I could also ask why does the fact that the resulting music itself doesn't have much to do with censorship matter? (even though I think it's a little overstated, as the music is a direct translation of those data)
I reckon the modalities by which a process happens do matter in my personal methodology. However the response of a viewer to such process can be diverse from one individual to another.
M
2010/12/20 Mathieu Bouchard matju@artengine.ca:
On Mon, 20 Dec 2010, Marco Donnarumma wrote:
2010/12/20 Mathieu Bouchard matju@artengine.ca:
Ok. Thus your music doesn't really have anything to do with censorship.
Not directly. The involved process does.
Why does it matter, that the involved process does ?
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