What I am looking for is a mathematical way to calculate the length of a transposition envelope relative to its effect on a finite-length sample, and so to
derive a length for the envelope that will allow the envelope and the sample to play out over the same duration. The transposition will continuously change
the length of the sample, and so from my limited knowledge of mathematics I reckon it will take some integration of the breakpoint envelope to calculate this
number. I'm just not sure how to do this.
you're computing exp(0.0577623*(y*120-60+pitch)) before a [line~].
first you will have to explain why the [line~] ought to occur before the exp, because that makes no sense to me.
Yes, I realised that the other day, and fixed it as-per enclosed patch.
whenever i take a breakpoint segment and break it in two such that I get two segments with the same slope, it shouldn't sound any different, but it has to
sound different if you do the exp (or any other non-affine changes) before the [line~].
Well, at least it's a pitch envelope now, and not a speed envelope.
E