14 Nov
2010
14 Nov
'10
8:54 p.m.
On Wed, 10 Nov 2010, patko wrote:
particulary Xi for flûte, http://james-ingram-act-two.de/stockhausen/Xi/sxia1l.html
I just noticed the parts in IPA (phonetic alphabet). [y] [ø] [œ]
First time I see those on a score. Interesting.
Also, how a composer would do when he need to build his own scale, from empiric harmonic rules? Let me try to explain, music composition has evolved a certain way technically that one composer could build up a scale for each different piece he makes. How could he write scores that could be read by any genuine musician any time?
What's a genuine musician ?
| Mathieu Bouchard ---- tél: +1.514.383.3801 ---- Villeray, Montréal, QC