Pd-list September 2015

pd-list@lists.iem.at

62 participants
88 discussions

list management question
by David Schaffer 03 Sep '15

03 Sep '15

Hi, I'm having a hard time figuring out a list management situation: Let's say I have a list made of several floats, how would I clear one or more of these floats from my list (and therefore shrink it) without knowing their index? Thank you very much in advance... D.S http://www.flickr.com/photos/schafferdavid/ https://soundcloud.com/schafferdavidhttps://vimeo.com/davidschaffer/videos

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Looking for Ben Bogart
by Pagano, Patrick 03 Sep '15

03 Sep '15

?Hi Is Ben Bogart still on this list? If so Ben, please email me if you can. I have a question about your chaos externals and wanted to ask you about some of the old Ryerson stuff pp Patrick Pagano B.S, M.F.A Audio and Projection Design Faculty Digital Worlds Institute University of Florida, USA (352)294-2020

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How to wipe deken uploads efficiently?
by Roman Haefeli 03 Sep '15

03 Sep '15

Hi all Recent versions of deken upload three files for each package to http://puredata.info/Members/username/software . Now, I would like to delete old uploads superseded by newer versions. I found this is quite a painstaking process. Deleting an older versions means deleting num_of_file_per_upload * num_of_supported_architectures files, or 12 files when supporting 4 different architectures. The files can only be deleted by clicking on them, waiting for the site to load, opening the "action" drop-down and finally clicking on "delete". Is there a way to more efficiently get rid of deken uploads? What is other people's experience? Roman

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comport & Arduino
by rolfm＠dds.nl 02 Sep '15

02 Sep '15

hi list, i'm using PD as a GUI for an Arduino, controlling a number of motors, (not with Pduino). it's difficult to debug the Arduino sketch, but it seems that sometimes there are errors/problems in the communication. is there a quarantee that bytes sent, are always received on the other side, [comport] to Arduino & vice versa? rolf

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[PD-announce] this weeks PD Berlin meeting
by Malte Steiner 02 Sep '15

02 Sep '15

PD Berlin meetings are from now at c-base (Rungestrasse 20 Berlin) every first and third thursday in the month beginning 20:00, the next one is this weeks thursday, the 3.September. This time we want to explore midi and OSC programming with PD and jam a bit. Looking forward to it and thanks c-base for hosting us. What we do: The meetings don't replace workshops (which are offered extra ;) ), scope of these meetings can be any (or none) of the following: patch/project showcase programming work on general Pd documentation help for beginners (installation, programming tips, ...) or something else you want to do ... Just come along, bring your laptop and sit down with us. The bar is open during the meetings. Necessary prerequisites are only a computer and good mood. If Pd isn't on it, we'll download and install it. http://puredata.info/community/groups/pd-berlin/pd-berlin-users-group/ We thank c-base for providing the space and network for the meetings. _______________________________________________ Pd-announce mailing list Pd-announce(a)lists.iem.at http://lists.puredata.info/listinfo/pd-announce

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bluetooth PDuino
by ray Y 01 Sep '15

01 Sep '15

hello i've been trying to use an hc-06 bluetooth module to link up with an arduinoboard running the firmata for pduino and this stupid thing is killing me!i just need to cut up the stupid usb serial cable! has anyone done this before thanks r.y

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Documentation of the various GUI objects and what their creation parameters represent.
by i go bananas 01 Sep '15

01 Sep '15

Hi List, to save me the time of doing what several people have already done before, is there a list of all the GUI objects and what each of their creation parameters represent? for example, when i make a simple toggle near the top left hand corner of my patch, it will be listed as: #X obj 7 7 tgl 15 0 empty empty empty 17 7 0 10 -262144 -1 -1 0 1; Of course it's pretty obvious what each part represents, but perhaps somebody has complied a list of all these objects, so i don't have to do it again? cheers, Matt

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CFP SBCM 2015
by Flávio Schiavoni 01 Sep '15

01 Sep '15

CALL FOR PAPERS 15th Brazilian Symposium on Computer Music November 23 –25, 2015 Universidade Estadual de Campinas - UNICAMP Auditório do centro de Convenções (CDC) and Auditório do Instituto de Artes (IA) Campinas, SP Brazil http://compmus.ime.usp.br/sbcm2015/ The Symposium The SBCM Brazilian Symposium on Computer Music is a biannual event with international recognition in the field of computer music organized by NUCOM, the computer music interest group of the Brazilian Computer Society (SBC). This 15th edition will be held from November 23th to 25th, 2015, at Campinas, São Paulo, and is specially dedicated to the theme "Computer Music: beyond the frontiers of signal processing and computational models". From electroacoustic experiments to the most complex sound generation and human machine interfaces, signal processing and computational models always had an important role. The proposed theme for this SBCM brings up discussions about aspects that are also inherent to the computer music field, as math, creativity, aesthetic meaning, virtual reality and social networks. During the symposium there will be speeches by renowned researchers, technical and music paper sessions, discussion panels, and concerts. Researchers, scientists, composers, educators, manufacturers, and all concerned with the interplay between music and technology are invited to submit works. The program committee will give a prize for the best student papers presented at SBCM. Papers that have a student as a major author are eligible. Two awards will be given: one for the best technical paper and another for the best music paper. Important Dates September 15th Full papers and posters submissions due October 15th Full papers and posters notification of acceptance November 7th Cameraready version of papers and posters due Technical Topics of Interest The topics to be covered include, but are not limited to: - Acoustics, Diffusion, Sonorization - Artificial Intelligence - Artificial Life and Evolutionary Music Systems - Audio Hardware design - ComputerAided Music Analysis - ComputerAided Musical Education - ComputerAided Musicology - Digital Sound Processing - Digital Music Systems and Services - Distributed Music - Internet and Web Applications - Movement and Gesture - Multimedia Systems and Applications - Music Emotion and Communication - Expressive Music Performance Modelling - Music Formats, Data Structures and Representation - Music Information Retrieval - Music Management - Music Notation, Printing, and Optical Recognition - Music Perception and Cognition - Psychoacoustics and Cognitive Modeling - Quality of Service for Audio - Realtime Interactive Systems - Software Systems and Languages for Composition - Sound Analysis and Synthesis Papers Submission Instructions Papers must be submitted in PDF format via the JEMS online submission system (https://submissoes.sbc.org.br). Technical papers, up to 12 pages long, are expected to present original research with scientific contributions. Music papers, up to 12 pages long, should describe the experience of composers and users of computational tools to produce music (see guidelines). All music papers must come with music examples. If the paper does not deal with musical material then it should be considered a technical paper. Extended abstracts of posters, up to 4 pages long, should present ongoing research. Please carefully comply with instructions in publications templates. Papers which do not fulfill the requirements can not be published. Download files for manuscript preparation in accordance with the SBC guidelines from http://compmus.ime.usp.br/sbcm2015 In order to get the paper published, it is required that at least one author register for the symposium by Nov. 1st, 2015. Musical Pieces Submission It will be accepted compositions (solo, collective, electronic, improvisation, acousmatic, multimedia performance, etc.) that make use of computational tools in its production and, in particular, those that present innovation in the compositional process. Each composer can submit up to 3 pieces, however just one will be eligible for presentation in the SBCM. The duration of each piece should not exceed 10 minutes. Please refer to http://compmus.ime.usp.br/sbcm2015/ for detailed instructions on submission Composers of the selected pieces must register for the symposium by Nov 1st, 2015. Although the composer’s presence is not compulsory it is highly encouraged. More Information For further information and advanced technical and musical program, please visit the symposium home page at http://compmus.ime.usp.br/sbcm2015/. For questions regarding submissions, please contact Flávio Schiavoni (fls at ufsj.edu.br ) for technical papers, and Rodrigo Scharamm (rodrigos at caef.ufrgs.br). For other inquiries contact the symposium general chair José Fornari (fornari at nics.unicamp.br).

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Pd-list September 2015