Pd-list September 2008

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108 participants
165 discussions

[Fwd: juhu]
by Steffen Leve Poulsen 26 Sep '08

26 Sep '08

-------- Original Meddelelse -------- Subject: juhu Date: Thu, 25 Sep 2008 16:17:50 +0200 From: Steffen Leve Poulsen <steffen(a)menneske.dk> To: PD List <pd-list(a)iem.at> Atteched is Borax.pd #N canvas 98 22 708 608 12; #X obj 263 27 inlet; #X obj 322 26 inlet; #X obj 394 26 inlet; #X obj 86 535 outlet; #X obj 146 535 outlet; #X obj 206 535 outlet; #X obj 266 535 outlet; #X obj 326 535 outlet; #X obj 386 535 outlet; #X obj 446 535 outlet; #X obj 506 535 outlet; #X obj 566 535 outlet; #N canvas 136 41 776 581 help 1; #X obj 360 266 image Borax.GIF; #X obj 1 1 tgl 15 0 empty empty empty 17 7 0 10 -262144 -1 -1 0 1; #X msg 1 525 \; pd-help vis \$1 \;; #X connect 1 0 2 0; #X coords 0 -1 1 1 17 17 2 0 0; #X restore 37 26 pd help; #N canvas 0 0 1268 750 voice 0; #X obj 268 283 f; #X obj 306 285 + 1; #X obj 253 33 table \$0-voicenr 128; #X obj 153 414 select 0; #X obj 153 447 f; #X obj 274 251 0; #X obj 189 595 tabwrite \$0-voicenr; #X obj 269 312 t f f; #X obj 149 310 del; #X obj 149 283 bang; 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[PD-announce] Fwd: UNTETHERED-Eyebeam's Fall 2008 exhibition opens Sept. 25 – Oct. 25
by Hans-Christoph Steiner 26 Sep '08

26 Sep '08

Come see some PDAs and iPods running fun stuff made with Pd! Begin forwarded message: > UNTETHERED: A sculpture garden of readymades > Eyebeam's Fall 2008 exhibition > > Featuring: > Jessica Banks, Ayah Bdeir, Michel de Broin, Max Dean, Paul DeMarinis > Kelly Dobson, Germaine Koh, JooYoun Paek, Sascha Pohflepp, > Hans-Christoph Steiner, Thomson & Craighead, Nor_/d (Addie > Wagenknecht and Stefan Hechenberger) and Joe Winter, curated by > visiting fellow Sarah Cook > > September 25 - October 25, 2008 > > Press preview: Thurs., Sept. 25, 11AM - 1PM > (RSVP press(a)eyebeam.org) > > Exhibition opening: Thurs., Sept. 25, 6 - 8PM > Eyebeam, 540 W. 21st St. (btw 10th and 11th Aves.) > > > > > Michel de Broin, Dark Star, 2008 > > > New York City, September 5, 2008-Eyebeam is pleased to announce > Untethered, a sculpture garden of everyday objects deprogrammed of > their original function, embedded with new intelligence and > transformed into surrealist and surprising readymades, including a > photocopier that reads the night sky; a PDA turned guitar; and a > piano that plays the Internet. The exhibition features pieces by 15 > artists working at the intersection of art and technology, > including current and former Eyebeam residents and fellows, as well > as leading international artists. Untethered opens September 25 and > runs through October 25, and is accompanied by a downloadable audio > guide (available at www.eyebeam.org). > > Sarah Cook, the exhibition's curator, cites the art-historical > discourse on readymades, and current ideas concerning the designed > obsolescence-or shelf life-of consumable technologies as her > inspiration for the show. "The idea of the readymade hinges on a > mysterious quality of displacement, wherein objects are not just > decontextualized, but actually transplanted from one realm of > experience to another," Cook said. > > "In researching the work of Eyebeam's resident artists I read [MoMA > curator] Margit Rowell's writing on the readymade and identified a > link to contemporary "hacks" and instances where artists have > deprogrammed technological objects in order to create a kind of > magical experience for the viewer." This "otherworldly" aesthetic > is evident in the works on view, such as in Michel de Broin's > sculpture Dead Star (2008), an inert asteroid of nearly depleted > batteries, and Joe Winter's Xerox Astronomy (2008), in which a > generic photocopier and desk lamp are transformed into elements > within the cosmic system used by an imagined observer. > > Additionally, as a show of objects that have been tinkered with, > invented, and allowed to be "generative", that is, open to > experimentation and other use, Untethered presents a deliberate > reference to the notion of "tethered appliances" (a term used by > Internet scholar Jonathan Zittrain in his book The Future of the > Internet and How to Stop It, Yale University Press and Penguin UK, > 2008)-technologies, such as iPods or cell phones, that contain > proprietary software and are tied to single uses or networks. In > this, the exhibition ties into Eyebeam's recently launched Open > Culture Research Group, a forum for the investigation of free and > open source software and hardware. > > Both displaced and in some cases deprogrammed, the pieces in > Untethered ask us why we understand some things as useful hardware > and other things not. For instance, how does an inflated garbage > bag become a way to disguise your bike, as in JooYoun Paek's Not > Bicycle Cover (2008)? Neither prototypes nor edgy products, the > works in the exhibition will surely invite conversation on the > semantic barriers between the worlds of art, design and technology. > > Artists > > Ayah Bdeir and Jessica Banks, both fellows in Eyebeam's R&D > OpenLab, have collaborated to realize a new work in the form of a > chandelier that is constantly redrawing itself (Chandelier in 4, > 2008). Jessica Banks will also show her latest experiment in > creating responsive and interactive furniture: a table that appears > to levitate in its own magnetic field (Table, from the Cubed > Series, 2008). www.ayahbdeir.com, www.jessicabanks.com > > Michel de Broin, an internationally recognized artist from Montreal > who is based in Berlin, and winner of the 2007 Sobey Art Award, > will show his recent sculptures, including Dead Star (2008) and > Great Encounter (2008), an investigation into the isolation of > appliances. www.micheldebroin.org > > Max Dean is an internationally acclaimed media artist from Toronto > and winner of the 2005 Gershon Iskowitz Prize for visual arts. His > piece in Untethered, So, This Is It? (2001), is a clock that wipes > away an image of its viewer's face, and has never been shown in New > York. www.roboticchair.com > > Paul DeMarinis, an artist based in California, will show a piece > from his series Hypnica (2007), a collection of hacked metronomes > that lull visitors with the voices of hypnotists. www.well.com/ > ~demarini > > Kelly Dobson, an artist based at MIT's Media Lab, presents her > responsive hacked technologies including Blendie (2003 - 04), a > blender that responds only to growling noises, and Toastie (2004), > a toaster that operates when hummed at. web.media.mit.edu/~monster > > Germaine Koh, an internationally recognized artist from Vancouver, > presents a work from her Fair Weather Forces series (2008), in > which live tide and water-level data control a velvet rope barrier > in the gallery. www.germainekoh.com > > Eyebeam alum JooYoun Paek shows new projects created from the > infrastructure of the city, including Not Bicycle Cover (2008), a > bicycle cover fashioned from inflated garbage bags, and Nothing In > It (2008), a handbag that sounds its contents when opened. > www.jooyounpaek.com > > Sascha Pohflepp, a German artist and student in the Design > Interactions program at the Royal College of Art, London, presents, > for the first time in North America, the stylish Buttons (2006): a > lens-free camera that takes other people's pictures. www.pohflepp.com > > Hans-Christoph Steiner, currently a resident artist at Eyebeam, > presents Reware (2008), hacked electronic devices for visitors to > play with, including a Linux- and PureData (PD)-programmed PDA > turned three-string guitar. www.at.or.at/hans > > Thomson & Craighead, a UK team who has been making art from the > Internet for more than 15 years, display Unprepared Piano (2003), a > Yamaha Disklavier that plays MIDI files collected from the web, at > random. www.thomson-craighead.net > > Addie Wagenknecht, a fellow in Eyebeam's Production Lab, has > collaborated with Stefan Hechenberger under the name Nor_/d, on > Shadow Project (2008), a responsive architectural environment of > motor-controlled wires and fabric. www.nortd.com > > Joe Winter, an Eyebeam alum and a recent recipient of a MacDowell > Colony residency, presents his newly commissioned work, Xerox > Astronomy and the Nebulous Object-Image Archive (2008), a modernist > cubic structure in which a standard office copier is used as a > central light source for reading the surrounding cosmos. > www.severalprojects.com > > Curator > > Sarah Cook is the 2008 inaugural curatorial fellow at Eyebeam. She > comes to Eyebeam from CRUMB (www.crumbweb.org), the UK-based online > resource for curators of new media art, at the University of > Sunderland, where she is a post-doctoral researcher. Sarah has been > curating exhibitions of new media art in North America and Europe > for the past 10 years, at venues including the Walker Art Center, > the National Gallery of Canada, BALTIC Center for Contemporary Art, > The Edith Russ Haus for Media Art, The Walter Phillips Gallery at > the Banff Centre, AV Festival and Cornerhouse, Manchester. Her > fellowship at Eyebeam is supported, in part, by the Arts and > Humanities Research Council, UK. > > Related events > > Untethered's public programming takes its cue from Eyebeam's > ongoing research into open source software and hardware. Events > celebrating hacking and discussions of the issues surrounding > patents and copyrights, art and designed obsolescence, will take > place over the course of the exhibition. > > Thursday, September 25, 6PM: The Untethered opening reception, > featuring artist talks with Germaine Koh, Michel de Broin, Kelly > Dobson and Sascha Pohflepp, as well as an introduction by the > exhibition's curator, Sarah Cook. > > Tuesday, October 14, 7PM: Workshop: Open source your mobile devices! > Eyebeam resident Hans-Christoph Steiner hosts a workshop on hacking > devices such as iPods, wifi routers and PDAs. > > Tuesday, October 21, 7PM: Presentation: Performing Machines: > Untethered artists present their instrumental hacks. With JooYoun > Paek and others. > > Saturday, October 25, 5PM: Panel discussion: Untethered curator > Sarah Cook leads a discussion on art, design and obsolescence. The > panel features Jessica Banks, Ayah Bdeir and lawyer Elizabeth > Stark, founder of Harvard's Free Culture group and researcher for > Jonathan Zittrain's book The Future of The Internet. The talk will > be followed by the exhibition's closing reception. > > For further information and details about these events please > visit: www.eyebeam.org > > Images > Images for publication are available upon request and online at: > www.flickr.com/photos/eyebeam/sets/72157607128132407/ > A pdf of the press release is available online at: http:// > www.eyebeam.org/about/about.php?page=release > > > Credits > Thanks to: > The British Council, for supporting Sascha Pohflepp's participation > in Untethered; > Frank and Camille Sicari, for the loan of the piano; > Solar One, for partnership on the waterfront location for the work > of Germaine Koh. > > ### > Founded in 1997, Eyebeam is an art and technology center that > provides a fertile context and state-of-the-art tools for digital > experimentation. It is a lively incubator of creativity and > thought, where artists and technologists actively engage with the > larger culture, addressing the issues and concerns of our time. > Eyebeam challenges convention, celebrates the hack, educates the > next generation, encourages collaboration, freely offers its output > to the community, and invites the public to share in a spirit of > openness: open source, open content and open distribution. > > Eyebeam's current programs are made possible through the generous > support of The Annenberg Foundation, The Arts and Humanities > Research Council, UK, The Atlantic Foundation, The Pacific > Foundation, the Johnson Art and Education Foundation, the Jerome > Foundation, Deep Green Living, ConEdison, Datagram, Electric > Artists Inc.; public funds from New York City Council Speaker > Christine C. Quinn, the New York City Department of Cultural > Affairs, the National Endowment for the Arts, and the New York > State Council on the Arts, a state agency; and many generous > individuals. Sarah Cook's fellowship is supported by a partnership > with CRUMB at the University of Sunderland, UK. For a complete list > of Eyebeam supporters, please visit www.eyebeam.org. > > Location: 540 W. 21st Street between 10th & 11th Avenues > Hours: Tuesday - Saturday, 12:00 - 6:00pm > Bookstore: Tuesday - Saturday, 12:00 - 6:00pm > Admission: All events are free to the public with a suggested > donation unless otherwise noted. > > > > ------------------------------------------------------------------------ ---- Using ReBirth is like trying to play an 808 with a long stick. - David Zicarelli _______________________________________________ Pd-announce mailing list Pd-announce(a)iem.at http://lists.puredata.info/listinfo/pd-announce

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Re: [PD] Live broadcast of PD concert
by Simon Kilshaw 25 Sep '08

25 Sep '08

Hey folks, Today we're streaming 4 live concerts (2 using pd) from the Creative Music Technology Department at The Royal Welsh College of Music and Drama. . 11-4 UK time. Here's the link: http://homepage.mac.com/musictechrwcmd/iMovieTheater6.html Simon Kilshaw Lecturer in Music Technology RWCMD -----Original Message----- From: pd-list-bounces(a)iem.at on behalf of pd-list-request(a)iem.at Sent: Wed 9/24/2008 11:00 AM To: pd-list(a)iem.at Subject: Pd-list Digest, Vol 42, Issue 74 Send Pd-list mailing list submissions to pd-list(a)iem.at To subscribe or unsubscribe via the World Wide Web, visit http://lists.puredata.info/listinfo/pd-list or, via email, send a message with subject or body 'help' to pd-list-request(a)iem.at You can reach the person managing the list at pd-list-owner(a)iem.at When replying, please edit your Subject line so it is more specific than "Re: Contents of Pd-list digest..." Today's Topics: 1. Displaying Music (-al notation) during Performance. (Charles Martin) ---------------------------------------------------------------------- Message: 1 Date: Wed, 24 Sep 2008 19:44:10 +1000 From: Charles Martin <cpm(a)charlesmartin.com.au> Subject: [PD] Displaying Music (-al notation) during Performance. To: pd-list(a)iem.at Message-ID: <A5E1D56B-BC72-433D-8203-B2F5B47E3A23(a)charlesmartin.com.au> Content-Type: text/plain; charset=US-ASCII; format=flowed; delsp=yes Hi list! Has anybody had any experience displaying music (notation) on screen during a performance? Using Pd or otherwise? I'm planning to do a complicated percussion performance with many instruments and sticks and mallets. Unfortunately the music for the piece is 10 A3 pages (!) so I thought this would be a good opportunity to work out a system for displaying the music on a big screen (I have a 22 inch monitor that I could potentially mount on a music stand. The music is in a scanned pdf at the moment but there's no reason I couldn't have it it any other format. Although I think it would be cool to have one line of music continually scanning across or pages scrolling up, I think it would be best to stick to the one-page-at-a- time metaphor and use a foot-pedal to control page turns (I already need to use a foot-pedal to cue the electronic components of the music). BTW, the piece is Six Japanese Gardens by Kaija Saariaho and which has a electronic accompaniment and effects written in Max/MSP. BTW2, I posted this message to several places on the internet. Sorry if anybody feels it's off-topic. Charles Martin Australian National University, Canberra. ------------------------------ _______________________________________________ Pd-list mailing list Pd-list(a)iem.at to manage your subscription (including un-subscription) see http://lists.puredata.info/listinfo/pd-list End of Pd-list Digest, Vol 42, Issue 74 *************************************** Royal Welsh College of Music & Drama Castle Grounds Cathays Park Cardiff CF10 3ER Royal Welsh College of Music & Drama Ltd A subsidiary of the University of Glamorgan Company registration 6013744, registered in England and Wales This e-mail is intended for the above named only, and may contain privileged or confidential information. If you are not the intended recipient, any disclosure, copying, distribution or reliance upon the e-mail is prohibited, and may be unlawful. If you are not the intended recipient, please contact postmaster(a)rwcmd.ac.uk, quoting your name and the name of the sender, then delete the e-mail from your system. Please note that neither RWCMD nor the sender accepts any liability for viruses and it is your responsibility to scan any attachments included with this e-mail. Coleg Brenhinol Cerdd a Drama Cymru Maes y Castell Parc Cathays Caerdydd CF10 3ER Coleg Brenhinol Cerdd a Drama Cymru Cyf Is-gwmni Prifysgol Morgannwg Cofrestriad cwmni 6013744, a gofrestrwyd yn Lloegr a Chymru Dim ond at ddefnydd yr unigolyn a enwir uchod y bwriedir yr e-bost hwn, a gall gynnwys gwybodaeth gyfrinachol. Os nad chi yw'r derbynnydd a fwriadwyd, gwaherddir i chi ledaenu, copio neu ddosbarthu'r e-bost, a gall hynny fod yn anghyfreithlon. Os nad chi yw'r derbynnydd a fwriadwyd, cysylltwch a postfeistr(a)cbcdc.ac.uk gan nodi eich enw ac enw'r anfonydd, ac yna dileu'r neges o'ch cyfrifiadur. Dylech nodi nad yw CBCDC na'r anfonydd yn derbyn unrhyw gyfrifoldeb am unrhyw firysau, ac eich cyfrifoldeb chi yw sganio unrhyw atodiadau sydd ynghlwm wrth yr e-bost hwn.

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webcam piano? can any one help?
by bernardo amorim 24 Sep '08

24 Sep '08

hi there i would like to know if anyone has ever made a thing like this? http://memo.tv/webcam_piano in puredata. I have a grid example but i cant seem to understand how if functions can anyone help? :) hugs bern

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subpatches
by mbutubuntu 24 Sep '08

24 Sep '08

Hello Folks, do you know if there is an object in PD that allow to turn on/off a subpatch??

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Displaying Music (-al notation) during Performance.
by Charles Martin 24 Sep '08

24 Sep '08

Hi list! Has anybody had any experience displaying music (notation) on screen during a performance? Using Pd or otherwise? I'm planning to do a complicated percussion performance with many instruments and sticks and mallets. Unfortunately the music for the piece is 10 A3 pages (!) so I thought this would be a good opportunity to work out a system for displaying the music on a big screen (I have a 22 inch monitor that I could potentially mount on a music stand. The music is in a scanned pdf at the moment but there's no reason I couldn't have it it any other format. Although I think it would be cool to have one line of music continually scanning across or pages scrolling up, I think it would be best to stick to the one-page-at-a- time metaphor and use a foot-pedal to control page turns (I already need to use a foot-pedal to cue the electronic components of the music). BTW, the piece is Six Japanese Gardens by Kaija Saariaho and which has a electronic accompaniment and effects written in Max/MSP. BTW2, I posted this message to several places on the internet. Sorry if anybody feels it's off-topic. Charles Martin Australian National University, Canberra.

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Re: [PD] recommendations for usb (firewire?) audio interfaces?
by B. Bogart 24 Sep '08

24 Sep '08

Thanks all for the recommendations. I have actually used an FA101 before, it lived in my old research lab. I had never used it under linux, only OSX. It seems two mic inputs is the norm. Being new to audio stuff, what is the difference between the XLR and 1/4 jack inputs? I know the mic inputs are amplified, but how does that effect what mics can be used? For my tracking application there will be an array of 3 mics on three axes. The idea is that I'll measure the difference in timing for the sound to reach each mic and triangulate. So for this application what type of mics are best? (As in is it a problem that there are only two preamp inputs?) I'm thinking the FA66 currently. How easy is the freebob setup nowadays? One thing that is driving me crazy about my onboard audio chips is the idiot names that come up in alsamixer. I have no idea what is what because the channels don't have names that make any sense. Do higher end interfaces have more useful/sensible channel labels? like Line in 1-4, mic in 5-6 etc..? Thanks again. B. Bogart

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[polygrainsynth] minor update
by Phil Stone 24 Sep '08

24 Sep '08

This is a minor update; if you're using OSC with [polygrainsynth] (or ever plan to), you should pick it up. Some parts of the OSC tree were incomplete in the initial release of [polygrainsynth]. This has been rectified in version 0.2. webpage: http://www.pkstonemusic.com/polygrainsynth.html archive: http://www.pkstonemusic.com/code/polygrainsynth.tgz Phil Stone www.pkstonemusic.com

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file association on gnome
by patco 23 Sep '08

23 Sep '08

Hi, something weird is happening if I want to open pd patches with double clic, it opens the patch with gedit any good gnome user would tell me to right clic on the patch icon and select open with pd and it works but after I do this setting, .txt files are opened with pd!?? so I do right clic on txt file, open with gedit and it works but after I do this setting, .pd files are opened with gedit and so on do someone has the same behavior? This is happening on ubuntu hardy i386 and pd-extended

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recommendations for usb (firewire?) audio interfaces?
by Collin Oldham 23 Sep '08

23 Sep '08

Hi Ben, list, I have an Edirol FA-101, which I like, and a M-Audio Firewire 410, which I don't like. You are on linux, so the M-Audio Firewire 410 won't work for you anyway. I use the FA-101 on OSX, but it's linux support was one reason I chose it, though I haven't tested it under linux. Edirol makes a similar device (UA-101) which is USB 2.0 and is more money for some reason. My 2 cents. I'm mostly motivated to write because it makes me feel better about having two devices, including one crappy one. cheers, Collin

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Pd-list September 2008