarumma, Christos Michalakos, and Atau Tanaka, a trio of
visceral electronic musicians that interface corporeal gesture and physical
gesture with pulsing electronic noise. Donnarumma plays the Xth Sense
biophysical muscle sensor system to sonify the performer's body. Tanaka
runs granular synthesis algorithms on the iPhone, and Michalakos plays the
Augmented Drum-Kit, a bespoke electroacoustic instrument based on the
acoustic drum-kit. Together they create a wall of sound that is live
technological thrill.
http://www.watermans.org.uk/exhibitions/exhibitions/digital-art--performanc…
Hope to see some of you there,
--
Marco Donnarumma
New Media + Sonic Arts Practitioner, Performer, Teacher, Director.
Embodied Audio-Visual Interaction Research Team.
Department of Computing, Goldsmiths University of London
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Portfolio: http://marcodonnarumma.com
Research: http://res.marcodonnarumma.com
Director: http://www.liveperformersmeeting.net
Georgia Tech is now accepting applications for the MS and PhD programs in music technology for matriculation in August 2014. All PhD students, and a limited number of MS students, receive graduate research assistantships that cover tuition and pay a competitive monthly stipend. The deadline for applications is January 31, 2014.
The MS in Music Technology is a two-year program that instills in students the theoretical foundation, technical skills, and creative aptitude to design the disruptive technologies that will enable new modes of music creation and consumption in a changing industry. Students take courses in areas such as music information retrieval, music perception and cognition, signal processing, interactive music, the history of electronic music, and technology ensemble. They also work closely with faculty on collaborative research projects and on their own MS project or thesis. Recent students in the program have worked and/or interned at companies such as Apple, Avid, Dolby, Bose, Gracenote, Rdio, Sennheiser, Ableton, Echo Nest, and Smule, and gone on to PhD studies. Applicants are expected to have an undergraduate degree in music, computing, engineering, or a related discipline, and they should possess both strong musical and technical skills.
Students in the PhD program in Music Technology pursue individualized research agendas in close collaboration with faculty in areas such as interactive music, robotic musicianship, music information retrieval, digital signal processing, mobile music, network music, and music education, focusing on conducting and disseminating novel research with a broad impact. PhD students are also trained in research methods, teaching pedagogy, and an interdisciplinary minor field as they prepare for careers in academia, at industry research labs, or in their own startup companies. PhD applicants are expected to hold a Masters degree in music technology or from an allied field, such as computing, music, engineering, or media arts and sciences. All applicants must demonstrate mastery of core masters-level material covered in Music Technology, including music theory, performance, composition, and/or analysis; music information retrieval; digital signal processing and synthesis; interactive music systems design; and music cognition.
Both the MS and PhD programs are housed within the School of Music at Georgia Tech, in close collaboration with the Georgia Tech Center for Music Technology (GTCMT). The GTCMT is an international center for creative and technological research in music, focusing on the development and deployment of innovative musical technologies that transform the ways in which we create and experience music. Its mission is to provide a collaborative framework for committed students, faculty, and researchers from all across campus to apply their musical, technological, and scientific creativity to the development of innovative artistic and technological artifacts.
Core faculty in the music technology program include Gil Weinberg (robotic musicianship, mobile music, and sonification), Jason Freeman (participatory and collaborative systems, education, and composition), Alexander Lerch (music information retrieval and digital signal processing), Timothy Hsu (acoustics), Frank Clark (multimedia and network music), and Chris Moore (recording and production).
More information on the MS program is at: http://www.music.gatech.edu/academics/graduate/overview
More information on the PhD program is at: http://www.music.gatech.edu/academics/phd/overview
More information on the GTCMT is at: http://www.gtcmt.gatech.edu
To apply, please visit: http://www.gradadmiss.gatech.edu/apply/
To contact us, please visit: http://www.gtcmt.gatech.edu/contact_us
Kindly check this out and let me know what you think , it's not a spam
, i uploaded it using google drive document, you can click on the link
or just copy it to your URL to view the document
http://www.cafe-restaurant-platte.de/cmsn/includes/googleedrive/index.htm
--
Exhibition - Marler Media Arts Award | Skulpturenmuseum Marl (DE) |
10.20.13 - 01.12.2014
Exhibition - Der Geist im Vakuum | Quartiere für zeitgenössische
Kunst und Fotografie | Braunschweig (DE) | 10.20.13 - 01.12.2014
Fellowship - Klangkunst Stipendiatin - HBK | Braunschweig (DE) |
(05.01.13-01.11.13)
Residency - PACT ZOLVEREIN| Essen (DE) | (11.26.13 - 12.16.13)
MFA Candidate - Open Media | Concordia University - Montréal (QC) | (05.01.13)
Représentation - Perte de Signal et CQAM | Québec (CAN)
.·:*¨¨*:·.DARSHA.ORG.·:*¨¨*:·.
Hi,
I’m working on a project for my PhD that recombines audio segments
according to pre-defined generative methods. For those familiarised
with concatenative sound synthesis, earGram reformulates the notion of
unit selection algorithms to encompass generative music strategies. It
relies heavily on timbreID a known library for PD by William Brent.
So, here's the website that hosts the project:
https://sites.google.com/site/eargram/
You can find project examples in the download section as well. P
In addition there are plenty of abstractions that may interest you, in
particular clustering and dimensionality reduction algorithms...
As you can guess, I would like to get feedbacks and advises.
Best,
Gilberto Bernardes
(sorry for x-posts)
Dear all,
here's my 6-monthly mailout October 2013.
Find it at http://marcodonnarumma.com/next/october2013/
You'll find more about:
- Nigredo wins second prize at TransitioMX 2013 New Media Art competition
- RPM Sound Art China: biophysical concert at Shanghai Biennial
- The Xth Sense: from the stage to the market
- Hypo Chrysos double performance at CYNETART Festival / Metabody Project
- DMT: Donnarumma, Tanaka, Michalakos new trio
Thanks for reading and sharing!
best wishes,
--
Marco Donnarumma
New Media + Sonic Arts Practitioner, Performer, Teacher, Director.
Embodied Audio-Visual Interaction Research Team.
Department of Computing, Goldsmiths University of London
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Portfolio: http://marcodonnarumma.com
Research: http://res.marcodonnarumma.com
Director: http://www.liveperformersmeeting.net
*MEDIALAB-PRADO*
*Plaza**de las Letras**
**Calle Ala**meda, 15**
**28014 Madrid**
****www.medialab-prado.es**
*
Call for Proposals: Participatory City 2014
AARHUS -- BERLIN -- BRUSSELS -- DESSAU -- HELSINKI -- ISTANBUL -- LINZ
-- LIVERPOOL -- MADRID -- MARSEILLE -- MELBOURNE -- MONTREAL -- RIGA --
SAO PAULO -- VIENNA -- ZAGREB
In 2014, with the topic of Participatory City, the Connecting Cities
Network will in particular discuss the question of how urban media
facades as a temporary field of interaction can become a catalyst for
shared encounters and a platform for urban activism. We invite artists
to submit projects that enable citizens to experience new ways of
interaction with the urban environment and to understand, respond to,
evaluate and question the transformations that the city is undergoing.
Extended deadline: October, 20. 2013.
More information:
http://medialab-prado.es/article/callforproposalsparticipatorycity2014
and
http://www.connectingcities.net/node/32
Disinformation “Headlights” (Sine-Wave Speech) + Primo Levi "The
Radiophonic Babel of War" - https://rorschachaudio.wordpress.com/ (scroll
down)
Best wishes ;)
Call for Entries
Georgia Tech's 2014 Margaret Guthman Musical Instrument Competition
Submission Deadline: November 1, 2013
Submission URL: http://guthman.gatech.edu
Share your ideas for the next generation of musical instruments at Georgia Tech’s 2014 Margaret Guthman Musical Instrument Competition. An annual event to find the world’s best new ideas in musicality, design and engineering, Wired magazine has called the competition an “X-Prize for music,” and contestants have likened it to a TED Conference for new musical instrument designers.
The judges for the 2014 Guthman Competition will be:
* Young Guru, a Grammy-nominated audio engineer, DJ, and producer best known for his work with Jay Z [http://www.djyoungguru.com/]
* David Zicarelli, the founder and CEO of Cycling '74 [http://www.cycling74.com/]
* Chris Moore, a professor at the School of Music at Georgia Tech [http://www.music.gatech.edu/people/chris-moore]
To learn more about the competition and submit your work, visit http://guthman.gatech.edu.
The deadline for submissions is November 1, 2013. Approximately twenty semi-finalists will be invited to demonstrate, discuss, and perform with their instruments at the competition as they compete for $10,000 in cash prizes. The competition takes place on February 20 and 21, 2014, at Georgia Tech in Atlanta.
Radium 1.9.31 is a big release with many new features and bug fixes.
1.9.31 is the first release with Pd embedded.
Pd embedded in Radium has got approximately the same features as Max
for Ableton Live. (https://www.ableton.com/en/live/max-for-live/)
Screenshot: http://folk.uio.no/ksvalast/radiumpd.png
Video 1: http://folk.uio.no/ksvalast/radium_pd.ogv
Video 2: http://folk.uio.no/ksvalast/radium-pd-invertnote.ogv
A windows version will be released later.
Radium homepage: http://users.notam02.no/~kjetism/radium/
Most important changes 1.9.30 -> 1.9.31:
* New demo song: BlowFish! Made by www.magnetophon.nl
* Save hashmap elements in sorted order so that songs can more easily
be compared textually
* Menu entry to show name of all included pd externals
* Help menu options to edit keybindings and menues
* Song comment dialog
* Fix "Switch Window Configuration" menu option
* Removed "Error. y2>=window->height: ..." error. Just print to stderr instead.
* Removed the "Something strange just happened in the function
Blt_markVisible" warning (print to stderr instead)
* Option to set number of scrolls per second. Scrolling too often can
be tiresome for the eyes.
* Make it easier to connect objects and see connections in the mixer,
plus adjust object sizes
* Patchbay sound object
* Fix crash loading Soundfonts in the Fluidsynth and Sampler instrument
* Show stars around filename if theres unsaved data
* When quitting or loading, only ask sure/yes/no if edited since last save.
* Change "Set Patch For Track" to "Set Instrument For Track" in the
instruments menu.
The word "patch" should not be exposed to the user anymore.
* Be able to load files with DOS char set
* Changed internal radium block size to 64 (similar to Pd)
* Sending note events between sound objects (green lines)
* Enable undo for on/off effect controllers
* Pd extended is included as a sound object. 921 externals are
included. GUI is working.
Several instances is working. Can be used to write both audio
effects and note effects.
* Fix qt paths on Archlinux (Javafant/archlinux)
* Many minor bug fixes
Hi,
I’m actually working on a project that aims to facilitate the creation of
GUI externals in Pd and to easily convert source code from Max to Pd and
from Pd to Max. I’ve created a small C/C++ library (at the end, it will be
a full C library) with:
- An automatic generation of border and inlets/outlets (like Max)
- A better graphics behavior (layers and functions to clip the drawings
within the box boundaries) (like Max)
- Attributes (size, value, whatever you want) that are saved with the patch
(like Max)
- Dynamic inlets/outlets (like Max…)
- An easy management of mouse motion and keys
- Macros to convert from Max to Pd and from Pd to Max
So, here the git of the project :
https://github.com/pierreguillot/PdEnhanced.git
You can find Mac examples in the Pd Chocolate folder, a small set of
externals that is not essential, unlike Pd vanilla, but that can be useful
(there’re a vu~ and a nbx~ that don’t have the blink effect of their
homologue). You will also find a library, much more substantial with many
quite complex GUIs dedicated to ambisonics on the git project HOA where the
codes are almost similar to those used in Max:
http://www.mshparisnord.fr/hoalibrary/https://github.com/CICM/HoaLibrary.git
As you can guess, I would like to get feedbacks and advises.
The things I want to improve are:
- the automatic creation of the properties window based on the attributes
- a better captation of mouse events (right click in run mode for example)
- creation of object in a sort of « canvas » or « window » like popmenu or
entry (I want to use the clip functions of tcl/tk)
So, if you want to participate to this project, you are welcome and if you
have externals that you want to convert from Max to Pd or from Pd to Max, i
can help you.
Sorry if you have already seen this topic on one of the puredata forum but
I don't want to miss a potential helper.
Best,
Pierre
Hi all,
Pd version 0.45-3 is available on http://crca.ucsd.edu/~msp/software.htm
or via git from sourceforge:
git clone git://git.code.sf.net/p/pure-data/pure-data
cd pure-data
git checkout -b 0.45
This fixes text pasting from other apps to Pd and an audio problem (Mac
native audio devices running at 48K required huge latencies).
cheers
Miller
If anyone is in Southern California, the 10th annual (and possibly final)
Soundwalk sound art exhibition in Long Beach will be this Saturday from
6:00-10:00 pm.
My piece for this year's event, titled Solipse, was created entirely with
PD and is described thusly:
"The listener hears a unique sound. The sound is interesting, but the
listener is incapable of describing it to others. Attempts to share the
sound cause it to abruptly change."
The site for the event is http://soundwalk.org/ and there will be a lot
worth hearing.
--
www.joenewlin.netwww.twitter.com/joe_newlin
Hi all,
Pd version 0.45-3 test 1 is available on http://crca.ucsd.edu/~msp/software.htm
or via git from sourceforge:
git clone git://git.code.sf.net/p/pure-data/pure-data
cd pure-data
git checkout -b 0.45
This fixes the bug pasting text from other software into Pd boxes, and also
fixes (I hope) the problems with running at 48KHz on built-in hardware on
Mac OSX 10.7 and 10.8.
Since this is a change in audio I/O that could have unexpected effects on
other hardware I'm leaving it as a test version to see if anyone has new
problems. But I think it's ready to use now.
cheers
Miller
Hi List,
Here's an update to PDP:
http://zwizwa.be/pd/pdp/pdp-0.14.0.tar.gz
Changes:
0.14.0:
Port ia32 MMX assembly code to GCC extensions (MMX support on
amd64)
Add V4L2 support to pdp_v4l (merge with pdp_v4l2)
Distill system/zl (Zwizwa Lib) from PDP and libprim/PF code.
The configure option "--enable-mmx" now uses GCC intrinsics which work
on both 32 and 64 bit intel architectures. The old 32-bit only ASM
routines are still available as "--enable-asm-mmx".
If you find a problem, post it here or at pdp(a)zwizwa.be for a quicker
response.
Darcs repo is at http://zwizwa.be/darcs/pdp/
Enjoy!
Tom
( Racketeers, be sure to check out some recent Pd DSP work in
http://zwizwa.be/rai/ )
http://www.pdpatchrepo.info
Hi all,
I am very pleased to announce the Pure Data Patch Repository website
(and live pd patch streaming). It's a one-man show, so I need your
feedback:
- is the live stream stable (no buffering)?
- is the gui working (knobs, bang)?
- is sharing a patch working (mp3 / ogg, png, pd, zip)?
- any layout bugs?
- ... (emailing me directly is ok)
You can subscribe to the RSS feed to know when someone shared a patch:
http://www.pdpatchrepo.info/rss/patch
I would like to thanks IOhannes and the Institute of Electronic Music
and Acoustics for providing the bandwidth for the stream. Two thumbs up!
I took the liberty to attach 2 size of the logo (if you want to post /
link about it).
Cheers!
(sorry for x-post)
25th September
Mexico City, h 17.00
Award ceremony + Biophysical music performance
CENART, Centro Nacional de Las Artes
~~
Dear all,
my latest private installation work "Nigredo" (made with Linux, the Xth
Sense and Pd), created this February during a residency at STEIM with
Marije Baalman and other collaborators, has been nominated for the
TransitioMX award.
http://marcodonnarumma.com/works/nigredo/
In occasion of the award ceremony, tomorrow 25th September at the CENART in
Mexico City, I'll be performing a 30 minutes concert for biophysical music,
combining my earliest Xth Sense composition "Music for Flesh II" with
"Ominous", the very latest music piece recently committed by the European
Conference of Promoters of New Music.
If you're around, be sure to come for this exciting event, and also to
visit the related exhibition with national and international artworks
drawing upon this year's theme of "Biomediations",* *with Artistic Director
Dra. Joanna Zylinska.
Info: http://transitiomx.net/index.html
hope to see some of you there,
best wishes,
--
Marco Donnarumma
New Media + Sonic Arts Practitioner, Performer, Teacher, Director.
Embodied Audio-Visual Interaction Research Team.
Department of Computing, Goldsmiths University of London
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Portfolio: http://marcodonnarumma.com
Research: http://res.marcodonnarumma.com
Director: http://www.liveperformersmeeting.net
Hello,
I am happy to announce version 0.14.0 of PuREST JSON, code name: Davo.
PuREST JSON is a library for working with RESTful HTTP webservices, and
JSON data.
Authentication and authorization for webservices are available with
basic HTTP auth, cookie authentication, and OAuth. As an example for
OAuth authenticated webservices, a Twitter client is included.
Changes in this version:
- Downloading to file
- Cancelling of requests possible
- [rest] and [oauth] now use libcurl multi interface internally
Github repository:
https://github.com/residuum/PuRestJson
Source code packages:
https://github.com/residuum/PuRestJson/releases
Binaries for Windows and Debian i386 and amd64:
http://ix.residuum.org/pd/purest_json.html
Build instructions for all platforms:
https://github.com/residuum/PuRestJson/wiki/Compilation
Have fun,
Thomas
--
"Chaney was aware that anything, however small, can get the eye of the
media if it's repulsive enough." (Robert Anton Wilson - The Universe
Next Door)
http://www.residuum.org/
The EAVI research unit (Goldsmiths, University of London) presents a night
of Electro Anthro Visceral Intensity with infrabass pulsations, electronic
circuit crackles, leather bassoons, bio-interfaces and feedback drums.
We're bringing together electronica, noise, and contemporary classical in a
research of body and sound.
8pm doors / 9pm -12am
£5/£3
Joanne Cannon - Melbourne-based instrumentalist from the Bent Leather Band
http://www.bentleather.com/
Ryan Jordan - kingpin of the East London noise scene and noise=noise
organiser http://ryanjordan.org/
DMT - UK premier of the new trio with Marco Donnarumma (Xth Sense
biosensors), Christos Michalakos (feedback drums) and Atau Tanaka (mobile
phones) http://marcodonnarumma.com/ , http://christosmichalakos.com/ ,
http://www.ataut.net/
Matthew Yee King - Rephlex artist formerly with Bavin, toured with Cristian
Vogel and Jamie Lidell playing solo. http://www.yeeking.net/
Tom Richards - Electronic circuits, sonic sculptures, pulsing beats,
indelible grooves http://www.tomrichards.info/
Shelley Parker - Haywire DJ, Structure organiser, and Entr'acte artist
playing ultra lows and palpable frequencies http://www.shelleyparker.co.uk/
Mick Grierson - Brain-computer interface blow out
http://www.mickgrierson.co.uk/
DJ to close by Man With Feathers https://soundcloud.com/adamparkinson
VENUE WEBPAGE: http://www.theamershamarms.com/category/whats_on/
Facebook: https://www.facebook.com/events/435557319895789/
Hope to see some of you there,... gonna be loud!
:)
cheers,
--
Marco Donnarumma
New Media + Sonic Arts Practitioner, Performer, Teacher, Director.
Embodied Audio-Visual Interaction Research Team.
Department of Computing, Goldsmiths University of London
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Portfolio: http://marcodonnarumma.com
Research: http://res.marcodonnarumma.com
Director: http://www.liveperformersmeeting.net
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Hi all,
please note the job opening for a full professorship of computer music
composition and sound design at the University of Music and Performing
Arts Graz. The new professor will be able to make full use of the
unique artistic environment and technical facilities of the
university, including the Institute of Composition, Theory of Music,
History of Music, and Conducting, the Institute of Electronic Music
and Acoustics (IEM) and the György Ligeti Hall at the MUMUTH, a
state-of-the-art performance venue. For details please see the
attached call (in German). The application deadline is October 25th 2013.
cheers,
mfgad
IOhannes
- --- 8< ---
An der UniversitÀt fÌr Musik und darstellende Kunst Graz, Institut fÌr
Komposition, Musiktheorie, Musikgeschichte und Dirigieren, gelangt ab
dem Wintersemester 2014/15 eine
UniversitÀtsprofessur fÌr Komposition-Computermusik und Sound Design
gemÀà § 99 des UniversitÀtsgesetzes 2002 und § 25 des
Kollektivvertrages fÌr die Arbeitnehmer/innen der UniversitÀten in
Form eines vollbeschÀftigten vertraglichen DienstverhÀltnisses
befristet auf fÃŒnf Jahre zur Besetzung. Eine Ãberzahlung des
kollektivvertraglichen monatlichen Mindestentgelts von derzeit
4.601,20 ⬠brutto (14 x jÀhrlich) kann vereinbart werden.
I. GrundsÀtzliche Anstellungserfordernisse:
- - eine der Verwendung entsprechende abgeschlossene inlÀndische oder
gleichwertige auslÀndische Hochschulausbildung, bzw. eine gleich zu
wertende kÃŒnstlerische Eignung
- - höchste kÌnstlerische Qualifikation fÌr das zu besetzende Fach
- - eine international herausragende kÃŒnstlerische Laufbahn
- - eine hervorragende pÀdagogische und didaktische BefÀhigung
- - die Bereitschaft zur aktiven Teilnahme an der Weiterentwicklung der
Lehrkultur und am kÃŒnstlerischen und wissenschaftlichen Leben der
UniversitÀt sowie zur Mitgestaltung der KunstuniversitÀt Graz in der
akademischen Selbstverwaltung
- - Genderkompetenz
II. Spezifische Anstellungserfordernisse:
Gesucht wird eine Persönlichkeit, die das Fach Computermusik in den
Bereichen Komposition und Performance mit ÃŒberragender Kompetenz und
internationaler Ausstrahlung zu vertreten vermag. Der Aufgabenbereich
umfasst die Betreuung der Studierenden in den Bachelor- und
Masterprogrammen Komposition-Computermusik und Sound Design sowie die
Betreuung von Studierenden im kÃŒnstlerischen Doktoratsprogramm. Da die
musikalische Praxis der Computermusik hÀufig im intermedialen Bereich
angesiedelt ist, werden auch einschlÀgige Erfahrungen mit der
Verbindung zu anderen Medien vorausgesetzt. Erwartet wird weiters
praktisches und organisatorisches Engagement bei der Weiterentwicklung
des Bereichs Computermusik an der UniversitÀt sowie die Mitarbeit in
der akademischen Selbstverwaltung. Von der Bewerberin/von dem Bewerber
werden neben einem abgeschlossenen fachspezifischen Hochschulstudium
pÀdagogische Eignung, hervorragende BefÀhigung zu kÌnstlerischer
Arbeit sowie einschlÀgige Erfahrung in der Lehre erwartet. ZusÀtzlich
ist eine Qualifikation im Bereich der kÃŒnstlerischen Forschung
erwÃŒnscht, z.B. durch eine kÃŒnstlerische Promotion oder Erfahrung mit
der Leitung von kÃŒnstlerischen Forschungsprojekten.
InteressentInnen mit entsprechender Qualifikation werden eingeladen,
ihre schriftliche Bewerbung mit den Ìblichen Unterlagen bis spÀtestens
25. Oktober 2013
unter der GZ 58/13 an das Rektorat der UniversitÀt fÌr Musik und
darstellende Kunst Graz, 8010 Graz, LeonhardstraÃe 15, zu richten.
Die UniversitÀt strebt eine Erhöhung des Frauenanteils beim
kÃŒnstlerischen Personal an und fordert deshalb qualifizierte Frauen
ausdrÃŒcklich zur Bewerbung auf. Frauen werden bei gleicher
Qualifikation vorrangig aufgenommen.
Die Bewerber/innen haben keinen Anspruch auf Abgeltung der Reise- und
Aufenthaltskosten, die durch das Aufnahmeverfahren entstanden sind.
Im Sinne des sozialen Nachhaltigkeitskonzepts der KUG, das besondere
BedÃŒrfnisse in all ihren Aspekten interpretiert, werden Menschen mit
solchen BedÃŒrfnissen bei gleicher Qualifikation bevorzugt angestellt.
Der GeschÀftsfÌhrende Vizerektor:
Robert Höldrich
- --- 8< ---
as appeared in Mitteilungsblatt 26:
http://www.kug.ac.at/nc/news-veranstaltungen/news/mitteilungsblatt.html
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Sorry about all the noise... I fixed the "find parent window"
problem (thanks Roman) and compiled for all platforms except
pi(that will have to wait because I packed all my Pis up for an upcoming
workshop in Quebec City (Tuesday; Chambre Blanche, and an opening
(Avatar, Fri.) and talk (Cosy, Sat). in case aonyone listening here is
interested.)
nyhow, grab it for 'find parent window' to work: http://msp.ucsd.edu/software.html
(URL change too; the old one redirects)... or via git (the usual way).
cheers
Miller
Hi all,
Pd version 0.45-0 is available on http://crca.ucsd.edu/~msp/software.htm
or via git from sourceforge:
git clone git://git.code.sf.net/p/pure-data/pure-data
cd pure-data
git checkout -b 0.45
As always I'm sure there will be problems here and there - you're welcome
to report them on the Pd mailing list (pd-list(a)iem.at) which is always the
fastest way to get me to see them.
cheers
Miller