I hope so... it seems to be a one sided feud, I think sevy does great
work with the pix_opencv libraries and previous work.
.hc
On Dec 3, 2010, at 5:23 AM, ALAN BROOKER wrote:
ok, are you two friends now then? ;)
On Fri, Dec 3, 2010 at 3:18 AM, ydegoyon@gmail.com
ydegoyon@gmail.com wrote: ok, it's proved now you're my old nationalist friend'new world'? with imported old mentality within..
it's just too funny you post this here now..
apart from that, i don't care of your commercials...
ciao, sevy
Hans-Christoph Steiner wrote:
Working again with Bobby Pietrusko and Stewart Smith, I created
sonification for visualization of data about the global wine
industry. It opened recently at SFMOMA in San Francisco. You can see
a little snippet here:http://at.or.at/hans/undervine/
And here's a chunk from a scene that didn't make the final cut be we
like anyway: http://at.or.at/hans/blog/2010/11/21/highlighting-data-with-sound/"Wine is a potent force in contemporary life, perhaps the only
comestible to produce its own visual culture. How Wine Became
Modern, the first exhibition of its kind, looks at the world of wine
and the role that architecture, design, and media have played in its
stunning transformation over the past three decades. Developed in
collaboration with the New York architecture studio Diller Scofidio
- Renfro, the exhibition features historical artifacts,
architectural models, multimedia installations, newly commissioned
artworks, and even a "smell wall" to provide a richly textured
experience in the galleries. Come discover how important cultural
preoccupations of our day, such as the meaning of "place" and
"authenticity" in our increasingly global and virtual world, play
out at this uniquely fertile intersection of nature and culture. At
once a nuanced investigation and a vivid sensory and aesthetic
experience, this exhibition presents wine as you've never seen it
before."November 20, 2010 - April 17, 2011 http://www.sfmoma.org/exhibitions/406
http://www.sfmoma.org/press/releases/exhibitions/829
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Programs should be written for people to read, and only incidentally
for machines to execute.
- from Structure and Interpretation of Computer Programs