3 May
2009
3 May
'09
3:55 a.m.
Hey PD-List,
Has the throw~/catch~ system been designed to have a different available headroom than standard [+~] and [*~] objects?
I've been designing a few polyphonic patches and have decided to use throw~/catch~ instead of hard-wiring the summing bus. I've found that when the signal approaches 1.0, distortion occurs. Has this been designed as such for a reason?
Cheers, ~Brandon