Hello Arie,
What is the expected future of PDRP in the short? Is the music to be
included restricted to originally pd/fts/max.. pieces?
-This whole attemp was rather nastily twarted by IRCAM. Miller developed some considerable tools, used in their first phase of realizing score-following. They revised their technology with FTM & Suivi objects and more or less denied him the right to continue. Also the repertory using these seem to santified by IRCAM.
I'm really sorry. I didn't know about this. I hope this question hasn't been inconvenient. This is really sad.
i've seen several edus are teaching live electronic classics, but
haven't found >any more patches out there.
-Maybe this a good reason to start the basis of a general repertory
I wish that patches, scores and other materials would be of free access to the rest of the world, at least for educational use. That can surely be handled by some kind of licence.
and the registration of that.
I'm sorry but i dont understand what you mean with 'the registration'. Do you mean a (world-wide catalogue), like RISM or something like that?
Different pieces / different composers / different demands demand different tools: PD, Max/MSP, SuperCollider.
Are there any 'open' classical pieces under these other platforms?
The outcome of these considerations need to be that a more genral description is provided by people who want these resources to be applied and to be applicable to their work(s).
But as this hasn't been done very frecuently yet, will we have to wait 75 years (or whatever the time of the rights of the music and software to become public domain) to get our hands on this music?
Miller's attempt is is something to be encouraged.
Indeed it is.
greg.
AvS
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