20 Dec
2010
20 Dec
'10
8:05 p.m.
On Mon, 20 Dec 2010, Marco Donnarumma wrote:
I could also ask why does the fact that the resulting music itself doesn't have much to do with censorship matter?
Because the title of the work is « Sonification of IT censorship technologies » and this title is the public's first contact with the work.
If one can't reasonably hear the censorship in it, is it appropriate to advertise the work using such a title ?
Also, if the media you give for documenting the work is a soundfile, and not a way to witness the process, how can the audience relate to your process instead of just to your soundfile ?
| Mathieu Bouchard ---- tél: +1.514.383.3801 ---- Villeray, Montréal, QC