*Patching Circle*
*Fri, April 116:30pm*
*Conference Room*
Embedded Generative Music Systems on Android and iOS with Chris McCormick
and Dan Wilcox. Learn how to embed Pure Data on your Android or iPhone.
The New York City Patching Circle is an free alternating monthly meeting
and salon open to anyone who is working or interested in media programming
and audiovisual performance. We mostly use Pd and Max/MSP, but all are
welcome.
Beginners and Experienced welcome. Open to everyone, students, the public,
unicorns. Work on personal projects, professional projects, school
projects, ask for help, help others, or just patch quietly to yourself in a
room full of other people patching patches and helping other people patch.
Each month there will be informal salon, featuring demonstrations of
projects, performances and systems in the process of being built. The
format will include short performances, artist talks about process and
performance techniques and Q&A depending on time availability. The salon
is openly curated with the intent of being as inclusive as possible and
participation is open all practitioners working in realtime media.
Sofy Yuditskaya
s~ <http://yuditskaya.com>
Hello all,
For those who would like to try my new tuning library before it is
released: the first test release of Muditulib is now available on
sourceforge. Algorithms to translate less into more dimensions are not
included yet. However, the tuning and pitch systems should be working. A
reference manual is also not available yet, but relevant information can be
extracted from the articles on my website, LAC2014 proceedings, and slides
on the LAC2014 website, as well as from the Pd help files.
https://sourceforge.net/projects/muditulib/http://muditulib.eu/http://lac.linuxaudio.org/2014/files
Muditulib, a multi-dimensional tuning library, is a library to be
implemented (wholly or partly) in music production software. It consists of
a core of C functions. Additionally a Pure Data implementation is provided.
This implementation consist of several classes to be used as a modular
system. The library makes use of a multi-dimensional numerical pitch
representation system, a variant of the very well-known one-dimensional
MIDI note system. Ambitions for other implementations are very welcome.
Muditulib offers new ways of approaching tuning within the scope of
diatonic (roughly the majority of) tonal music within the digital domain.
For more information please have a look at http://muditulib.eu, read the
README.txt or the Muditulib Reference Manual.
Kind regards,
Funs Seelen
_______________________________________________
Pd-announce mailing list
Pd-announce(a)iem.at
http://lists.puredata.info/listinfo/pd-announce
Hello,
I'm wondering how to get a list of midiout devices without GUI.
This has to work without GUI.
I tried [mediasettings/midisettings] but it always report 0 devices (both
in and out) when there is no GUI.
i also know the -listdev option to Pd, but this only list devices in
console, and I need to proccess the number in the patch.
I observe this on Linux (both Ubuntu 12.04 64bit and Raspbian (kernel
3.10.25+) with pd 0.45-4.
But it seems to be OK on MacOS with pd 0.45-3.
Thanks
Antoine
--
do it yourself
http://antoine.villeret.free.fr
Hi,
I'm trying to playback a sound file from the same array using multiple
[tabread4~] objects but I'm getting nasty clicks presumably because they
are having accessing the same array at the same time. Is there another
approach to this or some other way of avoiding the clicks?
thanks
James
=========================================================
Call for Papers
Workshop on Practice-Based Research in New Interfaces for Musical Expression
NIME 2014 Workshop: Goldsmiths, London, UK www.nime2014.org
Workshop website: http://www.creativityandcognition.com/NIMEWorkshop/
Submission Deadline: May 12, 2014 (No extensions!)
Notification: May 16, 2014
Workshop date: June 30, 2014
=========================================================
Practitioner-researchers in new musical instrument/interface design often
set themselves multiple challenges: they seek to design and implement new
technologies, create and perform new works, examine and evaluate what they
have done and, finally, articulate what has been learned in the process.
To do this effectively requires careful consideration of the links between
creative work and research. Failing to do so can lead to technical
research which lacks relevance to creative practice or, conversely,
creative work where the broader contribution is unclear.
This workshop focuses on the relationships between creative practice and
research - and blends of the two - with particular emphasis on new musical
interface/instrument design.
Combining practice and research leads to a series of difficult questions,
including:
- What constitutes a contribution in the context of practice-based research
in new musical instrument/interface design?
- How do we show that we have made a contribution? What kinds of evidence
are appropriate?
- Do we always need to evaluate our interfaces/instruments? What does
evaluation mean in creative contexts? Are there fixed criteria?
- What is the status of the work (performance, instrument, composition,
exhibition, ...) itself? Is it possible to understand the contribution of
practice-based research without experiencing the work? What is the role of
documentation?
- What is the place of personal reflection in relation to practice-based
research?
PARTICIPATION
We invite 2-4 page papers or position papers for presentation and in-depth
discussion. Submissions from students are welcome and encouraged. Topics
may include, but are not limited to:
- Case studies of practice-based research in the area of NIME.
- Theoretical and conceptual framings of practice-based research in NIME
contexts.
- Personal reflections on past or ongoing practice-based research projects.
- Techniques and methods for examining people’s experiences with new
instruments/interfaces.
- Approaches and methods from other domains and cultures.
- Radical ideas, new approaches.
Papers will be peer-reviewed and accepted papers will be published in the
workshop proceedings and archived on the workshop website. After the
workshop, selected participants will be invited to expand their papers for
a special issue of Leonardo Transactions.
Once selected, all workshop participants are required to register for at
least one day of the NIME conference. You can register at http://www.
nime2014.org/registration/
SUBMISSION
Submit papers via EasyChair at: https://www.easychair.org/
conferences/?conf=pbrnime2014
ORGANISERS
Andrew Johnston, Sam Ferguson and Ernest Edmonds
Creativity and Cognition Studios, University of Technology, Sydney
http://creativityandcognition.com
CONTACT
Please send enquiries to pbrnime2014(a)easychair.org
Is there a working music notator in PD?
pp
Patrick Pagano, B.S, M.F.A
Assistant in Digital Arts and Science
Digital Media Projection and Audio Design
Digital Worlds Institute
University of Florida, USA
(352)294-2070
Apologies for cross-posting...
With great pleasure I am pleased to announce DISIS spring event of 2014.
As part of the ICAT Day, VT Institute for Creativity, Arts and Technology
(ICAT) and School of Performing Arts' Digital Interactive Sound and
Intermedia Studio (DISIS) presents its Spring Showcase, a part of the
"Digital iD" performance series featuring an evening of multisensory
performances that fit no preexisting form or template. The event will
feature the Kandinsky Trio and guest artist Chris McCormick, Virginia Tech
faculty artists Ivica Ico Bukvic, Lee Heuermann, Eric Lyon, and Charles
Nichols, Virginia Tech's Linux Laptop Orchestra (L2Ork), and students
engaged in the DISIS and Cinema curricula. Also on the concert is a
performance of Terry Riley's "In C," played telematically between musicians
at Virginia Tech and Stanford University. Using JackTrip software, the two
schools will stream audio across the continent, allowing the distributed
musicians to perform together in real time. "Digital iD" offers an
exploration of synergies among music, technology, arts, gesture,
collaboration, interactivity, and ultimately community. The event is free
and open to the public.
For additional info:
DISIS Event Page
http://disis.icat.vt.edu/main/events/140505.php
Facebook Event Page
https://www.facebook.com/events/215198612022428/
Complete ICAT Day Schedule of Events
http://www.icat.vt.edu/content/icat-day-0
Best wishes,
--
Ivica Ico Bukvic, D.M.A.
Associate Professor
DISIS, L2Ork, ICAT
Virginia Tech
School of Performing Arts - 0141
Blacksburg, VA 24061
(540) 231-6139
ico(a)vt.edu
disis.music.vt.edul2ork.music.vt.edu