Can we have a view of one of these pieces written with "modern notation"?
just to have a clue about what we are saying in here.
I've played several pieces where composers like K. H. Stockhausen used their own notation, not based on a standard, in fact there is no standard for microtonal music because:
1/ this style doesn't exist since a significant enough amount of time.
2/ actually many different styles of microtonal music emerge from different composers that uses their own notation system.
3/ no one (that I know) has been able to find an harmonical relationship that would introduce a real notation system like we have in classical music notation.
Also the notation example I've proposed does exist, I couldn't post a screenshot otherwise.
well that was my two cents, I'm proposing solutions, I'm not trying to sell my stuff.
Selon João Pais jmmmpais@googlemail.com:
Also you might be interested by this:
http://strasheela.sourceforge.net/strasheela/examples/Output/05-MicrotonalCh...
we see microtones indicated by signs upside the note, not in the armature, neither on the ladder, this is clean, easier to read than microtonal 'flat up' , or microtonal 'natural down' signs
I'm just giving the viewpoint of a composer who works with modern notation here. I've never seen this standard before. I'm sure that if I see any reference about it I'll understand how it works, but this isn't anything that has been widely used (if at all) in written music. Since there are already several notation standards out there which are widely used, any solution that might be programmed should use these standards. Or in the end it come out a nice object, but not really usable by musicians (which was the first topic of this thread).