Pd-list January 2017

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63 participants
84 discussions

pduino/firmata using SPI protocol
by Stéphane Cl- 31 Jan '17

31 Jan '17

Hello dear list, I m trying to control a digital potentiometer (MCP41100) with PD via an arduino. The potentiometer needs a SPI protocol which is not included in Firmata. Does anyone have experience with that? Thanks Stéphane -- stephaneclor.net https://stephcl.bandcamp.com/

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[PD-announce] 3rd call for papers and practice work MOCO 2017 - deadline extension 8th of Feb
by Sarah Fdili alaoui 31 Jan '17

31 Jan '17

Dear Colleagues, Please help us circulate the CFP of MOCO 2017 among your communities. 3rd Call for Papers and Practice Work MOCO 2017 ——————————————————————————————————————— International Conference on Movement and Computing (MOCO17) Intersecting Art, Meaning, Cognition, Technology ——————————————————————————————————————— 28-30th June, London UK Goldsmiths University of London http://moco17.movementcomputing.org <http://moco17.movementcomputing.org/> We would like to invite submissions for paper presentations, performances, workshops and more to the 4th International Conference on Movement and Computing (MOCO) which is to be held in London. MOCO is an interdisciplinary conference that explores the use of computational technology to support and understand human movement practice (e.g. computational analysis) as well as movement as a means of interacting with computers (e.g. movement interfaces). This requires a wide range of computational tasks including modeling, representation, segmentation, recognition, classification, or generation of movement information but also an interdisciplinary understanding of movement that ranges from biomechanics to embodied cognition and the phenomenology of bodily experience. We therefore invite submissions from a wide range of disciplines including (but not limited to): Human-Computer Interaction, Psychology, Dance, Artificial Intelligence, Neuroscience, Sports Science, Machine Learning, Cognitive Science, Visual Arts, Robotics, Philosophy, Anthropology, Music, Affective Computing, Games, Healthcare and Animation. MOCO is open to a wide range of ways of presenting your work. As well as papers for oral and poster presentations, we invite submission of a wide range of practice work such as demos, performances, games, artistic works and movement workshops (in which participants take part in a guided movement activity). We encourage submitters to be creative in proposals for practice sessions and are open to novel formats. ———————————— Suggested Topics ———————————— • Expressive movement-based interaction • Movement analysis and analytics • Machine learning for movement • Movement representation • Somatic practice and design • Modeling movement qualities and expressive movement • Mechatronics and creative robotics • Design for movement in digital art • Gesture Interaction • Movement generation • Movement and sound interaction • Movement computation in ergonomics, sports, and health • Sensori-motor learning with audio/visual feedback • Embodied cognition and movement • Visualizing and sonifying movement • Modeling kinaesthetic empathy • Embodied and whole body interaction • Expressive movement analysis and synthesis • Design for movement in digital art • Semantic models for movement representation • Movement Notation Systems (e.g. Laban or Eshkol-Wachman) and computation • Dance and technology • Biosensing, biocontrol and movement • Movement expression in avatar, artificial agents, virtual humans or robots. • Music and movement • Philosophical perspectives and reflection on movement and computing —————————— Submission —————————— The conference is an opportunity to present a research or study or details of collaborative work. Participants will have the opportunity to offer a presentation of the results of their research on one of the themes of the symposium and to interact with their scientific/ artistic peers, in a friendly and constructive environment. We encourages submission of a wide range of formats, the submission categories are: Long paper with oral presentation (8 pages maximum) Short paper with oral presentation (4 pages maximum) Extended abstract with poster presentation (6 pages maximum in the extended abstract format) Extended abstract for practice work with presentation format to be suggested by the author for example demonstration, performance, art work, movement workshop, game or other practice presentation (2 pages maximum + Demo proposal form). - please note that we are an academic conference with a low fee which means we cannot pay for commissioned performances and art work. Also, we cannot guarantee facilities for all possible sessions, so please give full details of your needs in the proposal form so we can judge whether it is possible. Doctoral papers with oral presentation at a doctoral symposium and poster (4 pages maximum) All submissions should be in pdf format and should use the ACM proceedings format: http://www.acm.org/publications/proceedings-template <http://www.acm.org/publications/proceedings-template> It is possible for participating authors to submit a demonstration proposal in addition to their regular paper submission by completing the Demo proposal form and sending it along with their submission. Together with the demo proposal form, authors have to provide a link to a video about their work. The demo proposal form is mandatory for all demo submissions and must include details about technical set-up and space requirements. Online submission: All submissions must be made through EasyChair https://easychair.org/conferences/?conf=moco2017 <https://easychair.org/conferences/?conf=moco2017> All submissions must be anonymous and will be peer-reviewed. The MOCO proceedings will be indexed and published in the ACM digital library. ———————————— Important Dates ———————————— NB There will be no other deadline extensions Abstract and Meta-data Submission: 23 January 2017 Paper, Poster and Practice Work Submission: 8 February 2017 Doctoral Symposium Submission: 1 March 2017 Notification: 30 March 2017 Camera Ready: 30 April 2017 Symposium: 28-30 June 2017 ———————————— Contact ———————————— If you have any questions please contact us on moco2017(a)easychair.org <mailto:moco2017@easychair.org> ———————————— Committee ———————————— Conference Chair Marco Gillies, Goldsmiths Organising Committee Kirk Woolford, University of Surrey Sarah Whatley, Coventry University Frederic Fol Leymarie, Goldsmiths Phoenix Perry, Goldsmiths Adam Parkinson, Goldsmiths Simon Katan, Goldsmiths Perla Maiolino, Goldsmiths Local organisers Kiona Niehaus, Goldsmiths Nicky Donald, Goldsmiths Phoenix Fry, Goldsmiths Steering Committee Frédéric Bevilacqua, IRCAM Sarah Fdili Alaoui, LRI-Université Paris-Sud 11 Jules Françoise, Simon Fraser University Philippe Pasquier, Simon Fraser University Thecla Schiphorst, Simon Fraser University Best wishes, Sarah Fdili Alaoui Sarah Fdili Alaoui Assistant Professor LRI - University Paris-Sud11 / Paris Saclay 0169155769 http://saralaoui.com/ <http://saralaoui.com/> @saralaoui > On 2016-10-10, at 09:44, Sarah Fdili alaoui <saralaoui(a)lri.fr> wrote: > > > > ————————————————————————————————————— > > Call for Papers MOCO 2017 > > ——————————————————————————————————————— > International Conference on Movement and Computing (MOCO17) > Intersecting Art, Meaning, Cognition, Technology > ——————————————————————————————————————— > > 28-30th June, London UK > Goldsmiths University of London > > http://moco17.movementcomputing.org <http://moco17.movementcomputing.org/> > > > We would like to invite submissions for paper presentations, performances, workshops and more to the 4th International Conference on Movement and Computing (MOCO) which is to be held in London. > > MOCO is an interdisciplinary conference that explores the use of computational technology to support and understand human movement practice (e.g. computational analysis) as well as movement as a means of interacting with computers (e.g. movement interfaces). This requires a wide range of computational tasks including modeling, representation, segmentation, recognition, classification, or generation of movement information but also an interdisciplinary understanding of movement that ranges from biomechanics to embodied cognition and the phenomenology of bodily experience. We therefore invite submissions from a wide range of disciplines including (but not limited to): Human-Computer Interaction, Psychology, Dance, Artificial Intelligence, Neuroscience, Sports Science, Machine Learning, Cognitive Science, Visual Arts, Robotics, Philosophy, Anthropology, Music, Affective Computing, Games, Healthcare and Animation. > > MOCO is open to a wide range of ways of presenting your work. As well as papers for oral and poster presentations, we invite submission of a wide range of practice work such as demos, performances, games, artistic works and movement workshops (in which participants take part in a guided movement activity). We encourage submitters to be creative in proposals for practice sessions and are open to novel formats. > > > ———————————— > Suggested Topics > ———————————— > > > • Expressive movement-based interaction > > • Movement analysis and analytics > > • Machine learning for movement > > • Movement representation > > • Somatic practice and design > > • Modeling movement qualities and expressive movement > > • Mechatronics and creative robotics > > • Design for movement in digital art > > • Gesture Interaction > > • Movement generation > > • Movement and sound interaction > > • Movement computation in ergonomics, sports, and health > > • Sensori-motor learning with audio/visual feedback > > • Embodied cognition and movement > > • Visualizing and sonifying movement > > • Modeling kinaesthetic empathy > > • Embodied and whole body interaction > > • Expressive movement analysis and synthesis > > • Design for movement in digital art > > • Semantic models for movement representation > > • Movement Notation Systems (e.g. Laban or Eshkol-Wachman) and computation > > • Dance and technology > > • Biosensing, biocontrol and movement > > • Movement expression in avatar, artificial agents, virtual humans or robots. > > • Music and movement > > • Philosophical perspectives and reflection on movement and computing > > > —————————— > Submission > —————————— > > The conference is an opportunity to present a research or study or details of collaborative work. Participants will have the opportunity to offer a presentation of the results of their research on one of the themes of the symposium and to interact with their scientific/ artistic peers, in a friendly and constructive environment. We encourages submission of a wide range of formats, the submission categories are: > > Long paper with oral presentation (8 pages maximum) > > > Short paper with oral presentation (4 pages maximum) > > > Extended abstract with poster presentation (6 pages maximum in the extended abstract format) > > > Extended abstract for practice work with presentation format to be suggested by the author for example demonstration, performance, art work, movement workshop, game or other practice presentation (2 pages maximum + Demo proposal form). - please note that we are an academic conference with a low fee which means we cannot pay for commissioned performances and art work. Also, we cannot guarantee facilities for all possible sessions, so please give full details of your needs in the proposal form so we can judge whether it is possible. > > Doctoral papers with oral presentation at a doctoral symposium and poster (4 pages maximum) > > > All submissions should be in pdf format and should use the ACM proceedings format: > > http://www.acm.org/publications/proceedings-template <http://www.acm.org/publications/proceedings-template> > > It is possible for participating authors to submit a demonstration proposal in addition to their regular paper submission by completing the Demo proposal form and sending it along with their submission. Together with the demo proposal form, authors have to provide a link to a video about their work. The demo proposal form is mandatory for all demo submissions and must include details about technical set-up and space requirements. > > Online submission: All submissions must be made through EasyChair > > https://easychair.org/conferences/?conf=moco2017 <https://easychair.org/conferences/?conf=moco2017> > > All submissions must be anonymous and will be peer-reviewed. The MOCO proceedings will be indexed and published in the ACM digital library. > > ———————————— > Important Dates > ———————————— > > Submission deadline: 23 January 2017 > Notification: 23 March 2017 > Camera ready papers: 30 April 2017 > > ———————————— > Contact > ———————————— > > If you have any questions please contact us on moco2017(a)easychair.org <mailto:moco2017@easychair.org> > > ———————————— > Committee > ———————————— > > Conference Chair > > Marco Gillies, Goldsmiths > > Organising Committee > > Kirk Woolford, University of Surrey > Sarah Whatley, Coventry University > Frederic Fol Leymarie, Goldsmiths > Phoenix Perry, Goldsmiths > Simon Katan, Goldsmiths > Perla Maiolino, Goldsmiths > > Local organisers > > Steph Horak, Goldsmiths > Nicky Donald, Goldsmiths > Phoenix Fry, Goldsmiths > > Steering Committee > > Frédéric Bevilacqua, IRCAM > Sarah Fdili Alaoui, LRI-Université Paris-Sud 11 > Jules Françoise, Simon Fraser University > Philippe Pasquier, Simon Fraser University > Thecla Schiphorst, Simon Fraser University > _______________________________________________ Pd-announce mailing list Pd-announce(a)lists.iem.at https://lists.puredata.info/listinfo/pd-announce

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[PD-announce] MUME 2017 - 2nd Call for Participation
by Kıvanç Tatar 31 Jan '17

31 Jan '17

====================== 2nd CALL FOR SUBMISSIONS ====================== ((( MUME 2017 ))) 5th International Workshop on Musical Metacreation http://musicalmetacreation.org June 19-20, 2017, Georgia Tech, Atlanta, USA. MUME 2017 is to be held at Georgia Institute of Technology in conjunction with the Eighth International Conference on Computational Creativity, ICCC 2017. http://computationalcreativity.net/iccc2017/ === Important Dates === Workshop submission deadline: March 10, 2017 Notification date: April 20th, 2017 Camera-ready version: April 28th, 2017 Workshop dates: June 19-20, 2017 ====================== MUME aims to bring together artists, practitioners, and researchers interested in developing systems that autonomously (or interactively) recognize, learn, represent, compose, generate, complete, accompany, or interpret music. As such, we welcome contributions to the theory or practice of generative music systems and their applications in new media, digital art, and entertainment at large. We also welcome contributions discussing advances in generative systems as well as their philosophical, and societal implications. Topics =========================== We encourage paper and demo submissions on MUME-related topics, including the following: -- Models, Representation and Algorithms for MUME -- Systems and Applications of MUME -- Evaluation of MUME Submission Format and Requirements ================================= Please make submissions via the EasyChair system at: https://easychair.org/conferences/?conf=mume2017 The workshop is a one day and a half event that includes: -Presentations of FULL TECHNICAL PAPERS (8 pages maximum) -Presentations of POSITION PAPERS and WORK-IN-PROGRESS PAPERS (5 pages maximum) -Presentations of DEMONSTRATIONS (3 pages maximum). All papers should be submitted as complete works. Demo systems should be tested and working by the time of submission, rather than be speculative. We encourage audio and video material to accompany and illustrate the papers (especially for demos). We ask that authors arrange for their web hosting of audio and video files, and give URL links to all such files within the text of the submitted paper. Submissions do not have to be anonymized, as we use single-blind reviewing. Each submission will be reviewed by at least three program committee members. Workshop papers will be published as MUME 2017 Proceedings and will be archived with an ISBN number. Please use the updated MuMe paper template to format your paper. Also, please feel free to edit the licence entry (at the bottom left of the first page of the new template). The MUME 2017 latex and Word template is available at: http://musicalmetacreation.org/buddydrive/file/mume2017_templates/ Submission should be uploaded using MUME 2017 EasyChair portal: https://easychair.org/conferences/?conf=mume2017 For complete details on attendance, submissions and formatting, please visit the workshop website: <http://www.musicalmetacreation.org> http://musicalmetacreation.org Questions & Requests ====================================== Please direct any inquiries/suggestions/special requests to the Workshop Chair, Philippe Pasquier (pasquier(a)sfu.ca). Workshop Organizers =================== Pr. Philippe Pasquier (Workshop Chair) School of Interactive Arts and Technology (SIAT) Simon Fraser University, Canada http://metacreation.net/ https://www.kadenze.com/programs/generative-art-and-computational-creativity Pr. Arne Eigenfeldt School for the Contemporary Arts Simon Fraser University, Canada Dr. Oliver Bown Design Lab, Faculty of Architecture, Design and Planning The University of Sydney, Australia Kıvanç Tatar (MUME Administration and Publicity Assistant) School of Interactive Arts and Technology, Simon Fraser University, Vancouver, Canada. ---------------------- http://musicalmetacreation.org ====================== _______________________________________________ Pd-announce mailing list Pd-announce(a)lists.iem.at https://lists.puredata.info/listinfo/pd-announce

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[PD-announce] MUME 2017 CONCERT - CALL FOR WORKS
by Kıvanç Tatar 30 Jan '17

30 Jan '17

MUME 2017 CONCERT -CALL FOR WORKS Call for Works: The Musical Metacreation Concert at the Eighth International Conference on Computational Creativity, Atlanta, Georgia, June 2017Key Dates April 20th: submission deadline. May 10th: notification. June 18th: concert rehearsals. June 19th: MuMe concert. June 19th–23rd: International Conference on Computational Creativity. (MuMe academic workshop is on June 19th and morning of 20th). Overview Creators of musically metacreative systems are invited to submit works for a concert of musical metacreation, as part of the Eighth International Conference on Computational Creativity, at the Georgia Institute of Technology, Atlanta. Submitted works can be of any musical style but *must involve a performative element* and *must involve the use of computational creativity techniques in the creation of the work*. Examples from previous MuMe concerts include, but are not limited to: reproduction of musical style using machine learning; the evolution of musical structures using interactive genetic algorithms; rule-based systems; systems based on emergence or self-organisation; systems that perform music data mining to create remixes, and so on. Information on the selection committee, musicians, concert venue and available equipment will be made available soon; all up-to-date information can be found here <http://musicalmetacreation.org/mume-2017-concert/>. Types of Work Any work related to MuMe that can be presented in a performance context will be considered. This includes: - Improvising agents that perform alongside live musicians. - Automated composition systems that generate music in realtime or pre-compose music for performers, as well as automated DJ systems. - Systems that use AI methods for other creative objectives, such as harmonising, intelligent looping, or finding suitable matches for a target phrase. - Systems that generate lyrics. - Music that uses evolution, emergence or ecosystemic concepts. We are also interested in submissions of musebots <http://metacreation.net/musebots/> and other types of interactive installation works relevant to MuMe. Submission Process Please submit a one page PDF describing your work to Arne Eigenfeldt: arne_e(a)sfu.ca. Your submission should: - Describe the work; - Explain how the work relates to the MuMe theme; - Give a relatively detailed technical description of the system*; - Give detailed performance requirements. As necessary, this may include a stage plan, equipment needs, technical support needs, and performing musicians (you can use additional PDF pages for any supporting items); - A link to any additional documentary material such as audio or video recordings, or online software (highly recommended); - Credits and biography (name, affiliation, short biography up to 150 words). * It is common to receive submissions that are highly ambiguous about what the proposed system actually does. *Works will be rejected if this is the case.* The description does not need to be highly technically detailed, but it should remove any fundamental ambiguity. Selection Process *Submissions should not be anonymised.* All submissions will be reviewed by three independent members of the selection committee. Once these reviews have been completed the reviewers and the chairs will discuss these works and reviews. The chairs will provide a meta-review, the three original reviews, and a final decision. Reviewers will be anonymous to the authors, but not to each other. The final decision lies with the chairs, in consultation with the committee. Upon Acceptance Artists are required to be in attendance and set up their own equipment. At least one artist must register for the ICCC conference and MuMe workshop. A schedule for performances, rehearsals and soundchecks will be made available in the week before the concert. Rehearsals will be on the Sunday 18th June unless otherwise arranged. Soundchecks will be prior to the concert on the afternoon ofMonday 19th June. -- Kıvanç Tatar ---------------------------------- PhD Student Interactive Arts and Technology Simon Fraser University, Vancouver, Canada Email: kivanctatar(a)gmail.com Website: https://kivanctatar.wordpress.com/ _______________________________________________ Pd-announce mailing list Pd-announce(a)lists.iem.at https://lists.puredata.info/listinfo/pd-announce

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Re: [PD] [coll] bug
by Dan Wilcox 30 Jan '17

30 Jan '17

If you just need the common thread callback function and a mutex, you can do that with the Windows API. It’s not too difficult. See the old thread implementation used by OpenFrameworks which uses both pthread & win api, depending on the platform: ofxThread.h <https://github.com/openframeworks/openFrameworks/blob/6e7d325ec6f0046f28149…> ofxThread.cpp <https://github.com/openframeworks/openFrameworks/blob/6e7d325ec6f0046f28149…> Then you wouldn’t need to require win-pthreads32 or similar compatibility library when building. > On Jan 29, 2017, at 9:43 PM, pd-list-request(a)lists.iem.at wrote: > > From: Derek Kwan <derek.x.kwan(a)gmail.com <mailto:derek.x.kwan@gmail.com>> > Subject: Re: [PD] [coll] bug > Date: January 29, 2017 at 8:49:56 PM MST > To: Alexandre Torres Porres <porres(a)gmail.com <mailto:porres@gmail.com>> > Cc: "pd-list(a)lists.iem.at <mailto:pd-list@lists.iem.at>" <pd-list(a)lists.iem.at <mailto:pd-list@lists.iem.at>> > > > On Jan 29, Alexandre Torres Porres wrote: >> yeah, derek was talking about our current development, where we screwed up >> with the order of bangs in the unthreaded - but fixed now. >> >> Derek, would you care to elaborate why you think unthreaded should be the >> default? >> > > I had some concerns with pthreads and Windows compat but it looks like > those aren't issues (? I don't have much experience with Windows dev) so > I think I would be fine either way. -------- Dan Wilcox @danomatika <http://twitter.com/danomatika> danomatika.com <http://danomatika.com/> robotcowboy.com <http://robotcowboy.com/>

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Re: [PD] creb's ramp~ needs a help file
by Dan Wilcox 29 Jan '17

29 Jan '17

I’d say replace C implementations with abstractions if the performance difference is negligible. :) > On Jan 28, 2017, at 5:41 PM, pd-list-request(a)lists.iem.at wrote: > > I think it could be a good idea and a lot of work to present at least some examples in the help files of how such externals could be modelled within Pd vanilla. Naively I think this could help both newbies and people learning to code externals. -------- Dan Wilcox @danomatika <http://twitter.com/danomatika> danomatika.com <http://danomatika.com/> robotcowboy.com <http://robotcowboy.com/>

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creb's ramp~ needs a help file
by Alexandre Torres Porres 29 Jan '17

29 Jan '17

howdy, there's no help file for creb/ramp~ anybody ever used it? thanks

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[coll] bug
by oliver 28 Jan '17

28 Jan '17

hi, list ! i recently ran into a bug when i used the "coll" object from the BETA cyclone library. simply put: when i create a coll object and quit PD, it throws a Microsoft Visual C++ Runtime Error (see image). example patch is attached. the object seems to work though, as long as PD is running. only the 3rd outlet (bang when file read) doesn't work. i downloaded the cyclone 0.2 beta package with deken. the older pd-extended version (also from deken) works fine. PD 0.47-2, Windows 7 64 bit did anybody experience this as well ? best oliver -- \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ /////////////// http://pendler.klingt.org ////////////// \\\\\\\\\\\\\\\ http://oliver.klingt.org \\\\\\\\\\\\\\ //////////////////////////////////////////////////////// \\\\\\\\ LIVE-BUILDER (music improvisation tool): \\\\\\ ////////////// http://tinyurl.com/qaohv35 ////////////// \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\

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Metroplus
by Michael Karr 26 Jan '17

26 Jan '17

Hi guys! I'm trying to feed a sequence of about 30,000 values in milliseconds to the metroplus object... I'm tried using tabread, but I can't get it to bang all the values into the metroplus, is there some way to do that? Thanks!

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Calculating Inverse Kinematics Using Expr
by me.grimm 26 Jan '17

26 Jan '17

Hello, I am trying to calculate inverse kinematics in 2D space with 2 DOF according to this tutorial(1) and formulas within using [expr]. For some reason my calculations for "c2" using [expr] deliver quite a different result than the excel sheet calculation that the tutorial provides. What am I doing wrong here? It may be I don't quite understand how "^" is used? Using: Linkage 1 length of 5 Linkage 2 length of 4 and plotting my the end of joint 2 at (3.56, 6.43) I should get c2 to equal 0.3254625 but get 0.25 with [expr]. Because of this further calculations to get joint angles are also off, obviously. attached is patch. but maybe someone has already done this type of work which might save me some trouble... cheers m (1) http://www.societyofrobots.com/robot_arm_tutorial.shtml#inverse_kinematics -- ____________________ m.e.grimm, m.f.a, ed.m. syracuse u., tc3 megrimm.net ____________________

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Pd-list January 2017