On Thu, 3 Sep 2009, Derek Holzer wrote:
(I might argue that something called the 1980's killed it already...who actually listens to the last couple drum machine- and sampler-plagued Miles Davis records? Bob O?). The "high culture" vs "low culture" thing was very big that decade if I remember correctly...
How would you explain this greater high-vs-low rift ?
My impression was that the 70's prog-rock genre so much tried to erase the high-vs-low boundary, that it caused record companies to get sick of it, as it grew unmanageable... to say it in just two lines.
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