Hi, I've read miller's book and I've always wanted to know a bit more about
reverbs. I also want to better explain these examples to my students. One
thing I wonder is about the choice of delay lengths for the early
reflections and also for the recirculating delay lines. They seem quite
arbitrary, right?
All I could make of it is that these numbers are just broken down so they
don't become multiples of each other, resulting in a rather complex mesh of
reflection times.
But also, it seems that a "room size" parameter can be controlled by the
size of the delay lines, right?
Anyway, I'd appreciate if I could learn more about these abstractions and
also some cool references for study (such as "digital reverb modelling for
dummies").
cheers