@Matju: I guess you can't. If the system would be based on a real time flows of IP censored and non-ones, I think it would make more sense to code something which could emphasize the difference. Perhaps this way it would be a different work.
@Joao: Yes, indeed. I tried to create a simple straight-forward conversion of data into sound, without working at all on harmony, scales, etc. Also the design of the synths is nothing too complex on purpose. I wanted the work to focus mostly on the intervention itself and not on its outcome. Although I myself don't think that's a "nice piece of music", I didn't expect that degree of musicality.
M
On Mon, Dec 20, 2010 at 3:36 PM, João Pais jmmmpais@googlemail.com wrote:
funny, you said "I don't want to make a nice music", but when I listened to the recording, I could only hear the nice music, and no IPs or chinese tentacles.
On Fri, 17 Dec 2010, Marco Donnarumma wrote:
Piksel team just released a full video of my recent presentation in Norway for Piksel 2010. The talk focused on the current state of IT censorship technologies and a related sonification work titled Golden Shield Music (http://marcodonnarumma.com/works/golden-shield-music/).
Would a random selection of non-censorship IP addresses make the same patch sound recognisably different ?
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