Pd-list February 2007

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148 participants
295 discussions

big mistake.....in my previous mail
by Andres Ferrari 22 Feb '07

22 Feb '07

sorry for my cable crossing... I meant "NOTE DURATION"...NOT KEY VELOCITY!!!!!! in my previous mail. thanks again. AndrÃ©s Ferrari G. http://puredata.org/Members/anfex __________________________________________________ Correo Yahoo! Espacio para todos tus mensajes, antivirus y antispam Â¡gratis! RegÃstrate ya - http://correo.espanol.yahoo.com/

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fluid~ and faster key velocities
by Andres Ferrari 21 Feb '07

21 Feb '07

hello, when i use fluid~ with 5 notes chord and i increase key velocity under 60 ms(with repeated chord)my cpu is saturated. is problem of my ram, my cpu or fluid~ don't work fine with super fast rhythm??? osx 10.4 1.33mh 768 ram pd 0.38 thanks a lot. AndrÃ©s Ferrari G. http://puredata.org/Members/anfex __________________________________________________ Correo Yahoo! Espacio para todos tus mensajes, antivirus y antispam Â¡gratis! RegÃstrate ya - http://correo.espanol.yahoo.com/

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infinite composing, aleph II
by Eric Lyon 21 Feb '07

21 Feb '07

I asked the organizers if they would allow submissions using Pd and received the following reply: === Thanks for your mail and your interest in the competition. We have discussed your question and - since max/MSP and PD are so similar - we have decided to allow works made in PD as well. I hope that this applies to you so that we might hear from you again when the deadline of the competition approaches :0) Best wishes, Marie Büchert, Coordinator SPOR 2007 === Cheers, Eric

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Re: [PD] is this a spectral gate?
by Frank Barknecht 21 Feb '07

21 Feb '07

Hallo, jared hat gesagt: // jared wrote: > This looks sweet, thanks Frank! Hoping to have a play with this as > soon as I get to do some actual music making later this week > > Hey guys, sorry I arrived a little late to the thread.... > > Frank, did you post an example of the FFT patch that you explained? They were attached to the mail, and they are also linked from here: http://footils.org/cms/show/60 in slightly update versions. The other patch I'm talking about is I03.resynthesis.pd from the audio.examples Ciao -- Frank Barknecht _ ______footils.org_ __goto10.org__

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Pd-Extended-0.38.4 devices-audio settings
by Charles Henry 21 Feb '07

21 Feb '07

Hi, list, I have had trouble with pd-extended-0.38.4 lately. I once had it installed, and it worked fine. Then, I upgraded to 0.39, and later I decided to go back to 0.38. Since that time, I have had trouble recognizing ALSA devices from the audio settings menu. Instead, I see input device #1, #2, #3 instead of the specific names and 0 channels for input and output. Upon changing 0 channels to 2 channels, there is an unknown audio API error. I just don't get it. Does anybody have an idea what is going wrong here? Chuck

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Difference in behavior between OS X and Linux (Linux is Broken)
by David F. Place 21 Feb '07

21 Feb '07

Dear Pd Pundits, I was struggling to make a patch work which does a kind of operation which is trivial in every other programming language ever invented. (patch attached) I could not get it to work. Exasperated, I decided to call on your kind help. In order to send the email, I transfered the files to my PowerBook from my linux workstation. I thought I should test them on the Mac first and whaddaya know? It works. The patch sets up some translation tables from pitch classes to frequency according to pythagorean tuning and syntonic comma offsets. I think a Pd Guru will find it pretty transparent. On linux only half of the updates to the table get installed. Thanks in advance. Cheers, David --o-------o-o-o---o-o-o--- David F. Place mailto:d@vidplace.com

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Re: [PD] Using a Wind Controller with PD
by Malte Steiner 21 Feb '07

21 Feb '07

> Cool! I have some patches that I would like to create an "interface" > with a WX5. Do you have anything like a prototype that you use to > build these things? I have to dig and can send it to you later but its not difficult nor complex. The libsensor is build in the mouthpiece and can be played with the libs, you can actually chew your sound (or in my case visuals). Its just another datastream and adds to the expressiveness of the instrument. Cheers, later more... Malte -- Malte Steiner media art + development -www.block4.com-

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real-time sonogram
by Florian Grond 21 Feb '07

21 Feb '07

Dear list, I'm looking for something like a real-time sonogram in pd in combination with GEM on windows XP. The idea would bee to write into a texture buffer a new line every time a audio vector is analyzed and then to cycle through the buffer in some sort of fifo mode. Ideally the content of the texture buffer can be accessed and textured onto lines. Has anybody an idea if something like this was done already, and where can I find it? Any hint much appreciated, Thanks, Florian -- /////// / |< ||| | ZKM | Zentrum fuer Kunst und Medientechnologie /////// / |< ||| | ZKM | Centre d'Art et Media /////// / |< ||| | ZKM | Center for Art and Media LorenzstraÃe 19 D- 76135 Karlsruhe Tel: +49. 721. 8100-1001 +49. 721. 9117430 Mob: +49. 177. 3099094 Fax: +49. 721. 8100-1709 www.grond.at

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Re: [PD] FFTease (was: is this a spectral gate?)
by Eric Lyon 21 Feb '07

21 Feb '07

Although I am currently maintaining FFTease by myself, the software was originally created as a collaboration with Christopher Penrose in 1999. It is based on non-realtime spectral processing software that we developed on the NeXT computer starting in the late 1980s. Cheers, Eric > fftease covers most popular spectral manipulation goodies. Originally > by Eric Lyon and ported to pd by Thomas Grill, IIRC. > > >

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[PD-announce] Reminder/Rappel::PureData Convention '07/Congrès PureData '07 - Call for Proposals
by darsha hewitt 21 Feb '07

21 Feb '07

[VERSION FRANÇAISE CI-DESSOUS] L'oeuvre ouverte|PureData Convention '07 - Call for Proposals * August 21st-26th, 2007, Montréal Canada * Deadline for artworks/performances and workshops: February 28th 2007 * Deadline for papers: March 31st 2007 http://convention.puredata.org The PureData Convention Steering Committee is now accepting proposals for participation in L'oeuvre ouverte (the Open Work), the 2nd International PureData Convention. L'oeuvre ouverte invites an open relation between the artwork and the public as well as open attitudes and practices in the fields of programming, artistic creation and scientific research. It will bring together artists, developers and writers who develop, use and reflect on PureData. The Convention will acknowledge the broad range of artistic and technical disciplines that make use of the software and will address questions of openness and accessibility. It will provide a theoretical and artistic context for the understanding of the aesthetics and politics of Free / Open Source Software culture. Selected proposals will reflect varied perspectives and outlooks on the artistic possibilities of free software and hardware that emanate from a wide-ranging community. These include, but are not restricted to connections to art, science and society as well as demonstration of innovative and intuitive interactions. We encourage a wide range of submissions from all levels of proficiency with the software as well as from emergent and diverse PureData communities. Submissions will be evaluated by peer review committees. Proposals are sought in the following categories: Artwork/Performances: The selected artworks should make use of PureData. All forms of audioand visual art including real-time interactive works, improvisations with technology, instrumental/electroacoustic mixes, sound installations, performances, network art, robotics, software art and interdisciplinary work are welcome. Papers and posters: We are accepting papers that offer varying perspectives on technical, social, cultural as well as art theory/historical aspects of PureData or the aesthetics and politics of Free / Open Source Software (FOSS) culture. Demos: Externals, Performance patches, Packages of abstractions, sensors and physical computing interfaces, etc. Workshops: Beginner to advanced level hands-on workshops, installation help, DIY etc. ::applicants are invited to submit in multiple categories:: please read the application guidelines: http://convention.puredata.org/guidelines |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| L'oeuvre ouverte|Congrès PureData 2007 - Appel de propositions * Du 21 au 26 août 2007, Montréal, Canada * Appel à participation – Jusqu'au 28 février pour les projets artistiques et les ateliers, le 31 mars pour les exposés. http://convention.puredata.org/convention07-fr Le comité organisateur du Congrès de PureData accepte maintenant les propositions en vue de participer à L'oeuvre ouverte, 2e Congrès international de PureData. L'oeuvre ouverte propose une relation d'ouverture entre l'oeuvre d'art et le public et encourage les attitudes et les pratiques ouvertes dans les domaines de la programmation, de la création artistique et de la recherché scientifique. Le congrès réunira artistes, développeurs et théoriciens qui sont les créateurs de PureData, qui exploitent le logiciel ou en font l'objet de leur réflexion. Le Congrès témoignera de toute la gamme des disciplines artistiques et techniques qui exploitent le logiciel libre et s'intéressera aux questions d'ouverture et d'accessibilité. Il servira de cadre théorique et artistique pour la compréhension des aspects esthétiques et politiques propres à la culture du logiciel libre. Les propositions retenues refléteront les nombreuses perspectives que le logiciel libre et ses applications, émanant d'une collectivité diversifiée, offrent en matière de possibilités artistiques, qu'il s'agisse, notamment, de jonctions établies entre l'art, la science et la société ou de la présentation d'interactions innovatrices et intuitives. Les propositions les plus diverses sont les bienvenues, peu importe le degré de compétence de l'auteur à l'égard du logiciel. L'invitation est lancée, entre autres, aux collectifs de PureData en émergence. Les propositions seront évaluées par des comités de pairs. Les propositions doivent se situer dans les catégories suivantes: Oeuvres d'art/installations: les œuvres de toute nature, produites à l'aide de PureData, soit toute forme d'art audio et visuel, y compris les œuvres interactives en temps réel, les improvisations technologiques, les pièces instrumentales et électroacoustiques, les installations sonores, les performances, l'art robotique et télématique et les œuvres multidisciplinaires. Exposés et affiche: communications apportant diverses perspectives sur les aspects techniques, sociaux, culturels, l'histoire de l'art de PureData, de même que sur les aspects esthétiques et politiques de la culture du logiciel libre. Démonstrations: périphériques, outils de performance, extras, senseurs et interfaces, etc. Ateliers: travaux pratiques de niveau débutant à avancé, aide aux installations, activités manuelles, etc. SVP lisez les lignes directrices: http://convention.puredata.org/guidelines-fr ::Les intéressés sont invités à faire des propositions de nature multiple:: _______________________________________________ PD-announce mailing list PD-announce(a)iem.at http://lists.puredata.info/listinfo/pd-announce

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Pd-list February 2007