Your example is a bit broken (there is no panning going on at all),
you're right. ... coffee excuse ... here is a fixed version in case someone is interested.
the subject of the e-mail however, does not ask to "pan", but to "crossfade" without loosing or adding power. What the example shows is a "linear crossfade" where the RMS remains constant during the crossfade.
best,
J
On Mon, Feb 06, 2012 at 10:15:51AM -0800, Jaime Oliver wrote:
Your example is a bit broken (there is no panning going on at all),
you're right. ... coffee excuse ... here is a fixed version in case someone is interested.
the subject of the e-mail however, does not ask to "pan", but to "crossfade" without loosing or adding power.
Yeah, I confused that right from the start ... missing-coffee-excuse ...
What the example shows is a "linear crossfade" where the RMS remains constant during the crossfade.
This has its roots indeed in the use of fading identical signal(s). If you use different input sounds, the CP-fade gives nicer results. Attached is an example that uses the linear/cp crossfades from the rj-library as subpatches and fades two different signals and then the same signal twice.
Ciao
Frank Barknecht Do You RjDj.me? _ ______footils.org__
All very interesting stuff, thanks! I didn't need anything too special so i've adapted Hans' equal-power pan (I've turned it upside down to make a crossfader). I only needed it for the ring modulator patch i've just posted on my blog ( http://guitarextended.wordpress.com/2012/02/06/ring-modulator-effect-using-p... )
Cheers!
Pierre
2012/2/6 Frank Barknecht fbar@footils.org
On Mon, Feb 06, 2012 at 10:15:51AM -0800, Jaime Oliver wrote:
Your example is a bit broken (there is no panning going on at all),
you're right. ... coffee excuse ... here is a fixed version in case someone is interested.
the subject of the e-mail however, does not ask to "pan", but to "crossfade" without loosing or adding power.
Yeah, I confused that right from the start ... missing-coffee-excuse ...
What the example shows is a "linear crossfade" where the RMS remains constant during the crossfade.
This has its roots indeed in the use of fading identical signal(s). If you use different input sounds, the CP-fade gives nicer results. Attached is an example that uses the linear/cp crossfades from the rj-library as subpatches and fades two different signals and then the same signal twice.
Ciao
Frank Barknecht Do You RjDj.me? _ ______footils.org__
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