Hey PD-List,<br><br>Has the throw~/catch~ system been designed to have a different available headroom than standard [+~] and [*~] objects?<br><br>I&#39;ve been designing a few polyphonic patches and have decided to use throw~/catch~ instead of hard-wiring the summing bus.  I&#39;ve found that when the signal approaches 1.0, distortion occurs.  Has this been designed as such for a reason?<br>
<br>Cheers,<br>~Brandon<br>