Hi,
I recently tried to load some video clips encoded with either a "UT" or "magicyuv" Codec, that play fine on any other video software i use (mplayer, mpv, vlc, kdenlive etc.)
Loading one of these immediately causes PD/Gem to quit.
Running PD from the commandline with "-d 4" i only get this error message on the console:
=========================================== Pixelformat not specified for video frame Pd: signal 6 ===========================================
In the PD terminal window, i get (before quitting):
GEM: compiled for MMX/SSE2 architecture GEM: using SSE2 optimization GEM: detected 4 CPUs GEM: image loading plugins: magick STB GEM: film loading plugins: gmerlin quicktime4linux GEM: image saving plugins: STB magick GEM: model loading plugins: ASSIMP3 OBJ GEM: video record plugins: QT4L V4L2 GEM: video capture plugins: decklink v4l2
[pix_film]: gmerlin support [pix_film]: quicktime4linux support [pix_film]: image support
These are my specs:
Debian 4.19.98-1+deb10u1 (2020-04-27) PD: 0.50.2 GEM: ver: 0.94. "Debian/1:0.94-1"
Thanks for any hints
Oliver
On 5/19/20 1:53 AM, oliver wrote:
Hi,
I recently tried to load some video clips encoded with either a "UT" or "magicyuv" Codec, that play fine on any other video software i use (mplayer, mpv, vlc, kdenlive etc.)
Loading one of these immediately causes PD/Gem to quit.
:-(
could you share a sample of such a crashing video file (possibly off-list).
Running PD from the commandline with "-d 4" i only get this error
just yesterday we had a disucssion here about the "-d" flag. the help-message should make it clear that this *only* helps if you are debugging the communication between Pd and Pd-GUI; it won't help *at all* if you are trying to debug some external.
if you want to see more information when running Gem, start Pd with "-verbose".
vmad IOhannes
Call for music (below) and papers (through conference website) Oct 19-23 2020 @ KTH and KMH, Stockholm, Sweden
We now solicit entries for consideration for an online exhibition during the 2020 Joint Conference on AI Music Creativity (CSMC + MuMe).
Submitted works (video, audio) can be of any style, but must involve the use of computational creativity techniques. Examples include, but are not limited to: reproduction of musical style using machine learning; the evolution of musical structures using interactive genetic algorithms; rule-based systems; systems based on emergence or self-organization; systems that perform music data mining to create remixes, and so on.
Submissions should not be sketches but in their final format and will be judged on their presentability as an online experience. For an example of what kind of format the online exhibition may take, look at the one organized by the NeurIPS 2019 Workshop on Machinee Learning for Creativity and Design: http://www.aiartonline.com/category/music-2019/
Submission process
Please submit to maskold@kth.se (conference music chair):
• a link to the work you wish to present (in its final form)
• an A4-portrait PDF, up to 2 pages, describing your work and the system you are using, and explaining how it relates to the focus of the conference
• a link to any additional documentary material such as audio or video recordings, or online software before the submission deadline
Submissions should not be anonymised.
Selection process
All submissions will be reviewed by independent members of the music selection committee. Once these reviews have been completed the reviewers and the chairs will discuss the submission, and make a final decision. Reviewers will be anonymous to the authors, but not to each other. The final decision lies with the chairs, in consultation with the committee.
About the conference
The 2020 Joint Conference on AI Music Creativity brings together for the first time two overlapping but distinct research forums: The Computer Simulation of Music Creativity conference (est. 2016), and The International Workshop on Musical Metacreation (MuMe, est. 2012). The principal goal is to bring together scholars and artists interested in the virtual emulation of musical creativity and its use for music creation, and to provide an interdisciplinary platform to promote, present and discuss their work in scientific and artistic contexts.
The program will feature two keynotes, research paper presentations, demonstrations, discussion panels, and an online exhibition. Keynote lectures will be delivered by Professor Emeritus Dr. Johan Sundberg (Speech, Music and Hearing, KTH) and Dr. Alice Eldridge (Music, Sussex University, UK).
The event is hosted by the Division of Speech, Music and Hearing, School of Electrical and Computer Engineering (KTH) in collaboration with the Royal Conservatory of Music (KMH).
Conference chair: Bob L. T. Sturm, Division of Speech, Music and Hearing, KTH
Paper chair: Andy Elmsley, CTO Five Vectors
Music chair: Mattias Sköld, Instutitionen för komposition, dirigering och musikteori, KMH
Panel chair: Oded Ben-Tal, Department of Performing Arts, Kingston University, UK
Publicity chair: André Holzapfel, Division of Media Technology and Interaction Design, KTH
Sound and music computing chair: Roberto Bresin, Division of Media Technology and Interaction Design, KTH
Financial support for the conference comes in part from ERC-2019-COG No. 864189 (MUSAiC: Music at the Frontiers of Artificial Creativity and Criticism)