actually, i think millers take on this is still the best idea and since there is also a sc~ external for max, max could be used as a mere canvas :-) but one still would have to come up with some impressive music ;-) (whatever that might mean)
how about inventing a composer named "donatién collidus" and reach out to the supercolliders for a collaborative effort? i´d happily provide assistance with my maxlicense in wrapping it all up.
hans www.hans-w-koch.net
Am 04.01.2012 um 00:24 schrieb pd-list-request@iem.at:
Message: 2 Date: Tue, 3 Jan 2012 15:24:06 -0800 (PST) From: Jonathan Wilkes jancsika@yahoo.com Subject: Re: [PD] no pd?? To: Richie Cyngler glitchpop@gmail.com, Mathieu Bouchard matju@artengine.ca Cc: servando barreiro servandisco@yahoo.es, Miller Puckette msp@ucsd.edu, "pd-list@iem.at" pd-list@iem.at Message-ID: 1325633046.97311.YahooMailNeo@web39404.mail.mud.yahoo.com Content-Type: text/plain; charset=iso-8859-1
Exactly.? You'd essentially write the same patch twice-- once completely in Max, and if it gets accepted then with Pd and wrap it in a [pd~] object.
OR:
In fact you could just work with the subset of objects that are exactly the same between the two environments: [cos~] [phasor~] [biquad~] and so on.
Then just make sure you don't have whitespace inside [expr] or [expr~], and you could really just write the whole thing once in Pd, submit it as a Max patch, and perform it as a Pd patch.
That would be the most effective way to show the idiocy of the way the call was written.
-Jonathan
Le 2012-01-04 à 00:53:00, hans w. koch a écrit :
how about inventing a composer named "donatién collidus" and reach out to the supercolliders for a collaborative effort? i´d happily provide assistance with my maxlicense in wrapping it all up.
Why not Nicolas Bourbaki while you're at it ?
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